EDM Music
Tommy La Croix Reveals Highly-Anticipated 6-Track Debut Album ‘Requiem D’Amour’!
Canadian talent Tommy La Croix † has spent years honing his skills as a professional DJ before transitioning to build his own catalog. To kick off his debut album, Tommy La Croix † revealed his debut single “Danza De Trompeta” which was followed by “L’Espoir” and finally title track “Requiem D’amour”. Providing a glimpse of what was to come from his debut LP offering, each of the lead singles showcased Tommy La Croix †’s musical prowess and keen ear for sultry downtempo productions. After stirring anticipation amongst his burgeoning fanbase, the Canadian artist finally unveils his long-awaited debut album, Requiem D’amour, out today across streaming platforms via Aquarius Records.
The LP begins with the titular single, ‘Requiem D’amour’, setting the tone with lush instrumentation throughout the track. The single is an immersion into a beach-inspired atmosphere, rife with exotism. The irresistible hit introduces listeners to the world of Requiem D’amour, showcasing Tommy La Croix † ‘s individuality with a bang. Continuing the effortless environment of the lead single, ‘L’Espoir’ takes the reins next. The hypnotizing offering captivates listeners from beginning to end with its jungle-esque soundscape. The driving second single lures listeners in with an intoxicating tropical sound, priming listeners for the musical journey ahead of them.
Up next, ‘El Camino’ takes over. The textured, deep house hit builds in raw intensity with propulsive sounds and a spacious sonic atmosphere. The dominating and rhythmically exciting tune is a surefire hit for the dancefloor. ‘El Camino’ carries a contagious energy unlike no other. ‘Danza De Trompeta’ follows, bringing forth seductive elements. The hit is built around its propelling percussion paired with a trumpet lead. The sensual cut makes for an unparalleled experience, captivating listeners throughout its five-and-a-half-minute-long runtime.
‘La Banda’ immediately begins with a pulsating and transmissible drum beat. Building in intensity, the alluring track highlights the remarkable production style of Tommy La Croix †. Sonically entrancing, ‘La Banda’ erupts in energy at the halfway mark, with deep, raw percussive sounds. Swelling in vivacity, the enthralling tune is one to remember.
Marking the end of Tommy La Croix †’s remarkable debut album, ‘La Mantra’ masterfully brings together the sounds of Requiem D’amour, carrying the same enticing sonic environment as the tracks prior. The rapturous hit closes off the LP with a bang, with oscillating sounds and beautifully crafted, raw sound design. The mammoth finale perfectly encompasses the musical vision of Tommy La Croix †.
“Requiem D’amour is the unofficial prequel to Martin Solveig’s hit record “Edony (Clap Your Hands)”. Back in 2000, that song helped me discover and fall in love with house music. So I decided my first release should pay tribute to this timeless classic by telling the story of how Edony, the song’s main character, became the hedonist queen she is today. The album is the story of a broken heart that finds peace and freedom in house music and club culture.” -Tommy La Croix †
Tommy La Croix †’s debut 6-track album Requiem D’amour is a perfect first look into his rhythmic, transcending musical style. Listeners can anticipate a groundbreaking sonic journey, exploring the convergence of Afro percussion and deep house. As he continues to establish his signature style, Tommy La Croix † leaves fans eagerly awaiting more alluring releases from his new project.
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EDM Music
BETH Turns Up the Energy With New Single ‘Wait’
Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.
In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.
Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.
Listen to “Wait” here: https://thecrossrecords.lnk.to/wait
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EDM Music
Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’
The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.
Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.
His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.
‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.
You can follow Deadlynoiz on their socials below:
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EDM Music
Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation
Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.
UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.
The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”
The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.
Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.
‘Off-Cuts (2014–2021)’ is out now on Plexus Records.
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