EDM Music
Nervous Records Celebrate 30-Year Anniversary With Complilation LP!
Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).
Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.
The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.
“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”
The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.
“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”
As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.
“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.
“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”
Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success – and the longevity – of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.
EDM Music
New EDM Friday May 15: Martin Garrix, Ed Sheeran, David Guetta, Alesso & More
New EDM Friday May 15 brings new music from Martin Garrix, Ed Sheeran, David Guetta, Alesso, and more.
EDM Music
Sir Ivan Taps Giuseppe D. For Love Is The Piece Remix
Sir Ivan Taps Giuseppe D. For Love Is The Piece Remix as the remix campaign continues with a new Peaceman Music release
Sir Ivan, Top 10 Billboard and Music Week Recording Artist, has released a new track, this time appointing Giuseppe D. for a remix of his January single, Love Is The Piece. At his core, Sir Ivan is a philanthropist and advocate, with his work within the music space serving as a further extension of that identity. Bringing visibility to themes that resonate strongly within today’s societal landscape, his discography continues to channel peace-focused messages: a call for unity, positivity, and compassion within Electronic Music and beyond.
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Sir Ivan Continues His Peace-Focused Message Through Love Is The Piece
Building a career where passion and intent meet, Sir Ivan has developed a unique presence on the scene. In demanding more from his musical endeavours, seeking to ensure each track operates beyond modern sound design, Sir Ivan continues to reinforce his voice. Commenting on humanity and the dilemmas we continue to encounter, his tracks strike a balance between meaning and dancefloor function.
With each step, he maintains his mission to inspire positivity, whether teaming up with Grammy Award-winners like Jason Evigan, Peter Rafelson, and Tracy Young, or reimagining anti-war songs. His Peaceman identity carries through as a consistent thread that underpins his work and strengthens his commitment to taking his vision across dancefloors, cultures, and generations.
Giuseppe D. Joins The Love Is The Piece Remix Campaign
In this latest release, Sir Ivan seeks to expand the reach of his sentiments further, welcoming the opportunity to set his message within a fresh sonic framework. Having kicked off the remix campaign with a rework from Alex M.O.R.P.H., a well-respected name in Electronic Music, he now extends the same welcome to Giuseppe D., a New Jersey-born Producer and DJ whose career spans over three decades, shaped by Miami’s nightlife scene.
Through his reinterpretation, Love Is The Piece receives an EDM-focused treatment while preserving the emotional weight at the core of Sir Ivan’s original.
Giuseppe D. Gives Love Is The Piece A New Dancefloor Version
Featuring driving beats, uplifting synths, groove-led textures, warm basslines, and Sir Ivan’s vocals, Giuseppe D.’s version of Love Is The Piece leans into a more dynamic sound. The result is a track built for peak-time sets, designed to bring both movement and meaning to the dancefloor.
As the remix campaign for Love Is The Piece continues, each rework is built to extend the track’s reach. Designed to reach new audiences and take on new dancefloors, the remixes push Sir Ivan’s vision forward while reinforcing his call for peace, unity, and universal love on a global scale.
More Love Is The Piece Remixes Are Currently In Development
With more remixes currently in development across a diverse range of EDM styles, Sir Ivan continues to build around Love Is The Piece while keeping its message connected to his creative values. As he retains his alignment with peace-focused ideals and meaningful messaging, Sir Ivan remains an Artist committed to using music as a platform for connection and expression.
Love Is The Piece (Giuseppe D. Remix) is out now and available to stream and download across platforms.
Sir Ivan Online
Giuseppe D. Online
Editorial
The Emotional Side of Dance Music Still Exists — And MC4D’s Debut Album Proves It
Emotional storytelling has always existed in dance music, but few artists are approaching it quite like this right now…
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On their debut album COMPASS, MC4D blends folk-inspired songwriting, acoustic instrumentals, and melodic sounds into a project that feels both nostalgic and completely their own. Across the album, the brother duo leans fully into the emotional, Americana-inspired sound they’ve quietly made their signature over the years — and the result feels immersive from start to finish.
For me, there are moments throughout COMPASS that tap into the same emotional space that Avicii’s music makes me feel — the kind of feeling that instantly pulls me back and reminds me why I fell in love with electronic music in the first place.
That feeling comes through most clearly on ‘Hey Son’, which feels like a subtle nod to ‘Hey Brother’ — made even more full-circle by Aloe Blacc’s feature on the track.
The emotional warmth carries throughout the rest of the album too. Tracks like “Still Got Time” and “Lay Your Head” continue leaning into the album’s folk-inspired songwriting and melodic atmosphere, while songs like “Afterlife” (my personal fav) bring some of the album’s biggest emotional highs without losing the grounded, personal feeling that makes the project work so well.
There’s also something incredibly visual about the way COMPASS sounds. A lot of these songs feel like late summer nights, mountain drives, festival sunsets, old memories, and the kind of moments you wish you could stay in a little longer.
More than anything, COMPASS feels like an album made by artists who fully understand their identity. Nothing here feels trend-chasing or manufactured for the sake of fitting into a specific moment in dance music. MC4D knows exactly what kind of emotion they want these songs to carry, and that confidence is what makes the album resonate so deeply from start to finish.
Between its folk-inspired storytelling, emotional warmth, and immersive atmosphere, MC4D has created a debut album that feels both timeless and completely their own. If you’re looking for something that reconnects you with the emotional side of dance music, COMPASS is absolutely worth the listen.
Stay up-to-date with MC4D
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