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The Place To Be: Oliver Heldens Heads To Bootshaus April 25th

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Bootshaus has stood as a pillar of Germany’s nightlife for decades holding countless unforgettable events. On April 25th 2025 they’ll be adding to their history of amazing nights with Oliver Heldens at the helm.

Ranked as the #7 club in the world this year by DJ Mag, Bootshaus is a prestigious venue with a long and colourful history. Set in a shipyard warehouse in Mülheim harbour the building was originally used to store boats hence the name Bootshaus which translated to English means Boathouse. The venue has a monstrous capacity of 2000 split across its three diverse rooms: Mainfloor, BLCKBX, and DREHEREI. The production quality is second to none with high-end lighting, huge LED screens, incredible sound systems, and even pyrotechnics.

On the 1200 capacity Mainfloor Oliver Heldens will be heading up a night of hard-hitting electronic music with some excellent support artists. He’s been touring all around the world taking to the stage at all the biggest festivals and is coming off the back of another massive release ‘Born To Love’ in collaboration with Sarah de Warren. But the star power doesn’t end there as supporting him on the Mainfloor are the talents of Brandon, DJ Artin, and Ravepunzel who will undoubtably bring the house down.

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Hi I'm Mackenzie and rather unsurprisingly, I love electronic music. After over 10 years of blasting my ears with everything from Martin Garrix to San Holo, I've found myself forever digging deeper into this world. If I were to name my top 5 favourite artists I'd say Martin Garrix, Oliver Heldens, The Prodigy, Hardwell, and Avicii make up that list. Alongside writing I'm also a producer who makes whatever comes to mind. Big room house, drum & bass, hardstyle, it's all fun to dig into. See you out in the fields people :)

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BCKYRD London 2026: Six Acts To Catch

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BCKYRD London 2026 brings Disco Lines, Loud Luxury, BUNT. and more to Harris Park this September

Only one year after its debut, BCKYRD London returns for its second edition on September 18 at Harris Park in London, Ontario. The festival was originally planned for London International Airport, but organizers announced a venue change on September 4 after a traffic-management agreement for the airport site could not be finalized. Disco Lines, Loud Luxury, BUNT., Ian Asher, Dudley and Nader remain confirmed, giving the second edition a mix of artists with personal ties to London and Ontario alongside names now touring internationally.

Why This Lineup Feels Personal To London

For Nader, playing BCKYRD London means returning to a city already connected to the early part of his career. The Toronto DJ and producer studied at Western University, where DJing and producing became a bigger focus for him before he began playing more regularly across Ontario. His music centres on melodic house with a groovier side, and his time in London makes this festival appearance more personal than another date on his schedule.

That local history continues with Dudley, previously known as ICONIQ, who has been part of London’s DJ scene for more than a decade. His background includes club residencies, support appearances and performances across Ontario, with open-format influences also playing a part in how he approaches electronic music. While several artists on the lineup have connections to the city through university, Dudley represents someone who has spent years playing within London itself.

Few artists on the lineup have a story tied to Western University as closely as Loud Luxury. Andrew Fedyk and Joe De Pace met while studying there and formed the duo before releases such as “Body” eventually introduced them to listeners far beyond Canada. Returning to London now brings them back to the city where the project first started, and “Nights Like This” is an easy track to revisit before seeing them play there again.

Three Artists Bringing A Different Side Of The Festival

While those local connections give part of BCKYRD London its identity, Ian Asher, BUNT. and Disco Lines bring three very different careers to the same day. Ian Asher first gained widespread attention through remixes and edits shared across social media and streaming platforms, turning that online following into appearances at festivals and clubs around the world. “Take Me To The Moon” is one of the tracks worth hearing before September 18, especially for anyone who knows his name mainly through the shorter edits that first circulated online.

BUNT. has also changed considerably since the folk-house releases associated with the project’s earlier years. The German producer has explored several areas of electronic music since then, with “Clouds” becoming one of the tracks most closely associated with his recent work. It is also one of the songs we would want to hear at BCKYRD London, particularly from an artist whose current catalogue sounds noticeably different from the music that first introduced him.

