EDM Music
IN / ROTATION Unveil Massive 13-Track Compilation ‘V/A – Rotate Vol. 5’!
The IN / ROTATION crew is weaving together the fifth installment of its ever-growing ‘Rotate’ compilation series.
During the closing months of 2019, Insomniac’s offshoot imprint took the leap to celebrate all-things-house-music in album form. Having kept its eye out for the next wave of producers, the label gave rise to its very first ‘Rotate’ album, which set out to unearth the most underrated artists who are making noise from the realms of bass house, tech house, and any other house variants. After a few years of staying true to its vision, the series has given a platform to a whole host of blossoming talents from the likes of Peace Maker!, Cazztek, MNNR, NOISES, Qlank, No Thanks, Animate, Arnold & Lane, and the list seemingly never ends. The crew is back at it again with its next haul of body-moving grooves with the release of volume number five.
Canada’s finest, Cloverdale and FWLR, tag-team on “Old School,” as the two forces jump into collab mode on a acid-tinged number that is drizzled with golden-era rave elements without ever feeling rinsed. L.A’s tech house sensation LUCATI dials in with “Kol Me,” a minimalistic rhythm that rings off the hook with looped vocals and cheeky phone samples. Casmalia makes an appearance after she popped up on the most recent ‘mau5trap x Insomniac Records’ comp. The house maven from San Diego speaks to her strength of crafting deep-riding shakers with “Talk To Me,” a carnal jam bolstered by commanding vocal refrains and slippery synth warbles. On “Let Me,” the UK-based FOULPLAY shows us the way by laying down a lysergic tech house cut that’s guided along by shuffling drums and a squelchy lead.
House Divided, the fast-rising duo from Los Angeles, cranks up the volume on “Turn It Up,” as they blast through a low-slung drive that’s dotted with off-kilter textures and running basslines. The extremely volatile producer from Dallas known as Isenberg dips into classic influences on “Gotta Be,” serving up a jazz-infused concoction that takes cues from garage with its steppy drums, hazy chords, and smooth piano motifs. The Miami-native MISS DRE bangs out a coquettish cut called “Shape A Thought,” creating a body-tingling movement through her use of sultry vocal loops, rumbling low-end, and midnight-hued melodies. SODF and Double Agent make a late-night call on “Come Over,” as the two Aussie talents keep the sexual tension running high with their blood-pumping bass house collab.
German duo Makla crosses streams with the budding artist from Miami, JC Ordonez, working in unison to douse the space with a dank and incredibly bouncy track appropriately named “Drip.” Also operating on collab mode are not the father and Eric Mark with “Shake N’ Bake,” which races through fast-paced percussive arrangements, whispering vocal licks, and warehouse-ready stabs. The Broken Music Syndicate label-boss Left/Right switches up the tempo with a propulsive and moody offering titled Change,”—which, until now, has been a tightly kept secret weapon in his sets—employing his significant other and his own vocal work for good measure.
London’s Event Horizon peppers in a little flavor from his native land on “Beat Rider,” roping in the low-end enthusiast from Poland, Shahay. The two emerging acts fuse together seamlessly, hitting up the set with a dark and heavy-duty beat that props up some proper MC hooks. Wrapping up the package with the album’s final offering, “Need You,” is newcomer Violet Park who dishes out a piano-led house track anchored down by powerful belting about cutting ties without any remorse.
“Nick (FWLR) hit me up to write a song about being ‘Old,’ says Cloverdale. “I mean, at least that’s what I thought it was about. Being old may be something he is, but clearly, I am not. Turns out, its about being ‘Old School,’ which to my knowledge is completely different. Old-school people like 303 acid synths, 909 hats and RAVE STABS; that’s something we both know all about. We jammed them all in this track, making the dopest old-school banger we could!”
“This tune has been a mid-set favorite of mine for over a year,” explains Left/Right. It combines a driving groove that opens up into soaring melodic elements and is a great dancefloor mood-changer. (It even features some vocals from myself and the wifey.) I wrote this tune when I was going through some heavier personal things and this tune was my resolution to ‘change’ and move forward positively.”
