EDM news
Motion Bristol Announces Huge Start to 2022 Season!
Motion‘s hugely anticipated 2022 season kicks off with an explosive mix of everything from techno to drum & bass, house to disco. January, February, and March will see Bristol’s most famous matrix of warehouse spaces come alive with world DJs including Floating Points, Pearson Sound, Adam Beyer, Aurora Halal, Camelphat, Skream, Dan Shake, Solardo, Ewan McVicar, Elkka (live) and many more. Sign up at https://motionbristol.co/Jan-Mar-Signup to access early bird tickets and the chance to win a season guest list pass for two people.
Widely regarded as one of the UK’s most important and influential clubs, Motion is a famously multi-dimensional club space. It offers everything from raw and intimate rave spaces to vast main rooms that turn into intense party cauldrons. The club has always been broad in its offering: as well as showcasing the most influential artists from around the globe, there has always been a real focus on giving the stage over to red hot and rising local promoters, production teams and artistic talents.
A diverse and safe dance floor has also always been a priority for Motion, so new measures have been put in place in response to recent reports of increased spiking incidents across the UK. Some of these include offering lids on drinks, increased security presence and non-uniformed operatives patrolling the club to ensure customer safety.
This monumental new season kicks off on January 21st with Possession x Boiler Room headlined by Hadone, then 22nd with The Blast, then Motion x Dad Bod Boogie brings Dan Shake, Ewan McVicar, Elkka [live] and Charlie Boon on Saturday 29th.
February 4th sees the return of house heroes Solardo and friends. Following this on February 5th is the one and only Floating Points who is joined by Pearson Sound and Helena Star amongst others. On the 11th there will be a gigantic hard house celebration with genre kingpins Goodgreef and names like Aly & Fila, Will Atkinson, Lange, Menno De Jong and more. Drumcode boss Adam Beyer headlines another techno special on Saturday 19th February, with more to come. A big Glitterbox party will also be announced for February 25th.
In March, Skream & Lala play from open to close, Camelphat headline a special Day & Night party and Motion Presents LSDXOXO with forward thinking sounds from Aurora Halal.
This is a mouthwatering first wave of names that once agains confirms Motion leads the UK’s underground electronic scene from the front.
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EDM news
21 Years Of Bob Sinclar’s ‘Love Generation’ And Its Global Success
Bob Sinclar’s ‘Love Generation’ celebrates 21 years since its release as one of the most successful songs of his career
Twenty-one years after Bob Sinclar released ‘Love Generation’, the track is still one of the songs most associated with his breakthrough period in the mid-2000s. Released in 2005, it paired his house production with a warm, instantly recognisable vocal and quickly found an audience far beyond clubs. What followed took the song across international charts, major sporting events and into one of the most successful periods of Bob Sinclar’s career.
The Story Behind ‘Love Generation’
Before ‘Love Generation’ became an international hit, Bob Sinclar had already developed much of the instrumental when he connected with Gary Pine, who had previously performed with The Wailers. The two worked together in New York, where Bob Sinclar asked for lyrics with a positive message. Gary Pine then wrote and recorded the vocal, which sat alongside the track’s acoustic guitar, whistle and house production.
From there, ‘Love Generation’ found success across several markets, reaching No. 1 in countries including Germany, Austria, Australia and Belgium. In the UK, it peaked at No. 12 and spent 27 weeks inside the Top 100, while also reaching No. 2 on the UK Dance Singles Chart. That international response gave the song a much larger profile heading into 2006, when it became tied to another major moment.
‘Love Generation’ Reached An Even Wider Audience
The track gained further attention through its connection to the 2006 FIFA World Cup in Germany, where a version featuring tournament mascot Goleo VI helped bring it into a much broader mainstream setting. By then, ‘Love Generation’ had already become one of the key songs associated with Bob Sinclar’s mid-2000s rise, and the World Cup connection introduced it to even more listeners outside the club and dance music audience.
That same period also led into Western Dream, the 2006 album that included ‘Love Generation’ alongside ‘World, Hold On (Children of the Sky)’ and ‘Rock This Party (Everybody Dance Now)’. Together, those releases gave Bob Sinclar one of the strongest commercial periods of his career and helped establish a run of songs that remained closely associated with his name long after their original release.
Twenty-one years later, ‘Love Generation’ still reflects the period when Bob Sinclar was reaching audiences far beyond house music. From Gary Pine’s vocal and its international chart success to the World Cup connection and the Western Dream album, the track became one of the clearest examples of how wide his music was travelling during the mid-2000s.
