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Daijo Delivers Full Force Of Melodic Techno With ‘In The Air’

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Daijo In The Air

Daijo returns with a mesmerizing new release, unveiling ‘In The Air,’ a track that seamlessly blends emotion, power, and late-night energy.

With the ability to craft an emotive, yet powerful aura to his sound design, Daijo unveils his latest single, ‘In The Air’, a stunning new release that continues his mission of crafting music that moves both body and soul. Released on July 18, 2025 via Andrew Rayel‘s Find Your Harmony label, the track delivers a hypnotic fusion of ethereal melodies, elevated frequencies and enticing vocals.

‘In The Air’ follows a string of successful releases from the Canadian/Persian producer, whose growing discography has earned support across both global stages and beyond. Known for his ability to fuse emotion with energy, Daijo’s latest work channels a sense of freedom and introspection, building on his signature sound while pushing deeper into atmospheric, late-night techno territory.

Having already tested the track during recent live performances at venues across Canada,, Daijo’s fans have had a taste of ‘In The Air’. The record has quickly become a highlight of his shows, igniting crowds with its balance of melodic intensity and a dancefloor momentum like no other.

You’ve described your music as carrying both motion and meaning. If someone had never heard of you before, which one song of yours would you play them first to tell your story — and why?

There are a few new songs I’d love to share first, but if I had to choose from what’s already released, it would be “OH LORD.” I co-wrote it with the incredible vocalist Hugo Kufambi, and it feels like a personal letter to God, honest, emotional, and a true reflection of the meaning behind my music.

Vancouver has a growing electronic scene, but also a very different vibe from European club culture. How has being based there shaped your sound compared to your early days in Hamburg?

Growing up in Europe rooted me in the dance music culture. I still remember watching the Love Parade on TV when it was in Berlin, seeing DJs like Westbam, Marusha, and Robert Miles; those moments left a lasting mark on me. You can still hear that influence in the melodies I write today. I also feel the sound is cyclical — and right now the “rave” energy is coming back, which I absolutely love.

Your tracks feel deeply personal, almost like journal entries set to melody. When you’re in the studio, how do you know a track is finished — that it says everything you need it to?

I always try to tell a story with each track. For me, a song is finished when the emotion feels real, when I listen back and it’s authentic. If it delivers the message I set out to express, that’s when I know it’s done.

How did Andrew Rayel’s Find Your Harmony label feel like the right home for “In The Air” compared to other platforms or labels you’ve released on before?

Honestly, Andrei (Andrew Rayel) just felt the track the most. We were on the same page about what “In The Air” was meant to be, so it felt like the right home. It just clicked — and I’d love to do more with his label in the future.

Dance music often thrives on instant gratification, but your songs carry patience and storytelling. Do you ever feel pressure to simplify your sound for the streaming era?

I could never simplify my music just to chase streams. It’s always been about storytelling through sound. Commercial success is nice, but it isn’t the goal; my focus is on creating music that still feels meaningful 20 or 30 years from now. Whether it reaches one new fan or a million, I’m grateful either way and humbled every time someone connects with what I’ve made.

Collaboration is such a big part of the scene. If you could create a track with an artist completely outside of dance music, who would you choose and what kind of song would you imagine?

I’d have to go with a band like Pink Floyd, haha, one can dream! I’d love to create something atmospheric and cinematic with them, blending their expansive soundscapes with my own melodic sound.

Many producers talk about their “studio rituals.” Do you have any unusual habits, objects, or routines that help you lock into the creative zone?

I like to take a few minutes to meditate and clear my mind before a session — it helps me get into the right headspace. I wouldn’t call it a ritual, exactly; it’s more about feeling ready and genuinely wanting to create in that moment.

You’ve said before that music was your escape. Today, when life gets overwhelming, do you still escape into music the same way — or has that relationship changed as it became your career?

Creating music has always been, and will always be, a great escape for me. It’s truly therapeutic, a space where I can process, reflect, and recharge no matter what’s going on in life.

Touring can sometimes blur the line between artist and person. What’s one thing fans would be surprised to know about Daijo outside of the music?

Outside of music, I love to create in other ways — one of them is cooking and BBQ. I enjoy the art of it, and some people have even told me I’m pretty good at it haha =)

You’ve hinted at working toward a full-length album — can you share what stage you’re at in the process and how it’s shaping up sonically?

I’m currently in the writing phase, focusing on both vocals and music. We’re now at the stage of deciding which tracks will make the final album. Goodbye will be the first single to be released from it.

What kind of story or theme do you hope the album tells, and how does “In The Air” fit into that bigger picture?

The album tells a story inspired by my own life. Songs like “Goodbye” explore universal experiences we all relate to. It’s meant to be a soundtrack of the human experience, where listeners can connect with the music and reflect on their own journeys.

Finally, if you could send a message to your younger self just starting out — one piece of advice that would have saved you a lot of time — what would it be?

I’d tell my younger self to trust your gut and follow your heart. Life is short, and we only get so much time — so live each moment fully. Laugh often, take care of your mental and physical health, and make the most of every opportunity. Be thankful.

Connect with Daijo: Instagram | Facebook | X | SoundCloud | Spotify

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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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BETH Turns Up the Energy With New Single ‘Wait’

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Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

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The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

Instagram

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YouTube

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Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

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Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.

‘Off-Cuts (2014–2021)’ is out now on Plexus Records.

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