EDM Music

Slushii Unveils Anticipated 14-Track Album ‘E.L.E (Extinction Level Event)’ On Monstercat!

Published

5 years ago

March 3, 2022

Ushering in Monstercat’s first album release of 2022, globally renowned producer and DJ Slushii today revealed his 14-track masterpiece, ‘E.L.E (Extinction Level Event)’. Three years in the making, E.L.E sees Slushii reimagine his dubstep roots with trap-inspired beats, melodic bass, and a futuristic pop-fueled edge. From “ICE” with Rickyxsan to “ACID HAUS” with Trilla, it’s a collection of his most boundary-pushing sounds from the very beginning of his meteoric rise. Today’s breakout single, “Carousel” features award-winning Canadian singer-songwriter, Kiesza, offering her earworm vocals on the synth-laden adrenaline ride.

Slushii shares on ‘E.L.E’, “This album is the culmination of three years of my best work. I really felt that there was a need for an album to revive the early 2010’s brostep machine, and fix it up with some new modern tech! This is a slow burn type of album, and one I hope you listen to front to back that can stand as a new beginning in the book of Slushii!”

Kiesza weighs in on “Carousel,” “Slushii and I met through friends and we instantly bonded over our nerdiness. We’ve worked on a few projects together before and we’ve been sitting on some music for a while now. I’m so excited we finally get to release ‘Carousel’ into the world! It was a ton of fun to record.”

Slushii adds on “Carousel,” “‘Carousel’ for me is a really important song because it’s a perfect description of my life at the time. Stuck making music that I felt was fun, but figured wouldn’t see the light of day. The past two years have really felt like one long Groundhog Day. Round and round and round again like a carousel! But truthfully this song has taken many forms, and the final form with Kiesza in the mix really makes for an anthemic return to doing what I was meant to do.”

Also featured on the package is Slushii’s most-streamed single to date, “All I Need” which peaked at #33 on the Billboard Hot Dance/Electronic Chart after debuting in his epic Fortnite virtual concert. Slushii has continued to be a pioneering artist in the gaming space with multiple syncs in Rocket League and a custom skin tracked to “Valhalla” in SMITE. Growing up with the challenges of Asperger Syndrome, the gaming community became his safe space where he could disconnect and be himself. Beyond his impact as a musician, he’s also become a champion for kids that share his experience and finally feel seen.

‘E.L.E’ is largely inspired by Slushii’s deep-rooted passion for Anime and Japanese culture, evident in the album and singles artwork, as well as the characters that make up the E.L.E storyline. He’ll take his audiovisual universe on the E.R.U. spring tour across the US, with stops at Ultra Music Festival, NY’s Marquee, LA’s Academy, and more iconic venues. Tickets are available here.

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EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

Published

8 hours ago

October 8, 2026

Amy Farina

Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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EDM Music

Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

Published

1 day ago

October 7, 2026

Mackenzie Morris

The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

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EDM Music

Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

Published

2 days ago

October 6, 2026

Dylan Smith

Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.