Interview
Fede Spamer Talks New EP, Production Process, Inspiration & More
Fede Spamer is a Producer and DJ steadily carving his own path within the world of Electronic Music.
Based in Buenos Aires, Argentina, Fede Spamer’s journey reflects both passion and commitment, as he continues navigating the genre with intent and an explorative mindset. With a Classical Music background and a sound that blends melodic depth with club energy, his style draws from Tech House, Melodic Techno, and a wide range of emotional influences, aiming to bring a storytelling approach into Electronic Music, both through his studio productions and his work behind the decks.
As he prepares to release his debut EP, we spoke with Fede about his journey into music, the influence of his environment, and where he hopes to take his sound next.
Hi! How are you doing? Thanks for joining us today!
Hi! I’m doing great, thank you for having me.
Let’s start at the beginning – when did you first discover a passion for music, and what role did music play in your life growing up?
Of course. My passion for music began early — I started taking piano lessons as a child, which gave me a strong foundation in Classical Music. That training shaped the way I understand music – not just melody, but also structure, harmony, and emotional expression. While I don’t directly use Classical Music in my tracks, its influence is deeply embedded in how I craft compositions and create emotional journeys through sound.
If there was one thing I looked forward to after school, it was learning new piano pieces, composing, and experimenting with music production software. This early drive to explore and create has been a constant in my musical journey.
I’ve drawn inspiration from many other styles and artists across different genres, but Classical Music remains the main influence that guides my creative process.
When I discovered Electronic Music and immersed myself in DJ culture, it felt like the perfect space to blend that foundation with fresh sounds and ideas. That’s when my project truly came to life – bringing together the discipline of classical training with the energy and freedom of Electronic Music to create something meaningful and impactful.
Being based in Buenos Aires, how has your environment influenced your musical journey and helped shape your identity as an artist?
My first real approach to the Electronic Music scene came through nightclubs, where Tech House dominates. Naturally, when I first started my project, my sets and tracks were heavily Tech House-oriented – it was what surrounded me, and it felt like the right entry point.
At the same time, going out in Argentina means being immersed in genres like cachengue (a local subgenre of cumbia), reggaeton, and Latin trap. These sounds are everywhere, and it’s impossible not to absorb them.
Even though my style has evolved, those influences have definitely left a mark on my sound. They’ve helped shape a more diverse, rhythmic, and culturally rooted identity in my music.
What first drew you to Electronic Music? Was there a particular track, artist, or moment that inspired your interest in the scene?
I think hearing Eric Prydz’s ‘Opus’ was a turning point in my life. The way he builds emotion throughout the track – how he carries a feeling and lets it slowly evolve – gave me goosebumps. I can honestly say it’s one of the tracks that most inspired my musical project. It made me reaffirm that Electronic Music could go far beyond the dancefloor. It could tell a story, create tension, and move people deeply without a single word. From that moment on, I knew I wanted to explore the more emotional and melodic side of Electronic Music – to build something that not only makes people dance but also makes them feel something.
Of course, ‘Opus’ was just one of many moments that drew me in. There have been countless tracks, artists, and live sets over the years that pulled me deeper into the scene, each one shaping my taste, perspective, and inspiration in a different way.
Even before that, I’ve always been curious about what lies beneath a song. When I listened to pop records, I would often search for the instrumentals and play them without the vocals, just to see if the music alone could move me. If it did, I knew there was something powerful there. That instinct – to feel music beyond the lyrics – has always guided me, and it’s something I still carry into my work today.
How would you personally describe your sound to someone hearing it for the first time?
I’d describe my sound as emotional, melodic Electronic Music with a cinematic edge. It’s rooted in storytelling – I always try to take the listener on a journey, whether it’s through subtle builds, evolving harmonies, or unexpected turns in the arrangement. The foundation often comes from my classical background, especially in how I approach melody and structure, but the sound itself is modern and atmospheric.
There’s a strong focus on feeling – sometimes introspective, sometimes uplifting – but always with intention. I want people to connect with it on an emotional level, not just rhythmically. Whether they’re listening on headphones or in a club, the goal is to create an experience that resonates beyond the moment.
