EDM news
Fantasm Speaks Out After Defamation Case Win
Fantasm Speaks Out After Defamation Case Win over false sexual abuse allegations associated with his name for years
Fantasm has spoken out after winning a defamation case tied to false sexual abuse allegations that had been publicly associated with his name for years. The ruling marks a major turning point for Fantasm, real name Kenzo Meservey, after a period in which the accusations affected his reputation, career, and personal life while continuing to circulate online. The case was heard by the Lyon Judicial Court, which found the accuser guilty of public defamation and ordered damages, emotional distress compensation, and legal fees to be paid. His statement also addresses how his name was later pulled into the wider Techno Files fallout before the legal process had reached its conclusion, adding another layer to the public scrutiny around him. With the matter now concluded in court, Fantasm is using this moment to correct the public record, address the impact of the case, and move forward with his music and upcoming projects.
Fantasm Addresses The Years Of Damage Behind The Defamation Case Win
After the ruling, Fantasm addressed the outcome directly on Instagram, writing about how difficult it was to begin the case without the support system he later found around him. He said he was 19 when the situation started, placing the case within a period that affected the early years of his career as well as his personal life. That context matters because the ruling is not only a legal update, but also a response to years of public association with allegations the Lyon Judicial Court found had no factual basis. His post frames the decision as a moment of relief after a long process that unfolded while his name continued to circulate online. It also gives readers a clearer sense of why the case carries personal weight for Fantasm, beyond the headline of a legal win.
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The official statement goes further by describing the period as “incredibly difficult and painful” for Fantasm, his family, friends, and professional partners. It points to online harassment, threats, and public speculation as part of the damage created around the case, showing how the allegations extended beyond legal proceedings and into his day-to-day life. The statement also makes a deliberate distinction between protecting genuine victims of misconduct and recognizing the harm caused when unverified accusations are repeated publicly before a court has reached a conclusion. For Fantasm, the ruling now gives him a legal basis to correct the public record and address the personal and professional damage tied to allegations the court found to be false. That balance is central to how he is positioning this moment, with the statement calling for the legal outcome to be acknowledged responsibly while he prepares to move forward.
Lyon Judicial Court Ruling Gives Fantasm A Legal Basis To Correct The Public Record
The Lyon Judicial Court found the individual who accused Fantasm guilty of public defamation against a private individual, giving the case a formal legal conclusion after years of public accusations. According to reports on the ruling, the court found that the accuser had spread claims portraying Fantasm as a sexual predator and rapist, while also determining that the allegations had no factual basis. The ruling ordered the accuser to pay €10,000 in damages, along with €1,000 for emotional distress and €1,000 in legal fees. For Fantasm, the outcome moves the case away from online speculation and into a court-backed record that directly challenges how his name had been discussed publicly.

Fantasm denied the allegations, but that a court has now ruled on the claims after legal proceedings were brought against those responsible for making and spreading them. This changes the editorial responsibility around the story, especially for coverage that previously referenced his name before the case had reached its conclusion. By securing a ruling in his favor, Fantasm now has a judicial decision attached to the public record, not just a personal statement or social media response.
Why Fantasm’s Court Win Matters Beyond One Defamation Case
The wider reaction around Fantasm’s name shows how quickly an allegation can move from social media into the live music business. Before the May 2026 ruling, Fantasm had already faced real-world consequences, including being removed from Dour Festival in summer 2025 and later having a planned Kompass Klub show in Ghent cancelled after public debate around the booking. By February 2026, the wider hard techno fallout had also named artists including Shlømo, Basswell, CARV, Odymel, Hades, and Fantasm, with claims spreading through Instagram posts, reposts, screenshots, and artist statements. Promoters and festivals then began distancing themselves from several names linked to the controversy, turning online accusations into booking decisions before every individual case had reached a legal conclusion.
That chain reaction extended beyond one artist or one country. Reports at the time linked cancellations or removals to names such as Verknipt, Awakenings, World Club Dome, Open Beatz, Airbeat One, Teletech, Doof Music, Medusa Sunbeach, Monegros, and Fabrik’s CODE event, showing how fast the situation moved across the European festival and club circuit. The official statement from Fantasm’s side now pushes back against that kind of public process, arguing that justice should be determined in court, not through online speculation. In Fantasm’s case, the distinction is now legally significant because the Lyon Judicial Court found the allegations tied to him had no factual basis and ruled in his favor. That does not erase the need to take misconduct claims seriously, but it does show how difficult it can be to repair a public image once an artist’s name has already been attached to serious accusations across media, social platforms, and festival lineups.
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EDM Artist News
deadmau5 Takes Over Red Rocks For Halloween
deadmau5 takes over Red Rocks for Halloween on October 30 and 31 with two special shows and the return of mau5hop
For more than 15 years, deadmau5 has returned to Red Rocks Amphitheatre each fall, with the Colorado venue becoming a regular part of his seasonal live shows. This year, that tradition reaches a new point as he performs at Red Rocks on Halloween itself for the first time, with DEADMAU5 HALLOWEEN taking place on October 30 and 31. The two-night event will feature VOWWS, joined by Josh Freese and Danny Lohner, alongside special visuals, selections from deadmau5’s catalogue and new music. The weekend will also include the return of the mau5hop pop-up in Denver, with exclusive merchandise, collectibles and meet-and-greet sessions across both days.