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EDM Artist News
Martin Garrix And MOTi Mark 12 Years Of ‘Virus (How About Now)’
Title: Martin Garrix And MOTi Mark 12 Years Of ‘Virus (How About Now)’
Martin Garrix and MOTi mark 12 years of ‘Virus (How About Now)’, one of the biggest big room collaborations from their 2014 period
It’s been 12 years since Martin Garrix and MOTi teamed up on ‘Virus (How About Now)’, a collaboration that quickly became a familiar part of the big room sound dominating electronic dance music in 2014. The track had already been appearing in major DJ sets before its official release, with speculation growing around who was behind the then-unidentified record. Once Spinnin’ Records confirmed Martin Garrix and MOTi, ‘Virus (How About Now)’ went on to receive support from names including Hardwell, Avicii, Tiësto, David Guetta, Afrojack, W&W and Nicky Romero.
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How ‘Virus (How About Now)’ Came Together
The collaboration started after MOTi shared an early version of ‘Virus’ with Martin Garrix, several years after the two first became friends. MOTi later recalled that Martin Garrix liked the melody of the drop and added the breakdown, with the pair finishing the track together. The final version also featured vocals from Jenny Wahlström, who received a songwriting credit alongside Martin Garrix, MOTi, Niclas Lundin and Leon Paul Palmen.
At the time, both artists were closely connected to the big room and electro house sound that had become central to major festivals. Martin Garrix was coming off the success of records such as ‘Animals’ and ‘Wizard’, while MOTi had already released music through Musical Freedom, including ‘Zeus’ with Kenneth G and ‘This Is Dirty’ with DVBBS. Their styles met naturally on ‘Virus (How About Now)’, which went on to reach No. 1 on the Beatport Top 100.
‘Virus’ Became A Major 2014 Festival Record
By the time the track became officially available, support from some of electronic music’s biggest DJs had already helped introduce it to festival audiences. Spinnin’ Records published the official music video on October 13, 2014, while the commercial single later appeared across platforms that month. The track also charted internationally, including in the Netherlands, Belgium, France and Germany.
The accompanying video followed the song’s title quite literally, with a virus passing between different people while a computer game runs alongside the story. Released during the same period as the track, it went on to collect more than 22 million views on the official Spinnin’ Records upload.
More than a decade later, ‘Virus (How About Now)’ remains closely connected to the period when big room was dominating festival stages around the world. For Martin Garrix and MOTi, the collaboration captured a moment when both producers were releasing music made for those larger stages, and its continued presence in throwback sets has kept the track familiar well beyond 2014.
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EDM Artist News
Daft Punk Celebrates 25 Years Of ‘Harder, Better, Faster, Stronger’
Daft Punk’s ‘Harder, Better, Faster, Stronger’ celebrates 25 years since its release as one of the most recognisable tracks from their album ‘Discovery’
Twenty-five years after Daft Punk released ‘Harder, Better, Faster, Stronger’, the track remains one of the songs most closely associated with Discovery. Its chopped funk sample, robotic vocal and repetitive structure gave the album one of its most distinctive moments, while the song itself would go on to have a much longer life beyond 2001. From Alive 2007 to Kanye West’s use of the track on ‘Stronger’, ‘Harder, Better, Faster, Stronger’ became part of several major moments that kept bringing new listeners back to Daft Punk.
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The Story Behind ‘Harder, Better, Faster, Stronger’
Much of the track’s character comes from Edwin Birdsong’s ‘Cola Bottle Baby’, a 1979 funk record that Daft Punk sampled while working on Discovery. Thomas Bangalter and Guy-Manuel de Homem-Christo reshaped that material around the song’s repeated rhythm and processed vocal, turning a short sequence of words into one of the album’s most recognisable hooks.
That approach also reflected what Daft Punk were doing across Discovery, where samples, live instrumentation and electronic production regularly met in unexpected ways. Released in 2001, the album included ‘One More Time’, ‘Digital Love’, ‘Something About Us’ and ‘Face to Face’, with ‘Harder, Better, Faster, Stronger’ becoming one of the tracks that listeners continued returning to long after the album’s original release.
From ‘Alive 2007’ To Kanye West’s ‘Stronger’
The song gained another life through Daft Punk’s live shows, particularly during the Alive 2007 tour. Its live version later appeared on the Alive 2007 album and won Best Dance Recording at the 2009 Grammy Awards, giving the track another major achievement eight years after its original release.
By then, ‘Harder, Better, Faster, Stronger’ had also become closely connected to Kanye West’s ‘Stronger’. Released in 2007, the song sampled Daft Punk’s vocal and helped introduce that part of the original track to another generation of listeners. Daft Punk later joined Kanye West on stage at the 2008 Grammy Awards, marking one of the few televised performances of their career.
The track’s history now spans far more than its original place on Discovery. From the Edwin Birdsong sample and the Interstella 5555 visual to Alive 2007, Kanye West and a Grammy win, ‘Harder, Better, Faster, Stronger’ has continued to appear in different parts of popular and electronic music over the past 25 years.
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