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Collabhouse GO Launches for Independent Artists

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A split promotional image for Collabhouse GO showing the platform's circular feature diagram on a deep purple background on the left, with icons for Distribution, Community, Library, Fanbase, Promotion and Opportunities, alongside a man seated on a wire chair in a minimalist white studio setting on the right.

Collabhouse GO launches as an all-in-one platform giving independent artists distribution, promotion, community and fan management in one place.

Collabhouse has unveiled its latest iteration Collabhouse GO, a powerful evolution that collates all the tools independent artists need to grow their career in one easy-to-access online location.

Founded by Spinnin’ Records co-founder Eelko van Kooten, Collabhouse has grown into a global platform used by over 200,000 artists, connecting users with content creators through its groundbreaking Music Library and collaboration tools. As a new generation of artists builds careers on their own terms, Collabhouse is setting the pace with a new, mobile-first platform built to support artists at every stage of their career.

Over a year was spent intensively developing Collabhouse GO to become an essential toolkit, the one music platform behind it all. The new centralised hub now contains a multitude of tools necessary to build an artist’s career, a system underpinning everything to guide them through the whole process, and an online global community of fellow producers.

“With Collabhouse GO, users don’t have to struggle balancing different platforms across different operating systems,” Collabhouse CMO Andy Berendsen said. “It’s a time saving gamechanger that is going to free musicians up so they can do what’s really important – making great music.”

Designed to do the heavy lifting of music release campaign work, Collabhouse GO allows users to easily connect and collaborate with other artists, create shared filing systems for collaboration, and distribute music properly and legally, including setting up splits, royalties and neighbouring rights.. 

Users can also build and manage their own fan base/CRM inside the platform, enrich it with fan data over time, and use it to communicate with their audience via email and newsletter push set-ups. 

“It means release and tour communications can be incredibly agile and highly effective,” Collabhouse Campaign Manager Riccardo Amatucci said. “And that data belongs to the artist, not us, a huge differentiation between Collabhouse GO and regular social media channels.”

The platform’s community groups allow users to connect with other creatives, Berendsen explained. “With Collabhouse GO you don’t just use tools, you become part of a real community. A place where artists grow together, support each other, and build something bigger than just streams.” 

All aspects of Collabhouse GO are supported by the platform’s in-built AI manager. Assessing incoming data across multiple channels, the AI manager guides users through the best next steps to maximise reach and return, delivering management-style advice and tips when asked.

Collabhouse GO’s developers have been at pains to make the platform as useful in real life as it is online, creating a unique “Opportunities” page. Here users can tap into real world benefits including live label demo drop sessions, sync possibilities from brands and agencies, events advertising for artists, and exclusive perks and deals from Collabhouse GO partners. 

“These are things that can genuinely help artists grow their careers,” Berendsen said, “it’s the core of what Collabhouse GO is all about. We’re here to help independent artists with solid, genuine opportunities that carry real worth.”

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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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deadmau5 Takes Over Red Rocks For Halloween

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deadmau5 wearing his mau5head helmet against a smoky orange and blue background

deadmau5 takes over Red Rocks for Halloween on October 30 and 31 with two special shows and the return of mau5hop

For more than 15 years, deadmau5 has returned to Red Rocks Amphitheatre each fall, with the Colorado venue becoming a regular part of his seasonal live shows. This year, that tradition reaches a new point as he performs at Red Rocks on Halloween itself for the first time, with DEADMAU5 HALLOWEEN taking place on October 30 and 31. The two-night event will feature VOWWS, joined by Josh Freese and Danny Lohner, alongside special visuals, selections from deadmau5’s catalogue and new music. The weekend will also include the return of the mau5hop pop-up in Denver, with exclusive merchandise, collectibles and meet-and-greet sessions across both days.

