Calvin Harris News
Reflecting on 13 Years of Calvin Harris’ “Feel So Close”
Thirteen years ago, Calvin Harris released “Feel So Close.” The song became one of the defining tracks of the early 2010s, while pivoting the evolution of EDM. As we look back on its release, it’s obvious that “Feel So Close” was more than just a hit; it was a cultural phenomenon that continues to resonate with listeners.
By 2011, Calvin Harris was already a well-established name in music. However, “Feel So Close” marked a significant shift in his career. Unlike his previous work, where he often collaborated with other artists, Harris took center stage on this track, using his own voice in the song. This decision not only showcased his versatility as an artist, but also set the tone for a new wave of EDM that blurred the lines between DJ and singer.
When “Feel So Close” made its debut, it quickly became a success. It was not just a reflection of Harris’ talent, but also an indication of a broader shift in the music industry. EDM was beginning to take over mainstream music, and tracks like “Feel So Close” played a crucial role in bringing the genre to a global crowd.
Beyond its impact on the music charts, “Feel So Close” holds a special place in the hearts of fans. It’s a song that brings nostalgia for a time when EDM was on the rise, and the possibilities for the genre seemed endless. The track’s message of closeness and connection has remained relevant today, making it a timeless piece of music that continues to be enjoyed by listeners old and new.
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Understanding the Disputes Eric Prydz and Calvin Harris Have Filed Against Their Former Manager
The separate financial disputes involving Calvin Harris and Eric Prydz have drawn renewed attention after both artists filed claims against their former manager, Thomas St. John. The cases differ in scale but share similar concerns regarding how funds were handled during their time under his management. Public filings outline a substantial investment issue raised by Calvin Harris and a claim of unauthorized withdrawals reported by Eric Prydz, creating a clearer picture of why both artists have chosen to move forward through legal channels.
Calvin Harris’s Financial Dispute With Thomas St. John
The financial claim filed by Calvin Harris centers on his involvement in a planned Hollywood development promoted by his former manager Thomas St. John. Public documents state that Calvin Harris contributed a 10 million dollar loan and a 12.5 million dollar investment intended for the construction of a creative and commercial complex. According to the filings, the project has not progressed as expected, and a significant portion of the money appears to have been directed to entities linked to Thomas St. John. The information made available outlines concerns about the transparency of the project, the lack of detailed updates, and the absence of returns on the funds that were supplied.
The case is currently moving through arbitration, which limits the amount of material released publicly, although the available documents provide a clear view of why Calvin Harris submitted the claim. His statement highlights the unresolved status of the project and the limited explanations he received regarding how the funds were used. The filings describe unanswered questions about the management of the investment, the shift in the project’s direction, and the distribution of the money after it was transferred. These points form the basis of the ongoing dispute between Calvin Harris and Thomas St. John and set the foundation for the legal process now underway.
Eric Prydz’s Claim Against His Former Manager
The filing submitted by Eric Prydz outlines a separate set of financial concerns involving his former manager Thomas St. John. According to the publicly available information, Eric Prydz reported a series of withdrawals that he did not authorize, totaling more than 269,000 dollars. His complaint also states that important tax documents were withheld during the preparation of his return, which created further issues and prompted him to seek independent assistance. These details form the core of his claim and show that his dispute is focused on personal account activity rather than investment matters.
The information released so far presents a clear picture of why Eric Prydz chose to move forward with legal action. The filings describe discrepancies in payments, concerns about access to financial records, and unresolved questions about the handling of his accounts. While the amount involved is smaller than the figure associated with Calvin Harris, the nature of the complaint adds another layer to the ongoing discussions surrounding the financial management provided by Thomas St. John. The case remains active as additional information continues to surface through the legal process.
How the Two Cases Connect
Although the cases involving Calvin Harris and Eric Prydz differ in scale and detail, they point to a shared concern about how their finances were managed under Thomas St. John. Both filings describe difficulties in obtaining clear information, unresolved questions about account activity, and disputes regarding the use or movement of funds. The available documents also show that each artist chose to pursue their claims separately, which confirms that the situations developed independently rather than as part of one combined action. These points create a clearer understanding of why both artists elected to move forward through formal channels instead of informal negotiation.