“I’m absolutely buzzing to release a track on IN / ROTATION,” adds FOULPLAY. “It’s been a huge goal of mine since the start. ‘Let Me’ was born from me finding a weird acid sound and the whole track flowed from there. I think I made it in one studio session. I just wish I could play this track in a club and hopefully see it go off.”
“This track is a collaboration with Polish producer, Shahay, who I was keen to collaborate with after hearing his track ‘Acid,’ tells Event Horizon. “I came up with an initial idea but was struggling to fill the gaps. Shahay was quick to add his signature style synths and the track then came together very quickly. IN / ROTATION is a label I’ve aspired to release on for a long time now, after seeing many of my favourite artists release on this label, such as Bleu Clair, MNNR and Qlank.”
With 13 well-rounded tracks filling up each of the slots of the latest edition of ‘Rotate,’ there most certainly will be a vibe found within that hits close to home for almost every type of house-head in the scene. Between the bumpin’ bass house to the more reserved tech grooves, this new batch of tracks shines a light on key players from all corners of the community. Keep it locked, because the latest haul of artists are guaranteed to make massive ripples in the house circuit sooner rather than later.
Fast-rising Nigerian Afrobeat artist, songwriter, rapper, and singer Raymond Isreal, popularly known as Eazie Boi, delivers purpose and power on his latest single, ‘Normally’, released January 30, 2026. Rooted in Afrobeat with emotionally resonant storytelling, the track blends rhythmic vibrancy with a deeper sociopolitical message reflective of present-day realities in Nigeria.
Known for his hardcore trap style fused with Nigerian sonic textures and global influences, Eazie Boi continues carving out a distinctive space in the African music landscape. An indigene of Akwa Ibom State in West Africa, the dynamic performer has steadily built momentum through heart-stirring releases such as ‘No Para’, ‘Oshey’, ‘Dispare’, and ‘Burning Bridge’, records that highlight both his melodic range and lyrical depth.
With ‘Normally’, Eazie Boi leans fully into his role as a conscious storyteller, using music as both expression and reflection.
“’Normally’ is another way of me expressing what I feel about the current situation of the Nigerian people right now. But on a normal level, the goal was to create vibes and make people feel something real — a kind of song that connects emotionally and inspires somebody,” he says.
While sonically upbeat and rhythm-driven, the record carries layered commentary beneath its danceable production. The artist — who identifies first and foremost as a storyteller — intentionally structured the song so that the message leads the music.
“The message had to come first. This song is more about expressing the current situation of Nigerians right now,” Eazie Boi states.
The inspiration behind ‘Normally’ came during a moment of reflection sparked by social media discourse surrounding music and meaning. Within minutes, Eazie Boi began shaping what would become one of his most intentional records to date — a fusion of sound and substance designed to resonate across both dance floors and lived experiences.
Listener reception has been overwhelmingly positive, with audiences gravitating toward the beat, rhythm, and flow while organically engaging with the song’s deeper undertones. The duality of vibe and message reflects Eazie Boi’s broader artistic mission: creating music that moves people physically while speaking to them emotionally and socially.
For Eazie Boi, music has always been rooted in purpose. His work is driven by a desire to inspire awareness, spark reflection, and contribute to conversations that extend beyond entertainment. Through his sound, he aims to connect with listeners on a human level — offering both resonance and reassurance through shared realities.
That intentionality shapes the legacy he hopes to build through ‘Normally’ and beyond.
“I want my music to outlive me. I want people to see their reflection of greatness through my sound — a legacy of vibes, talking into people’s feelings and speaking their minds. Maybe inspire a few to chase their dreams, make them remember my sound when life gets tough. I just want to leave a mark that says, ‘He made us feel something… he brought answers and awareness through his music.’”
Deeply influenced by Pan-African ideology, Eazie Boi’s forthcoming projects aim to merge Afrobeat and hip-hop with themes of social consciousness, continental unity, and diaspora solidarity. He places himself within a lineage of revolutionary artists who used music as a vehicle for cultural awareness and societal transformation.
