EDM news
John Summit Calls Out Pete Tong Over ‘Missing’ Remix
John Summit calls out Pete Tong after saying Pete asked for his ‘Missing’ remix files then released a version with Franky Rizardo.
John Summit has publicly called out Pete Tong over a dispute surrounding his remix of “Missing” by Everything But The Girl, claiming that Pete Tong had promised to release his version before moving forward with a separate version alongside Franky Rizardo. In a series of posts shared on X, John Summit said he had been working on an orchestral version of the remix and later posted screenshots that appeared to show conversations about sending over his session files and arranging live strings for the project. The situation has since drawn attention across the electronic music scene, especially as John Summit clarified that his issue is with Pete Tong and not Franky Rizardo, who he said may not have known the full context. While Pete Tong has not publicly responded at the time of writing, the dispute has raised questions about credit, remix ownership, and how unfinished collaborative ideas are handled behind the scenes.
John Summit Shares Screenshots Of Alleged “Missing” Remix Conversations
After John Summit made his accusation public, he followed it with screenshots that appeared to show private messages between him and Pete Tong about the remix. The messages give more context to why John Summit believes he was not simply one of several artists interested in working on “Missing.” From his side, the issue appears to be that he had already been discussing a specific version of the song with Pete Tong, including the possibility of sending over his session so parts of the arrangement could be developed further and recorded to the right tempo. The screenshots also mention recreating parts, working out the vocal, and recording orchestra sections, which makes the conversation look like a project that had gone beyond being just a casual remix idea.
That is where John Summit’s claim becomes more specific. He is not only saying that another version of “Missing” appeared online. He is saying Pete Tong had promised to release his remix, then later moved forward with a version connected to Franky Rizardo instead. John Summit also appeared to ask whether he could still bring his orchestral “Missing” moment to Tofte Manor with his own orchestra, which adds another layer to why he seems frustrated by the situation. He later clarified that he was not trying to blame Franky Rizardo, saying he may not have known the full context, so the center of the dispute remains John Summit’s claim about what happened between him and Pete Tong before the Franky Rizardo version surfaced.
Why John Summit’s Pete Tong Dispute Has Drawn Wider Attention
Part of why this dispute has gained so much attention is because Pete Tong is not a small name in dance music. He has spent decades as one of the most influential broadcasters and tastemakers in electronic music, especially through his long running work with BBC Radio 1, where he helped introduce countless records and artists to a wider audience. For artists coming up in the scene, getting support from Pete Tong has often meant more than just another radio play. It has been seen as a form of approval from someone who has helped document and push dance music culture for years.
That history also explains why John Summit’s reaction feels more personal than a standard remix disagreement. He has made it clear that he looked up to Pete Tong, which makes his frustration less about competition and more about trust. When a younger artist believes he is working with someone he respects, especially on a classic song like “Missing,” the expectations around credit, communication, and final release plans become even more important. Until Pete Tong responds publicly, there are still missing parts to the story, but John Summit’s posts have already pushed the conversation beyond one remix and into how artists protect their work when private creative discussions turn into public releases.
For now, the story remains open because Pete Tong has not publicly responded to John Summit’s claims, and that silence leaves the timeline sitting mostly on John Summit’s posts and screenshots. What happens next will depend on whether Pete Tong addresses the accusation, whether more context comes out from either side, or whether the release itself moves forward without a public explanation. For John Summit, the issue seems to go beyond losing a remix slot, because he is speaking about someone he once looked up to and a project he believed he was part of. Until more is said, the dispute has left a clear question around how remix ideas, project files, and early creative conversations are handled when major names are involved.