Then there is Disco Lines, whose recent success with “No Broke Boys” only tells part of the story. The American producer had already spent years releasing house music before that track reached a much wider audience, with songs including “I Don’t Trust A Soul” showing there is far more in his catalogue than one viral release. For anyone who discovered him recently, his BCKYRD London set is a good reason to go beyond the obvious track and hear what else has been part of his career.

For its second edition, BCKYRD London has managed to keep a clear connection to the city while bringing in artists whose careers now extend far beyond Ontario. The venue may have changed from London International Airport to Harris Park, but the six confirmed artists remain the same for September 18. Between Loud Luxury’s return to the city where the duo began, Dudley’s long history in the local scene and the international reach of Disco Lines, BUNT. and Ian Asher, there is enough here to make the festival worth watching as it enters year two.

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Two Deaths Reported at Burning Man

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Aerial view of Black Rock City in Nevada’s Black Rock Desert, showing the large semicircular layout of Burning Man and its surrounding camps.

Two deaths have been reported at Burning Man as the festival faces severe weather disruption, injuries and dozens of arrests.

Burning Man has been hit by tragedy after two participants died in separate incidents at this year’s festival in Nevada’s Black Rock Desert, adding to an already difficult edition that has seen severe weather, a serious injury and multiple arrests. While the causes of both deaths have not yet been made public, organisers and local authorities have confirmed the incidents as the event continues under heightened attention.

Two Participants Die in Separate Incidents

Tragedy first struck Burning Man on September 3, when a man in his mid-50s suffered a medical emergency at the festival. Organisers said lifesaving treatment began immediately before he was transported to the onsite emergency care centre, where efforts continued before he was pronounced dead.

Two days later, another participant was found dead at the event, with 60-year-old Craigh Mann discovered by campmates at his camp at around 3pm on September 5. The two incidents occurred separately in Nevada’s Black Rock Desert, with no public indication at this stage that they were connected.

The causes of both deaths have not been disclosed, leaving several details surrounding each case still unknown. Authorities reported no apparent signs of external foul play in the first death, while no cause has yet been announced in Mann’s case.

Previous Deaths at Burning Man

Fatalities have occurred at Burning Man in previous years, including the death of 32-year-old Leon Reece in 2023, when drug intoxication was suspected after he was found unresponsive on the playa. A year later, 39-year-old Kendra Frazer was found unresponsive on the opening day of the 2024 event, with authorities launching an investigation into her death.

The festival faced a far more serious case in 2025 when 37-year-old Vadim Kruglov was found dead during Burning Man on August 30. His death was investigated as a homicide by the Pershing County Sheriff’s Office, which continued searching for information that could lead to a suspect after identifying him in the days following the incident.

That investigation remains open one year later, with authorities confirming ahead of Burning Man 2026 that potential suspect DNA profiles had been identified through a crime lab report received in May. Investigators are still working with state and federal partners to verify those findings, while no suspect has yet been publicly identified, adding further weight to the two separate deaths reported at this year’s event.

Beyond the two deaths, this year’s Burning Man has also been disrupted by severe weather, dozens of arrests linked to alleged drug sales and trafficking, and a serious injury involving a participant who fell from a 55-foot structure. With the causes of both deaths still not publicly confirmed, further details are expected as authorities continue their investigations, and any new information surrounding the incidents will be updated as it becomes available.

As Burning Man 2026 reaches its final day on September 7, thousands of participants will begin leaving Black Rock City, bringing this year’s event to an end while the circumstances surrounding the two deaths continue to be investigated. What follows will extend beyond the festival itself, as authorities work to establish exactly what happened in both cases and Burning Man Project eventually looks back on an edition that has been marked by tragedy alongside several other serious incidents. For the families and friends of those who died, however, the end of the event does not bring the same sense of closure, with answers surrounding both deaths still to come.

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Riverside Music Festival 2026: Top Acts To Catch

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Riverside Music Festival 2026 brings Marshmello, Steve Aoki, Excision and Ottawa talent to Gatineau this September.

Riverside Music Festival 2026 returns to the Canadian Museum of History in Gatineau from September 11 to 13 for its 13th edition, with Marshmello, Steve Aoki and Excision headlining across the three nights. This year’s lineup also gives several artists from Ottawa and the surrounding region a place alongside those international names, while the new free daytime CaféBeats initiative expands what is happening across the weekend. From artists beginning to play further outside the local circuit to a three-DJ B3B appearing for the first time in Riverside history, there are several names worth knowing before the festival begins.

