Editorial
EDC Thailand Confirms December 2026 Return Following Major Second Edition
EDC Thailand confirms december 2026 return following major 2nd edition, moving the festival from January to Mid-December in Phuket.
After the second edition wrapped in January 2026, EDC Thailand felt noticeably more settled in Phuket, Thailand. The festival unfolded across Rhythm Park, Phuket, but the experience extended well beyond the nighttime stages, spilling into daytime through Hotel EDC Thailand and downtown activations that gave people places to meet, recover, and spend time together outside the main festival hours. That second year showed how EDC Thailand could exist as a full weekend experience rather than just a series of sets. With that edition now complete, Insomniac has confirmed that EDC Thailand will return for its third edition on December 18–20, 2026, marking a shift from its original January dates while keeping Phuket as the host location. The move to December follows directly from what the second edition established, going even bigger this time.
Looking Back at the Second Edition of EDC Thailand
The second edition of EDC Thailand in January 2026 unfolded across Rhythm Park, Phuket over the course of each day, with the festival grounds already in use long before nighttime sets took over. From the early afternoon onward, people were walking full loops of the site, stopping at different stages, riding attractions, and settling into open areas where conversations stretched on without any urgency to move. Music carried across the grounds from multiple directions at once, and the size of the venue became clear through how far people were willing to wander and how long they stayed in one place. As daylight faded, the shift into night did not interrupt what was already happening. Lights and visuals came on around an environment that was already busy, familiar, and lived in.
That sense of continuity carried through the lineup across the weekend. Several artists made their Thailand debuts during the second edition, and those performances became some of the most discussed moments on site, not because they were framed as special appearances, but because of how present the crowd was for them. Seeing first local performances from Tape B, Cassian, Novah, Svdden Death, Loud Luxury, and BUNT. felt significant because people planned time around those sets, arrived early, stayed through full performances, and talked about them afterward. For many in the crowd, these were first-time experiences seeing these artists live in Thailand, and that reality showed itself naturally in the way people responded throughout the weekend.
Alongside those debut moments, familiar names became clear anchors across the weekend, creating shared points where large parts of the crowd naturally gathered at the same time. Sets from Zedd, Sub Zero Project, and Seven Lions pulled people in from all corners of the venue, with walkways filling up as groups made their way toward the same stages and settled in for full performances. These were the sets friends coordinated around in advance, agreeing to meet early and stay put rather than drifting in and out. During these moments, movement across the grounds noticeably slowed, not because anything was blocked, but because attention was fully directed toward a single stage. Seeing artists of this scale perform in Phuket, supported by full EDC production, large crowd turnouts, and extended set times, gave those performances a weight that stayed with people well after the weekend ended and made the growth of the Thailand edition apparent without needing to spell it out.
Away from the stages, the second edition was remembered just as much for how people spent time between sets. Kandi Casino stayed active from daytime through late night, rides ran continuously, and the Ferris wheel became a repeated stop, especially during sunset when the view across the festival grounds revealed how much was happening at once. Binary Beach offered a quieter counterpoint within the same weekend, with Thai-influenced soundscapes, flowing visuals, and space to sit, move, or pause without pressure. People passed through during the day, returned later at night, and treated it as a place to reset before heading back toward the larger stages. By the end of January 2026, these spaces were not remembered as side features, but as places where real time was spent, shaping how the second edition of EDC Thailand was experienced as a whole.
Hotel EDC Thailand and the Expansion Beyond the Festival Grounds
Staying at Hotel EDC Thailand at Angsana Laguna Phuket immediately felt like an extension of the festival rather than a separate place to sleep. From the moment you stepped inside, the decorations, signage, and small details all carried the Hotel EDC theme, which made the entire property feel connected to what was happening at EDC Thailand rather than detached from it. The spaces were clearly designed for people to linger, talk, and move around comfortably, and that made it easy to settle into the weekend without feeling rushed or overstimulated.
What really stood out was how much effort went into activities that went beyond music. Learning Thai boxing on-site and being encouraged to engage with elements of Thai culture made the experience feel grounded in its location, not just imported into it. The Headliner Headquarters area became a natural meeting point during the day, with local DJs playing throughout and people coming and going between sets, conversations, and downtime. Alongside that, the beauty bar and Kandi-making station stayed busy, giving people something hands-on to do that felt social and relaxed rather than scheduled or forced.
Having access to merchandise directly at the hotel also made a difference. Being able to pick up gear without dealing with festival crowds meant people actually took time to browse and talk about what they bought. Pool parties throughout the stay kept the atmosphere light during the day, and access to the beach party at Xana Beach Club a day before the main festival opened helped ease everyone into the weekend. Sitting by the water, watching the crowd slowly gather, and knowing the festival proper was still ahead gave the whole experience a surprisingly wholesome feeling. By the time gates opened at Rhythm Park, it already felt like the weekend had begun, not just the event.
Looking Ahead to December 2026
With the second edition complete, EDC Thailand is confirmed to return on December 18–20, 2026, once again at Rhythm Park. Moving the festival away from its previous January dates places the third edition in the middle of Thailand’s peak travel season, when international visitors, regional travelers, and local audiences are already planning extended trips. The December timing also places EDC Thailand within a busy festival period.
Experiences introduced during January 2026 are set to continue into the December edition. Binary Beach, which became one of the most used daytime spaces during the second edition, is part of that return. Designed as an open environment with Thai-influenced soundscapes, flowing visuals, and space to slow down, Binary Beach gave people a place to spend real time during the day and early evening, and its continuation confirms that daytime spaces will remain part of the EDC Thailand weekend. Insomniac has also confirmed a new All-Access Experience Pass for December 2026, which includes entry to the Thursday Night Official Opening Beach Party along with Friday, Saturday, and Sunday daytime events, extending the festival experience across several days beyond the main gates.
Ticket information has been confirmed as well. A limited-time presale for EDC Thailand 2026 opens on Friday, January 23, 2026 at 10:00 AM ICT, with GA tickets priced at $229 and VIP tickets at $399. This presale follows the conclusion of the January 2026 edition and marks the first opportunity to secure access to the December dates. With the location unchanged, key experiences returning, and additional access options now available, the December 2026 edition carries forward what was introduced during the second year and places it into a calendar period that supports longer stays and a more extended festival weekend in Phuket.
For more information and presale access, visit https://thailand.electricdaisycarnival.com
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Editorial
Seven Stars 2026: 7 Most Anticipated Sets at GRiZ’s Cosmic Campout
As the second annual Valley of the Seven Stars approaches, bass music fans across the country are prepping their gear and locking in their set times. Taking over the Oak Ridge Estate in Arrington, Virginia from October 8–11, this gathering marks the long-awaited payoff of GRiZ’s two-year hiatus. The event has quickly earned a reputation as one of the bass community’s premier “homie” festivals, trading commercial refinement for deep curation and authentic energy. Whether you are hunting for ground-shaking low end or sunset grooves, here are the 7 most anticipated performances to highlight on your schedule:
7. Richard Finger
Set Time: Saturday, 4:50 PM – 5:50 PM
Operating entirely behind anonymous masks, Richard Finger has become one of bass music’s most intriguing underground phenomena. The mysterious duo popped onto the radar with relentless sound design and uncompromisingly heavy drops, rapidly earning a rotation in festival sets worldwide. While internet investigators continue trying to uncover their true identities, the project lets the sheer sound of low end rhythm do the talking. Catching them in the afternoon heat on Saturday is guaranteed to wake up the crowd.
6. Hedex
Set Time: Sunday, 8:30 PM – 9:30 PM
Hedex has been at the forefront of the modern drum and bass explosion. He has been taking jump-up rhythms out of underground UK clubs and pushing them onto major American festival stages. This performance serves as the official launch for his North American “Nu Era” tour. Known for quick double drops and explosive crowd control, his Sunday slot will deliver a shot of pure adrenaline just as festivalgoers enter the final night.
5. GRiZ (Chasing The Golden Hour)
Set Time: Saturday, 6:05 PM – 7:20 PM
GRiZ has always known how to curate a vibe, but his Chasing The Golden Hour (CTGH) concept holds a legendary place in the scene. It was originally conceived as a mixtape series built around vintage samples, mellow hip-hop beats, and live sax riffs. CTGH offers a soulful counterweight to his heavy dubstep headline sets. Following packed-out demand at past events, this sunset window is made for collective unwinding. It is the defining emotional anchor of the weekend, best experienced surrounded by friends on an open hill.