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ALANDRIΔ Release New Melodic House Single ‘Explicit’ as the San Diego duo explore progressive house and melodic techno influences throughout their track
San Diego based production duo ALANDRIΔ have released their new melodic house single ‘Explicit’, introducing the project through a song that draws from deep house, progressive house, and melodic techno. Formed by a Latin born vocalist and multi instrumentalist alongside an American Canadian dancer and award winning choreographer, the duo come from different areas of live music and stage work, giving the project a wider creative background from the beginning. Their first release reflects that crossover as ‘Explicit’ moves through a darker house opening before the beat, melody, and build become more prominent, creating a progression that continues to develop as the song moves forward. With this single, ALANDRIΔ make a strong first introduction while establishing their direction within the current melodic house and progressive electronic music scene.
ALANDRIΔ Develop Explicit Through Deep House and Progressive House Production
Opening with a deep house foundation, Explicit introduces a steady beat, restrained percussion, and a darker melodic phrase that continues to guide the arrangement as more elements are added. The production also carries modern melodic techno characteristics through its repeating synth movement and gradual rise in tension, though ALANDRIΔ keep the track rooted in house throughout. That distinction allows the groove to remain central while the melody and percussion grow around it, giving the opening enough space to establish the song before the production begins moving toward its stronger sections.
As the arrangement develops, the progression becomes one of the most effective parts of Explicit. The percussion gains more weight, the melodic elements widen, and each new section adds intensity without pushing the song forward too quickly. A rising synth pattern creates anticipation during the build, while the beat becomes more pronounced at the point where the production needs greater force. By increasing the tension in stages, ALANDRIΔ make the later sections feel more rewarding while maintaining the same deep house and progressive house direction introduced at the beginning.
The San Diego Duo Introduce Their Musical Direction With Explicit
The way Explicit moves through rhythm, melody, and gradual transitions also reflects the different creative backgrounds behind ALANDRIΔ. One half of the duo is a Latin born vocalist and multi instrumentalist with professional experience in live music, while the other is an American Canadian dancer and award winning choreographer whose work includes movement and stage production. Those disciplines appear in the timing of the arrangement, particularly in how each section enters, develops, and leads into the next without interrupting the song’s pace. The production continues to add new details while keeping the central melodic pattern recognisable from beginning to end.
For a first introduction to the San Diego production duo, Explicit shows how ALANDRIΔ approach melodic house without overcrowding the arrangement or relying on one repeated idea. The deep house opening establishes the rhythm, the progressive house elements carry the song forward, and the melodic techno details strengthen the build as the track reaches its fuller sections. Their patience with the progression gives the beat and melody more impact once both begin working together at greater intensity, making Explicit a strong starting point for the duo as they continue developing their catalogue.
With Explicit now introducing ALANDRIΔ to a wider audience, the releases that follow will show how the duo continue developing their work across melodic house, progressive house, and club focused production. Their separate backgrounds in vocals, live music, dance, and stage production give them several practical ways to expand, whether that means placing more attention on songwriting, using vocals more prominently, or writing songs with a stronger focus on movement and pacing. Explicit already shows that they understand how to let a song grow gradually without rushing the build, and that patience could become an important part of their future music. As their catalogue grows, the main point of interest will be how ALANDRIΔ keep these influences connected while giving each release its own identity.
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Sacred Acre reveals its Phase II lineup for September 11-13 2026 on Alaska’s Kenai Peninsula, adding OPIUO, Mr. Bill, INZO, and Tape B B2B Effin to its fifth annual edition.
Sacred Acre, Alaska’s largest immersive electronic music and eco-activism festival, returns September 11–13, 2026, with the release of its second wave of artists for the festival’s fifth annual edition. Following the initial announcement of Tape B (performing two sets), Maddy O’Neal, and Effin, Sacred Acre has confirmed a dynamic Phase II lineup including Tape B B2B Effin, OPIUO, Mr. Bill, INZO, Mindchatter, Josh Teed, Tripp St., Cool Customer, Phyphr, Audio Goblin, Meduso, Mlotik, Dredlok, OkayJake, STVSH, and David Starfire, alongside a diverse wave of rising and regional talent.
