All eyes are on the Ultra Music Festival Mainstage after Martin Garrix and Alesso teased a potential B2B set for Ultra Music Festival 2026.

Ultra Music Festival 2026’s Phase 1 lineup already landed with an explosive collection of world-exclusive B2B sets, but now all eyes are on the Mainstage as Martin Garrix and Alesso have sparked a massive rumor mill, teasing a potential joint set at Bayfront Park next March!

The speculation began when the official Ultra Music Festival Instagram account shared a nostalgic throwback story featuring a video of both Martin Garrix and Alesso on stage together during a previous spontaneous set. The temperature soared when Alesso reposted the image to his own story, adding a cryptic thinking face emoji (), a move quickly mirrored by Martin Garrix‘s official account.

Fans immediately connected the dots, viewing the exchange as a clear hint at a joint appearance for Ultra‘s 26th edition (March 27–29, 2026). Given Ultra‘s commitment to delivering “Ultra-exclusive” sets, as seen with the confirmed Sebastian Ingrosso B2B Steve Angello performance, a Garrix B2B Alesso set would perfectly align with the festival’s ambitious new direction.

While an official back2back set is yet to be confirmed, the two superstar DJs have a history of surprise appearances, including an impromptu B2B at Tomorrowland 2023. Their first official collaboration, the long-awaited progressive house anthem ‘Inside Our Hearts’, was also a major moment in their recent history, suggesting their creative partnership is thriving.

With Martin Garrix often closing out Ultra‘s final night and Alesso being a perennial fan-favorite, an official B2B slot would be a monumental capstone to what is already shaping up to be one of Ultra‘s most historic lineups.

Ultra‘s Phase 1 already boasts Mainstage heavyweights like John Summit, DJ Snake, Hardwell, and Armin van Buuren. The addition of a Martin Garrix B2B Alesso set would not only satisfy the intense fan demand but solidify Ultra 2026 as the essential cultural summit for electronic dance music.

Martin Garrix has fans buzzing after teasing what appears to be a long-awaited collab with Ed Sheeran.

Martin Garrix has set the rumor mill spinning with his latest Instagram post, hinting at a long awaited collaboration with Ed Sheeran. While the post didn’t offer any confirmation on whether it involves a previous project or a brand new track, the news continues to send fans into a frenzy.

The hint is very vague and fans immediately took to social media to speculate that the announcement is related to the infamous ID ‘Rewind Repeat It’. Garrix debuted the ID at Ultra Miami in 2015 along with a mix of other unreleased tracks. The track was meant for an imminent release but was delayed due to multiple complications with licensing and record labels. The question remains: will Garrix & Sheeran finally release the legendary ID that many consider the greatest of all time?

There’s also a possibility the track could see a rework instead of the original, which would still be incredibly exciting for fans. Even if complications prevent the release of ‘Rewind Repeat It’, the possibility of a new track altogether is still high. The pairing of Garrix’s powerful sound design and Sheeran’s signature vocals is a collaboration fans have been hoping for since they first came together in 2015.

 

View this post on Instagram

 

A post shared by Martin Garrix (@martingarrix)

John Summit Reworks Britney Spears’ 2011 Hit Into a New House Remix

For months, John Summit has been teasing his remix of Britney Spears’ “I Wanna Go” in live sets across the world, playing snippets during headline shows and festival performances. Each preview drew attention online, as audiences recognized Britney Spears’ vocals paired with John Summit’s distinctive house production. The DJ and producer later confirmed on social media that an official version was on the way, setting off steady anticipation for its release. Now officially out, the remix revisits the 2011 pop hit with a modern house framework while preserving the playful spirit of the original.

The Legacy of a Pop Classic and the Rise of a Modern Headliner

Originally released in 2011 as part of Britney Spears’ Femme Fatale album, “I Wanna Go” remains one of her most recognizable singles of the 2010s. The track captured the playful, carefree edge that shaped her later pop era, supported by sharp electronic production that still feels relevant more than a decade later. Its whistle hook and confident lyrics helped it stand out globally, and it continues to hold a place in playlists celebrating early 2010s pop.

 

View this post on Instagram

 

A post shared by John Summit (@johnsummit)

For John Summit, this remix comes at a time when his profile in house music is higher than ever. Over the past few years, the Chicago-born DJ and producer has established himself with tracks such as “Where You Are” featuring Hayla and “Go Back” with Sub Focus. His performances span major cities from Miami to Mykonos, while his label Experts Only has reinforced his reputation as a steady presence in both club and festival scenes. Taking on a song as universally familiar as “I Wanna Go” reflects both his confidence and his position at the point where pop and contemporary house connect.

The Social Media Moment

When John Summit shared his thoughts online about working on “I Wanna Go”, it immediately caught attention. “Britney is an icon and deserves nothing but love. It’s an absolute honor to be releasing a remix of one of her songs,” John Summit wrote in a tweet that fans quickly circulated across platforms. He also hinted that the door was open for Britney Spears herself to join the fun.

The post raised a few interesting questions. What does it mean when one of house music’s biggest names remixes a pop track from a completely different era? How does John Summit, who built his career through club records and festival appearances, connect with a song that belongs to another corner of pop history? His message was more than an announcement; it became a bridge between two generations of dance music.

The connection between John Summit and Britney Spears shows how far electronic music has stretched into the mainstream without losing its roots. This remix links two eras that once felt worlds apart: early-2010s pop and today’s house scene. It also highlights how a well-known song can evolve when placed in the hands of a producer who understands both rhythm and nostalgia.

It leaves one question hanging for listeners , could we ever see Britney Spears join John Summit on stage to perform it live? Whether or not that moment happens, the remix stands as a reminder that good pop never really fades; it just finds new ways to move people.