EDM Festival News
Day Zero 2026: Tulum’s Jungle Reawakening
Mark your calendars: on January 10, 2026, the renowned Day Zero festival returns to the jungle near Tulum, Mexico, for its twelfth, most magical edition yet.
A Jungle Odyssey
Since its inception in 2012, created by Damian Lazarus to celebrate new beginnings alongside the Mayan calendar. Day Zero has made a name for itself as more than just a party. It’s a sensory journey, where music, nature, and myth collide under the canopy of ancient trees.
From lasers slicing through leaves to artists who feel as if they’ve emerged from another dimension, Day Zero turns Tulum’s wild landscape into a landscape of infinite possibility.

This Year’s Line-up: Curation at Its Finest
The 2026 line-up reads like a who’s-who of the underground, blending live acts with top-tier selectors who thrive in twilight and dawn hours. Highlights include:
- House/techno visionary Damian Lazarus himself.
- Detroit’s own Seth Troxler, bringing his inimitable energy.
- Brazilian hit-maker Vintage Culture, spreading melodic rhythms across the jungle.
- Dutch house/techno maestro Mau P — not one to be missed.
- A dedicated stage for Mexican underground talent — curated under Lazarus and Metrika — featuring local live sets and home-grown heroes.
With 30 artists across three stages, Day Zero promises depth, diversity and darkness as the jungle night morphs into dawn.
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Why This Edition Feels Special
- Location: Tulum’s jungle has always been the perfect backdrop — wild, raw, and infused with ancient energy.
- Curation: Unlike some festivals chasing mass appeal, Day Zero remains rooted in underground sensibility. Each artist is hand-picked to contribute to an overarching mood, not just to fill slots.
- Vision: Lazarus’ commitment to ritual, art installations, and connection to place makes this less of a gig and more of an event in the truest sense.
Local integration: The Mexican-artist-dedicated stage proves that the festival honours its host country’s culture and scene, rather than merely importing international names.
For the EDM Fan Who Wants More
Day Zero will transport you to an all-night journey rather than a three-hour slot. Arrive early (sunset is key), stay until the first light of dawn, and allow yourself to be carried by the sound, the setting, and the shared energy of the crowd. General release tickets are now officially available, and with 70% of capacity already claimed in presales, this edition is expected to sell out fast.
Visit Day Zero’s official website dayzerofestival.com and grab your tickets now via Get In. Prepare to dance through the shadows, the light, the night and the dawn. See you in the jungle.
EDM Festival News
Les Plages Électroniques Announces First Wave of Artists for Its 20th Anniversary Edition
Les Plages Électroniques is France’s most iconic beach festival and now it unveils the first wave of artists set to perform at its landmark 20th anniversary edition next August in Cannes. Returning to the sands of the Côte d’Azur, the festival continues its legacy of blending world-class electronic talent with a uniquely Mediterranean atmosphere.
7 August 2026 will see Martin Garrix headline. He is one of the world’s most influential EDM superstars, known for global chart-topping hits and headline performances at the biggest festivals worldwide and will be joined by Nico Moreno, a leading force in the new wave of industrial techno, recognised for his fast, hard-hitting sets that dominate underground stages across Europe. Mosimann is next and is the Swiss DJ, producer and vocalist celebrated for his hybrid live sets and genre-blending approach, merging house, pop and electronic performance.
8 August 2026 welcomes Multi-platinum producer and global dance icon Marshmello whose crossover hits have earned billions of streams and collaborations with the world’s biggest artists. Then comes Belgium’s Amelie Lens, one of techno’s most powerful modern figures, known for her hypnotic, high-energy sets and commanding presence on the world’s largest stages. Chart-topping French rapper PLK also brings his signature melodic flow and sharp lyricism to the Riviera while Vladimir Cauchemar is a producer and performer known for his flute-driven trap sound and visually striking aesthetic.
9 August 2026 sees DJ Snake present Pardon My French as the global superstar returns to the Croisette with his famed PMF collective, bringing high-energy bass, trap and dance music to close the festival.
This summer marks two decades since Les Plages Électroniques began as a small local gathering in 2006. Today, the festival welcomes more than 60,000 attendees from around the world and presents over 90 artists annually across six stages spanning the beach, rooftops, the Palais des Festivals and the open sea.
Set between the Bay of Cannes and the Croisette, the festival has become a defining symbol of summer in the South of France with an immersive experience from beach sunsets to late-night afterparties inside the Palais.
The 20th anniversary edition will celebrate the festival’s heritage while pushing forward with enhanced production, new stage concepts, special collaborations and commemorative moments honouring two decades of creativity and connection.
In August 2026, the Croisette will once again transform into one of Europe’s biggest dancefloors as the countdown begins for the festival’s most anticipated edition yet.

