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Fede Spamer Talks New EP, Production Process, Inspiration & More
Fede Spamer is a Producer and DJ steadily carving his own path within the world of Electronic Music.
Based in Buenos Aires, Argentina, Fede Spamer’s journey reflects both passion and commitment, as he continues navigating the genre with intent and an explorative mindset. With a Classical Music background and a sound that blends melodic depth with club energy, his style draws from Tech House, Melodic Techno, and a wide range of emotional influences, aiming to bring a storytelling approach into Electronic Music, both through his studio productions and his work behind the decks.
As he prepares to release his debut EP, we spoke with Fede about his journey into music, the influence of his environment, and where he hopes to take his sound next.
Hi! How are you doing? Thanks for joining us today!
Hi! I’m doing great, thank you for having me.
Let’s start at the beginning – when did you first discover a passion for music, and what role did music play in your life growing up?
Of course. My passion for music began early — I started taking piano lessons as a child, which gave me a strong foundation in Classical Music. That training shaped the way I understand music – not just melody, but also structure, harmony, and emotional expression. While I don’t directly use Classical Music in my tracks, its influence is deeply embedded in how I craft compositions and create emotional journeys through sound.
If there was one thing I looked forward to after school, it was learning new piano pieces, composing, and experimenting with music production software. This early drive to explore and create has been a constant in my musical journey.
I’ve drawn inspiration from many other styles and artists across different genres, but Classical Music remains the main influence that guides my creative process.
When I discovered Electronic Music and immersed myself in DJ culture, it felt like the perfect space to blend that foundation with fresh sounds and ideas. That’s when my project truly came to life – bringing together the discipline of classical training with the energy and freedom of Electronic Music to create something meaningful and impactful.
Being based in Buenos Aires, how has your environment influenced your musical journey and helped shape your identity as an artist?
My first real approach to the Electronic Music scene came through nightclubs, where Tech House dominates. Naturally, when I first started my project, my sets and tracks were heavily Tech House-oriented – it was what surrounded me, and it felt like the right entry point.
At the same time, going out in Argentina means being immersed in genres like cachengue (a local subgenre of cumbia), reggaeton, and Latin trap. These sounds are everywhere, and it’s impossible not to absorb them.
Even though my style has evolved, those influences have definitely left a mark on my sound. They’ve helped shape a more diverse, rhythmic, and culturally rooted identity in my music.
What first drew you to Electronic Music? Was there a particular track, artist, or moment that inspired your interest in the scene?
I think hearing Eric Prydz’s ‘Opus’ was a turning point in my life. The way he builds emotion throughout the track – how he carries a feeling and lets it slowly evolve – gave me goosebumps. I can honestly say it’s one of the tracks that most inspired my musical project. It made me reaffirm that Electronic Music could go far beyond the dancefloor. It could tell a story, create tension, and move people deeply without a single word. From that moment on, I knew I wanted to explore the more emotional and melodic side of Electronic Music – to build something that not only makes people dance but also makes them feel something.
Of course, ‘Opus’ was just one of many moments that drew me in. There have been countless tracks, artists, and live sets over the years that pulled me deeper into the scene, each one shaping my taste, perspective, and inspiration in a different way.
Even before that, I’ve always been curious about what lies beneath a song. When I listened to pop records, I would often search for the instrumentals and play them without the vocals, just to see if the music alone could move me. If it did, I knew there was something powerful there. That instinct – to feel music beyond the lyrics – has always guided me, and it’s something I still carry into my work today.
How would you personally describe your sound to someone hearing it for the first time?
I’d describe my sound as emotional, melodic Electronic Music with a cinematic edge. It’s rooted in storytelling – I always try to take the listener on a journey, whether it’s through subtle builds, evolving harmonies, or unexpected turns in the arrangement. The foundation often comes from my classical background, especially in how I approach melody and structure, but the sound itself is modern and atmospheric.
There’s a strong focus on feeling – sometimes introspective, sometimes uplifting – but always with intention. I want people to connect with it on an emotional level, not just rhythmically. Whether they’re listening on headphones or in a club, the goal is to create an experience that resonates beyond the moment.