From a creative and career perspective, who are the artists you most admire? Are there any whose approach to music and the scene continues to impact your own journey?
I really admire artists like Eric Prydz, Anyma, James Hype, Monolink, Zedd, CamelPhat, and KREAM. Eric Prydz has been a major influence – his ability to build emotional, melodic tracks that go far beyond the dancefloor completely changed how I think about music. Anyma inspires me not only with his use of visuals, but also with how he keeps pushing the sound of Melodic Techno in new and creative directions.
James Hype brings incredible energy to his sets, and his mixing skills show how important it is to connect with the crowd in the moment. Monolink’s fusion of vocals and electronic elements feels very personal and expressive, something I try to bring into my own work. Zedd’s sense for melody and production detail has always stood out to me. CamelPhat’s deep, atmospheric grooves and KREAM’s polished yet emotional sound also continue to shape the way I produce.
These artists remind me that Electronic Music can be powerful, emotional, and innovative – and that’s exactly what I aim to deliver with my own sound.
Can you talk us through your production process – how do you start creating a track, and what steps do you take to build on your initial ideas?
I’d say my production process starts long before I open any software. I’m constantly listening to music while doing almost anything else. I love discovering new artists, exploring fresh sounds, and hearing what’s evolving on the scene. That steady intake of inspiration fuels my creativity when it’s time to sit down and produce.
When I start working on a track, I usually begin with the basics. I choose a key or scale that resonates with me emotionally in that moment, and I often start by crafting the bassline. It helps set the tone and mood. From there, I’ll build the kick and begin experimenting with melodies and rhythmic patterns – sometimes they just come to me in the moment, other times they’re sparked by something I heard earlier that day, or a certain emotion or memory I’m sitting with. Inspiration can come from anywhere, and I try to stay open to it.
My creative process is very instinctive but also quite self-critical. A single track can take me up to a week because I constantly reflect on whether I still connect with what I’m making. If I lose that connection or don’t feel the track is going anywhere emotionally, I don’t force it. I’ll scrap it and start something new. For me, it’s not just about finishing tracks – it’s about creating something that feels real and honest.
Once the core idea is solid, I move on to layering, transitions, and sound design. I like adding small details and textures to make the track more immersive. And finally, I usually top it off with some vocal elements – something cool and atmospheric that gives it an extra emotional hook without overshadowing the music.
When it comes to DJing, what about performing live do you enjoy most?
What I enjoy most about performing live is the adrenaline – the anticipation of how people are going to react to my track choices. There’s something special about watching the crowd respond in real time, seeing them dance, connect, and completely lose themselves in the moment. That energy is what fills me the most.
For me, DJing follows the same intention as producing: it’s about creating a feeling and guiding people through a journey. I want them to experience Electronic Music’s full emotional and sonic range – the textures, tension, and release. There’s so much creativity and depth within the genre, and sharing that with a crowd, in a way that resonates physically and emotionally, is what makes performing so powerful.
Looking ahead, can you share what creative ambitions you have for the next five years of your journey?
I’m about to release my debut EP, so in many ways, this is just the beginning of my journey. Over the next five years, I want to take my project far beyond just the music. My goal is to create a full sensory experience for the listener, not only through sound, but also through visuals, lights, and the overall atmosphere of my live shows. I see myself getting deeply involved in the creative direction of everything: the stage design, the visuals, the emotional arc of the set. I want each performance to feel immersive and intentional – a 360° experience that stays with people long after the last track ends.
On the musical side, I also hope to collaborate with some of the artists who inspired me to take the leap into this world. Working with them would be both a dream and an opportunity to grow. I know those experiences would challenge me creatively and help shape me into the artist I aspire to become. I’m hopeful and excited about bringing this vision to life.
Finally, where do you see your sound evolving next – are there any new sonic directions or concepts you’re excited to explore?
I’m always looking for what’s new, both as a listener and a creator. I get bored easily when I hear too much of the same, and that drives me to keep evolving. The same applies to my music: if I decide to release something, it’s because I genuinely feel it and enjoy it. That emotional connection is non-negotiable.
