Connect with us

EDM Music

Melissa Geurts Maintenance Mode: Healing Through Music

Unknown's avatar

Published

on

Melissa Geurts’ ‘Maintenance Mode’ Brings A New Chapter For The Canadian Artist With A 13-Track Dark Synth-Pop Album

Canadian electronic artist Melissa Geurts opens a new chapter with her second album Maintenance Mode, released on March 27, 2026 through her independent label The Blue Algorithm. Based in New York, the Canadian-born artist follows her 2024 debut System Crash with a 13-track dark synth-pop record that continues the personal direction that first brought her music to listeners worldwide. Without the backing of a label or manager, Geurts has built an international audience with nearly 1 million streams across 150 countries, including strong listener bases in the United States, Poland, Germany, France, the Netherlands, the United Kingdom, Sweden, Canada, and Mexico. With Maintenance Mode, Geurts turns her attention to the quieter period that comes after the breakdown and after the early stages of healing. Instead of focusing on crisis or recovery, the album centers on the strange calm that follows, when life is no longer falling apart but everything still feels unfamiliar.

How Melissa Geurts Turned Post-Therapy Reflection Into An Album

For Melissa Geurts, the writing that eventually became Maintenance Mode grew out of a personal turning point rather than the usual album cycle. After stepping away from music for nearly 15 years, the Canadian-born artist began writing again at 38, at a time when therapy had started bringing long-buried experiences to the surface. Music became a place where those thoughts could exist without explanation or outside input, allowing Melissa to revisit ideas about identity, relationships, and personal expectations that had followed her since growing up in Oshawa, Ontario. Her early connection to music stretches back much further. She began piano lessons at two years old, later played bass clarinet through school, and spent her twenties performing in a band in Toronto before stepping away from songwriting entirely. Returning to music later in life changed the way she approached it. Instead of working inside a traditional band structure, Melissa began writing alone, documenting experiences in a way that eventually formed the emotional foundation of Maintenance Mode.

That process continued in New York, where Melissa writes and records from her apartment with collaborator Joshua Hobson. The two handled production, mixing, and mastering themselves, keeping the project entirely under their control through The Blue Algorithm, the independent label that releases her work through DistroKid. Across 13 tracks, Maintenance Mode reflects the quieter stage that comes after emotional upheaval, when the dramatic turning points are over but life has not fully settled yet. Several songs approach that idea from different angles: “Talk To A Wall” addresses the pressure placed on women to justify their choices about motherhood, while “Borrowed Confidence” and “Still Here Though” question how identity shifts once external validation disappears. Even the multilingual elements on the record, with English, French, and Dutch appearing across the album, reflect parts of Melissa’s personal background and family history. While the album remains rooted in dark electronic pop and synthesizer-driven production, the focus throughout stays on the personal experiences behind the songs, giving Maintenance Mode the feel of a record written during a moment of reassessment rather than reinvention.

Melissa Geurts Writing And Recording ‘Maintenance Mode’ In New York

That return to songwriting eventually carried into the period when Melissa Geurts began developing the material that became Maintenance Mode. Writing often happened late at night in New York, where music exists alongside a demanding creative career outside the recording world. By day, Melissa works as Group Executive Creative Director at Good Housekeeping, a position she has held for more than 11 years, shaping visual storytelling and editorial campaigns for one of the most recognizable magazine brands in the United States. The contrast between that structured creative environment and the private space where she writes songs has become an important part of how her music takes form.

The album also reflects the small circle involved in bringing those ideas to life. Melissa worked closely with Joshua Hobson, who contributed as collaborator throughout the recording process. Together they handled production and the technical work surrounding the record, from arranging to final mixes. That close partnership allowed the songs on Maintenance Mode to remain personal and direct, with each track centered on experiences that had been building for years. Moments across the record revisit themes that have followed Melissa through different stages of life, including expectations around relationships, the pressure placed on women to justify decisions about motherhood, and the question of confidence once external validation disappears. These ideas appear across songs like “Talk To A Wall,” “Borrowed Confidence,” and “Still Here Though,” giving the album a thread that connects personal history with the present moment in which the music was written.

As Maintenance Mode begins reaching listeners worldwide, the album marks another step in the evolving creative path of Melissa Geurts, whose independent approach to releasing music has gradually connected with audiences across 150 countries. Following her 2024 debut System Crash, the 13-track record continues to explore the personal experiences and reflections that have shaped her recent writing, offering a look into a quieter stage of life that rarely appears in electronic music. With songs that address identity, expectations, and personal autonomy, Maintenance Mode expands the world Melissa has been documenting through her work while continuing to grow an audience well beyond her home country of Canada. Listeners can now experience the album in full, with Maintenance Mode available across major streaming platforms.

Subscribe to our Newsletter

With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

Continue Reading

EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

Unknown's avatar

Published

on

Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

Subscribe to our Newsletter

Continue Reading

EDM Music

Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

Unknown's avatar

Published

on

The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

Instagram

Facebook

TikTok

YouTube

X

Subscribe to our Newsletter

Continue Reading

EDM Music

Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

Unknown's avatar

Published

on

Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.

‘Off-Cuts (2014–2021)’ is out now on Plexus Records.

Subscribe to our Newsletter

Continue Reading

Trending