From a creative and career perspective, who are the artists you most admire? Are there any whose approach to music and the scene continues to impact your own journey?
I really admire artists like Eric Prydz, Anyma, James Hype, Monolink, Zedd, CamelPhat, and KREAM. Eric Prydz has been a major influence – his ability to build emotional, melodic tracks that go far beyond the dancefloor completely changed how I think about music. Anyma inspires me not only with his use of visuals, but also with how he keeps pushing the sound of Melodic Techno in new and creative directions.
James Hype brings incredible energy to his sets, and his mixing skills show how important it is to connect with the crowd in the moment. Monolink’s fusion of vocals and electronic elements feels very personal and expressive, something I try to bring into my own work. Zedd’s sense for melody and production detail has always stood out to me. CamelPhat’s deep, atmospheric grooves and KREAM’s polished yet emotional sound also continue to shape the way I produce.
These artists remind me that Electronic Music can be powerful, emotional, and innovative – and that’s exactly what I aim to deliver with my own sound.
Can you talk us through your production process – how do you start creating a track, and what steps do you take to build on your initial ideas?
I’d say my production process starts long before I open any software. I’m constantly listening to music while doing almost anything else. I love discovering new artists, exploring fresh sounds, and hearing what’s evolving on the scene. That steady intake of inspiration fuels my creativity when it’s time to sit down and produce.
When I start working on a track, I usually begin with the basics. I choose a key or scale that resonates with me emotionally in that moment, and I often start by crafting the bassline. It helps set the tone and mood. From there, I’ll build the kick and begin experimenting with melodies and rhythmic patterns – sometimes they just come to me in the moment, other times they’re sparked by something I heard earlier that day, or a certain emotion or memory I’m sitting with. Inspiration can come from anywhere, and I try to stay open to it.
My creative process is very instinctive but also quite self-critical. A single track can take me up to a week because I constantly reflect on whether I still connect with what I’m making. If I lose that connection or don’t feel the track is going anywhere emotionally, I don’t force it. I’ll scrap it and start something new. For me, it’s not just about finishing tracks – it’s about creating something that feels real and honest.
Once the core idea is solid, I move on to layering, transitions, and sound design. I like adding small details and textures to make the track more immersive. And finally, I usually top it off with some vocal elements – something cool and atmospheric that gives it an extra emotional hook without overshadowing the music.
When it comes to DJing, what about performing live do you enjoy most?
What I enjoy most about performing live is the adrenaline – the anticipation of how people are going to react to my track choices. There’s something special about watching the crowd respond in real time, seeing them dance, connect, and completely lose themselves in the moment. That energy is what fills me the most.
For me, DJing follows the same intention as producing: it’s about creating a feeling and guiding people through a journey. I want them to experience Electronic Music’s full emotional and sonic range – the textures, tension, and release. There’s so much creativity and depth within the genre, and sharing that with a crowd, in a way that resonates physically and emotionally, is what makes performing so powerful.
Looking ahead, can you share what creative ambitions you have for the next five years of your journey?
I’m about to release my debut EP, so in many ways, this is just the beginning of my journey. Over the next five years, I want to take my project far beyond just the music. My goal is to create a full sensory experience for the listener, not only through sound, but also through visuals, lights, and the overall atmosphere of my live shows. I see myself getting deeply involved in the creative direction of everything: the stage design, the visuals, the emotional arc of the set. I want each performance to feel immersive and intentional – a 360° experience that stays with people long after the last track ends.
On the musical side, I also hope to collaborate with some of the artists who inspired me to take the leap into this world. Working with them would be both a dream and an opportunity to grow. I know those experiences would challenge me creatively and help shape me into the artist I aspire to become. I’m hopeful and excited about bringing this vision to life.
Finally, where do you see your sound evolving next – are there any new sonic directions or concepts you’re excited to explore?