Looking ahead, I’m excited to explore new sonic territories while still staying true to the emotional and melodic foundation that defines my sound. I’m curious about blending organic and synthetic elements in new ways – experimenting with textures, rhythms, and even genres that I haven’t touched yet. Maybe bringing in more ambient influences or developing the cinematic aspect further with more atmospheric builds and storytelling structures.
I’m also becoming more interested in how sound and visuals interact – how certain melodies, arrangements, or moments in a track can be paired with lighting or visuals to amplify the emotional impact. So, in a way, the evolution I see isn’t just musical – it’s conceptual too. I want to keep pushing boundaries and finding new ways to make people feel something real.
Speaking with Fede, it is clear that his approach to music is rooted in curiosity, emotion, and a desire to keep evolving. As he stays focused on building something meaningful and connecting with a community that resonates with his work, he continues to shape a promising presence on the scene. So, be sure to keep up with Fede Spamer and his evolving journey by following him across social media for updates on upcoming releases and performances.
Follow Fede Spamer:
Soundcloud | Instagram
Subscribe to our Newsletter
Prior to hitting the stage at Airbeat One in Germany, we had the pleasure of talking with the marvellous Lucas & Steve.
They recently announced their ‘Making Melodies’ EP which we got some further insights into as well as hearing more about their production process. They also dropped some hints as to future projects which you can find out about below…
Q: You were last at Airbeat One in 2023, how does it feel to get to come back again?
A: Steve – Very good actually it’s one of the biggest festivals in Germany. I think we’ve played there…this is our sixth or seventh time already, so we’ve been there a lot. We know the place, we know the crowd so it’s always good to be back and they are just very very excited to party the whole weekend. They have amazing stages, they have an amazing lineup. It’s one of those festivals which is one of the highlights of our summer always so it’s very good to be back.
Q: Recently on your Instagram you talked about how you’re celebrating 15 years now of doing music and touring all about. How does it feel to still be doing this and still growing all these years on from where you started?
A: Lucas – For us it’s the strangest thing. It doesn’t really feel like we are DJing for 15 years already. I think we’ve been on tour for about 10 years now but also then like we just remember everything so vividly from the past years. It’s cliché but things go really really quick, really fast as long as you’re having fun and we still are, we are very lucky that we are still having fun and still having the opportunity to play all those stages, all those huge stages and making music for a living. That just feels like a huge privilege still and when you look back so many years ago a lot of things changed in touring, in music and it’s also things that you know keep on challenging you in making music, new technologies and everything so…I’m sounding like a grandad when I say it like this but I think that’s just the case you know? It just keeps on being interesting and evolving so yeah. Still totally in love with it.
Q: Last year you got to work with someone who’s been doing it even longer in Tiesto. Obviously, he’s been doing it for about 30 years or so. What was it like to get to work with him?
A: Lucas – I think this is the third record that we just did last year with him. That last one is called ‘Free Your Mind’ and the other one we did with him last year was ‘Zenless.’ Every time we work with him it’s a very educative process I have to say. He knows exactly what music should sound like. He always is ahead of the trends so if you’re making music with him, he’s giving a lot of direction on what sounds are interesting enough, how should the record build, how can you tweak the record so that it’s interesting for everybody to play it you know? And that’s a very interesting process. It’s almost like mentorship in a way if that makes any sense? It’s a strange thing like often when you’re making music with people of course you always learn from each other, but with Tiesto he just really gives very good direction and it’s incredible after all those years how he knows how to do the right thing all the time.
Q: You’ve now released the first track for your ‘Making Melodies’ EP ‘Retro’ which I know myself and everyone has just been loving having waited about 4 years for it. What inspired you to make this EP with melodies being the focus for it?
