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Maddix Talks Transmission Bangkok, Genre-Bending, and the Maddix Rumble Plug-In

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After setting Transmission Bangkok 2024 ablaze with an electrifying performance, Maddix sat down with us to reflect on his unique musical journey, his game-changing collaborations, and the recent launch of his signature Maddix Rumble plug-in. Known for pioneering a bold fusion of Big Room, Techno, and Trance, Maddix opened up about the freedom he’s found in merging genres and his evolving role as an inspiration to aspiring producers worldwide. From his unforgettable set at Transmission to his upcoming debut marathon set at ADE, Maddix continues to redefine what it means to push boundaries in electronic music.

You’ve just finished an insane set here at Transmission in Bangkok. Could you tell us a bit about it? How do you feel? 

I feel amazing. I think this is the best set I’ve done in the whole of Thailand and it was a crazy crowd. I love it so much. 

You’re known for merging big room, techno and trance, could you tell us about this journey and how you got to this point? 

So back in the day, I used to do big room only and I got a bit tired of the genre and wanted to do something different. So I realized that actually I wouldn’t buy a ticket to my own show because I would rather go to a techno event and that’s the moment I realized I should change it to something different. I went to the studio and managed to get some techno influences, some trance influences, it’s like a mix of everything and I love it. I can now play at Transmission but also play a techno stage and I love it. A lot of freedom. 

I wanted to talk about your collaborations and your mentorship. So you’ve worked closely with Hardwell over the years and have had a lot of releases with him. How has that relationship influenced this transition from big room to techno? 

He’s been a really good friend during my big room days. He’s also changed his style and it was a perfect fit so we decided to do some collaborations together and it’s worked out perfectly. I love to work with him. He’s a really talented DJ and producer. 

Following up on that, what would be your favorite collaboration with him if you had to pick one. 

That’s hard. But I really like Satisfaction and I still play it because it’s like techno-y.

I wanted to talk about your recent launch – the Maddix Rumble plug-in. Could you tell us about that? 

I remember Revealed Recordings, Hardwell‘s label that I’m still working with asking me if there’s anything that pops up in my mind as they want to build some plug-ins. It was hard to think of as I’m always in the studio producing music and then I realized that I’m manually creating all these rumbles and using all these crazy plug-ins to do it. I thought can we do it in one plug-in, and I shared my ideas and they loved it. Its out now and I use it for almost every single track myself and a lot of techno and trance DJs they actually use it.

So what’s the significance it has on home producers, or Instagram/TikTok DJs who see you as an inspiration and want to make the same music as you? How do you think this will help them?  

I think it helps them make the same kinds of kicks I make way faster because it’s the signature sound. All the presets I put in there are actually presets I use myself. I use them for my kicks and they can just grab it and in a second they can have the same thing.

So you’ve played at some of the biggest festivals in the world and you have ADE coming up. Could you tell us a bit about that?  

It’s actually my first my only event at ADE and it’s the first time I’m going to play a 7 hour set. I mean I’ve done 3 hour sets before but yeah this one is going to be 7 hours. There’s going to be a lot of back-2-backs happening with a few of my favorite artists and it’s going to be massive. The day after I will also be playing at AMF which is the biggest show there. I’m going to be playing in a stadium in front of 30,000 but I’m really looking forward to it.

Looking ahead and talking about the future, what can fans expect like besides ADE and beyond that? 

There are three more releases coming this year, including some special ones before the end of this year. I’m also working on some new music which is difficult to do because I’m touring so much but there’s a lot of exciting stuff happening. Basically I go with the flow. I’m just making music and see what comes out. I try it out and if it doesn’t work, I change the song. 

Do you have any last words and about your set today?  

Transmission Bangkok was amazing. I love it here. It was my first time at this festival here and insane energy. I was a little afraid because I do not play trance that much but you guys went crazy and I loved it. Thank you. 

With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

EDM

Yohann Warren & Scarlett Deliver a Heartfelt Collaboration with “Think About”

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Scarlett and Yohann Warren release ‘Think About’, a melodic collaboration built on honest emotion and cinematic atmospheric production.

Scarlett and Yohann Warren come together for their new single “Think About” a track that feels as natural as it sounds. Built on honest emotion and subtle melodic energy, the release captures the kind of feeling that lingers long after the music fades.

Scarlett, who first gained recognition as a finalist on Swedish Idol 2013, brings a raw and expressive vocal performance shaped by real-life experiences and personal stories. “My main source of inspiration is definitely life and different life stories,” she shares. Her tone carries both warmth and vulnerability, giving the track an intimate edge that draws listeners in from the first note.

On the production side, Yohann Warren adds a cinematic and atmospheric touch, influenced by years of inspiration from festivals and defining moments in his journey. “There’s something special about standing in the middle of a crowd, feeling the music with thousands of people you don’t know,” he says. That energy translates clearly into the sound of “Think About.”

The collaboration itself came together organically. After connecting online, the two quickly found a creative chemistry that made the process feel effortless. The result is a track that sits somewhere between a late-night reflection and a shared moment on a dancefloor.