VOWWS Joins deadmau5 For The Halloween Shows
VOWWS will join deadmau5 across the two nights, with Josh Freese and Danny Lohner also part of the performance. The Australian-born, Los Angeles-based duo of Matt James and Rizz have long worked across darker alternative and electronic sounds, with previous collaborations involving Gary Numan, Chino Moreno and Chelsea Wolfe.
Josh Freese, whose credits include A Perfect Circle, Foo Fighters, Nine Inch Nails and The Vandals, also appears on VOWWS’ latest album I’ll Fill Your House With An Army. Danny Lohner, known for his work with Nine Inch Nails and The Black Queen, will join the duo at Red Rocks as part of the expanded live lineup.
What deadmau5 Has Planned For Halloween
The October 30 and 31 shows will feature special Halloween visuals alongside selections from deadmau5’s catalogue and new music. Attendees are also being encouraged to come in costume across both nights.
The shows add a new chapter to deadmau5’s long history at Red Rocks, where his fall appearances have become a regular fixture over more than 15 years. He was back at the venue in 2025 for Day of the Dead, where he debuted new music and parts of a new touring production.
That period has continued into 2026 with ‘Science’ featuring Stevie Appleton, his first vocal single since ‘My Heart Has Teeth’. The track later reached No. 1 on US Dance Radio and also entered Billboard Dance/Mixshow Airplay and Canada CHR/Top 40.
mau5hop Returns For Halloween Weekend
The Halloween weekend will also include the return of mau5hop in Denver, opening on October 30 and 31 at 95 S Cherokee Street. The pop-up will run from 11:00 AM–6:00 PM each day with specialty merchandise, limited-edition apparel, pins and collectibles not available online or at the shows.
deadmau5 and friends are also due to appear for meet-and-greets and signings from 12:00 PM–3:00 PM on both days.
With the Red Rocks shows and mau5hop both returning across Halloween weekend, this year’s edition adds more around a tradition that has already become closely tied to deadmau5 and the venue. The biggest difference in 2026 is simple: for the first time, one of those shows will actually fall on Halloween night.
With VOWWS, Josh Freese and Danny Lohner joining the shows, new music expected and mau5hop returning to Denver, DEADMAU5 HALLOWEEN has plenty planned across the weekend. Limited tickets remain for both nights at Red Rocks Amphitheatre, with more from deadmau5 also expected in the months ahead.
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EDM Music
BETH Turns Up the Energy With New Single ‘Wait’
Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.
In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.
Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.
Listen to “Wait” here: https://thecrossrecords.lnk.to/wait
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EDM news
The Warehouse Project Announces Stacked Lineup For 20th Anniversary Event
2026 marks the 20th anniversary of The Warehouse Project and to celebrate they’ve got a stacked lineup heading to the Warehouse in December.
On October 5th it was 20 years to the day since the very first WHP event which was held at the old Boddingtons Brewery. In the 20 years since Public Enemy kicked off The Warehouse Projects history they’ve grown exponentially and now call the legendary Depot Mayfield home. The Warehouse Project is not only one of Manchester’s most iconic venues, it’s one of the most iconic venues in the world. They’ve already been marking this huge anniversary with incredible events selling out and now they’ve added another to the calendar.
On December 19th they’ll be holding they’re official 20 years of The Warehouse Project event with a litany of legends on the bill. The lineup includes icons such as Carl Cox, Chris Stassy, Ewan McVicar, Seth Troxler, and many more. All 4 of The Warehouse Projects stages will be in play with over 20 DJs spread across the Depot, Concourse, Archive, and Vault stages. 10 hours of heavenly electronic music are on the table for all ravers to get stuck into and enjoy experiencing a part of history. On their social media Warehouse Project said, “WHP has always been about much more than just a lineup… but we are particularly proud of this one.”
With 2027 being a quiet year for The Warehouse Project as they have stated they’ll be taking a breather, they’re looking to close out 2026 strong. They’ve made a lot of history over the last 20 years and WHP is looking poised to create even more before the years out. Tickets go on sale on October 9th 2026.

To sign up for pre-sale tickets click the link below:
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