EDM Artist News
James Hype To Headline World-First Charity Concert, Where A Night Out Builds A Home
James Hype headlines BillyChip Live at Bristol Beacon this November, a world-first charity concert funding homes for homelessness.
Global DJ and producer James Hype will bring his explosive SYNC show to Bristol this November for a one-night-only, world-first charity concert where every ticket sold directly funds the construction of micro-homes for people experiencing homelessness. Taking place at Bristol Beacon on Saturday, 22 November 2025, BillyChip Live will be one of only two UK performances by James Hype this year.
Tickets are now on sale via the Bristol Beacon website from £27.50: https://bristolbeacon.
With the goal of creating three new micro-homes in Bristol, the initiative is being delivered in partnership with local charity Help Bristol’s Homeless. Each ticket sold will directly fund the construction of these homes.
“What if your rave built a home?” said James Hype. “I’m proud to support BillyChip Live — it’s an honour to headline a night that’s doing more than entertaining.”
BillyChip Live is the first in a new series of concerts from the creators of BillyChip®, the award-winning social enterprise reinventing how people can support those experiencing homelessness. Founded in Bristol, BillyChip allows members of the public to purchase tokens in cafés and shops that can be given to rough sleepers, who can then redeem them for food or drink. The same ethos is now being brought to the stage — inviting fans, artists and venues to “chip in” and help fund permanent homes rather than temporary solutions.
“This is a new blueprint for what live music can achieve,” said Jack Gascoigne, Director of Communications at BillyChip. “With James Hype on board, we’re proving that your night out can help someone get their life back.”
James Hype’s SYNC show, first introduced during his Hï Ibiza residency, is a boundary-pushing audiovisual experience that synchronises every beat, motion and visual for a fully immersive performance. For this special event, Bristol Beacon will be transformed into a 360-degree venue, surrounding Hype with fans on all sides.
“SYNC is a declaration of what’s possible,” said Hype. “I wanted to push the boundaries of DJing by blending technology with artistry — and bringing that to Bristol for such a powerful cause feels incredible.”
The event will take place nearly two years after the reopening of Bristol Beacon, which underwent a world-leading redevelopment led by architects Levitt Bernstein. The venue has since become one of the UK’s most sonically versatile, designed to enhance performances across every genre.
“This night really demonstrates the versatility of our spaces,” said Todd Wills, Programme Director at Bristol Beacon. “As a charity, we are committed to supporting community-focused initiatives, and the opportunity to partner with BillyChip and James Hype on such an original concept is both exciting and meaningful.”
Proceeds from the event will support Help Bristol’s Homeless, a pioneering local charity converting shipping containers into safe, fully equipped micro-homes. Founder Jasper Thompson will be featured in the wider campaign and in follow-up storytelling about the lives transformed through this project.
“This is about hope, opportunity and community all rolled into one,” said Jasper Thompson. “These homes change lives. Thanks to BillyChip Live, we’ll be able to give more people a safe place to begin again.”
BillyChip has also recently entered into a new partnership with The Big Issue, allowing vendors to accept BillyChips as payment for magazines and use them to purchase additional copies — increasing their earning potential without needing to use their own cash.
Further acts and programming details will be announced soon. The event is sponsored by Flutter International, the global gaming and entertainment provider and long-time corporate partner of BillyChip.
“We are proud to provide continued support to BillyChip and this amazing event,” said Sue Hammett, Head of CSR for Flutter International. “We hope this concert will enable this inspiring charity to expand its support to people who find themselves homeless, as well as raise important awareness.”
VIP packages are also available, offering exclusive stage-side access, private bars, Au Vodka tastings, immersive dining experiences, and entry to the official “Back to Mine” afterparty. Every VIP package purchased will directly fund homes for Bristol’s homeless community.
Tickets are available from £27.50 at bristolbeacon.org
EDM news
Pokémon to Celebrate 30th Anniversary with “Pokémon Night Out” Rave
The Pokémon Company is officially marking three decades by throwing a massive rave to celebrate its 30th anniversary. Under the banner of the Pokémon Center, the brand will host a special two-night concert series titled “Pokémon Night Out“.
Both events are scheduled to debut in Los Angeles and London this fall, offering fans a unique fusion of EDM and gaming culture. Attendees will be immersed in a world of themed visuals curated for this series, alongside the debut of exclusive merchandise collections directly from the Pokémon Center.
The choice of headliners for these milestone shows is a perfect match for a collaboration of this scale. Global talent Marshmello and Alison Wonderland are set to perform at both shows. They will be bringing the high-energy beats and immense production value they are each known for. Both artists have established themselves as icons at the intersection of music and gaming with proven careers in sound design. They have tracks featured in major franchises like Forza, NBA2K, and FIFA. Their ability to blend technical precision with massive stage presence makes them the ideal leads for Pokémon’s 30th birthday party.