Set along the stunning Cook Inlet coastline and nestled within the forests of the Kenai Peninsula, Sacred Acre continues to offer a festival experience unlike any other – blending world-class music, immersive storytelling, and environmental advocacy. The festival remains committed to raising awareness and support to combat factory trawling in Alaska’s waters and preserve the region’s delicate marine ecosystems.
“Every year, we’re not just throwing a party. We’re trying to build something that actually matters,” says Festival Director Chris Miller. “Getting people together in a place like this, surrounded by so much beauty, creates space to celebrate, learn from each other, and hopefully leave a little more inspired to take action.”
The festival continues to expand its offerings in 2026, introducing enhanced travel infrastructure and accessibility tools for attendees making the journey to Alaska. New and returning options include discount flight partnerships, hotel packages, round-trip shuttle bundles from Anchorage, on-site camping and RV accommodations, and VIP experience tiers.
Sacred Acre continues to challenge the perception that traveling to Alaska is out of reach. With bundled options including GA tickets and round-trip shuttle access starting around $300, four-night on-site camping from $139, and average round-trip flights estimated at approximately $350 from most major US cities, attendees can experience the full festival for an estimated total of around $789. Compared to the rising costs of many U.S. festivals—often exceeding $1,200—Sacred Acre offers a uniquely accessible opportunity to explore Alaska without compromising on experience.
Outside of music programming, Sacred Acre’s true passion lies in environmental advocacy – specifically, fighting the devastating impacts of factory trawling. Through immersive experiences, educational workshops, and direct action, Sacred Acre invites every attendee to help protect our oceans and preserve the delicate balance of our ecosystems. Sacred Acre is about creating real change through music, art, and collective engagement.
Alaskan Adventure Packages
Sacred Acre continues to raise the bar on destination experiences with its signature lineup of excursions. Attendees can soar above the Cook Inlet with Alaska Ultimate Safaris on glacier helicopter tours, set sail on the DJ-led “Bumpin’ on the Bay” cruise through Kachemak Bay, dive into Coldwater Alaska’s sustainable halibut spearfishing experience, or explore the land through guided plant foraging hikes and Kenai River fishing trips.
Wellness & Conscious Programming
The Stillwater Reflection Center returns as the heart of Sacred Acre’s wellness experience, offering over 25 free workshops in yoga, sound healing, ecstatic dance, cacao ceremonies, and more. Complemented by thoughtful talks, art installations, and social hubs like the Tranquilitea Lounge and Tavern, this programming helps guests reconnect with themselves and each other.
Visuals & Immersion
Sacred Acre transforms the Alaskan wilderness with stunning visuals, featuring the state’s largest laser light display and fully immersive stage environments. Hosting national lighting and visual artists such as Glass Crane and Papa Bear. The beloved SeaLegs Stilt Troupe returns with theatrical performances and brand-new characters, weaving a live narrative throughout the weekend that adds an element of fantasy and surprise at every turn.
ARCHES Campground & On-Site Comforts
Located just steps from the main stage, the upgraded ARCHES Campground offers convenient, forest-adjacent lodging for the full weekend. Expanded gear rental options, bundled camping packages, and shuttle access ensure attendees have everything they need for a seamless, comfortable Alaskan adventure.
Tickets & Travel
Tickets for Sacred Acre 2026 are now on sale, with early bird GA, VIP, camping, and shuttle packages available. With support from partners like Delta Airlines, Alaska Airline, Midnight Sun Can Rentals and J&L Hospitality the festival is also offering discounts on airfare, lodging, RVs, and gear rentals.
Find tickets below: https://www.sacredacreak.com/plan-your-trip
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Miami DJ and entrepreneur Eddy Palermo announces BPMATHON, a world-first challenge to run 50K while DJing live at The Underline in Miami on August 8th 2026.
