EDM news
Fantasm Speaks Out After Defamation Case Win
Fantasm Speaks Out After Defamation Case Win over false sexual abuse allegations associated with his name for years
Fantasm has spoken out after winning a defamation case tied to false sexual abuse allegations that had been publicly associated with his name for years. The ruling marks a major turning point for Fantasm, real name Kenzo Meservey, after a period in which the accusations affected his reputation, career, and personal life while continuing to circulate online. The case was heard by the Lyon Judicial Court, which found the accuser guilty of public defamation and ordered damages, emotional distress compensation, and legal fees to be paid. His statement also addresses how his name was later pulled into the wider Techno Files fallout before the legal process had reached its conclusion, adding another layer to the public scrutiny around him. With the matter now concluded in court, Fantasm is using this moment to correct the public record, address the impact of the case, and move forward with his music and upcoming projects.
Fantasm Addresses The Years Of Damage Behind The Defamation Case Win
After the ruling, Fantasm addressed the outcome directly on Instagram, writing about how difficult it was to begin the case without the support system he later found around him. He said he was 19 when the situation started, placing the case within a period that affected the early years of his career as well as his personal life. That context matters because the ruling is not only a legal update, but also a response to years of public association with allegations the Lyon Judicial Court found had no factual basis. His post frames the decision as a moment of relief after a long process that unfolded while his name continued to circulate online. It also gives readers a clearer sense of why the case carries personal weight for Fantasm, beyond the headline of a legal win.
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The official statement goes further by describing the period as “incredibly difficult and painful” for Fantasm, his family, friends, and professional partners. It points to online harassment, threats, and public speculation as part of the damage created around the case, showing how the allegations extended beyond legal proceedings and into his day-to-day life. The statement also makes a deliberate distinction between protecting genuine victims of misconduct and recognizing the harm caused when unverified accusations are repeated publicly before a court has reached a conclusion. For Fantasm, the ruling now gives him a legal basis to correct the public record and address the personal and professional damage tied to allegations the court found to be false. That balance is central to how he is positioning this moment, with the statement calling for the legal outcome to be acknowledged responsibly while he prepares to move forward.
Lyon Judicial Court Ruling Gives Fantasm A Legal Basis To Correct The Public Record
The Lyon Judicial Court found the individual who accused Fantasm guilty of public defamation against a private individual, giving the case a formal legal conclusion after years of public accusations. According to reports on the ruling, the court found that the accuser had spread claims portraying Fantasm as a sexual predator and rapist, while also determining that the allegations had no factual basis. The ruling ordered the accuser to pay €10,000 in damages, along with €1,000 for emotional distress and €1,000 in legal fees. For Fantasm, the outcome moves the case away from online speculation and into a court-backed record that directly challenges how his name had been discussed publicly.

Fantasm denied the allegations, but that a court has now ruled on the claims after legal proceedings were brought against those responsible for making and spreading them. This changes the editorial responsibility around the story, especially for coverage that previously referenced his name before the case had reached its conclusion. By securing a ruling in his favor, Fantasm now has a judicial decision attached to the public record, not just a personal statement or social media response.
Why Fantasm’s Court Win Matters Beyond One Defamation Case
The wider reaction around Fantasm’s name shows how quickly an allegation can move from social media into the live music business. Before the May 2026 ruling, Fantasm had already faced real-world consequences, including being removed from Dour Festival in summer 2025 and later having a planned Kompass Klub show in Ghent cancelled after public debate around the booking. By February 2026, the wider hard techno fallout had also named artists including Shlømo, Basswell, CARV, Odymel, Hades, and Fantasm, with claims spreading through Instagram posts, reposts, screenshots, and artist statements. Promoters and festivals then began distancing themselves from several names linked to the controversy, turning online accusations into booking decisions before every individual case had reached a legal conclusion.
That chain reaction extended beyond one artist or one country. Reports at the time linked cancellations or removals to names such as Verknipt, Awakenings, World Club Dome, Open Beatz, Airbeat One, Teletech, Doof Music, Medusa Sunbeach, Monegros, and Fabrik’s CODE event, showing how fast the situation moved across the European festival and club circuit. The official statement from Fantasm’s side now pushes back against that kind of public process, arguing that justice should be determined in court, not through online speculation. In Fantasm’s case, the distinction is now legally significant because the Lyon Judicial Court found the allegations tied to him had no factual basis and ruled in his favor. That does not erase the need to take misconduct claims seriously, but it does show how difficult it can be to repair a public image once an artist’s name has already been attached to serious accusations across media, social platforms, and festival lineups.
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EDM Music
Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation
Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.
UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.
The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”
The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.
Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.
‘Off-Cuts (2014–2021)’ is out now on Plexus Records.
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EDM news
Digital Newcastle Announces Diverse Autumn/Winter Programme
Digital Newcastle celebrates its 21st year with a stacked Autumn/Winter programme featuring Luke Dean, Fish56Octagon, K Motionz and L.P. Rhythm
Digital, a staple of Newcastle’s rave culture, has announced its Autumn/Winter (A/W) programme for its 21st year running. Blurring the lines between electronic music genres, the venue is bringing together artists such as Luke Dean, Fish56Octagon, K Motionz and L.P. Rhythm for the final months of 2026.
Having already kicked off at the start of October, the season got underway with two special B2Bs: Club Angel b2b Kyle Starkey, Paige Tomlinson b2b Benwal. The following night, Yotto and Cristoph brought progressive house to the venue as part of an inU.records takeover at Digital.
The opening weekend offered a glimpse of what the venue has in store, warming up the decks ahead of another takeover on Friday, 9 October. Heavy House Society are bringing Sidney Charles, Locky and Gigsta to Digital for a night full of tech-house anthems.
Sidney Charles is currently one of the genre’s hottest names, with his recent track, ‘Jam Is Fresh’ making waves across the tech-house scene. Meanwhile, Locky has an impressive catalogue that includes collaborations with some of the biggest names in house music.
The month continues with other notable events, including two exclusive Halloween parties at the venue, as well as a daytime party on 31 October at Ouseburn Garden headlined by Mella Dee