Together, the two cases have brought attention to the broader issues surrounding high-level financial management in the music industry, especially for artists who rely on long-term advisors to oversee complex portfolios. The information currently released reflects the individual circumstances of Calvin Harris and Eric Prydz, without extending beyond what has been confirmed in public filings. As both matters continue through the legal process, further updates are expected to provide additional clarity regarding the outcomes of their disputes with Thomas St. John.
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Calvin Harris will debut in India this November with two performances confirmed in Mumbai and Bengaluru
Calvin Harris will perform in India for the first time with shows scheduled in Mumbai on November 8 and Bengaluru on November 9, 2025. This debut appearance adds two of India’s biggest cities to his global schedule and marks a major moment for the country’s electronic music scene.
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These India dates are being produced by Sunburn in partnership with BookMyShow Live, two of the country’s biggest names in live entertainment. Sunburn, which began in Goa in 2007 and has since grown into one of Asia’s largest electronic music festival brand, has been instrumental in bringing global dance music acts to Indian stages. Its collaborations with BookMyShow have expanded international lineups across cities, giving audiences access to performances that previously skipped the region. Calvin Harris joining that roster underlines how India is now firmly on the global map for major electronic shows.
Calvin Harris India Tour: What We Know So Far
Calvin Harris will make his India debut across two back-to-back dates this November. The tour opens in Mumbai on Saturday, November 8, before moving to Bengaluru on Sunday, November 9. Both performances are being staged as large-scale outdoor concerts and are expected to draw audiences from across the country.
For those planning to attend, a few practical details have already been confirmed:
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Free-standing format with no reserved seating
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Designated smoking areas within the venue
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Portable toilets on site for accessibility
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Outside food and beverages will not be permitted
While venue names are still to be announced, these shows underline how Mumbai and Bengaluru continue to be chosen as anchor cities for the biggest international tours. The scale and structure of the events signal how far India’s live music scene has progressed, with infrastructure and promoters now capable of hosting world-leading talent at par with other global markets.
Tickets for Calvin Harris’s India shows will be available exclusively on BookMyShow. An early pre-sale for RuPay cardholders opens on October 6, followed by the general public sale starting October 8. With two dates confirmed for Mumbai and Bengaluru, this November marks the arrival of one of electronic music’s biggest names on Indian soil.
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Rockstar Energy presents Creamfields 2026 celebrate 20 years at Daresbury with Calvin Harris as the first headliner on the Arc Stage.
Following a record-breaking edition last month, Rockstar Energy presents Creamfields is already looking ahead to a landmark year in 2026, when one of the world’s biggest electronic music festivals celebrates 20 unforgettable years at its iconic home in Daresbury.
To kick off the celebrations, Cream HQ has just announced its first headliner – GRAMMY Award Winning DJ & Producer Calvin Harris. A firm Creamfields favourite, Calvin makes his highly anticipated return to the festival, headlining the legendary Arc Stage on Saturday 29th August Bank Holiday weekend.
Since his 2009 debut, Calvin Harris has risen to become one of the biggest names in electronic music, most recently dominating the charts with his Track of the Summer hit ‘Blessings’ and over the years, he has delivered some of the most iconic and talked about performances in Creamfields history, making his return for this milestone edition even more fitting.
Taking over the August Bank Holiday weekend from Thursday 27th – Sunday 30th August 2026, Creamfields is set to once again welcome 80,000 fans from across the globe for four days of groundbreaking production, a world class line up and the electric atmosphere that has cemented its position as the highlight of the dance music calendar.
With unbeatable lineups, legendary moments, and 20 years of Creamfields magic at Daresbury, Rockstar Energy presents Creamfields 2026 is set to be a celebration like no other.
Tickets on sale now www.creamfields.com
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