VOWWS Joins deadmau5 For The Halloween Shows

VOWWS will join deadmau5 across the two nights, with Josh Freese and Danny Lohner also part of the performance. The Australian-born, Los Angeles-based duo of Matt James and Rizz have long worked across darker alternative and electronic sounds, with previous collaborations involving Gary Numan, Chino Moreno and Chelsea Wolfe.

Josh Freese, whose credits include A Perfect Circle, Foo Fighters, Nine Inch Nails and The Vandals, also appears on VOWWS’ latest album I’ll Fill Your House With An Army. Danny Lohner, known for his work with Nine Inch Nails and The Black Queen, will join the duo at Red Rocks as part of the expanded live lineup.

What deadmau5 Has Planned For Halloween

The October 30 and 31 shows will feature special Halloween visuals alongside selections from deadmau5’s catalogue and new music. Attendees are also being encouraged to come in costume across both nights.

The shows add a new chapter to deadmau5’s long history at Red Rocks, where his fall appearances have become a regular fixture over more than 15 years. He was back at the venue in 2025 for Day of the Dead, where he debuted new music and parts of a new touring production.

That period has continued into 2026 with ‘Science’ featuring Stevie Appleton, his first vocal single since ‘My Heart Has Teeth’. The track later reached No. 1 on US Dance Radio and also entered Billboard Dance/Mixshow Airplay and Canada CHR/Top 40.

mau5hop Returns For Halloween Weekend

The Halloween weekend will also include the return of mau5hop in Denver, opening on October 30 and 31 at 95 S Cherokee Street. The pop-up will run from 11:00 AM–6:00 PM each day with specialty merchandise, limited-edition apparel, pins and collectibles not available online or at the shows.

deadmau5 and friends are also due to appear for meet-and-greets and signings from 12:00 PM–3:00 PM on both days.

With the Red Rocks shows and mau5hop both returning across Halloween weekend, this year’s edition adds more around a tradition that has already become closely tied to deadmau5 and the venue. The biggest difference in 2026 is simple: for the first time, one of those shows will actually fall on Halloween night.

With VOWWS, Josh Freese and Danny Lohner joining the shows, new music expected and mau5hop returning to Denver, DEADMAU5 HALLOWEEN has plenty planned across the weekend. Limited tickets remain for both nights at Red Rocks Amphitheatre, with more from deadmau5 also expected in the months ahead.

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BETH Turns Up the Energy With New Single ‘Wait’

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Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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The Warehouse Project Announces Stacked Lineup For 20th Anniversary Event

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View from behind the decks as a DJ plays to a packed crowd under red lasers at The Warehouse Project

2026 marks the 20th anniversary of The Warehouse Project and to celebrate they’ve got a stacked lineup heading to the Warehouse in December.

On October 5th it was 20 years to the day since the very first WHP event which was held at the old Boddingtons Brewery. In the 20 years since Public Enemy kicked off The Warehouse Projects history they’ve grown exponentially and now call the legendary Depot Mayfield home. The Warehouse Project is not only one of Manchester’s most iconic venues, it’s one of the most iconic venues in the world. They’ve already been marking this huge anniversary with incredible events selling out and now they’ve added another to the calendar.

On December 19th they’ll be holding they’re official 20 years of The Warehouse Project event with a litany of legends on the bill. The lineup includes icons such as Carl Cox, Chris Stassy, Ewan McVicar, Seth Troxler, and many more. All 4 of The Warehouse Projects stages will be in play with over 20 DJs spread across the Depot, Concourse, Archive, and Vault stages. 10 hours of heavenly electronic music are on the table for all ravers to get stuck into and enjoy experiencing a part of history. On their social media Warehouse Project said, “WHP has always been about much more than just a lineup… but we are particularly proud of this one.”

With 2027 being a quiet year for The Warehouse Project as they have stated they’ll be taking a breather, they’re looking to close out 2026 strong. They’ve made a lot of history over the last 20 years and WHP is looking poised to create even more before the years out. Tickets go on sale on October 9th 2026.

To sign up for pre-sale tickets click the link below:

Pre-sale Sign Up

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