EDM Festival News
Day Zero Bali 2026 Was More Than A Festival
Day Zero Bali 2026 Was More Than A Festival as Savaya and GWK Cultural Park turned the debut edition into a full Bali experience
Day Zero Bali 2026 marked the festival’s first-ever edition in Bali, bringing its Tulum-born sunset-to-sunrise concept to the island through a week of events that moved across Savaya, Ulu Cliffhouse, Desa Kitsuné, The Istana, and the main festival at GWK Cultural Park. I was there for the Savaya takeover on April 15 and the main event on April 17, which made the debut feel like more than a one-night festival. It was also my first time experiencing Day Zero, and having that first experience happen during its first Bali edition gave the weekend a different kind of weight. From the cliffside setting at Savaya to the scale of GWK Cultural Park, Day Zero Bali 2026 felt less like a standard festival stop and more like a full Bali experience built around music, setting, and the people who came for it.
Beginning Day Zero Week With John Summit At Savaya
Before Day Zero Bali 2026 reached its main festival at GWK Cultural Park on April 17, my own experience started two days earlier at Savaya Bali. On April 15, John Summit played Savaya with Cameron Jack as part of Day Zero Week, bringing one of the week’s biggest club moments to Uluwatu before the main sunset-to-sunrise festival. Savaya gave the night a completely different setting from GWK Cultural Park, with its cliffside location above the Indian Ocean, open-air layout, and sunset-to-night format making it feel like its own destination event within the wider Day Zero Bali 2026 program. Instead of feeling like a separate pre-party, the takeover worked as the first real entry point into the festival week for me.
At Savaya, it already felt like Day Zero had started. The decor was spread across the venue, the branding showed up in different corners, and the whole space felt closer to a mini festival than a regular club night. People were moving through the venue, taking in the view, meeting friends, and slowly gathering closer to the booth as the night went on. I was right at the front for John Summit, which made the set feel much more personal because there was almost no distance between the booth and the crowd. You could see people reacting track by track, the venue shifting as the sky got darker, and the night slowly becoming separate from normal Bali nightlife. With the ocean behind the venue, the lights across the crowd, and Day Zero details everywhere, Savaya felt like its own world for a few hours, and that made the April 15 takeover feel like the real beginning of my Day Zero Bali 2026 experience.
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Day Zero Bali At GWK Cultural Park
After Savaya, the main Day Zero Bali 2026 experience came together on April 17 at GWK Cultural Park, where the festival held its central sunset-to-sunrise event. This was the core night of the April 14 to 19 Day Zero Week, following the takeover events across The Istana, Desa Kitsuné, Ulu Cliffhouse, and Savaya. What made GWK Cultural Park important was not only its size, but the way it matched the concept of Day Zero. The festival has always carried a strong link to ritual, setting, and long-form electronic music, and the Bali edition brought that into a site known for the Garuda Wisnu Kencana statue and large open-air spaces tied to Balinese cultural identity. The lineup also made that connection clearer, with Gamelan Semara Ratih (Live) appearing on the same program as Damian Lazarus, Bonobo, John Summit, Jamie Jones, Âme DJ, Vintage Culture, Monolink, Jan Blomqvist, and Satori, placing a Balinese musical element directly inside the main festival night.
That was where the festival started to feel different from a normal destination event. GWK Cultural Park already had scale before any stage, lighting, or production came into the picture, so Day Zero Bali did not need to force the cultural side of the experience. The festival details, the visual direction, the Balinese elements, and the setting all felt connected to where we were. After the more intimate feeling of Savaya, walking into GWK felt like entering the larger version of the same world. The space made people look around, slow down for a second, and take in the fact that this was not happening in a random festival field. It was happening under one of Bali’s most recognizable cultural landmarks, with electronic music, local sound, and the Day Zero concept meeting in the same place. For my first Day Zero, that made the main festival feel more meaningful because the Bali debut did not feel copied from another location. It felt like Day Zero had adapted to Bali without losing what made the festival recognizable in the first place.