A: Steve – We get a lot of questions on our social media. We’re very diverse producers. When we’re in the studio we like to make every type of music whether it’s pop music or dance music or melodic music or like the very clubby songs like ‘Free Your Mind’ with Tiesto. We just like everything combined in the studio and the start we made as Lucas & Steve was very melodic so we still play it a lot in our sets especially at the end of our set we always try to make it a little bit more euphoric so that people leave the stage or leave the festival with a very euphoric, happy, energetic positive feeling. The start of our set is quite heavy with ‘Free Your Mind’ and ‘Zenless’ and that kind of stuff. So, we wanted to make a nice present for our fans because we didn’t do that much of the melodic songs the last 2 or 3 years. We were just focussing more on the club stuff that we did. We still really like it.
We will always make melodic stuff, and we were thinking about doing something special as in an EP releasing 4 songs, 1 each week and that was ‘Making Melodies’ and the first one came out ‘Retro’ and we were blown away because everybody was waiting for that record already for I don’t know, 4 or 5 years. We played it for the very first time during Kings Day in The Netherlands at a Radio 538 show so people were asking about melodic music, and we still had so many things that were unfinished. So, we put everything in our studios together and we created this EP with 4 songs. We’re getting so many positive reactions that we’re probably going to do a volume 2 and a volume 3 every year.
Q: When you do more pop esque songs you end up doing club mixes which are always just really cool. Do you ever go into making a more pop oriented song which the thought of it already becoming a club mix or is that something that comes later in the process?
A: Lucas – Sometimes when you’re doing the original mix you already know what the club mix is going to be like. While producing the original stuff you get ideas that you cannot do in a radio friendly, Spotify friendly pop song. You need to keep things a little more quiet and tuck it in in the mix more, and you cannot have those harsh sounds that just stand out too much. Like the more dance sounds will usually not work that well in a pop mix. You get all these ideas and it’s like ‘ahhhh’ I can’t use it right now so just save it for the club mix so actually the process for the original and the club mix go hand in hand.
Q: With having 2 DJs behind the decks when you perform what’s that sort of process like trying to decide who does what and when? Do you plan it beforehand or is it more in the moment?
A: Steve – Lucas does all the work and I just drink
Lucas – Yeah that’s actually try. I donated my liver to Steve for this
Steve – We’ve been doing this for almost 15 years together as DJs, we’re touring the world for 10 years already. We just know what to do, we have our own CDJs, I’m always standing on the left side because it’s like the name Lucas & Steve it’s easier for the crowd to remember. Lucas is on the right, he has his 2 decks, I have my decks on the left side, and the mixers in between. Usually, Lucas tries to hype the crowd with his microphone and dancing. He’s very good at that and I just know what to do while he’s walking around the stage and trying to hype the crowd. It sounds a bit cliché but we’re almost a married couple.
Steve – DJs, colleagues, partners, but also lovers
Lucas – Hahaha
Q: This year we’ve seen a lot of big back 2 back sets. Are there any artists out there that you really want to do a back 2 back set with?
A: Steve – We did a small back 2 back with Tiesto which was sick. I would love to do that for 90 minutes or something. Maybe with Martin Garrix would be nice because he’s always very energetic. He knows how to get the crowd going. Love his shows. Also, something would be nice with a legend like Carl Cox or something that would be sick like very housey, techno, tech house set would be sick.
Lucas – And just play entirely different stuff, could all be interesting.
Keep an eye on Lucas & Steve’s socials for the release of the rest of ‘Making Melodies’:
You can check out our other articles on Lucas & Steve through the link below:
Subscribe to our Newsletter
DJ SHARE (Sharon Pieksma) is never far from a dance floor, always on the go bouncing between gigs and festivals.
But we managed to steal a few minutes with her! In this super quick catch-up, we threw a few fun questions her way to get to know the woman behind the decks.
Can you tell us a bit about your musical journey? Did you start out in the organic house direction, or has your style evolved over time?
Actually, I started out playing deep tech and minimal. That was the sound that first got me booked at clubs in Rotterdam where I’m from, and across the Netherlands. One of the biggest turning points for me was Burning Man. It completely changed how I connect to music. The experience there opened me up to more organic sounds, deeper, more emotive, more layered, and that’s when my style really started to evolve in that direction.
