Dubstep Music

GRAVEDGR Chases Down Nightmarish Crossbred Bass on 5-Track ‘RUN WHEN YOU SEE ME’ EP!

Published

5 years ago

May 8, 2021

GRAVEDGR is hitting a heinous tempo on his new ‘Run When You See Me’ EP, featuring five inescapable heavy-hitting tracks for the Bassrush Records crew.

Despite his identity remaining an unsolved mystery, the reputation that precedes GRAVEDGR is enough to make even the bravest of souls act uncontrollably skittish whenever the shovel-wielding masked producer is said to be lurking around the corner. With origins unknown, the rumors of him rising from ashes to wreak havoc on the bass scene were confirmed following a string of sinister hard trap releases leading up to his debut album, ‘6 Feet Under.’ However, coming back from the grave with 14 unholy soul-snatchers—including the festival-burying single “KAMIKAZE” and his inaugural number “RAMPAGE”—was just the start of his hell-raising saga.

In March, he bolted out with his debut on Bassrush Records with “RUN WHEN YOU SEE ME,” leaving a trail of bodies in its trap-infused wake. Shortly after, he flipped the script and led the hard dance crew to slaughter on the KURXCO-assisted “SHOW UP,” which saw him blowing up the spot over at its sister imprint, Basscon Records. As the first artist to ever connect the dots between the respective labels, GRAVEDGR is now ready to chase down both diehard communities with a crossbred five-track EP plucked straight from the darkest recesses of the dancefloor.

“The story of me, GRAVEDGR continues through my new EP,” he says. “Starting with the first single, ‘Run When You See Me’ tells a story of you, the listener, running from your worst nightmares. Throughout the subsequent tracks in the EP, it takes you on a frightening path with each song becoming more and more aggressive.”

“DISTORTION” creeps in like the opening credits of a canonical slasher film. On it, he enlists the stopping power of hardcore sensation HAARADAK. The two tormentors work in tandem to activate the fight-or-flight response, turning ominous orchestral tones and rawstyle-reinforced beats into a disorienting intro to the horror at hand. GRAVEDGR takes back the reins on the second cut, “RESONATE,” a solo scene marked by white-knuckling staccato strings and thunderous low-end. Croaking synths and chest-pounding bass carry the weight of a stomping bass track at first, only to blindside its victim with a nefarious hardcore switch-up set on not taking any prisoners. The freakish foot pursuit doesn’t slow up from there, but instead picks up in both speed and intensity on the titular offering—and then again on the aforementioned “SHOW UP.” “SCUM Bag” is the final leg of the nightmarish marathon, partnering up with Sydney-based Decim8 to put the nail in the figurative coffin. The closing number stalks its prey with disturbing spoken-word narration lurching atop a dystopic drop built around unforgiving kicks, twisted bass, and god-forsaken synth swells.

When all is said and done, the truth will dawn on rail-riders and the hard dance army alike: No one (or sound, for that matter) is safe when GRAVEDGR is hot on its tail.

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Dubstep Music

Deadlynoiz Drops Remix of Nine Inch Nails Tron Ares Soundtrack

Published

3 weeks ago

September 15, 2026

Mackenzie Morris

Continuing his slue of relentless releases Deadlynoiz has now put his spin on the trailer music for Tron Ares.

While Tron Ares wasn’t a particularly well received film, everyone agreed unanimously that the soundtrack from Nine Inch Nails was astonishing. The track that particularly caught the ear of Deadlynoiz was the cinematic version of ‘As Alive As You Need Me To Be.’ This masterpiece from the first trailer has now been transformed. Deadlynoiz has flipped the track into a vicious dubstep hit that keeps the powerful cinematic energy but has an injection of aggressive synths and thunderous bass. This remix pulls no punches with Deadlynoiz putting his well-developed style on full display. He’s made a song which can only be cranked up to 11 and headbanged to with its combination of hugely impactful percussion and diverse synths.

Deadlynoiz has built a reputation for his massively heavy style and dark tone which he has applied to his gargantuan catalogue of music. His work rate is far beyond what most artists could dream of as he’s already released over 20 singles in 2026 and has more on the way. He’s been gradually growing his fanbase through his incredible productions as well as his regular live streams where he shows off his style. His music has earnt him over 150,000 streams on Spotify and he’s continuing to ramp up the numbers with every release.