The Meaning Behind Day Zero Bali
Day Zero began in Tulum in 2012, created by Damian Lazarus around the end of the ancient Mayan calendar and the idea of a new beginning. That origin still matters because Day Zero has never been presented as only a lineup-led festival. Its identity has always been connected to place, ritual, nature, and the responsibility of holding an event in an environment that people are meant to respect. For the Bali debut, that context felt even more important because the main festival took place at GWK Cultural Park, a site closely tied to Balinese cultural identity through the Garuda Wisnu Kencana landmark and its large open-air grounds. The Bali edition also placed sustainability at the center of the event, with Day Zero describing its local approach through Leave No Trace, recyclable materials, organic waste handling, aluminium recycling, plastic reduction, and a zero-landfill goal for the festival.
That message felt much stronger after seeing how GWK Cultural Park looked once the festival had ended. An event running from sunset to sunrise at that scale can easily leave a venue feeling exhausted the next day, especially with thousands of people moving through the grounds, food and drink areas operating all night, decor placed across the space, lighting and production being packed down, and the usual pressure that comes with turning a cultural site into a festival setting. What impressed me was how quickly the space seemed to return to itself. By the next day, GWK Cultural Park was already back to normal, which made the sustainability side of Day Zero Bali 2026 feel visible beyond the words attached to the event. It showed care in a way that people could actually notice after the music stopped, especially because the festival had created such a complete world inside the park the night before. For me, that became one of the clearest reasons Day Zero Bali felt different. It did not only bring the Tulum concept to Bali for one night. It treated the location as something that had to be respected before, during, and after the festival.
Why Day Zero Bali Should Return
By the time Day Zero Bali 2026 ended, it felt like the festival had made a strong case for why Bali should become part of its future. The first edition had the right balance of international pull, local setting, and a week-long structure that gave people more than one way to experience the festival. Savaya gave Day Zero Week its more intimate cliffside moment, while GWK Cultural Park gave the main event the scale and cultural setting needed for a proper Bali debut. That combination made the experience feel considered, not just placed on the island for the sake of adding another destination to the calendar.
For me, the biggest reason Day Zero Bali worked was because it gave the festival space to grow without losing what made it feel personal. There was the excitement of seeing John Summit at Savaya, the scale of walking into GWK Cultural Park, the cultural details throughout the main festival, and the respect shown to the venue once everything was over. Those details made the debut feel like the beginning of something with real potential in Bali. If Day Zero Bali returns, it already has a strong foundation to build from: a concept people understand, venues that match the island’s character, and a format that can turn a festival weekend into a fuller experience across Bali.
Music On Festival 2026 has been cancelled after the Municipality of Amsterdam revoked the event’s permit hours before it was due to open its doors.
Music On Festival 2026 has been cancelled just hours before it was due to open its doors, after the Municipality of Amsterdam revoked the event’s permit this morning. The festival, scheduled to take place across 9 and 10 May at Meerpark Amsterdam in partnership with Loveland, will no longer go ahead. Thousands of ticket holders who had already made travel plans to attend are now being urged not to travel to the festival grounds, as entry will not be permitted.
The announcement came via an official statement shared by the Music On team on social media, who described the news as “devastating.” The organizers confirmed they had no prior warning, stating they only received the information themselves earlier today and were given no choice but to cancel. The statement did not specify the reason the Municipality of Amsterdam chose to revoke the permit, and the full details behind the decision remain unclear at the time of writing.
Music On is the festival arm of Marco Carola‘s long-running Music On brand, which has become one of the most respected names in techno and house music. Having previously held its Amsterdam edition in association with Loveland — one of the city’s most established electronic music promoters — the festival had built a loyal following among fans of underground dance music across Europe and beyond.
The cancellation comes as a significant blow, not only to attendees who had invested in travel and accommodation, but to the wider electronic music community in Amsterdam. The city has faced growing scrutiny around event permits in recent years, and last-minute revocations of this kind raise serious questions about the relationship between large-scale music events and local authorities.
The Music On team has promised to update ticket holders as soon as possible regarding next steps, including information on refunds and any further developments. No reason has yet been given by either the organizers or the Municipality of Amsterdam for the permit revocation. EDMHouseNetwork will continue to follow this story as more details emerge.
