Deep House

Sandor Gets Ready To End The Year In A Special Way With Upcoming Single ‘Wish For’!

Published

3 years ago

December 23, 2022

As we enter the final days of the year, it’s hard not to look back on the year that it has been and when doing so you can’t ignore the monumental year that Sandor has had. Releasing a total of 8 new singles so far, Sandor has accumulated over 2 million streams on Spotify alone, a feat that many well-established artists would dream of. Now showing no signs of slowing down, and with just a couple of days left in the year, Sandor has announced a brand new tune that will undoubtedly light up those New Years’ Eve dancefloors.

Titled ‘Wish For‘, this single is yet another dose of that wonderful tech house sound that we’ve come to love from Sandor. With a snippet being available via Beatport, the preview does not give this one justice as when you play it you’ll be left wanting more and more. With tunes like this, it’s no surprise to hear that the likes of Fisher, Sonny Fodera, John Summit, and more have been playing his music out. Head over to Beatport and make sure to pre-order this single before it officially drops on the 29th of December.

Pre-order this single here.

Deep House

Kozlow Drops ‘Find a Way’ with ForgiveMeTommy! via ANTHR FCKNG PARTY Label

Published

2 weeks ago

October 31, 2025

Dylan Smith

New York-based DJ, producer, and violinist Kozlow returns with ‘Find a Way’, a hypnotic new collaboration with ForgiveMeTommy!, out via his ANTHR FCKNG PARTY (AFP) imprint.

Kozlow continues his breakthrough year with ‘Find a Way’, a deep and driving underground anthem that blends groove, tension, and emotion in perfect balance. Built on a pulsating bassline, percussive synths, and a catchy vocal hook, the track embodies the essence of AFP’s ethos, raw, immersive, and designed for both dance floors and headphones.

Following the success of ‘Cowboy Killers’, this new release cements Kozlow’s evolving sound, one that fuses underground minimalism with melodic sophistication. The single also marks the next chapter for his acclaimed NYC-born party-turned-label, ANTHR FCKNG PARTY, which has gained early support from heavyweights like Mau P, Skream, Solomun, CamelPhat, Jamie Jones, and Marco Carola.

Speaking on the release, Kozlow shared: “‘Find a Way’ has a bass line that’ll knock your socks off — whether you’re in a club or pretending your living room is one. It’s a dirty, driving record with bite, and I’m hyped to unleash it on AFP.”

Kozlow’s upcoming shows include ANTHR FCKNG PARTY at White Lodge (Nov 1), and Outer Heaven (Nov 8), where ‘Find a Way’ is sure to light up NYC’s underground dance floors.

Deep House

Marten Lou And CamelPhat Join Forces On ‘Save Me’

Published

2 months ago

September 26, 2025

Dylan Smith

German talent Marten Lou, and Grammy-nominated duo CamelPhat come together on new single ‘Save Me’ out now on Warner Music.

Today marks the release of ‘Save Me’, the first collaboration between Marten Lou and CamelPhat, a melodic house track that brings together the strengths of both artists. Born out of mutual respect, CamelPhat were early supporters of Lou‘s music, the single highlights why both artists are renowned for a sound that doesn’t rely on big, flashy effects, but instead delves deep into groove, atmosphere, and raw sensuality.

CamelPhat, the multi-platinum, Grammy-nominated UK duo behind ‘Cola’ (with over 1 billion streams), are about to unveil their new album. ‘Save Me’ will be their collab track together with Marten Lou. For the German DJ and producer, who has built a global profile at lightning speed with tracks such as ‘My Love For You (Yebba’s Heartbreak)’, ‘Your Body’, and ‘Another Life’, plus countless major club and festival shows, the release marks a genuine collaboration between successful artists.

Musically, CamelPhat and Marten Lou condense their shared vision into a melodic house anthem of cinematic scale, with dreamy soundscapes, driving basslines and razor-sharp synths intertwining to create a production that swells and retreats like a tide. Floating above it all are vocals that cut to the heart of ‘Save Me’: the struggle with loss, dependence, and the terrifying thought of living without someone you love. “Who’s gonna save me when you’re gone? / I’m only barely hanging on” – it’s an emotional punch wrapped in peak-time energy – fragile and fierce at the same time.

The release also caps off CamelPhat and Marten Lou‘s triumphant live summer: CamelPhat wrapped their third season-long residency at Pacha Ibiza with sold-out nights. Marten Lou counts more than 45 shows in over 14 countries, from Coachella to Tomorrowland, from Hï to Ushuaïa Ibiza. At Pacha Ibiza, they both performed together live their upcoming release in front of a massively packed crowd. While they both continue their individual global tours through October, November, and December, ‘Save Me’ is already set to soundtrack the season’s endless closing nights.