As he continues expanding his global footprint, Eazie Boi remains committed to pushing boundaries, touching lives, and amplifying African stories through rhythm and truth — one record at a time.
‘Normally’ is now available on all major streaming platforms.
Follow Eazie Boi:
ARYMÉ has released a deep, late-night tribal rework of SHOUSE’s ‘Call My Name’ on Hell Beach, transforming the original into a driving, hypnotic club anthem.
ARYMÉ delivers a deep, late-night, tribal rework of SHOUSE’s ‘Call My Name’, transforming the emotional weight of the original into a driving, hypnotic club cut. Anchored by a rolling low end, restrained percussion, and haunting vocal moments, the remix builds tension with a slow-burning energy designed for peak time floors. It is a refined and immersive take that stays true to the soul of the original whilst embracing the sunrise.
The remix has been featuring heavily in Francis Mercier’s sets and is also picking up support from Themba, Paco Osuna, Danny Avila, Andi Durand, Quentin Harris, Soul Central, and Makossa. The track is released on Hell Beach, a division of Onelove Recordings, further highlighting its growing impact on dance floors worldwide.
ARYMÉ is a DJ and producer based in Paris, known for captivating audiences with his engaging fusion of Melodic Tech, Afro, Deep, and Organic House. With overflowing energy, a multicultural vibe, and a touch of craziness, ARYMÉ’s unique DJ sets keep the crowd on their feet and dancing, solidifying his status as an emerging name in the global electronic music scene.
He has delivered awe-inspiring sets at iconic venues and festivals around the world, including Burning Man, Zamna Tulum, Ushuaïa, Chinois Ibiza, Piknic Électronik MTL, La Clairière, KOKO London, Caprice Festival, BPM Festival, and Blue Marlin Ibiza, amongst many others. He has shared the stage with top talents such as Black Coffee, Monolink, Gordo, WhoMadeWho, Francis Mercier, Mahmut Orhan, Damian Lazarus, MAZ, AMÉMÉ, and HUGEL.
ARYMÉ’s performances are a testament to his ability to connect with diverse audiences, transcending cultural boundaries through the universal language of music.
SHOUSE – Call My Name (ARYMÉ Remix) is out now on Hell Beach and is available to stream here.
Find Out More & Follow:
ARYMÉ: Instagram | Spotify | Beatport | Traxsource
SHOUSE: Instagram | Beatport | Traxsource
Hell Beach: Website | Instagram | Beatport | Traxsource
JAEMO has smashed his way onto the scene with his jaw-dropping, full throttle debut single ‘Still In Drive.’
After years of climbing his way through the nightlife scene with his powerful DJ sets, JAEMO is taking on the new challenge of producing. While many producers take years to master their craft, JAEMO has kicked off his producing career with a stunning single. ‘Still In Drive’ has all the hallmarks of a song made by a seasoned professional. The track centres around a thick, groovy bassline that shakes your speakers and transports you straight to the club. During the chorus’ it locks in rhythmically with the catchy lyrics delivering a punchy combination. There are some excellent switches in energy whether that be from JAEMO’s expert use of dynamics or the surprising switch to breakbeat at the second drop. This clear understanding for how to shift a tracks energy seamlessly and piece every element together so well is telling of his experience as a DJ.
Though he’s only just dropping his debut single, JAEMO has spent years up on stage, behind the decks, alongside some of the masters of electronic music. JAEMO’s skills on the turntables have earnt spots on lineups with the likes of deadmau5, Eli Brown, Max Styler, and many more. He’s climbed his way through the ranks to now play his amazing atmospheric sets at some of Vancouvers premier clubs and festivals. As he makes this step into producing his own original singles, there’s no doubt he’ll be finding himself on plenty more of the big stages.
JAEMO has delivered a track worthy of its name with it staying firmly in drive from start to finish. ‘Still In Drive’ is not only an impressive debut single, but an astonishing display of skill beyond his years. If this is a sign of what is to come then there’s no limits to how high JAEMO can fly.
You can follow JAEMO on his socials below:
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