Ottawa Talent Gets A Bigger Place At Riverside

Callan Farrell comes into Riverside after extending his bookings beyond Ottawa, with previous support slots for The Chainsmokers, Lost Frequencies and BlasterJaxx. His shows have also taken him to Montreal and Miami, including a recent debut at Factory Town, giving the tech house DJ and producer a growing list of appearances outside his home city. His personal USB recommendation is “Lipstick” by Alaia & Gallo, while his advice for the dancefloor is straightforward: fewer phones and more attention on the music and the people around you.

Also appearing on Saturday are Setou & Senyo, twin producers whose early musical influences range from R&B and hip-hop to disco, jazz and dance music. That background eventually led them into production, with deep house, pop and Afro house now appearing throughout their work. “In 2 U” is one of the tracks to hear before their set, while their approach to playing live centres on participation and mutual respect instead of simply how many people are standing in front of them.

The local side of the lineup becomes even more personal with Enko B2B Seb B B2B Danford, bringing three Ottawa DJs together for a format not previously seen at Riverside. Enko will be playing alongside people she once backpacked through Europe with and now works with on events back home, giving the set a friendship that already exists away from the festival. Her track pick is “Pump Up the Jam” by Technotronic, and she shares Callan Farrell’s preference for keeping phones away unless someone needs Shazam.

Seb B found electronic music at 17 through his father’s trance CDs and has now been DJing for four years. He is also behind Frequency Shift, an Ottawa house collective that has become another part of his connection to the city’s electronic music community. His selection is “Satisfaction” by David Guetta and Benny Benassi, while his own advice comes back to one point: people should be on the dancefloor because they genuinely care about the music.

Completing the B3B is Danford, who became involved with the rave scene in 2022 before developing a strong interest in tech house. He tends to favour tracks with dirty basslines and bass stabs, while his advice focuses on dancing and spending the night with close friends. Taken together, the three backgrounds make the set interesting for reasons beyond the B3B itself, especially within an edition that is giving more attention to artists already active around Ottawa and Gatineau.

Three Headliners With Very Different Histories

For anyone who followed EDM through the mid-2010s, Marshmello will likely bring back the most memories on Friday. Tracks including “Keep It Mello,” “Alone” and “Moving On” became closely associated with his early rise, before collaborations such as “Silence,” “Wolves” and “Happier” introduced his music to an even wider audience. Nearly a decade on from that period, many of those songs are now tied to people’s first festivals, early EDM playlists and the years when the masked producer became one of the genre’s most recognisable names.

His track pick here is “Love U,” released in 2017 and closely connected to that earlier period of his catalogue. There is an obvious nostalgia to hearing music from those years again in 2026, especially for attendees who were already following electronic music when Marshmello first began appearing across major festival lineups.

Saturday gives Steve Aoki another chapter in his history with Riverside, having previously played the festival in 2019. He has already returned to Gatineau once this year through Igloofest, but coming back to Riverside seven years after his previous appearance gives this booking a direct connection to the festival itself. The cakes will inevitably be part of what some attendees wait for, but behind those moments is a catalogue stretching across more than two decades of releases and collaborations.

“Promises” is the track highlighted ahead of Saturday, while Steve Aoki’s long career means his set can pull from several different periods of electronic music. That makes his return very different from the nostalgia surrounding Marshmello the night before and the much heavier closing set still to come on Sunday.

That final night belongs to Excision, one of the most established names in modern dubstep and the clear choice for anyone heading to Riverside for bass music. Hard-hitting drops and large-scale visual production have remained central to his live shows for years, giving the final night a much heavier focus than Friday or Saturday. “Feel Something” with ILLENIUM and I Prevail is the track to revisit beforehand, bringing together three artists from noticeably different musical backgrounds within one release.

The strength of Riverside Music Festival 2026 is not only in having Marshmello, Steve Aoki and Excision across three nights, but in what surrounds them. Artists including Callan Farrell, Setou & Senyo, Enko, Seb B and Danford give the weekend a stronger connection to the electronic music community around Ottawa and Gatineau, while each headliner comes with a completely different history within electronic music. With the festival now only days away, the full lineup gives attendees plenty to consider beyond the three names printed largest on the poster.

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