The Event Details:
The tour kicks off in the United States before heading across the Atlantic.
-Los Angeles: The first concert takes place on October 24, 2026 at the state-of-the-art Intuit Dome. This massive venue boasts a capacity of 18,000 attendees and offers some of the most advanced audio-visual technology in the world.
-London: The celebration continues on November 10, 2026 at the premier O2 Arena supporting an even larger capacity of up to 20,000 fans.
Tickets officially go on sale this Friday, April 17, at 10:00 AM local time (10:00 AM PDT for Los Angeles; 10:00 AM BST for London).

A Global Celebration for All Ages
In addition to the concert series, the Pokémon Center is also rolling out a family-oriented experience. This will be an international event catered for fans throughout France, Germany, and Mexico. This exciting expansion will feature over 16 unique exhibits showcasing everyone’s favorite Pokémon characters in a life-sized format. While the “Night Out” concerts target the adult crowds, these summer exhibits are designed to be accessible to fans of all generations. More specific dates and venue locations for the summer tour are expected to be announced in the coming weeks.
”Pokémon Night Out” promises to be a truly one-of-a-kind experience. By combining world-class musical talent with a multi-sensory journey through the entire Pokémon universe, this 30th-anniversary milestone is guaranteed to not disappoint.
Editorial
Sara Landry Before Techno: Data Analysis to Mainstage Slots
Sara Landry Before Techno: Data Analyst In Austin, SXSW Events And Her Rise To Tomorrowland Mainstage
Before becoming associated with hard techno lineups across Europe and major festivals, Sara Landry was working in Austin, Texas in data analytics, including a role at YETI, while developing her involvement in music at the same time. Her academic background at New York University (NYU) was built around social and analytical fields, which later informed how she approached performance and audience response. Her early years were not centered around clubs or touring, but around balancing a structured corporate role with regular involvement in the local scene, which shaped how her career developed before expanding beyond the United States.
@electrodecksdaily @Sara Landry explains how she managed to go full time on music 🤩 | Follow for more | #music #fyp #goviral #foryou #foryoupage #learnontiktok #dj #DJ #djs #ravers #djhelp #djinterview #musicinterview #interview #djadvice #saralandry ♬ original sound – electrodecksdaily
Building A Presence In Austin Before Any International Exposure
While working full time in data analytics, Sara Landry was already active in Austin’s local music environment, taking on DJ sets outside of her work schedule and building connections through smaller independent events. These were not established club circuits or festival bookings, but early-stage opportunities where she was playing in front of limited crowds, often in informal spaces that allowed her to test different approaches to pacing and track selection. Her involvement around SXSW house parties is one of the clearer examples of this period, where unofficial events and side gatherings played a role in how artists gained early exposure within the city.
What separates this phase from a simplified “before and after” story is the amount of time spent building within that environment. She was not only performing, but also involved in organizing and shaping events, which meant understanding both the logistical side of running a night and the response of a crowd in real time. That combination created a practical foundation that extended beyond DJing alone, covering how events are structured, how audiences move across a set, and how consistency is built over repeated performances. This period in Austin is also where her identity within harder techno began to take shape, at a time when that sound was not widely represented in the city, which adds context to how her later positioning developed once she moved into larger markets.
From Local Development To Positioning Within The European Techno Circuit
After establishing herself locally, Sara Landry’s career expanded into the European techno circuit, where cities such as Amsterdam and Berlin continue to play a central role in defining the genre’s direction. This shift is important because it places her within a network of venues, labels, and audiences that are more directly aligned with hard and industrial techno, allowing her sound to develop within a scene that supports higher BPM sets and longer-form performances. Her work through Hekate Records further positioned her within that space, giving her a platform to release music that aligns with her approach while also connecting with other artists working within similar styles.
Her move into larger stages followed that progression, with international bookings building toward festival appearances that extended beyond the underground circuit. Her set on the Tomorrowland Mainstage in 2024 is often referenced because it brought hard techno into a space that has historically focused on other styles, placing her sound in front of a broader audience.
@tomorrowland The wonderful @Sara Landry at the MainStage. #tomorrowland #electronicmusic #festival #ontour ♬ original sound – Tomorrowland
That moment reflects a wider change in how festival programming is evolving, where genres that were previously more contained within specific scenes are now appearing across larger platforms. When viewed alongside her earlier work in Austin, the progression shows a clear expansion from local events into a global network, with each stage of her career building on the one before it.
Her trajectory is defined by the period where her corporate role and music work developed alongside each other, creating a foundation that carried into her later work once she began touring internationally. That early structure explains why her career has developed with consistency across different stages, from smaller events in Austin to major festival lineups, without relying on a single breakthrough moment. As hard techno continues to gain visibility across larger platforms, her position now sits within a broader shift in how lineups are being constructed, and the next phase will depend on how she continues to develop her sound and her label while working across both established venues and new audiences entering the genre.
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