EDC Las Vegas 2026 celebrates its 30th anniversary with its most stacked lineup ever, spanning seven stages under the Electric Sky at Las Vegas Motor Speedway.
The 30th anniversary of EDC Las Vegas features the most stacked lineup in the festival’s history. This milestone edition celebrates the kineticJOURNEY theme with rare back-to-back sets, fresh talent, and iconic legacy acts. Among the highlights are the EDC Las Vegas 2026 Must-See Acts, drawing attention from fans worldwide.
New stage designs and unique label takeovers will offer a reimagined experience under the Electric Sky. Let’s dive into the three must-see acts at every major stage, making sure not to miss the EDC Las Vegas 2026 Must-See Acts throughout the weekend.
kinetic FIELD: The Heart of the Festival
As the festival’s epicenter, kineticFIELD hosts the weekend’s most popular acts. Expect a high-energy atmosphere as these legends return to the mainstage.
• Laidback Luke b2b Chuckie (Friday): This first ever back to back brings back the golden era of Big Room and Dirty Dutch. Expect “fat” drops and high-octane energy.
• Hardwell (Saturday): Marking his first U.S. festival appearance outside of Miami in years, Hardwell’s return to EDC is a decade in the making.
• GRiZ b2b Wooli (Sunday): Bass takes over the mainstage as these titans collide. GRiZ brings the funk, while Wooli provides the heavy vibrations.
circuit GROUNDS: Immersive Innovation
Moving from the mainstage, circuitGROUNDS presents rising stars to a massive, 360-degree sensory experience fueled by LED walls and hundreds of lasers.
• Levity (Friday): After their viral 2022 Electric Forest set, this trio has taken the scene by storm. Their debut on this massive stage is a career milestone long overdue.
• RØZ (Saturday): Hailing from Mexico, this duo delivers a future house sound that feels entirely new. They are a prime example of the fresh talent that Insomniac is championing this year.
• Peggy Gou b2b Ki/Ki (Saturday): Two global powerhouses join forces for a rare techno and house crossover that will likely be the weekend’s most talked-about set.
cosmic MEADOW: The Grand Entrance
As you enter the speedway, you are immediately engulfed by the beauty of cosmicMEADOW. This stage acts as a second mainstage, often hosting live acts and eclectic sounds.
• MPH (Friday): Leading the UK Bass and Garage charge, MPH is essential for anyone looking for groovy, high-speed rhythms.
• DJ Gigola b2b MCR-T (Saturday): This duo brings an edgy, high-BPM energy that perfectly suits the “HARD Records curated night.
• Nico Moreno b2b Holy Priest (Sunday): Closing the festival with industrial sounds, these two will ensure you leave the speedway with your ears ringing and your heart racing.
quantum VALLEY: A Trance Sanctuary
For those seeking a more melodic journey, quantumVALLEY embodies the spirit of the early rave days. Furthermore, EDC Las Vegas 2026 Must-See Acts at quantumVALLEY will provide unforgettable trance moments.
• Gareth Emery (Friday): A true master of the genre. Emery seamlessly blends old-school trance melodies with modern production.
• Mathame (Saturday): This duo brings a cinematic melodic techno flare to the stage, offering a dark yet beautiful sonic landscape.
• Cassian (Sunday): Known for his crisp production and emotional builds. Cassian is the perfect bridge between progressive house and trance.
neon GARDEN: The Techno Warehouse
For the techno heads, neonGARDEN is mandatory. This year, the stage is driven by deep grooves and relentless, fast-hitting beats.
• Adriatique (Friday): These Swiss masters excel at long-form, hypnotic journeys that will keep you locked into the groove for hours.
• Josh Baker b2b Kettama b2b Prospa (Saturday): A massive UK-centered takeover that promises to bring raw house and rave energy to the stage.