What’s funny is that I’ve recently started mixing some of that older deep tech and minimal music back into my current sets, which has been a fun full-circle moment.
Which of your own produced tracks has a special meaning to you?
A track that’s particularly close to my heart is “Moon.” It stands out from my other productions because it has a deeper, more introspective feel. The whole process was super organic, because I wasn’t overthinking it, it just flowed. I even used my own voice in the track, which made it feel really intimate and honest. The message, “reach for the light, reach for the moon,” is simple but powerful.
What’s the longest set you’ve ever played and how long did it end up being?
That would be a 16-hour set I played at a private event in Moscow, definitely the longest I’ve ever done! It wasn’t planned at all… I think I was originally meant to play maybe four to six hours. But the vibe was just so good, the energy kept flowing, and I somehow ended up behind the decks for a full 16 hours.
It turned into a real journey, not just for the crowd, but for me too. I went through so many different styles and moods, I’m pretty sure I played through my entire USB, including some deep tech tracks from way back in the day. It was intense, but also so much fun.
And yes, there were definitely a few moments where I’d put on a long track, run off to grab a bite, or even just walk around and soak in the energy before jumping back into the mix. It was wild… but in the best way.
DJ SHARE
If you were forced somehow to switch jobs and not be a DJ anymore, what do you think you’d be doing instead?
Wow, that’s a tough one. I feel so deeply connected to music, it’s hard to imagine doing anything else. Music makes me genuinely happy. I listen to it and dig for new tracks literally every day, so I think I’d still stay close to it somehow.
Maybe I’d become a guitarist and focus more on live music… or I’d dive more into organising retreats. I really love the idea of creating meaningful, mindful experiences for people, though I see that more as a passion than a full-time job. Either way, it would have to be something that feeds the soul.
If you were kidnapped and locked in a room with just one song playing on repeat, which one would you want it to be?
What a scenario! But okay, if I had to choose, I’d probably go with something calming and timeless. I don’t always listen to electronic music; I really love more downtempo, dreamy stuff that helps me unwind or gets me inspired.
Something by Thievery Corporation would be high on the list. Their blend of mellow, reggae-influenced sounds always feels full of love and light. But if I had to pick just one track… I think it would be “Porcelain” by Moby. It’s been with me for so long, and I never get tired of it. It has this beautiful calming effect, slowing my mind down in the best way. I could definitely survive on that one.
Connect with SHARE on:
Instagram: https://www.instagram.com/share.musica/
Soundcloud: https://soundcloud.com/sharedj/tracks
Subscribe to our Newsletter
Chilsta, Durban-Born DJ & Producer, spoke with EDM House Network about pushing Afro House to the global stage.
Chilsta, a Producer and DJ, channels layered intention into his craft, bringing a confident determination to his place within the Electronic Music landscape. Born and raised in Durban, South Africa, his early immersion in House music sparked not only a deep personal connection to the genre but also a commitment to shaping his own artistic path within it. Drawing on the rich heritage of his African roots, Chilsta has worked to refine a sonic identity that feels both authentic and forward-facing, weaving his rich tapestry of influences to create a sound distinctly his own.
We caught up with Chilsta to unpack the moments that shaped him, the inspirations that continue to drive him, and his vision for his journey moving forward.
Hi Chilsta! How are you? Thanks for joining us.
Hi there. I’m doing very well. Thanks for having me!
Let’s start at the beginning – what first sparked your interest in Electronic Music, and how did your journey as an artist begin to take shape?
As a kid, my father was a massive House head, and at the time, South Africa was going through its very own House renaissance period. My father would play a lot of House music on road trips, including a lot of mix compilations from record labels like Soul Candi. So, House music was pretty much the norm of my childhood.
Was there a specific track, moment, or live set that you look back on as the turning point — the thing that made you realise this was the path you wanted to follow?