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EDM

Van Snyder & Alexander Popov Remake ‘You Get What You Give’ with Serena Bleu

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A composite press shot of the three artists behind You Get What You Give — Alexander Popov in a black t-shirt against a grey background, Van Snyder in a black cap and t-shirt against a light background, and Serena Bleu in a blue sheer top and dark sunglasses against an outdoor backdrop.

Van Snyder, Alexander Popov, and Serena Bleu reimagine the New Radicals classic ‘You Get What You Give’ as a high-energy electronic anthem built for festival dancefloors.

Some songs define an era. Others return to define the next one.

That’s the energy behind the electrifying new cover of You Get What You Give, reborn for the global dance floor by powerhouse producers Van Snyder and Alexander Popov, alongside the captivating voice of Serena Bleu.

Originally made famous by New Radicals, the 90s anthem carried a message of fearless optimism. Now it’s being reborn as a high-energy electronic powerhouse primed for festival stages, streaming charts, and viral dance floors.

Van Snyder showcases his signature blend of refined production,and soaring melodic intensity, while Alexander Popov injects the massive, euphoric energy that has made him a global trance icon and the driving force behind Interplay Records. Together, they’ve transformed the track into a soaring, hands-in-the-air anthem.

“Recording our version of You Get What You Give was a reminder of how powerful optimism can be. The song has always felt like a quiet act of rebellion against cynicism – joyful, fearless, and completely honest. Revisiting it was especially meaningful because it allowed us to tap back into that spirit, and hopefully pass along a bit of that same uplifting energy to a new generation of listeners.” said Van Snyder 

At the heart of it all is Serena Bleu, whose commanding vocal performance delivers the song’s timeless message with fresh fire – turning nostalgia into something thrillingly modern.

The result? Not just a cover, but a rebirth – one that has all the ingredients of the next viral dance hit. Big emotion. Bigger drops. And a message that still resonates: the music is in us, and it’s not going anywhere.

When this track lands, don’t be surprised if dance floors across the world erupt. The next anthem has arrived.

Stream this below and purchase here.

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Deep House

SEB C and INDICA Release One Night

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SEB C and INDICA release “One Night” Following Cross-Border Collaboration

SEB C and INDICA come together on “One Night,” a house record that builds around a steady 4×4 rhythm while keeping the vocal at the centre of the track. The release, now available across platforms including Spotify and Apple Music, was developed during the COVID-19 lockdown period, with both artists working remotely and exchanging ideas across different locations. Set for release on March 6, 2026, the track introduces a collaboration that did not begin in a shared studio, but through direct contact online, which shaped how the record was written and arranged.

SEB C’s Development Leading Into This Release

Describing SEB C as an emerging producer only covers part of the picture, as his catalogue already stretches back several years with releases such as “Run It Back” (2020) and “Weekend Hurricane” (2021). A more concrete reference point came in 2021, when his track “Guala” was played by Tiësto on Club Life Radio, placing his work within a wider audience beyond independent platforms. That moment sits as a clear marker of external support, rather than relying on general descriptions of early-stage artists.

His activity has not been limited to releases. Recorded sets and live footage from events such as CONTACT Festival and FVDED In The Park show that his work is already being carried into festival environments, which adds context to how his productions are structured. When placed alongside his earlier catalogue, “One Night” reads as a continuation of that direction, now moving into a collaborative format where the vocal takes a more central role.

How the Collaboration With INDICA Worked Out

The collaboration between SEB C and INDICA began during a period when in-person sessions were not possible, with the first exchange happening through Instagram. From there, the track developed through a consistent back-and-forth process, with vocals, drafts, and arrangement ideas being shared remotely until the final version was completed. This method of working did not interrupt the creative process, but instead shaped how the record was put together.

That process is reflected in how the track is structured. INDICA’s vocal is not placed onto a finished instrumental, but develops alongside the production itself, which is why the phrasing and progression feel connected across the full track. The collaboration holds a single direction from start to finish, rather than switching between contrasting sections, which gives the record a more consistent identity.

Where “One Night” Stays as a Record

“One Night” is structured in a way that allows it to function across different listening environments without being tied to a single context. The rhythm remains steady, which makes it usable within a DJ set without requiring major adjustments, while the vocal provides a clear point of recognition that carries through outside of a club setting. This balance between function and identity gives the track flexibility across both live and streaming use.

The arrangement stays controlled throughout, without introducing sudden changes that would interrupt the flow of the track. The focus remains on the groove and vocal phrasing, allowing both elements to carry the record without relying on additional layers or shifts in direction. This keeps the track consistent from start to finish, aligning with SEB C’s previous work while expanding it through INDICA’s contribution.

With “One Night” now released, the track sits as a clear step forward for SEB C, bringing together elements that have appeared across his earlier releases into a more complete record. At the same time, it introduces INDICA within a house setting that keeps his vocal at the forefront while still fitting within a DJ-oriented structure. The release reflects a collaboration that started under restrictions and carried through into a finished track without relying on a traditional studio setup. When placed alongside SEB C’s existing catalogue and performance activity, “One Night” adds another layer to his output, while opening space for further collaborations to follow.

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