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Joel Corry Talks With Us About His New Single, Performing At Massive Festivals, Dream Collab & More!

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With 5x platinum UK records, 5x BRIT nominations, and over a decade of club shows all over the world under his belt, Joel Corry is one of the most revered names in dance music. He made his breakthrough with 2019’s UK Top 10 single, ‘Sorry’, which also broke the all-time 24-hour Shazam record in the UK with over 41,000 recorded tags, paving the way for collaborations with the likes of David Guetta, Jax Jones, and Saweetie, as well as a further four Top 10 records – including 2020’s anthemic UK #1 single and global smash, ‘Head & Heart’ ft. MNEK. To celebrate the release of his new single, ‘History’ with Becky Hill, we had the pleasure of speaking with Joel on a number of topics.

Hey Joel, thanks for speaking with us, how are you doing today?
Hey guys, thanks for having me! I’m doing great, I’ve had an amazing summer. I’m out in Ibiza right now. The season is nearly over, so I’m going to finish my last few shows out here with a bang!

Let’s kick things off with your brand new single, ‘History’, alongside Becky Hill which just hit #1 in the UK. How happy are you with the finished product and it’s overwhelming positive response from your fans?
I’m so happy with the response to History. This record is really special to me and I feel like it’s the collab that everyone was waiting for. Becky is an absolute superstar and I had the best time working with her. We’ve been working hard together on this record for around six months, so we’re just buzzing to get it out to the world now.

Your first time working alongside Becky Hill, can you tell me how this single came about and what made you work with her for the first time?
Becky is a real icon of dance music. We crossed paths a few times at shows, and we finally managed to get in the studio together at the end of last year. HISTORY was the first idea we started working on and it stuck, which let me know it was the right one for us. I love the concept of the song and the lyrics. We’ve had the best time working together.

Now with countless smash hits under your belt, do you ever feel any pressure to keep the hits coming or does producing come naturally to you?
There is definitely pressure, but it’s a good thing. I love the pressure, it makes me work harder and up my game with everything I do. I just want to keep delivering the bangers for you guys to enjoy!

With each release, you’ve showcased a signature sound that blends pop dance elements with melodic electronic influences, how important is it for you as an artist to have your own sound?
I think it’s important that when people hear my records, they know it’s mine and they feel familiar with it. But it’s also important to bring a fresh sound to my releases in order to keep moving forward and develop my sound.

Are there any other genres in or out of the dance music world that you’d like to work on and release?
I’ve always taken inspiration from people like Calvin Harris. Calvin crossed genres from dance into pop, rnb, funk. He inspires me to have success in those different lanes. In the future I want to experiment for sure.

With a number of high-profile collabs in your catalog, what would be your one dream collab be?
Ed Sheeran. I think everyone knows I am a huge Ed Sheeran fan. I hung out with him after the MTV EMAS last year and got to know him a bit more, which was great. He also told me he was a big fan of my records, which I couldn’t believe. Who knows, maybe one day we’ll get in the studio together.

Over the past months, you’ve performed at major dance festivals such as EDC and Tomorrowland, what was the experience like performing on those stages?
It was a dream come true to perform at those iconic festivals. I’ve been working towards playing on those main stages my whole life. The feeling of adrenaline and electricity I get from being on the main stage, in front of that many people, is just amazing. I can’t really describe it. They were definitely some of my highlights of the year so far.

Thanks for taking the time to speak with us, do you have anything you’d like to reveal with our readers?
I’d just like to say a huge thanks to your readers for all your support! I might have some new music coming soon, so watch this space!

Stream ‘History’ below.

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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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14 Years Ago, Calvin Harris Released ‘Sweet Nothing’

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Calvin Harris and Florence Welch’s ‘Sweet Nothing’ celebrates 14 years after becoming a UK No. 1 and one of the biggest singles from the album ‘18 Months’

Fourteen years after Calvin Harris and Florence Welch released ‘Sweet Nothing’, the collaboration remains one of the most remembered songs from the 18 Months era. Released in 2012, it brought together two artists who were already having very different but highly successful years in music, with Calvin Harris also working with Florence + The Machine around the same period. What followed gave ‘Sweet Nothing’ a much bigger story than its original release, from how the collaboration happened to the success that followed on both sides of the Atlantic.