I’m always looking for what’s new, both as a listener and a creator. I get bored easily when I hear too much of the same, and that drives me to keep evolving. The same applies to my music: if I decide to release something, it’s because I genuinely feel it and enjoy it. That emotional connection is non-negotiable.
Looking ahead, I’m excited to explore new sonic territories while still staying true to the emotional and melodic foundation that defines my sound. I’m curious about blending organic and synthetic elements in new ways – experimenting with textures, rhythms, and even genres that I haven’t touched yet. Maybe bringing in more ambient influences or developing the cinematic aspect further with more atmospheric builds and storytelling structures.
I’m also becoming more interested in how sound and visuals interact – how certain melodies, arrangements, or moments in a track can be paired with lighting or visuals to amplify the emotional impact. So, in a way, the evolution I see isn’t just musical – it’s conceptual too. I want to keep pushing boundaries and finding new ways to make people feel something real.
Speaking with Fede, it is clear that his approach to music is rooted in curiosity, emotion, and a desire to keep evolving. As he stays focused on building something meaningful and connecting with a community that resonates with his work, he continues to shape a promising presence on the scene. So, be sure to keep up with Fede Spamer and his evolving journey by following him across social media for updates on upcoming releases and performances.
Follow Fede Spamer:
Soundcloud | Instagram
EDM Events Held At The World’s Most Historic Sites, from the Great Wall and Petra to Versailles and the Pyramids
EDM events held at historic sites have become one of the more interesting ways major artists and promoters are taking electronic music beyond standard clubs, arenas, and festival grounds. The strongest examples are not just famous locations with a stage placed nearby, but performances where the site matters to how the event is filmed, produced, and remembered. Anyma and Tiësto have brought major electronic productions to the Pyramids of Giza, Bedouin performed for Cercle at Petra, Nina Kraviz played a sunrise set on the Great Wall of China, and Adriatique filmed a Cercle set at Hatshepsut Temple in Luxor. The same idea also appears through POSITIV Electronic Festival at the Roman Theatre of Orange, Charlotte de Witte at Ancient Messene, and Nifra at Masada Fortress, where historic architecture, ancient ruins, desert landscapes, and protected heritage sites become part of how each performance is experienced. These events show why historic locations are becoming a serious part of electronic music’s destination-event culture, especially when the artist, production, and setting all make sense together.
Great Pyramids of Giza, Egypt
Events:
Anyma presents Quantum Genesys
@anyma
The End Of Genesys | Pyramids of Giza
Tiësto at the Pyramids of Giza
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The Great Pyramids of Giza have become one of the clearest examples of how far large-scale electronic shows can go when the location is part of the story. Anyma presents Quantum Genesys took place at the pyramids on October 10, 2025, with the night split between his Quantum DJ set and The End Of Genesys audiovisual show across two stages. The production leaned into the contrast between the ancient site and Anyma’s digital world, using large visuals, lighting, and a long nighttime format that ran from 5 PM to 3 AM near the Giza Plateau. Tiësto at the Pyramids of Giza followed on December 19, 2025, with a PRISMATIC set that brought another major electronic name into the same setting, adding to Giza’s recent place in destination EDM events.
Petra, Jordan
Events:
Bedouin at Petra for Cercle
Medaina Festival
Petra is one of the most recognizable historic sites connected to electronic music through Bedouin at Petra for Cercle, filmed at Al-Khazneh, the Treasury, in 2022. The set was not a public festival, but a controlled early-morning performance with no crowd, placing Bedouin’s hybrid live sound directly in front of the sandstone monument. That format worked differently from a standard stage show because the production did not need a large audience setup to make the location central to the performance. In 2025, Medaina Festival gave Jordan a wider electronic music moment across Petra and Wadi Rum, with a lineup that included Âme, Bedouin, HVOB, Jimi Jules, Mind Against, Patrice Bäumel, and Sonja Moonear. With Petra already listed by UNESCO as a World Heritage Site, the location adds one of the article’s strongest examples of electronic music being presented in direct connection with an ancient landmark, while Medaina Festival extends that connection into a broader destination event across Jordan’s desert and heritage settings.
