Editorial
Keeping Festivals Clean: What’s Being Done, And What You Can Do To Help
Festivals can be a glorious landscape of music and unity that brings joy to millions of people a year. However, once the crowds are gone that landscape isn’t quite so glorious to gaze upon as the sea of rubbish and abandoned tents is revealed. Every year we see that festival grounds are left in poor states the day after, so what’s being done to prevent this, and what can you do to help?
One of the main things you always see is thousands of tents left behind which contrary to popular belief are usually incinerated instead of donated. Thankfully festivals like Creamfields have a salvage operation in place where charities and community groups are allowed in at the end to collect reusable tents and camping gear. Tomorrowland’s approach to this problem is their ‘Camp2Camp’ scheme where they collect, clean, and repair camping equipment to hire out at future events. Although that Monday morning may hold a horrific hangover at the end of the festival, you still need to make the effort to take your belongings home. It helps the environment, it helps the clean up crew, and it saves you having to buy more equipment for the next festival.
Of course, the other main problem is general rubbish with cups and bottles creating a new layer on top of festival grounds. The type of waste left behind has improved drastically in the last few years with the advent of paper cups and aluminium cans/bottles over plastic. An excellent idea that many festivals have adopted is giving a small amount of money for returning cups which encourages people to not just drop them on the floor. Brands like Liquid Death that provide water in recyclable cans are becoming more frequently seen at festivals even being a title sponsor for Download Festival. This is all encouraging but this waste still needs to be disposed of properly to make this change work. It’s on festivals to provide the correct facilities to dispose of all the rubbish, it’s on festivalgoers to make use of those facilities.
Amidst the rubbish there is always thousands of cigarettes and in the past few years a rapidly increasing number of disposable vapes. Neither of these are biodegradable, and both leak toxins into the soil. Now disposable vapes are more popular festivals are providing electronic waste bins and it’s essential that they are used. Disposable vapes are both harmful to the environment as well as being dangerous if the battery is damaged. On the cigarette front Ultra Music Festival has come up with a simple solution as they provide pocket ashtrays for free so people can keep their cigarette butts till they find a bin.
All these efforts are not only for the environment, but for the continuation of festivals. If the grounds are not looked after, then whoever owns that land may decide to stop hiring it out. The grounds must be respected by festivalgoers as much as the festivalgoers must be respected by the festival itself. Woodstock 1999 didn’t provide adequate waste facilities, and we all know how that went. If everyone does their bit then festivals can continue to thrive, and the world will be a better place for it.
Martin Garrix has officially confirmed that his second album is in progress and expected to arrive in early 2026.
Martin Garrix made the announcement during a live segment on Fun Radio, where he explained that the majority of the material is already finished. What remains is the last round of refinement, which he described as the most time-consuming part. His goal is to have everything wrapped up by November.
This will be his first full-length record since Sentio, which was released in 2022. That album brought together several collaborations and included songs he had already tested out during festival sets. Since then, Garrix has been focused on releasing one-off singles and smaller projects. His recent output, including the IDEM EP and songs like “Breakaway” and “Weightless,” has shown a shift in tone. Some of the newer material leans more experimental, while still keeping a strong connection to the sound that shaped his earlier career. Martin Garrix’s evolution in these projects is quite intriguing.
Tomorrowland Will Preview What Comes Next
Martin Garrix also shared that he has completed a brand-new club-oriented song that will be premiered during his Tomorrowland set this summer. He described the production as more aggressive than usual, suggesting that the upcoming album may explore a heavier direction than his previous body of work. Given his history of using major festivals as a platform to debut unreleased material, Tomorrowland is likely the first place fans will get a sense of how the album sounds, echoing Martin Garrix’s pioneering approach to live performances.
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While no details were given about featured artists or the final lineup of songs, this new approach to performance and pacing hints that the album may not follow the structure of Sentio, which leaned heavily on vocal collaborations. Instead, it seems like Martin Garrix is exploring a format that reflects the kind of music he builds specifically for his live sets, demonstrating Martin Garrix’s intent to innovate.
A Different Kind of Album Rollout
Unlike his first album, which was promoted over several months with visuals and teasers tied to each single, this next phase feels more grounded in the moment. Rather than building an extended campaign around each individual release, Garrix appears focused on finishing the record as a whole and presenting it when it’s ready. The fact that he is premiering new material live rather than on streaming platforms shows that this process is being driven by instinct and audience feedback, not just marketing cycles, showcasing the practical and instinctive side of Martin Garrix.
With his timeline now set, fans can expect a gradual rollout beginning later this year. If the new club piece receives strong reactions at Tomorrowland, it may end up as one of the album’s lead singles. Either way, 2026 looks set to mark Martin Garrix’s return to full-length format, something his listeners have been anticipating since his last studio release, furthering Martin Garrix’s reputation for excellence.
The music production landscape in 2025 is undergoing significant transformation, influenced by technological advancements, evolving workflows, and shifting industry dynamics. For producers and DJs, staying informed about these developments is essential for maintaining relevance and competitiveness. This article explores key trends shaping the industry, including the integration of artificial intelligence (AI), the growth of ghost production, and the increasing demand for customized services.
The integration of AI into music production has introduced new tools that assist in various aspects of the creative process. Platforms like Suno AI and Udio enable users to generate music based on text prompts, offering capabilities such as lyric generation and multi-genre composition. LANDR provides AI-driven mastering services, streamlining the post-production phase for artists . These tools are designed to augment the creative process, offering efficiency and new avenues for experimentation
Ghost production continues to be a significant aspect of the music industry, allowing artists to release music without being involved in the production process. This practice supports artists in maintaining a consistent release schedule and enables paid coproducers and ghost producers to monetize their skills. Platforms like EDM Ghost Production offer services that cater to these needs, providing tracks that artists can release under their own names.
AI tools are also facilitating faster delivery times in music production. By automating certain aspects of the production process, these tools enable quicker turnaround, allowing artists to respond promptly to market trends and audience preferences. This efficiency is particularly beneficial in the fast-paced environment of electronic music, where timely releases can impact an artist’s visibility and success, as says thetimes.co.uk
The role of ghost producers is evolving, with many now offering additional services such as mixing, mastering, and even marketing support. This expansion reflects a broader shift towards comprehensive production solutions, where artists can access a range of services from a single provider. Such integrated offerings streamline the production process and can enhance the overall quality and coherence of the final product.
As the music production industry continues to evolve, artists and producers must adapt to new technologies and practices. The integration of AI tools offers opportunities for innovation and efficiency, while the growth of ghost production and customized services provides avenues for artistic expression and market responsiveness.
Platforms like EDM Ghost Production, Suno AI and Udio are at the forefront of these developments, offering services that align with current industry trends. By leveraging such resources, artists can navigate the changing landscape of music production, ensuring their work remains relevant and resonant with audiences.
In 2025, music production is characterized by a blend of technological innovation and personalized services. The adoption of AI tools, the prominence of ghost production, and the emphasis on customization are reshaping how music is created and consumed. For artists and producers, embracing these trends is crucial for sustaining creativity and competitiveness in an ever-evolving industry.
AI Color Matching on CapCut PC: A Revolution for Video Editors
Why Color Matching is Necessary for Your Video Projects
How to Use CapCut PC’s AI Color Matching Feature
Step 1: Install CapCut Desktop Video Editor
Step 2: Upload Your Video Clip
Step 3: Apply AI Color Tools for Color Matching
Step 4: Finalize and Export
Why You Should Use CapCut PC’s AI Color Tools
Conclusion
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