• Klangkuenstler (Sunday): If you want hard, uncompromising shranz, Klangkuenstler is the undisputed king of sunday night.
bass POD: The Basshead’s Paradise
If you’re a basshead, you’ll likely spend your weekend at the newly redesigned bassPOD. With dubstep’s growing popularity, this stage feels like the “new” mainstage and is home to some truly EDC Las Vegas 2026 Must-See Acts.
• Adventure Club’s Throwback Set (Friday): Revisit the melodic dubstep roots that defined an entire generation of ravers.
• Doctor P b2b Flux Pavilion b2b Funtcase (Saturday): The Circus Records legends unite for a historic trio set that is pure bass nostalgia.
• Eazybaked (Sunday): Representing the “weird” side of bass music, their sound design is as experimental as it is heavy.
waste land: The No Mads Land
Whether you crave hard techno, frenchcore, or hardstyle, wasteland remains your high-BPM guilty pleasure.
• Kuko (Friday): Representing the Unreal Germany takeover on Day 1 of EDC. Kuko delivers industrial techno with euphoric, Shranz-inspired melodies.
• Audiofreq b2b Code Black b2b Toneshifterz (Saturday): These hardstyle icons combine their energy for what will surely be the most amped set of the weekend.
• DJ Isaac (Sunday): A true pioneer of hardstyle. Isaac’s sets are a masterclass in the history and future of hard dance.
Honorable Mentions:
• stereoBLOOM: Don’t miss Bolo’s sunrise set or the heavy house grooves of Chris Lorenzo b2b Bullet Tooth.
• bionicJUNGLE: For underground vibes, check out Tiga or the melodic house of HAAi b2b Luke Alessi.
If these artists standout on your radar, be sure to check them out with the official EDC 2026 playlist below! Above all, remember that EDC Las Vegas 2026 Must-See Acts offer experiences you won’t soon forget.
Red Bull Midsummer Announces Global 28-Hour Event as seven cities connect across Tokyo, Mumbai, Vienna, Berlin, London, New York, and Los Angeles on June 20
Red Bull Midsummer is a global electronic music event series coming to Los Angeles and New York City on June 20 as part of a synchronized 28-hour event connecting Tokyo, Mumbai, Vienna, Berlin, London, New York, and Los Angeles across three continents. The concept follows the sun from Asia to Europe and into the U.S., with real-time broadcast feeds linking each host city as the day moves through different time zones. For its U.S. debut, Red Bull Midsummer will split its focus between The Roosevelt Hotel in Los Angeles and Sunset Park Rooftop in Brooklyn, pairing global names with local artists, collectives, and daytime community activities. The wider event also points to a larger shift in how electronic music events are being presented, where city identity, live broadcast, and global scheduling can turn one date into a shared music experience across several scenes without making every stop feel the same.
How Red Bull Midsummer Connects Seven Cities Across One 28-Hour Event
The main idea behind Red Bull Midsummer comes from how the event uses June 20 as more than a shared date. The series follows the movement of daylight from Tokyo to Los Angeles, connecting Tokyo, Mumbai, Vienna, Berlin, London, New York, and Los Angeles across a synchronized 28-hour event. That structure gives the concept a clear global route: Asia opens the day, Europe carries the middle stretch, and the U.S. closes the event from the East Coast to the West Coast. Instead of presenting seven separate parties under one name, Red Bull Midsummer places each city inside the same timeline, with every location joining the event as its own time zone enters the day.
The city selection also gives the event more range than a standard global lineup announcement. Tokyo opens the route with Vegyn, whose work connects electronic production with left-field club music and wider music culture, while Mumbai brings in Arjun Vagale, a key name in India’s techno scene. The European section moves through Vienna, where FISHER gives the event a larger festival-facing draw, before continuing into Berlin with DJ Seinfeld, linking the project to one of electronic music’s most recognized club cities. London adds Jyoty, whose profile crosses radio, DJ culture, and global dance music, before the event reaches the U.S. with two different coastal identities.