4. Mersiv
Set Time: Saturday, 8:30 PM – 9:30 PM
DJ & producer Anderson Gallegos, known professionally as Mersiv, has carved out a dedicated subculture with his trademark “Pretty Dark Loud” sound design. Mersiv crafts sets that feel simultaneously meditative and heavy by combining hypnotic downtempo atmospheres with distortion-heavy basslines. Dropping into Saturday prime time, his set will steer the valley into its deepest, most psychedelic sonic territory.
3. Seth David (R&Bass)
Set Time: Friday, 1:00 AM – 2:00 AM (After Hours)
Returning to the Seven Stars lineup for a second run, Seth David brings his signature R&Bass sound to the Satellite Stage. The project fuses classic 90s and 2000s R&B vocals with sub-bass frequencies. This set gives night owls a refreshing alternative to the standard festival sound anding directly in the after-hours slot,
2. Distinct Motive
Set Time: Sunday, 6:50 PM – 7:50 PM
Hailing from Ontario, Distinct Motive has spearheaded the revival of pure 140 BPM sound system culture in North America. His productions emphasize sub-bass, surgical mixing, and deep roots in old-school UK dubstep. Since his anthem “Wait A Minute” dominated stages everywhere, his profile has skyrocketed. Sunday evening marks his debut on the mainstage, bringing chest-rattling low frequencies to the festival’s largest sound system.
1. Kaleena Zanders
Set Time: Thursday, 8:00 PM – 9:00 PM
Revered as one of modern dance music’s most captivating vocal powerhouses, Kaleena Zanders channels gospel roots through classic house grooves. With major collaborative releases alongside fellow headliners, her live sets go far beyond ordinary DJ performances. Slotted into Thursday evening, she will set an uplifting, soulful tone for the entire cosmic campout before the heavier bass takes over.
With four days of music spread across The Valley, pacing is going to be everything. Set conflicts are inevitable when a lineup has this much variety. Be sure to leave room in your schedule to wander between stages and stumble onto artists outside your radar.
Grab the official festival app to stay updated on any last-minute schedule shifts and look out for your crew.
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Editorial
MiNT XL: Leeds’ Newest Nightclub Opens With A Bang
MiNT XL opens its doors in Leeds with a sold-out party for 2,500 ravers, as Craig Richards, Enzo Siragusa and Sonja Moonear launch the new nightclub
MiNT XL officially opened its doors on Friday, 25 September, with a sold-out opening party featuring names like Craig Richards, Enzo Siragusa and Sonja Moonear. 2,500 ravers gathered in the heart of Leeds city centre to experience the latest addition to the city’s rich rave culture, marking a memorable beginning for MiNT XL.
Taking over the former nightclub, PRYZM Leeds, MiNT set themselves the challenge of giving the venue a new identity through their own production and iconic signature. In an interview with EDM House Network earlier this year, MiNT marketing manager, Mikey McMahon said they wanted people to walk into MiNT XL and feel like they were part of something forward-thinking. There is no doubt they have achieved this, with the opening night already setting MiNT XL apart from other venues in Leeds.