Editorial
Inside EDC Thailand: What It Really Feels Like Under the Electric Sky
EDC Thailand 2025 unfolded across a wide network of stages, rides, and themed areas, with music carrying steadily across the venue from afternoon into the early hours. Movement between sets felt continuous, while spaces outside the main stages, from kandi exchanges to the wedding chapel, offered moments that stayed with people longer than any single performance. Fireworks brought the field to a standstill more than once, with people pausing together as each sequence filled the sky. As EDC Thailand prepares for a larger venue in 2026, these details remain central to what being under the electric sky in Thailand is actually like.
Under the Electric Sky, Thailand Edition
EDC Thailand unfolded in Phuket in January 2025, with the entrances already active before people fully stepped inside. Performers danced near the gates as groups filtered through, some holding flags from their home countries, others stopping briefly to watch before moving on. The Ferris wheel and merry-go-round were already turning, lit clearly against the night and visible from across the grounds. Music was playing from different directions, overlapping as people moved further in.
Inside, the space revealed itself gradually. Kinetic Field dominated the view with its scale, while CircuitGround, StereoBloom, Bionic Jungle, and the Boombox Art Car pulled attention in different directions depending on where you stood. People moved freely between stages, sometimes circling back to a set they recognised, sometimes stopping simply because something caught their eye. The rides stayed busy, walkways stayed full, and the night moved forward without a clear start or pause. Under the electric sky, EDC Thailand felt lived in from the first hours rather than staged.

The Wedding Chapel: Love and Chaos Combined
The wedding chapel became one of the busiest spots inside EDC Thailand 2025. People lined up in colorful outfits, some carrying inflatable bouquets, others wearing plastic crowns picked up along the way. Couples stepped in one after another, with some clearly together for years and others laughing about having just met that night. The line moved steadily, with people watching, filming, and reacting as each ceremony played out.
Music continued through the vows without stopping. Confetti fell during photos, strangers hugged, and groups shouted from the sides before drifting away. A few couples exchanged kandi rings, while others posed quickly and headed back toward the stages. The chapel stayed active throughout the night, serving as a brief stop between dancing, where people came in, shared a moment, and moved on.

The Rides and the Rhythm
The Ferris wheel rose above the center of EDC Thailand 2025 and stayed visible from most parts of the venue. From the top, stages appeared spread out below, with light patterns moving across the grounds and fireworks breaking above the site. As the wheel turned, the volume shifted slightly, growing quieter at the peak before returning on the way down. People pointed out Kinetic Field, CircuitGround, and other landmarks to friends while the city lights and festival lighting blended into one view.
Nearby, the merry-go-round drew a different pace. People sat quietly as it rotated, phones in hand or resting at their sides, watching the lights circle overhead. Some stayed on for more than one round before stepping off and rejoining the flow toward the stages. Both rides remained active throughout the night, offering a change in perspective without pulling people fully away from the music playing across the grounds.