This new remix lives up to Deadlynoiz’s reputation of always delivering enormous power in a single track. He’s presented a song which captures the cinematic tone of the original with a large helping of heavy dubstep. As per usual his mastery over producing dark, potent tracks doesn’t disappoint.

You can follow Deadlynoiz on his socials below:

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Dubstep Music

Towerume & Deadlynoiz Team Up On ‘Up To The Madness’

Published

3 weeks ago

September 15, 2026

Preetika Narula

Towerume & Deadlynoiz team up on ‘Up To The Madness’, a 2026 dubstep single featuring melodic sections, heavier bass production and a ringtone-inspired first drop

Towerume and Deadlynoiz add a new collaboration to their 2026 releases with Up To The Madness, bringing both producers together on a dubstep track that sits firmly within the heavier side of their recent work. Released on August 31, 2026, the single moves through melodic sections and heavier bass production while giving each part enough space to develop across its short runtime. Its most distinctive moment comes with the first drop, where a ringtone-inspired lead cuts through before the track pushes deeper into dubstep and distorted bass.

Inside Up To The Madness

The opening section introduces softer pads and a more melodic side of the track before the first drop takes it in a different direction. A ringtone-style lead enters alongside growls and heavier bass, creating one of the more recognisable moments in the release. The arrangement continues switching between those melodic and harder sections without stretching the idea beyond its short runtime.

For Deadlynoiz, the release follows a busy year that has included singles such as No Sleep and Killa, alongside the OBSCURA EP. His recent catalogue has covered dubstep and other electronic styles, while his Apple Music profile lists Skrillex, Hardwell and Martin Garrix among his early electronic music influences. Up To The Madness sits closely with the dubstep side of that catalogue and continues a year in which he has released music consistently.

A New Collaboration For Towerume And Deadlynoiz

Towerume has also worked across several areas of electronic music before this release. His earlier catalogue includes Carabao, while 2025 saw him release the bass house track For The Night through LVLD MUSIC and collaborate with Hyper-X on Not The End. He has also previously worked with Bass Boost and Lana Forrer, making collaborations an established part of his output before teaming up with Deadlynoiz.

That background gives Up To The Madness a natural crossover point between the two producers. Deadlynoiz brings an established connection to dubstep, while Towerume comes into the release following music across bass house, techno and other electronic styles. Their first release together brings those paths into the same track, with the melodic setup and heavier dubstep sections giving each producer a place within the collaboration.

With Up To The Madness now out, the single adds another release to an active 2026 for both artists while introducing their first documented collaboration together.

Up To The Madness is available now across major streaming platforms.

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Dubstep Music

Deadlynoiz Gives Martin Garrix and Seth Hills’ ‘Biochemical’ the Dubstep Treatment

Published

3 weeks ago

September 15, 2026

David Dumitru

From a classic Martin Garrix and Seth Hills tune to a dark dubstep rework, Deadlynoiz reimagines “Biochemical” into a mind-wobbling remix.

Bringing a hard-hitting sound to the original, the New York-based artist turns it into a bass-heavy record, built for the big stages and peak-time sets.

Speaking about the story behind the remix, Deadlynoiz says he wanted to put his own signature on ‘Biochemical’ ever since Garrix played it during his Ultra Music Festival set in 2023.

“I took the original idea and completely transformed it into my own dubstep version,” says the artist, who has already been receiving a great response to the remix. Recently released on SoundCloud, Deadlynoiz mentions it is always exciting to see the reaction of people when he drops it during his livestreams and mixes.

Giving the song a darker twist, Deadlynoiz delivers ‘Biochemical’ with a refined and completely different identity, making the remix feel like his own record. While the build-up retains elements of the original Garrix and Seth Hills production, the drops take the track into a much heavier soundscape, drivn by powerful bass and aggressive sound design.

With the remix finally out, the DJ and producer says the release has been a long time coming. “I hope you guys enjoy this remix as much as I do,” he adds.

Stream ‘Biochemical (Deadlynoiz Remix)’ now, available on SoundCloud.