Credit: David Dumitru
Exploring The Venue’s Layout
Arriving at the venue, you could feel the excitement in the air as people made their way into the club. Music was bumping through the walls and the night was just getting started. Walking inside, the dark environment immediately made it feel like a rave and not a regular nightclub.
Heading up the stairs from the entrance, we reached the main hall of the venue, which houses two of the three rooms at MiNT XL, as well as an open-air terrace. The ‘Clubroom’ was the first room people encountered on the floor, while the main room, also known as the ‘Ballroom’, sits to the left of the hall.
The second floor is a great extension of what the main floor has to offer, hosting the venue’s third room, ‘Cage’, as well as an additional bar with sofas and seating for those wanting a quick break from the dancefloor. The VIP area is also located on this floor, providing a comfortable chill-out space with its own bar and seating area.

Credit: David Dumitru
The Rooms at MiNT XL
1. Ballroom
The largest of the three rooms, the ‘Ballroom’ is a warehouse type of space hosting the headlining names on MiNT XL’s line-ups. Some of the lighting features that stood out as soon as we walked into the room included the large ring structure above the dancefloor, as well as the linear rigs placed horizontally across the ceiling, which rotate to create a wave-like effect through light.
Another standout piece of the room is the newly installed Funktion-One Vero sound system, delivering bass that pumps through your body and an overall premium sound quality. The same system can also be found in the other two rooms, where its impact is even greater due to their smaller capacities.

Credit: @elliotyoungphoto
2. Cage
Probably the most interesting room of the three, and our personal favourite, ‘Cage’ delivers an experience like no other. Its design feels unique and fresh out of the box, while still maintaining a lush feel. Throughout the opening night, the room was lit up with orange lighting, creating a somewhat comfortable atmosphere amid all the chaos going on.

Credit: David Dumitru
‘Cage’ also has a few sofas placed around the room, helping complete its luxurious feel. The cherry on top, however, is the fact that the space will often welcome DJs playing on vinyl. We had the chance to witness this live, and let me tell you, seeing the artists flip and swap records behind the decks totally elevates the experience.

Credit: David Dumitru
3. Clubroom
With a large light panel on the ceiling covering the centre of the dancefloor, ‘Clubroom’ is an ode to MiNT Warehouse, the brand’s second ever venue. Sharing similar characteristics, the room brings the MiNT Warehouse spirit to MiNT XL, carrying over the energetic vibes that have become a trademark of the brand.
While the room has a great design from a production perspective, the air conditioning isn’t felt as well in some corners, often making it a very hot space.

