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Martin Garrix & Ed Sheeran Release ‘Repeat It’ After 12 Years

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Martin Garrix and Ed Sheeran together during the early period of their long-awaited collaboration Repeat It.

Martin Garrix and Ed Sheeran’s Repeat It finally gets its official release after first being previewed at Ultra Music Festival Miami in 2015

Martin Garrix and Ed Sheeran are finally releasing Repeat It on Friday, May 15, in honor of Martin’s 30th birthday, bringing one of EDM’s longest-running unreleased IDs into an official release after more than a decade. The track first began in 2014, before Martin Garrix previewed it at Ultra Music Festival Miami in 2015, where fans came to know it as Rewind Repeat It. For years, the collaboration stayed caught between its festival-history status and the label complications connected to the period before Martin Garrix became independent. Now, after fan uploads, release petitions, renewed 2026 teasers, and an official confirmation from Martin Garrix, Repeat It is finally leaving its unreleased-ID status behind as the collaboration prepares for its official release on Friday, May 15.

 

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How Martin Garrix and Ed Sheeran’s Repeat It All Started in 2014

Martin Garrix and Ed Sheeran were first linked to Repeat It in 2014, long before the track became known through live rips, fan uploads, and years of release speculation. The earliest public mention came during Miami Music Week, when Martin Garrix spoke about working with Ed Sheeran while he was still in the Spinnin’ Records period of his career. At that stage, the song was not being presented as a finished single. Reports around the Miami press event said the track still needed more work and would also need approval from Ed Sheeran’s label, which now reads like the first public sign of the release complications that followed it for years. It also places the collaboration in a very specific 2014 context: Martin Garrix was still close to the global breakout of Animals, while Ed Sheeran was entering the x era, before dance collaborations had become a regular part of pop release cycles.

The creative history behind Repeat It also points back to Los Angeles, where Martin Garrix later said he and Ed Sheeran met and began exchanging ideas. Ed Sheeran sent over a voice note with a melody, giving Martin Garrix a vocal idea to work around from the start. That detail matters because the track was not simply a festival instrumental with a pop vocal added later. It began through an exchange between a producer closely associated with big-room festival records and a songwriter whose work was centered on melody, phrasing, and direct lyric writing. Ed Sheeran later said he had finished his first EDM song with Martin Garrix, while Martin Garrix explained that people found the pairing strange at the time because their styles did not naturally align. That early contrast gave Repeat It a different place in both artists’ histories before fans heard it under its original ID name, Rewind Repeat It, at Ultra Music Festival Miami in 2015.

Why Rewind Repeat It Got Stuck Between Label Timing and Old Contract Issues

The reason Rewind Repeat It stayed unreleased was not simply that Martin Garrix and Ed Sheeran moved on from the song. The problem started much earlier, when the track still needed approval from Ed Sheeran’s label before it could come out. By 2017, Martin Garrix had explained that the collaboration had been planned as an official single, but the release became difficult because the labels could not agree on timing. Part of that issue came from Ed Sheeran’s own release schedule, with reports saying his side wanted to prioritize other Ed Sheeran songs first. For a track that was already being played in festival sets, that delay mattered because unreleased IDs rely heavily on timing. Once the original window passed, Rewind Repeat It was no longer just waiting for a date. It was caught between two artist calendars, two label systems, and a release plan that had already lost its first chance.

The situation became even harder because the song belonged to an earlier part of Martin Garrix’s career. Rewind Repeat It was made while Martin Garrix was still tied to the Spinnin’ Records era, before he became independent and launched the next phase of his career through his own label structure. By 2018, Martin Garrix was openly saying that he did not think the song would ever be released, with the issue being linked to old rights and contract complications from that period. That is why the long wait around Repeat It became different from a normal unreleased ID story. Fans kept asking for it because they had already heard the song, but the release was stuck behind business details that could not be solved by demand alone. The track stayed alive through live recordings, fan uploads, and petitions, but its official release needed the rights, label timing, and artist-side approvals to finally line up.

How Repeat It Finally Returned in 2026

The 2026 return of Repeat It did not begin with a standard single announcement. It started with Martin Garrix and Ed Sheeran being seen together again in New York City, where footage of them filming and walking backwards immediately pulled the old Rewind Repeat It connection back into focus. That detail mattered because it was not a random sighting between two artists who once worked together. The backwards movement tied directly to the song’s original title, and after years of old live rips carrying the track online, the New York clips gave fans the first real sign that the collaboration was being treated as an active release again.