November & December: The Programme Gets Even Bigger
Although October already presents a strong line-up, November takes things up another level. Jamie Fielding is set to play a 3-hour set during the Northern Frequency takeover, while the SlapFunk x Special Delivery night brings Dungeon Meat b2b Samuel Deep on Friday, 13 November.
However, the penultimate weekend looks set to be one of the month’s biggest highlights, with K Motionz, Conducta and Flowdan joining forces on 20 November. The following night, Jazzy stops at Digital as part of her ‘Peace & Patience Tour’, alongside James Poole.
The final weekend of November sees Fish56Octagon bringing his iconic energy for a night of rave classics, as well as the best of UK garage, hard house and trance.
December keeps the momentum going, with another series of highlights on the horizon. Kepler’s own label brings him to Digital alongside a stacked line-up featuring Soul Mass Transit System, DJ Cosworth B2B Oldboy and many others on Friday, 4 December.

Heading towards Christmas, house stars Luke Dean, MJ Cole and Lucas Alexander are set to go back-to-back on the final event before the holiday break. The same night has Burnski B2B Captain Wallop and Emma 2000 on the decks.
Celebrating New Year’s Eve in style, Digital teams up with Konnekt, bringing L.P. Rhythm to take the crowd into 2027. While the rest of the line-up is still to be announced, the night is expected to be a memorable one in Newcastle city centre.
With more events to be added to the programme, the A/W season at Digital is one of the most stacked in the north of England. Known for its long standing and impactful history on Newcastle’s rave culture, the venue has become more than a place for a night out.
It is a hub where major international artists, established UK names and emerging talent all come together to continue a story in a city whose nightlife remains as vibrant as ever. Tickets for all events at Digital are now available and can be bought via the official website.

Full A/W schedule at Digital Newcastle:
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EDM news
Edele Andaya Launches Andaya Records With ‘Dreams’
Edele Andaya launches independent label Andaya Records with debut release ‘Dreams’ and new Universal Music Group distribution deal
British DJ and recording artist Edele Andaya has launched her new independent label, Andaya Records, with ‘Dreams’ as its first release. The track brings together Edele Andaya, The Neckbreakaz and Agent Jack for a high-energy electronic production aimed firmly at the dance floor. Through the label, Edele Andaya also gains a permanent home for her music and greater control over each release.
Andaya Records Gives Edele Andaya Greater Creative Control
Edele Andaya established Andaya Records as a permanent home for her original music. The label gives her greater creative control over the music, artwork, visual identity and wider direction surrounding each release. While her music sits at the centre initially, the longer-term ambition is for Andaya Records to develop an identity of its own. That could eventually include working with other artists who complement its musical direction.
For its visual identity, Andaya Records uses a stripped-back approach centred on a distinctive metallic ‘A’. Black, white and silver complete the aesthetic.
From Peach To A New Chapter
For Edele Andaya, the launch represents a progression from a career deeply rooted in UK dance music towards a new identity as a contemporary recording and touring artist. She established herself within the trance scene during a five-year residency at Peach, one of the defining brands of UK club culture. Since then, her music has drawn from trance, techno, hard trance and harder-edged electronic music.
Her DJ sets combine vinyl and digital, connecting the music that shaped her career with the contemporary records influencing her today. Her current focus now goes beyond her history within classic trance, with new music becoming an increasingly important part of her work. Through that music, Edele Andaya also wants to connect her experience with a new generation of clubbers.
Andaya Records Expands With Global Distribution
A new worldwide distribution relationship between Andaya Records and Universal Music Group also forms a key part of this next chapter. The partnership provides global distribution, additional infrastructure and marketing support. Edele Andaya can still retain the independent identity and creative control of her own label. ‘Dreams’ is the first release under the new arrangement and begins an ongoing release strategy.
Alongside the distribution agreement, Edele Andaya has recently joined Universal Artists Agency for worldwide representation through Chris Brown. The move brings a new team around the project as she develops its next stage.
Following recent appearances at Luminosity, Godskitchen, Rong, SHINE Ibiza, Peach, Frantic and One More Time Ibiza, Edele Andaya now brings several parts of her career together. Original music, an independent label, worldwide representation and her own event series all form part of that next chapter. ‘Dreams’ is the first release, with Andaya Records marking its beginning.
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