That U.S. stretch is where the global concept becomes more specific. New York brings the event to Sunset Park Rooftop in Brooklyn with a lineup connected to club history, Black electronic music, and contemporary dance floors, including Juan Atkins, Andre Power, BAMBII, UNIIQU3 B2B Shekdash, and Black Rave Culture. Los Angeles closes the route at The Roosevelt Hotel, where TOKiMONSTA, Austin Millz, Noodles, Pangea Sound, Baile World, and STRAWBRY & Friends place the final stop closer to a West Coast daytime event format. The real-time broadcast feed is what brings these parts together, giving each city a live link to the others as the event moves through the day. For Red Bull Midsummer, the format turns the summer solstice into a city-to-city electronic music sequence, with local scenes connected through one continuous global event.
Los Angeles And New York Bring Two Different U.S. Scenes Into Red Bull Midsummer
For its U.S. debut, Red Bull Midsummer separates Los Angeles and New York through two different event formats. The Los Angeles edition begins before the main DJ schedule, with Long Distance World leading a morning community run before The 9AM Banger opens the music program at The Hollywood Roosevelt. From there, the lineup moves through heds, STRAWBRY & Friends, Pangea Sound, Baile World, Noodles, Austin Millz, and TOKiMONSTA, giving the Los Angeles stop a daytime arc that starts with movement, continues through local collectives, and ends with one of the city’s most recognized electronic artists.
New York gives the U.S. debut a different foundation at Sunset Park Rooftop in Brooklyn, where the event runs from 10 AM to 1 AM EST with a lineup tied more directly to club history, Black electronic music, and current East Coast dance music. Juan Atkins, credited in the press release as the originator of Detroit techno, appears alongside Andre Power, Anastazja, BAMBII, UNIIQU3 B2B Shekdash, Black Rave Culture, Ayanna Heaven, PLYR1, and Tim Fields, making the Brooklyn date feel less like a simple rooftop day party and more like a wider club culture program. The press release also notes movement classes from The Ness and The Fit In, which adds another layer to the New York schedule before the event moves into its later hours. Together, the two U.S. editions give Red Bull Midsummer a clearer split: Los Angeles frames the day through outdoor social energy and local creative groups, while New York ties the format to dance music history, community movement, and a longer night-time run.
Why Red Bull Midsummer Fits Into The History Of Daytime Dance Music
Red Bull Midsummer also connects to a longer history of daytime electronic music, from early acid house gatherings to Ibiza’s open-air culture. That reference matters because the event is not only using seven cities to make the announcement feel bigger. Daytime dance music has always worked differently from late-night club programming, especially when open-air settings, sunlight, movement, and social gatherings become part of how people experience the music. By choosing June 20, Red Bull Midsummer ties that history to the summer solstice, using the longest stretch of daylight as the frame for a global electronic music event.
That context also explains why the U.S. editions include more than DJ sets. Los Angeles starts the day with Long Distance World before The 9AM Banger, while New York adds movement classes from The Ness and The Fit In alongside its rooftop lineup. These details keep the event connected to dance music culture without making it feel like a normal club schedule moved earlier in the day. Across the full route, Red Bull Midsummer takes the day-party idea more literally, following daylight across continents while each city contributes its own artists, setting, crowd, and local music references. The result is a format that connects club history, outdoor music culture, and city identity through one shared date.
Red Bull Midsummer Ticket Details And Event Information
Red Bull Midsummer takes place on June 20, 2026, connecting Tokyo, Mumbai, Vienna, Berlin, London, New York, and Los Angeles through a synchronized 28-hour global event.
Tickets for Red Bull Midsummer New York City go on sale May 7 at 12 PM ET. The New York edition takes place at Sunset Park Rooftop from 10 AM to 1 AM EST.
Tickets for Red Bull Midsummer Los Angeles go on sale May 7 at 10 AM PT. The Los Angeles edition takes place at The Roosevelt Hotel from 10 AM to 10 PM PST.
More information on the full global event is available at Redbull.com/Midsummer, with updates from @redbullmusic. For its U.S. debut, Red Bull Midsummer gives Los Angeles and New York two different roles inside the same global event: Los Angeles closes the route with a West Coast daytime schedule, while New York brings the Brooklyn stop into club history, rooftop culture, and community movement.
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