The rollout became more direct after that. Martin Garrix previewed a new version during an Instagram Live in April, while reports said the track had been reworked from the 2015 Ultra Music Festival Miami version and shortened from Rewind, Repeat It to Repeat It. In early May, the teasing continued through social posts, the Repeat It (2026) audio name, and billboards in Santo Domingo that asked Ed Sheeran to release the song. The final confirmation came from Martin Garrix himself, who announced that Repeat It with Ed Sheeran would drop at midnight worldwide on Friday, May 15. After more than a decade of fan uploads, label delays, and unfinished release windows, the song is now returning as an official single instead of another clip passed around as one of EDM’s most requested IDs.

Why Repeat It Matters Beyond Its Release Date

For Martin Garrix and Ed Sheeran, Repeat It carries a history that makes the release feel different from a standard collaboration rollout, especially because the song has already lived through more than a decade of public attention before reaching its official release. It began with the 2014 studio work, became a fan-known ID after the 2015 Ultra Music Festival Miami preview, and then stayed in circulation through live rips, fan uploads, release petitions, and years of questions around whether the track would ever be cleared. That history gives Repeat It a specific place in Martin Garrix’s catalog, not just as a new single, but as a track tied to one of the most followed unreleased chapters from his festival-era rise.

The release also matters because the collaboration still reflects the unusual pairing that made people pay attention in the first place. When Martin Garrix and Ed Sheeran first worked on the song, Ed Sheeran was not regularly linked to EDM records, while Martin Garrix was still closely associated with big-room festival stages after Animals. In 2026, both artists are far beyond that original career moment, but Repeat It still carries the contrast that gave the track its early interest: Martin Garrix bringing the production into his dance music world and Ed Sheeran bringing the topline and vocal writing that made the song feel different from a typical unreleased festival ID. That is why its official release is not only about finally getting the file onto streaming platforms, but about closing a release story that fans have been following since Ultra Music Festival Miami in 2015.

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With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

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Annie Mac Brings ‘Annie Mac Presents’ To Apple Music

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Annie Mac brings ‘Annie Mac Presents’ to Apple Music with eight volumes from the 2010–2017 mix series available to stream for the first time

Annie Mac is bringing more than a decade of her dance music archive to Apple Music, with eight volumes of Annie Mac Presents available to stream for the first time. Originally released between 2010 and 2017, the compilation series documented the house, techno, bass and electronic records she was championing throughout that period, with many of the mixes previously only available on CD. The launch also includes a dedicated Before Midnight curator page and her 2025 Warehouse Project set, bringing older material and more recent work together in one place.

 

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Eight ‘Annie Mac Presents’ Volumes Are Now Streaming

Originally released as double CDs, each edition of Annie Mac Presents will appear on Apple Music in two parts, making 16 mixes available from launch. Many of the original mixes had only existed in physical form, with Annie Mac returning to CDs from her own collection as part of the process of bringing the archive online.

Across its nine-year run, Annie Mac Presents followed the genre-spanning approach that became central to her broadcasting and DJ career. The compilations moved between house, techno, bass, electronic music and crossover records, pairing emerging artists with established names while documenting the music she was supporting throughout the 2010s.

Before Midnight Gets Its Own Apple Music Page

The archive forms part of Annie Mac’s new DJ Mix curator presence on Apple Music, with the page centered around Before Midnight. She launched the club concept in 2022 around an earlier schedule for nights out, keeping the focus on club music while changing the hours in which the events take place.

The Apple Music launch follows the latest Before Midnight show at Alexandra Palace in London on September 12. Her Before Midnight set from The Warehouse Project, recorded on September 6, 2025, is also being added to the platform alongside the Annie Mac Presents archive.

Annie Mac’s Archive Connects Different Parts Of Her Career

The release brings together material from a period when Annie Mac was one of the most prominent voices on BBC Radio 1 with the work she has continued since leaving the station in 2021. She first joined Radio 1 behind the scenes before beginning her own show in 2004, remaining at the station for nearly two decades.

Since then, she has continued across DJing, writing, broadcasting and live events, with Before Midnight becoming one of the main projects in that next period of her career. Bringing Annie Mac Presents to Apple Music now places those earlier mixes alongside her more recent DJ work, making a large part of that archive available digitally for the first time.