Credit: David Dumitru
4. Terrace
An open-air space with a nice view of some of Leeds city centre’s tallest buildings, the terrace is a well-arranged spot for those who want to unwind a little and take a breath of fresh air. Located close to the ‘Ballroom’, the path to the terrace can, however, become very busy at times.

Credit: David Dumitru
The Music at MiNT XL
The venue opened with the brand’s own event series, ‘system.’, taking over the decks. Across the three rooms, a well-curated line-up delivered the soundtrack to MiNT’s new beginning.
From the perspective of EDM House Network, our highlights were Foehn & Jerome at the ‘Cage’, Craig Richards B2B Francesco Del Garda at the ‘Ballroom’, and then back to the ‘Cage’ for a vinyl session with Fumiya Tanaka.

Credit: @elliotyoungphoto
Beyond the opening night, a wide range of renowned DJs are set to follow at MiNT XL, with the likes of Ewan McVicar, Riordan, Morgan Seatree and a Worried About Henry (WAH) takeover among those already announced. While so far only electronic music events make up the calendar, organisers have said they are excited to expand into new genres and live music.
Atmosphere Inside The Venue
MiNT XL operates a no-phones policy at all events, meaning attendees can fully immerse themselves into the music. Having experienced an event with such policy for the first time, it was impressive to see how big of a change it makes.
Seeing people living in the moment and having fun truly gave everyone a taste of what some mean when they say ‘raving was better in the 90s’. The no-phones policy genuinely made the night feel like a time machine that teleported us back to a time when people used to socialise and not chase Instagram clout at raves.

Credit: @elliotyoungphoto
With three state-of-the-art rooms, a 2,500-capacity venue, a sound system that blows the roof off and a no-phones policy, MiNT XL has real potential to become one of the best nightclubs in the entire UK. The opening party was not just the green light for a new venue in Leeds, but felt more like a statement that MiNT XL is here, and for good.
The club season is only just getting started, with a packed list of upcoming events already lined up at MiNT XL.
Friday 9 October – Marsolo Invites: Marsolo + more TBA
Saturday 10 October – Airspace: Notion, Kyle Starkey, Camille Doe + more
Saturday 17 October – Mint XL Presents: Cam Stockman b2b Tommy Phillips
Friday 30 October – Airspace: Riordan, Stef Davidse + more
Saturday 31 October – Ewan McVicar Presents: Halloween – Ewan McVicar, Special Request, Olive F
Saturday 7 November – Mint XL Presents: ALISHA, Robbie Doherty + more
Saturday 14 November – Mint XL Presents: Morgan Seatree + more TBA
Friday 20 November – Framework Presents: Ben UFO, Papa Nugs + more
Saturday 21 November – Jampacked Would Tour Leeds Edition: Jamback, Anil Aras, A For Alpha
Saturday 19 December – Framework x Mugpie Presents: Christian AB, Unai Trotti + more
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Amsterdam Music Festival News
EDM Festivals October 2026: Festivals We Can’t Miss
EDM Festivals October 2026: Festivals We Can’t Miss worldwide as major events fill the month across North America, Asia, Europe, and South America
October 2026 brings another busy month for the EDM festival calendar, with events taking place across North America, Asia, Europe, Africa, and South America. In the US, 808 Festival, Breakaway Utah, We Belong Here Central Park, Experts Only at the Gorge, Niteharts, Head Trip, III Points Miami, Escape Psycho Circus, BOO! Seattle, BOO! Arizona, and Hocus Pocus Miami fill the month. Meanwhile, EDC Korea and Chill O’posite Festival add major dates in Asia and Africa. No Art Lisbon and AMF represent Europe, while EDC Colombia and Ritvales bring two large weekends to South America. Here’s a full look at the EDM festivals taking place throughout October 2026.
808 Festival
Dates: October 2–3, 2026
Location: BITEC, Bangkok, Thailand
808 Festival returns to BITEC in Bangkok from October 2–3, 2026 for two days across two stages. The Phase Two lineup includes ILLENIUM, SLANDER B2B NGHTMRE, W&W, Argy, Ben Nicky, 999999999, Mesto, and KAAZE. Meanwhile, JUSTUS, RIVO, Dorian, Ian Asher, and Mary Droppinz are also confirmed. Several special performances are scheduled, including Adam Beyer B2B Chris Avantgarde and Nifra B2B Will Atkinson. Giorgia Angiuli will also perform live. More artists are still due to be announced before the festival returns to Bangkok in October.

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