Follow Marten Lou:
Instagram | Website | Spotify

Follow CamelPhat:
Instagram | Website | Spotify

Follow Warner Music:
Instagram | Website | Facebook

Deep House

QUBIKO Unveils Mix Of STBAN ‘Amor de mis Amores’ On FLAMENCA Records

Published

2 months ago

September 5, 2025

Dylan Smith

QUBIKO returns with a fiery mix for STBAN on FLAMENCA Records, blending groove, emotion, and dancefloor energy

Having released on the likes of Suara, Toolroom, Defected, Ultra, Glasgow Underground and Stereo Productions, rising Italian star QUBIKO now brings his considerable talents to the shores of FLAMENCA Records, mixing the new STBAN single ‘Amor de mis Amores’.

Beautifully inspired Flamenco-Latin House with a minimal touch, ‘Amor de mis Amores’ sees STBAN sample the 80’s hit of the same name by Paco, itself a remake of Edith Piaf’s 1957 classic ‘La Foule’. With roots in the Argentine Tango and Peruvian Waltz the track’s DNA is soaked in dance; with his remix, QUBIKO brings it bang up to date for the 21st century dance floor. Matching the tango-inspired rhythms of the original with chugging bass and syncopating percussion, QUBIKO teases the production this way and that, one moment allowing the original elements to flex, the next pulling the listener into sublime electronica.

That QUBIKO has chosen to work with STBAN and the FLAMENCA Records team should come as no surprise to anyone with a finger on the pulse of dance music. As the sound of Flamenco House continues its surge around the planet, key players within the genre – including STBAN – are gaining serious hype and recognition. With previous singles attracting edits from Cuba’s PAUZA, Spain’s Crusy and now Italy’s QUBIKO, and with an almighty edit from James Hurr up next, STBAN and the FLAMENCA Records family have clearly tapped into a vein of music that’s connecting with some of dance music’s hottest talents.

We managed to catch up with the Italian talent during a break between producing his next house smash. Here’s how it went down:

EDM House Network: Tell us about your new single on FLAMENCA…

QUBIKO: This track is very special to me because it represents the balance between groove and emotion that I always try to reach in my productions. With Flamenca I had the freedom to experiment a bit more with textures and atmosphere, while still keeping that dancefloor energy. It’s a track that I feel really shows who I am as an artist right now.

EDM House Network: You’re from Italy – what’s the electronic music scene like out there right now?

QUBIKO: Italy has always had a strong tradition in electronic music, from the early house and techno movements to today’s new wave of producers. Right now, there’s a lot of energy and creativity – many young talents are emerging, and the scene is very diverse, ranging from underground clubs to more mainstream festivals. I feel proud to be part of this evolution.

EDM House Network: You’ve been on the rise for quite some time now, with releases on Defected, Toolroom, Suara and now FLAMENCA Records. What has been your career highlight so far?

QUBIKO: There are many moments I’m grateful for, but one that really stands out is playing my music in front of tens of thousands of people and seeing the crowd react instantly. Also, signing records with labels that I used to follow as a fan has been a dream come true. Each step has been important, but I still feel the best is yet to come.

EDM House Network: You regularly top the Beatport Charts – how important to your career are these electronic music charts?

QUBIKO: The charts are definitely important because they give visibility and help a track reach DJs and listeners worldwide. But for me, the real value is when I see people dancing to my music in a club, or when other DJs I respect play my tracks. That’s the strongest feedback.

EDM House Network: You DJ all over the world – what’s been the best crowd for you so far?

QUBIKO: It’s hard to choose just one, because every crowd has its own energy. But I can say that South Korea has given me some of the most emotional and passionate dancefloors I’ve ever experienced. People there live music with their heart, and you feel it immediately behind the decks.

EDM House Network: What’s more important to you – making music or DJing?

QUBIKO: They’re connected for me. Producing is where I can express my creativity, my emotions, and ideas. DJing is where I share those emotions directly with people and get that instant exchange of energy. If I had to pick one, I’d say making music comes first – because without it, I wouldn’t have a story to tell on stage.

EDM House Network: Your father is a famous saxophonist – how much influence has he had on your own music?

QUBIKO: He’s been a huge influence. Growing up, I was always surrounded by music, instruments, rehearsals. From him I learned the importance of melody, rhythm, and especially emotion in performance. Even though I chose a different path, his passion for music is something I carry in everything I do.

EDM House Network: What would you say to someone who said that DJing is not the same as playing an instrument?

QUBIKO: I would say they’re right – it’s not the same, but that doesn’t mean it’s less. DJing is an art form in itself: it’s about reading a crowd, building a journey, mixing tracks in a way that creates new emotions. Just like playing an instrument, it requires practice, sensitivity, and creativity. At the end, both are about connecting with people through music.