Taking place on Saturday 8th August 2026, BPMATHON will see Eddy Palermo attempt to complete a 50K run while performing a continuous live DJ set, combining two of his greatest passions, music and endurance sport, in an event designed to inspire and create meaningful impact.
BPMATHON will take place at The Underline, Miami’s 10-mile linear park and urban trail stretching from Brickell to Dadeland. A landmark public space beneath the Metrorail, The Underline has become a vibrant corridor where millions come to move, live and grow together. To make the challenge possible, Eddy will perform using a custom-built, self-pushed DJ rig on wheels, allowing him to run and DJ live simultaneously throughout the full 50K challenge.
The initiative will raise money for Friends of The Underline, a Miami-based nonprofit dedicated to transforming public space into opportunities for healthier, more active living. In a world increasingly shaped by AI, screens and social media, Friends of The Underline’s mission is to encourage people to be active, move their bodies, and decompress from the stresses of modern life through running, biking and walking. The BPMATHON aims to help more people build healthier habits and reconnect with the outdoors through accessible, community-driven movement.
During BPMATHON, Eddy’s event brand ZENSKI will also activate along the course with a live pop-up party experience on the route. Designed to transform sections of the race path into immersive music moments, the activation will bring together runners, spectators, and Miami’s local music community through sound, movement and energy. Founded by Eddy in 2024, ZENSKI has evolved into a Miami-based events platform known for immersive decor, inclusive experiences, and a commitment to female-forward lineups within electronic music culture.
Eddy Palermo Comments:
“BPMATHON is the fusion of endurance running with the magic of music. The idea came about when I saw videos online of people running 5Ks while DJing, and I said to myself, “why not run 50K?”. This is a real challenge for me because just running 50K without DJing is difficult, and just DJing for seven hours without running is difficult. Doing both at the same time will definitely push me to a new limit.”
Estimated to take seven hours, BPMATHON is as much a mental challenge as it is a physical one. Running 50K alone is a major feat. DJing continuously for seven hours requires intense concentration, stamina and energy. Combining both simultaneously creates an entirely new level of endurance.
Born in Miami to Cuban and Italian parents and raised in Weston, Florida, Eddy’s life has long been shaped by music, sports, and passion. From discovering his love of electronic music as a teenager at Ultra Music Festival then later spending hours at Club Space, to building a career in events, sales and entrepreneurship, he has consistently pushed himself beyond conventional limits. Between 2020 and 2025, Eddy completed 14 endurance races, including 7 Ironman competitions and 7 marathons, using endurance sport as a foundation for discipline, resilience and mental strength. Those same values now sit at the heart of BPMATHON.
Eddy Palermo Shares:
“The deeper purpose behind this is that music and running are both huge passions of mine, and there’s nothing more I want to do than make a positive impact on the world through music. If this inspires even just one person to get out there and pursue their passions, or start running, this is a huge success. We’re raising money in support of Friends of The Underline, helping to encourage more people to get outside, be active, and step away from the stresses of modern life through running, biking, walking, and movement.”
At its core, BPMATHON is about proving what can happen when passion meets discipline. It is a challenge built not only around pushing boundaries, but around inspiring others to pursue ambitious goals, prioritise wellbeing, and redefine their perceived limits.
BPMATHON marks the first chapter in a wider global movement uniting music, endurance and wellness, created to inspire communities, promote positive lifestyle choices and encourage people to push beyond their perceived limits, with plans to curate further BPMATHON events globally.
Official Partners for BPMATHON include:
- ZENSKI
- AlphaTheta
- MIAFMTV
- Orbit Baby
- StrollRunner
- Buzz Bomb
- + more to be announced
Location: The Underline Inter Stage, 805 SW 1st Ave, Miami FL, 33130
Date: Saturday August 8th, 2026
Start Time: 6:30pm
Find Out More & Follow:
Eddy Palermo: Instagram | TikTok | Spotify | Beatport | Traxsource
The Underline: Website | Instagram | Facebook | X
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