The Story Behind ‘Sweet Nothing’

Before ‘Sweet Nothing’ became one of the most beloved songs from Calvin Harris’ 18 Months era, he and Florence Welch already had history together. Earlier in 2012, Calvin Harris remixed Florence + The Machine’s ‘Spectrum (Say My Name)’, which went on to reach No. 1 in the UK. That connection later led to an original collaboration, with Kid Harpoon joining Calvin Harris and Florence Welch as a co-writer on ‘Sweet Nothing’.

 

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The song placed Florence Welch’s vocal in a more electronic setting than much of her work with Florence + The Machine at the time, while fitting naturally into the sound Calvin Harris was developing across 18 Months. It became part of an album that also featured collaborations with Rihanna, Ellie Goulding, Example, Kelis and Ne-Yo, helping place ‘Sweet Nothing’ within one of the most successful periods of his career.

From UK No. 1 To The Billboard Hot 100

Once ‘Sweet Nothing’ was released, the collaboration quickly became much more than another single from 18 Months. It reached No. 1 on the UK Singles Chart in October 2012, giving Calvin Harris another chart-topper only months after his remix of ‘Spectrum (Say My Name)’. The song also crossed over strongly in the United States, where it reached the top 10 of the Billboard Hot 100 and gave Florence Welch her first top 10 hit on the chart.

The success continued beyond its original chart run. ‘Sweet Nothing’ later earned a nomination for Best Dance Recording at the 2014 Grammy Awards, while 18 Months was nominated for Best Dance/Electronica Album the same year. Its music video, directed by Vincent Haycock, also became an important part of the release, pairing Florence Welch’s performance with a darker storyline that contrasted with the track’s club-focused production.

Fourteen years later, ‘Sweet Nothing’ remains closely tied to a period when Calvin Harris was becoming one of the biggest names in electronic dance music, while Florence Welch was bringing her voice into collaborations far outside Florence + The Machine. Between the story behind the record, its success in both the UK and the United States, and its place within 18 Months, the song has lasted far beyond its original 2012 chart run.

From UK No. 1 To The Billboard Hot 100

Once ‘Sweet Nothing’ was released, the collaboration became much more than another single from 18 Months. It reached No. 1 on the UK Singles Chart in October 2012 and gave Calvin Harris another chart-topper that year. The song also found major success in the United States, reaching the top 10 of the Billboard Hot 100. It became Florence Welch’s first top 10 hit on the chart.

The success continued after its original chart run, with ‘Sweet Nothing’ earning a Best Dance Recording nomination at the 2014 Grammy Awards. 18 Months also received a nomination for Best Dance/Electronica Album that year. The Vincent Haycock-directed music video added another part to the release, following Florence Welch through a nightclub performance alongside a darker relationship storyline.

Fourteen years later, ‘Sweet Nothing’ remains closely connected to one of the most successful periods of Calvin Harris’ career. It also gave Florence Welch one of her biggest collaborations outside Florence + The Machine. Its UK No. 1, U.S. top 10 and Grammy nomination all followed a partnership that had started only months earlier with ‘Spectrum (Say My Name)’.

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Calvin Harris Sells Out Entire Australian Tour

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Calvin Harris sells out entire 2027 Australian tour as 10-show run becomes the country’s largest electronic headline tour

After years of playing major Australian festivals, Calvin Harris is finally bringing a full headline tour to the country in 2027. What started with four dates has since expanded to 10 sold-out shows across Perth, Brisbane, Sydney and Melbourne. More than 330,000 tickets have been sold, making it the largest electronic headline tour in Australian history.

From Australian Festivals to His First Headline Tour

Long before planning a tour of his own, Calvin Harris had already performed at some of Australia’s biggest dance festivals. He first appeared at Big Day Out in 2010 before returning for Stereosonic in 2011, 2012 and 2014. Years later, Festival X brought him back in 2019 and 2022, keeping his Australian appearances largely tied to major festival events.

When the 2027 tour was first announced, Calvin Harris was set to play just one show per city. Langley Park in Perth would open the run before stops at RNA Showgrounds in Brisbane and The Domain in Sydney. The original schedule would then finish at Flemington Racecourse in Melbourne.