Kandi Culture and Connection
Kandi trading at EDC Thailand 2025 followed the full PLUR exchange rather than a quick handoff. People stopped, faced each other, and went through the hand movements together before swapping bracelets. It happened in walkways, near stages, and sometimes in the middle of conversations that started with a simple question or nod. The exchange was deliberate, even in busy areas.
Many bracelets carried words like “PLUR,” “Sawasdee,” or “Stay Kind.” After the exchange, people often stayed for a moment, said a few words, or danced together before moving on. Nearby, totems were raised above the crowd, helping groups reconnect after splitting up and serving as clear markers in packed areas. Kandi trading remained part of how people interacted throughout the night, not as a performance, but as a shared habit that required attention and presence.

The Fireworks and Finale Moments
Fireworks were something people actively waited for across all three days at EDC Thailand 2025. Each night ended with a fireworks show, and by the second day, people were already checking the sky as the sets came close to closing time. Groups stopped walking, some turned their backs to the stages to see better, and others climbed onto barriers or shoulders. When the first fireworks went up, the movement across the venue slowed almost immediately.
The last night was different. Before The Chainsmokers came on, a special fireworks sequence ran for around six minutes, longer than the previous nights and clearly set apart. People stayed put instead of drifting between stages, watching the entire thing play out without rushing anywhere else. When it ended, there was a brief pause before the stage lights shifted and the set began. It felt like the final breath before the weekend pushed forward again, something everyone seemed to take in at the same time.

Photo by Skyler Greene skygreene.com
What Stayed With People
Looking back at EDC Thailand 2025, what stayed with people were not headline moments but repeated, familiar scenes. The Ferris wheel turning above the site late into the night, the wedding chapel line circling back on itself, kandi exchanges happening in walkways between Kinetic Field and CircuitGround, and the pause that spread across the grounds when the fireworks began. These were the moments people talked about while leaving, not tied to any single set or stage.
As EDC Thailand moves into a larger venue in 2026, those details set the standard. The first edition showed how the festival worked when music, rides, rituals, and shared pauses existed side by side. From the PLUR exchanges to the final fireworks, the experience came together through how people used the space rather than what was scheduled on it.
That is what being under the electric sky in Thailand actually meant.
EDM Festival News
Insomniac & OFF2 Announce Lost In Dreams Festival Canada Debut
Insomniac has confirmed its first Canadian event, bringing the acclaimed Lost In Dreams brand to the Greater Vancouver area on February 15, 2026, during the Family Day long weekend. The debut comes in partnership with OFF2, one of Canada’s premier electronic music promoters, marking a significant milestone as both teams introduce a new era of melodic and vocal-driven experiences to Canadian audiences.
The festival will make its national debut at Tradex in Abbotsford, BC, anchored by a standout lineup led by ILLENIUM, whose phoenix emblem was quietly slipped into the announcement video before fans quickly uncovered the hint. He’ll be joined by Dabin and Sabai, alongside Elephante, TELYKAST, Koji Aiken, and OBLVYN, forming a bill that reflects both the emotional depth and global flavor that reflect the Lost In Dreams vision.

Since launching, Lost In Dreams has grown into one of Insomniac’s most recognizable festival concepts, championing the melodic, vocal-led corner of electronic music. What began as a flagship event in Los Angeles has evolved into a full ecosystem, spanning a record label under the Insomniac Music Group umbrella and stage takeovers at major festivals including EDC Las Vegas and Nocturnal Wonderland. The Vancouver edition now becomes the brand’s second flagship festival and the first to take place outside the United States.
For OFF2, the partnership marks a major step in elevating Canada’s presence on the global dance music map. The collaboration blends OFF2’s established legacy of Canadian events with Insomniac’s internationally renowned creative direction, promising a world-class production built around immersive staging, cinematic visuals, and artists who embody the emotional pull of melodic electronic music.
Lost In Dreams Vancouver is set to become a landmark moment for the Canadian dance community, a new West Coast destination event that brings fans together for a night of powerful performances, soaring vocals, and the unmistakable Insomniac experience.
Fans can sign up for exclusive updates, presale details, and more at lostindreams.co/vancouver.
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