Masada Fortress, Israel
Event:
Nifra Live at Masada Fortress
@nifraofficial Do you know this track? ❤️ My new live set recorded at Masada Fortress is now on youtube #nifra #trance #trancefamily #trancefamily #trancemusic #tranceclassics #raver #femaledj #dj #edm #trancecommunity #masada #delerium #silence ♬ Silence – Andrew Rayel & Achilles Remix – Delerium
Nifra Live at Masada Fortress placed the Slovakian trance artist at one of Israel’s most dramatic historic sites, high above the Dead Sea in the Judaean Desert. Masada is a UNESCO World Heritage Site known for its desert plateau, Herod the Great’s palace complex, and the remains connected to the Roman siege of 73 A.D. For the 2023 set, Nifra performed from the clifftops of Masada Fortress in partnership with Tiede Night’s, with the sunset timing giving the performance a direct visual connection to the desert landscape around the site. The result fits the article because it connects a known trance artist with a protected ancient fortress, without stretching the angle into a normal festival or unrelated event space.
Great Wall of China, China
Event:
Nina Kraviz at the Great Wall of China
Nina Kraviz played a sunrise set at the Great Wall of China in May 2018, turning one of the world’s most famous historic landmarks into a stripped-back techno performance with no need for festival-scale production. The set was filmed on the wall in the early morning, with the mountain landscape and stone watchtowers framing the performance as the light changed across the site. For an artist closely tied to underground techno, the location gave the set a very different feel from a club or warehouse show, placing her sound against a landmark known for Chinese history, military architecture, and centuries of preservation. The Great Wall is listed by UNESCO as a World Heritage Site, which makes Nina Kraviz at the Great Wall of China one of the most direct examples of a globally known electronic artist performing at a protected historic site.
Roman Theatre of Orange, France
Event:
POSITIV Electronic Festival
@saralandrydj POSITIV FESTIVAL B2B WITH BESTIE 💫 After 6 years of friendship it was insane to do a show like this together @Nico Moreno 🥹 Such a crazy venue at the Théâtre antique d’Orange and it was completely full from front to back! 🤯 Thank you Positiv for making this happen 🖤 #electronicmusic #hardtechno #techno ♬ original sound – Sara Landry
The Roman Theatre of Orange brings POSITIV Electronic Festival into a venue that was already made for live performance more than 2,000 years ago. Set in France’s Rhône Valley, the UNESCO-listed theatre is known for its preserved Roman stage wall, which still rises behind the crowd and gives the festival a setting that feels completely different from a standard outdoor stage. POSITIV Electronic Festival has used that space for major electronic lineups, with recent names including Amelie Lens, Argy, James Hype, Sara Landry b2b Nico Moreno, Anfisa Letyago, Paul Kalkbrenner, Mind Against, Joachim Pastor, and KAS:ST b2b Space 92. The event also makes strong use of the theatre’s architecture through large-scale lighting and video mapping across the ancient stage wall, turning the preserved Roman structure into part of the show without losing the historical weight of the venue.
Ancient Messene, Greece
Event:
Charlotte de Witte at Ancient Messene
Charlotte de Witte at Ancient Messene brought the Belgian techno artist into the ancient theater at Messene for a 2021 live DJ set presented by Onassis Stegi. The performance was streamed through the Onassis Channel and placed her sound inside one of Greece’s major archaeological settings, with the stone theater, open-air site, and surrounding ruins giving the set a very different frame from a club or festival stage. The project was based on a concept by ADD Festival, with Onassis Foundation directing the stream and presenting it as a filmed electronic performance from the ancient theater rather than a public festival. With Charlotte de Witte already recognized as one of techno’s biggest names, the Messene set gives the Greece section a stronger link between a major electronic artist and a historic site.