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‘Like a G6’ Hits 1 Billion Spotify Streams

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‘Like a G6’ hits 1 billion Spotify streams as KSHMR, Far East Movement and Dev celebrate the milestone

Released in 2010, ‘Like a G6’ became a huge global hit for Far East Movement, The Cataracs and Dev. The track reached No. 1 on the Billboard Hot 100 and spent three non-consecutive weeks at the top. Sixteen years later, it has now passed 1 billion streams on Spotify, with KSHMR marking the milestone on Instagram with the message “We made it to 1B.”

KSHMR’s Connection To ‘Like A G6’

When ‘Like a G6’ was released in 2010, KSHMR was still producing as Niles Hollowell-Dhar, one half of The Cataracs alongside David Singer-Vine. The duo produced the record for Far East Movement, while Dev provided the vocal that became one of its most recognisable elements.

Her part originated from ‘Booty Bounce’, which The Cataracs had produced with her earlier that year. They later used part of that vocal in ‘Like a G6’, helping create the version that went on to become a worldwide hit. The record gave Niles Hollowell-Dhar one of his biggest commercial successes years before he launched KSHMR.

His reaction to the Spotify milestone now brings that earlier part of his career back into focus. Long before the KSHMR project began, ‘Like a G6’ had already connected his production work to one of the biggest crossover records of the early 2010s.

‘Like A G6’ Became A Global No. 1

Following its release, ‘Like a G6’ climbed to No. 1 on the Billboard Hot 100 and held the position for three non-consecutive weeks. The achievement also made Far East Movement the first Asian American group to top the chart.

The track came at a time when electronic production, hip-hop and pop were increasingly crossing into the mainstream. Its success introduced Far East Movement, The Cataracs and Dev to a much wider audience, while also giving each artist one of the biggest records of their careers.

That success led into very different paths afterward. Far East Movement continued releasing internationally, Dev developed her solo career, and Niles Hollowell-Dhar later left The Cataracs before launching KSHMR.

More than 16 years after its original release, ‘Like a G6’ has now passed 1 billion Spotify streams. The milestone adds another major achievement to the track’s history while bringing one of KSHMR’s earliest major records back into focus.

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Mau P Launches Baddest Behavior Records

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Mau P launches Baddest Behavior Records as his event brand expands into a new label for emerging dance music artists

Mau P has grown to become one of the most prominent names arcorss the electronic dance music scene. His rise has included major releases, international shows and his own Baddest Behavior event series. First introduced as a way for him to curate lineups and host events under his own banner, Baddest Behavior soon became part of his touring calendar. Mau P is now taking the name into recorded music with Baddest Behavior Records, his first record label. The imprint gives artists and music he already supports a direct route to release.

Why Mau P Launched Baddest Behavior Records

As more unreleased music began reaching Mau P from producers, starting a label became something he began considering publicly. He has spoken about wanting to give other artists the type of opportunities that helped him earlier in his career. That became especially relevant when he heard records he believed deserved wider support.

 

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That intention was central to the announcement. Mau P described Baddest Behavior Records as being “for the culture, for the scene.” He also directed followers to the label’s new private Instagram account through his Stories. The page began accepting followers as part of the rollout. The first artists and releases have not yet been announced, so the label’s musical direction will become clearer once its catalogue begins.

Baddest Behavior Was Already Growing Beyond Individual Shows

By the time Mau P announced the record label, Baddest Behavior already had several years of events behind it. He has hosted editions in New York, Miami, Denver and Los Angeles. A residency at Pacha Ibiza also gave the series a regular presence on the island.

Those events have allowed Mau P to choose the artists playing alongside him and place the music he supports within his own lineups. Plans for Baddest Behavior to cover more than live events appeared well before the label announcement.

In 2024, Mau P B.V. filed a trademark application covering record label services, music publishing, recording, live events and DJ services. The filing showed that recorded music already formed part of the wider plans for Baddest Behavior.

Since breaking through with ‘Drugs From Amsterdam’ in 2022, Mau P has released through Repopulate Mars, Defected, Diynamic and Insomniac Records. He has also regularly supported IDs and unreleased tracks throughout his sets. Baddest Behavior Records now gives some of that music the possibility of becoming official releases with Mau P directly supporting them, while the first records will begin to show which artists and sounds he wants the label to represent.

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