As demand increased in Sydney, Calvin Harris added more nights at The Domain, eventually taking the city to five consecutive shows from February 20 to 24. More than 150,000 tickets have been sold across those dates alone. No other headline act has previously played as many shows during one run at the venue.

Strong demand also brought two additional Melbourne dates at Flemington Racecourse, while Perth received a second show at Langley Park. Those additions took the original four-date tour to 10 shows, with Melbourne hosting the final night on February 28.

Calvin Harris Continues a Record-Breaking Year

The Australian response comes during a year in which Calvin Harris has already broken another major live record. In February 2026, an estimated 1.6 million people attended his Bloco Skol performance in São Paulo. Guinness World Records later recognised the event as the largest attendance for a DJ set by a single artist.

More than two decades into his career, Calvin Harris is now drawing audiences on a very different scale from his earlier Australian appearances. His previous visits placed him on festival lineups alongside dozens of other artists, while 2027 will mark the first time he has taken his own headline show across the country.

When the tour begins in February, it will also bring his relationship with Australian audiences into a new chapter. From Big Day Out and Stereosonic to Festival X, they have followed his career through some of the country’s biggest dance events. In 2027, they will finally experience Calvin Harris across a full Australian headline tour of his own.

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Calvin Harris Sets Guinness World Record in São Paulo

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Calvin Harris wearing a Brazil football shirt at Bloco Skol in São Paulo

Calvin Harris sets a Guinness World Record after performing to 1.6 million people at Bloco Skol in São Paulo, marking the largest attendance for a DJ set by a single artist

Few artists have had the kind of long-term impact on the electronic dance music scene that Calvin Harris has, with a career that has included major festival appearances at Coachella, Tomorrowland, Ultra Music Festival and Creamfields, as well as collaborations with Rihanna, Dua Lipa, Ellie Goulding and Sam Smith. His work has crossed electronic music and mainstream charts for years, but his latest achievement takes that success in a completely different direction. After performing to an estimated 1.6 million people at Bloco Skol in São Paulo, Harris has now officially earned a Guinness World Record for the largest attendance for a DJ set by a single artist.

 

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Inside Calvin Harris’ Record-Breaking São Paulo Set

The performance took place on February 8, 2026, when Calvin Harris joined Bloco Skol during São Paulo’s pre-Carnival celebrations. The free event took over Rua da Consolação, where Calvin Harris performed from a traditional Brazilian trio elétrico near Avenida Paulista. It marked his first time performing on a trio elétrico and brought him back to Brazil after around a decade, alongside Brazilian artists Nattan, Xand Avião, Zé Vaqueiro and Felipe Amorim.

During the set, Calvin Harris wore a Brazil football shirt with “Calvinho” and the number 00 printed across the back while playing music from across his career. Guinness World Records lists This Is What You Came For, One Kiss, I Need Your Love and We Found Love among the tracks heard during the performance, as an estimated 1.6 million people gathered in central São Paulo. The Carnival setting also gave the Scottish producer a very different format from the festivals, arenas and residencies that have featured throughout his career.

 

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A New Guinness World Record For Calvin Harris

That 1.6 million-person attendance is officially listed by Guinness World Records as the largest attendance for a DJ set by a single artist. The record page names Calvin Harris as the holder, with São Paulo, Brazil and February 8, 2026 recorded as the location and date of the achievement. The category applies specifically to a DJ set by one artist, giving the Bloco Skol performance its own place in the organization’s record database.

For additional context, Guinness World Records also notes that Madonna’s free Celebration Tour concert at Copacabana Beach in Rio de Janeiro attracted an estimated 1.6 million people on May 4, 2024. Reaching the same estimated attendance for a single DJ set puts the scale of Calvin Harris’ performance far beyond the audience size normally associated with festivals or stadium shows. Celebrating the recognition on social media, Calvin Harris wrote that he now held the world record for the category before adding, “only in Brazil!!!”

More than two decades into his career, the record gives Calvin Harris another major achievement alongside his international festival appearances, chart success and collaborations with some of the biggest names in music. His Bloco Skol performance will now be remembered not only for bringing him back to Brazil, but for attracting an audience large enough to earn a place in Guinness World Records.

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