Hatshepsut Temple, Luxor, Egypt
Event:
Adriatique at Hatshepsut Temple for Cercle
Adriatique at Hatshepsut Temple for Cercle brought the Swiss duo to the mortuary temple of Queen Hatshepsut in Luxor, one of Egypt’s most striking ancient sites on the west bank of the Nile. The temple sits within the wider Ancient Thebes with its Necropolis UNESCO World Heritage property, giving the set a direct link to Egypt’s ancient history beyond the usual destination-show setting. Adriatique performed in front of the temple’s long terraces and limestone cliffs, with the Cercle format keeping the focus on the duo’s melodic techno, the architecture, and the scale of the site. The result placed a major electronic act inside a location already known for ancient Egyptian history, making the performance feel closely tied to Luxor rather than just filmed in a scenic location.
@cercle_music Somewhere in the world, at the Hatshepsut Temple, with @ADRIATIQUE. #cercle #cercleshow #adriatique #hatsheput #electronicmusic ♬ original sound – Cercle
The strongest historic-site electronic events are the ones where the location has a real role in the performance. Anyma at the Pyramids of Giza, Bedouin at Petra, Nina Kraviz at the Great Wall of China, Adriatique at Hatshepsut Temple, and POSITIV Electronic Festival at the Roman Theatre of Orange all show how different that can look, from large audiovisual productions to filmed DJ sets and full festival formats. The site changes the way the performance is seen because the architecture, history, lighting, crowd setup, and filming all become part of the final result. That is what separates these shows from normal destination events, where the location is often secondary to the lineup.
Historic locations also come with limits that standard event venues do not have. UNESCO-linked landmarks and protected heritage spaces involve local approval, access rules, sound restrictions, staging limits, preservation concerns, and cultural responsibility. That does not mean electronic music cannot work in these places, but it does mean the event has to make sense beyond the photo. As more artists and promoters look for settings outside standard stages, the strongest historic-site events will be the ones where the music, production, and location feel connected from the beginning.
EDM Festivals in August 2025 are keeping the summer alive with a number of massive events happening around the world.
From the massive 10 year anniversary of UNTOLD to the legacy that is Creamfields, here’s your guide to the top EDM festivals you won’t want to miss this August.
UNTOLD Festival
Dates: August 7–10
Location: Cluj-Napoca, Romania
Romania’s premier electronic music festival turns 10 this year with a massive celebration across Cluj Arena and downtown spaces. Expect extended sets from Tiësto, plus Martin Garrix, Black Coffee, Don Diablo, Post Malone, and more. UNTOLD is known for its epic production, long hours, and magical vibes from dusk till dawn.
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Creamfields
Dates: August 21–24
Location: Daresbury Estate, Cheshire, UK
One of the UK’s most iconic dance music festivals, Creamfields delivers another year of powerhouse headliners. 2025 brings David Guetta, Anyma, Amelie Lens, Chase & Status, Carl Cox, and more across massive stages like ARC, Steel Yard, and Horizon.
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Sziget Festival
Dates: August 6–11
Location: Budapest, Hungary
Set on Óbuda Island, Sziget is a multi-genre mega-festival that blends EDM with pop, rock, world music, and arts. With a scenic riverside setting, cultural programming, and past performers like Calvin Harris and Dimitri Vegas & Like Mike, it’s one of Europe’s most diverse and vibrant summer fests.
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Hard Summer
Dates: August 2–3
Location: Southern California, USA
Returning for its second year at Hollywood Park, HARD Summer is back bigger, bolder, and bass-heavier than ever. This year’s edition leans hard into techno, with sets from 999999999, Deborah De Luca, I Hate Models, and more, while also staying true to its genre-mixing roots. Expect reggaetón, drum & bass, house, and hip-hop from artists like Kaytranada, Dom Dolla, Sean Paul, and FEID.
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ÎLESONIQ
Dates: August 9-19
Location: Montreal, Canada
Held in Parc Jean-Drapeau, ÎLESONIQ is Quebec’s largest electronic music festival. It blends international stars with immersive visuals and a passionate Canadian crowd. Notable stars taking to the stage are Alesso, D.O.D, John Summit, Oliver Heldens, and more.
