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Paul Oakenfold & Alexander Popov Rework Rompasso’s Iconic Cloud House Anthem ‘Angetenar’!

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Rompasso’s self-styled “cloud house” sound lifted his profile to the skies in 2018 when he unveiled his stunning single ‘Angetenar’. Having garnered in excess of 150 million digital streams, propelled up Shazam’s Top 100 Worldwide chart and found itself on heavy radio rotation throughout Europe, Asia, and North America, Rompasso’s ‘Angetenar’ quickly became a fan favorite on electronic music radars the world over. Now, IDMA nominee and trance outlier Alexander Popov, along with one of his earliest influences the scene-defining Paul Oakenfold, deliver a trance-headed remix of Rompasso’s beloved ‘Angetenar’.

With an opening reprise of satellite bleeps, Popov and Oakenfold waste no time in putting the track into full gear as the liquid psytrance bass ends and echoing operatic samples create a wide-open cinematic feel. ‘Angetenar’s distinctive intergalactic beeps return as the track changes course for the break’s suspense before being swung back into effective fashion.

One of the leading names in the Russian trance scene Alexander Popov has bubbled to the surface beyond just his native home to find strong international success. From appearing at events such as Global Gathering and A State Of Trance 600, to reworking tracks for the likes of Cosmic Gate and Armin van Buuren, his name continues to resonate with the global trance community. Having recently released the 2019 edition of his Interplay album series, featuring a cross-section of his imprint’s finest contributors alongside remixes of his 2018 second full-length album ‘Intention’, Alexander Popov has been exploring his passion for emotive, beautiful trance/classical hybrid sound. Which is what led him to rework Rompasso’s ‘Angetenar’.

Cue Paul Oakenfold. The original pioneer of DJ culture, Paul brings to this collaboration a wealth of experience along with his personal love and appreciation for the modern classic that is ‘Angetenar’. From his work with the likes of Brittany Murphy, Nelly Furtado, Ice Cube, and Hunter S Thompson, to remixing songs by Kings of Leon, Elvis Presley, U2, Michael Jackson, The Cure and The Rolling Stones, and film scores for blockbuster movies The Bourne Identity, Matrix Reloaded, Shrek 2, Swordfish and Collateral. Paul Oakenfold continues to elevate and shape a genre and remain one of the leading forces in the global music scene today.

Together the pair wrap up 2019 with their reimagined ‘Angetenar’ remix.

Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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EDM

MR.BLACK, Steve Aoki & MARNIK Join On ‘Instant Moments’

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Steve Aoki, Marnik, MR.BLACK

MR.BLACK teams up with Steve Aoki and MARNIK for a genre-blending banger that reimagines a trance classic for today’s mainstage generation.

With collaborations common in the electronic dance scene, it’s always exciting when a new track arrives from not one, but three trailblazing acts. Steve Aoki, MARNIK, and MR.BLACK have joined forces to deliver ‘Instant Moments’, a hard-hitting production that blends each artist’s signature sound into one explosive anthem. Every musical element lands with precision, creating a result that’s impossible to ignore.

Old-school trance fans will immediately recognize the infectious melody, as the track reimagines R.O.O.S.’s iconic late-90s hit ‘Instant Moments’. While the updated version stays true to the original’s addictive hook, the trio injects it with a faster BPM, renewed energy, and cutting-edge modern sound design built for today’s mainstages.

Throughout the track, they blend elements of psy-trance, hard techno, and high-energy festival sounds, crafting a hybrid built for peak-time impact. Already igniting dancefloors as a sought-after ID at major events, ‘Instant Moments’ lives up to the hype with relentless energy and modern intensity. This release marks a bold statement from three powerhouses operating at full throttle.

Stream this single below and on all other platforms here.

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Music

Petersky (PL) Unleashes New Single, ‘Take It’

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Petersky

Released on LVLD Music, ‘Take It,’ is Petersky’s latest record, delivering a deep tech-house sound to nightclub dancefloors. Its rolling groove has the power of keeping crowds on the move, providing a hot atmosphere to ravers.

The bassline is probably this song’s most important aspect, giving life to the production in a fun way, while maintaining the underground vibe of ‘Take It.’ Think of the famous sound of Chris Stussy tracks, but reimagined in Petersky’s own fashion.

Simplistic but catchy, the song can be the highlight of a set. Its punchy bass adds to the funky bassline, while hypnotic stabs join during the breakdowns, tingling the eardrums of listeners.

Petersky (PL) – Take It (Cover)

Petersky And What’s To Come

Following the release of ‘Take It,’ Petersky plans a series of fresh tech-house records, focusing on percussive energy, analog textures, and a club-ready bounce.

Additionally, a collaboration with fellow Polish artist, Lina Rash is in the works. Together, they are building Groove Garden, a project that will include deep tech and tech house productions, DJ performances, and live events that will allow their music to expand over multiple crowds.

Stream ‘Take It’ right now, available worldwide.

Follow Petersky:
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Drum & Bass

DJ Madam Filth Drops Drum and Bass Track ‘Got That Blow’

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DJ Madame Filth

DJ Madam Filth Returns With Drum and Bass Track ‘Got That Blow’

Las Vegas-based DJ Madam Filth has released her second track on the Dancefloor Mafia label, titled Got That Blow. Known for her presence in the U.S. drum and bass scene, she brings another fast-paced offering that reflects her commitment to building both her sound and her label’s direction.

The track runs for just under four minutes and wastes no time setting its pace. It opens with a rhythmic pattern that leans into familiar DnB territory like quick tempo, tight percussion, and minimal melodic distractions. There’s a focus on keeping the structure clean and the transitions purposeful. Instead of throwing in multiple breaks or sound detours, the song keeps the listener on a straight course with steady layering and repetition.

There’s a vocal sample running through the main progression, acting as both a hook and a rhythmic anchor. Rather than relying on dramatic builds, the track maintains a linear intensity. That choice gives DJs room to use it mid-set to either maintain drive or transition without losing pace.

More Than Just a Single

Got That Blow is not just another release. For DJ Madam Filth, this marks another step in solidifying her platform. As a resident on Vibe 99.7FM’s Bass Nation and co-founder of the Konkrete Jungle event series, she’s not new to the genre or its surrounding community.

The Dancefloor Mafia label, which she launched independently, serves as a space for her to release her own music and to experiment with tracks built directly for the kind of dancefloors she plays regularly. Her style often leans toward straightforward arrangements that favor flow over theatrics. Got That Blow fits into that catalogue clearly.

For Listeners and DJs Alike

This track isn’t trying to reinvent the genre. It’s meant for settings where speed, precision, and familiarity matter. The production is tight, with all elements serving the rhythm rather than competing for attention. For fans of minimal, high-speed DnB, it’s a track that can slot comfortably into playlists or live sets without dominating them.

DJ Madam Filth continues to approach her releases with intention. Got That Blow may not be overly complex, but it’s well-built for the purpose it serves. If you follow her work—or just want a no-frills DnB addition to your library as it’s worth a listen.#

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