At 12 years old (in 2010), my best friend and I would listen to Deadmau5 and Kaskade. It was the track, ‘I Remember,’ which got me hooked onto Electronic Music and its culture. That was when I knew I wanted to be a DJ. I became obsessed with the sound synthesis from Electronic Music, and I’d always be looking at other music Producers at the time. I would introduce my other classmates to this music. At the time, a lot of it was the early Dubstep producers, think of guys like Modestep, Master P, Benga and Skrillex.
How would you define your sound?
High energy, melodic and unapologetically African with raw textures from Techno.
What was the process behind developing your sonic identity — was it something intentional, drawing from specific influences, or did it evolve more organically over time?
I was in a DJ duo with my best friend as a teenager, where we would play Progressive House, Bigroom and sometimes Trance. I was an obsessive listener of Trance and the A State of Trance radio show from Armin Van Buuren. Then I started exploring other genres, like Techno, where I was inspired by the groove of DJs like Nicole Moudaber, watching her 2012 Tomorrowland set, which made me explore other parts of underground Electronic Music.
I then moved to Shanghai as a student, where I was studying International Economics and Trade. I compared the club scene and infrastructure from back home to the city and realized that it was possible to live my Electronic Music dream. Then, I doubled down and produced music that was inspiring me in the scene, from Techno and House, but I wanted to merge it with my own roots from back home. I guess I was missing home and wanted to connect with my own South African heritage. South Africa has always had its own distinct sounds of Electronic Dance Music.
Are there any artists — whether from Electronic Music or beyond — who’ve had a lasting influence on your sound or creative mindset?
Armin Van Buuren, Black Coffee, Kaskade, Deadmau5, Carl Cox and Sasha.
Do you remember the first time you performed your music in front of a crowd? What impact did that moment have on you?
It felt amazing to watch the crowd react to my music. Music was something I did for fun, but I was obsessed with it, and it took me a long time to have professional, clean-sounding records. So, it really shaped my perception of what’s possible if you work hard and show your love to the music.
Tell us about your local scene growing up — how did that environment influence your style and development as a Producer or DJ?
Growing up as a DJ, I think that my city, Durban, South Africa, had a healthy Electronic Music scene, but the scale of nightlife was not as large as other cities like maybe Johannesburg and Cape Town. That was not a disadvantage though. I think the city produced many world-class acts, because we had to put in the hours in the studio more than we were DJing. So, it kept me very focused on music production to try and reach more opportunities.
How has your relationship with music changed over the years — not just in how you make it, but in how you listen to and connect with it personally?
I still try to take a beginner’s approach to music. That is, to understand that there are no rules to music, just the feeling of it. Therefore, I trust my taste because I love different types of music, and I understand the history behind it because I am first a music fan and lover, then a DJ/Producer.
Looking ahead, what are you hoping to explore or achieve over the next five years in your musical journey?
I’d like to be playing large-scale nightclubs, venues and festivals around the world, where I push the Afro House sound for bigger stages in my own way, drawing in influences from other scenes, with a strong focus on unique and energetic, pulsating, sound design elements.
As Chilsta continues to carve out his space within the evolving Electronic Music landscape, his passion for both his craft and the global scene remains evident. By honouring his roots while embracing new influences that drive his sound forward, he is building a sonic world that captures his vision and hints at the promising path ahead. So, an Artist in motion, be sure to take note of Chilsta and follow him across social media for the latest updates and news.
Chilsta Online
Spotify | Instagram | Soundcloud
Subscribe to our Newsletter
-
Must Read4 weeks agoTomorrowland Thailand Moves One Step Closer to Reality
-
Must Read2 weeks agoPARISI And Fred Again.. Take Over Italy With New Tour
-
Must Read4 weeks agoCreamfields Asia 2025 Debuts In Bangkok
-
Editorial6 days ago20 Must-See Sets During Tomorrowland 2025
-
Editorial4 weeks agoEDM Festivals You Can’t Miss, July 2025
-
Must Read4 days agoTomorrowland Mainstage Catches Fire Just Days Before Festival
-
Must Read3 days agoTomorrowland 2025 Info Announced Plan For Opening Festival
-
Music1 week agoNew EDM Friday Releases You Cannot Miss, July 11, 2025