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VELD Music Festival
Dates: August 1-3
Location: Toronto, Canada
Toronto’s biggest EDM festival lights up Downsview Park with a massive set of artists that make any dance music fan excited. Previous years have featured big artists and this year is no different with deadmau5, Dom Dolla, Tiesto, Third Party, and more set to take the stage.
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Weekend Festival
Dates: August 1–2
Location: Helsinki, Finland
Returning to Espoo with over 60 artists, Weekend Festival 2025 delivers two days of high-energy performances, cutting-edge visuals, and massive production. Headliners include Armin van Buuren, Hardwell, Robin Schulz, and Fisher. Known for its towering custom-built main stage and immersive light shows, the festival blends sound and spectacle like no other in Finland.
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Mysteryland
Dates: August 30–31
Location: Haarlemmermeer, Netherlands
The Netherlands’ longest-running dance music festival blends house, techno, trance, and hardstyle across colorful, immersive stages. Known for its art installations, spiritual elements, and top-tier curation, Mysteryland remains a staple for true festival heads.
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Dance Valley
Dates: August 10 (TBC)
Location: Spaarnwoude, Netherlands
Dance Valley turns 30 in 2025, and it’s going all out for its anniversary edition. Set in the iconic hills of Spaarnwoude, this one-day Dutch mega-rave spans 8 stages and 70+ artists across dance, techno, hardstyle, trance, and house. The lineup is stacked with legends: Tiësto, Martin Garrix, Boris Brejcha, Ferry Corsten presents Gouryella (25 Years), Charly Lownoise & Mental Theo, Nervo, Chris Liebing, and Radical Redemption.
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Les Plages Électroniques
Dates: August 08-10
Location: Cannes, France
Set on the sun-drenched beaches of the French Riviera, Les Plages Électroniques returns with one of its most diverse and stacked lineups yet. Headliners include Tiësto, Charlotte de Witte, Peggy Gou, Eric Prydz, Mochakk, and Booba, alongside a wave of rising talent and local French stars. With beach stages, boat parties, and after-parties extending late into the night, the festival blends deep house, techno, afro house, and reggaeton into a three-day oceanside escape.
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August may be the final stretch of summer, but the party is far from over.
With iconic brands, oceanside escapes, and late-night energy, these festivals are ready to make your summer go out in style.
UNTOLD celebrates its 10th anniversary with a historic lineup of debuts, exclusive shows, and once-in-a-lifetime performances.
The 10th anniversary of UNTOLD is shaping up to be the festival’s most unforgettable edition yet, packed with exclusive performances, never-before-seen shows, and jaw-dropping debuts. The Mainstage will light up with global icons like Post Malone, who’s kicking off his Big Ass Stadium Tour with a debut at UNTOLD, and Metro Boomin, playing his only European festival show this summer. Fans can also catch performances from ANYMA, Becky Hill, Hugel, Rag’n’Bone Man, and CANCELLED MUSIC (Kris Fade), all bringing fresh energy to the Cluj-Napoca stage.
This year’s UNTOLD debuts and special shows are not just on the mainstage but also across all other stages. The underground Galaxy stage will host Dom Dolla, Adriatique, and a rare TOTO CHIAVETTA B2B ZAMNA SOUNDSYSTEM set brought in by Zamna. Meanwhile, the Daydreaming stage features acts like Ben Böhmer, Röyksopp, Pachanga Boys, and Bob Moses. But what truly sets this edition apart are the exclusive shows: Tiesto’s extended set, Don Diablo’s one-of-a-kind UNTOLD performance, Armin van Buuren’s special stage production, and Martin Garrix’s specifically tailored UNTOLD set.
Expect even more custom shows from Romanian stars like INNA, Delia, Irina Rimes, and Vama, all with surprise guests. And on Friday night, a mystery act will take over the Mainstage, revealed live at the festival. With this stacked lineup of UNTOLD debuts, world premieres, and unforgettable performances, the 10th edition promises to be a once-in-a-lifetime celebration for every music lover.
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