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Loz Seka Interview: Cuccú, Flamenca Records & BBC Radio 1

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Loz Seka performing behind Pioneer DJ decks at a club night, wearing a black t-shirt and backwards cap with headphones resting on it, one arm raised toward the crowd, bathed in deep red club lighting with a packed dancefloor visible behind him.

Loz Seka on his Flamenca Records debut Cuccú, BBC Radio 1 support, and his journey from blues bands to Latin tech house.

Seka – who counts radio support from Danny Howard, Arielle Free, Jaguar, Jeremiah Asiamah and Annie Mac, and club support from Fatboy Slim, Mark Knight, Solardo, MK, Sonny Fodera and Syreeta – was introduced to the FLAMENCA team via Toolroom Records.
Known for his Latin, Afro and Percussive Tech touch, it was a match made in heaven. Layering Arabesque sounding instrumentation over syncopating percussion and Latin rhythms, ‘Cuccú’ is a rolling club weapon that takes the FLAMENCA sound into the very beginnings of the summer season.
I’m a huge fan of Flamenca, STBAN and the artists on the roster,” Seka said, “so I’m absolutely buzzing to be joining the family with ‘Cuccú’. Really excited and can’t wait to get this one out!
Speaking about Seka’s FLAMENCA debut, label boss STBAN said: “As soon as I heard the track, I knew we had to sign it. Loz is an exciting new talent making exactly the kind of music the FLAMENCA family loves, so it was a no-brainer to bring him on board to release’ Cuccú’ with us.
With so much support for the rising UK star coming from all corners, we thought it was about time we caught up with Loz to find out more…
You’ve just released your latest single ‘Cuccú’ on FLAMENCA Records – can you tell us a bit more about the track?
Hi guys, massive thanks for having me on, I really appreciate it.
I’m honestly buzzing to be releasing on FLAMENCA. The label is doing such great things at the moment and I’m honoured to now be part of the roster and the family.
Cuccú is one of my favourite records I’ve made to date. It leans into the Afro and Latin sound that I love both producing and playing out.
It’s a bit of a percussive late night weapon. It has that shoulder and hip shaking energy that I love, a huge lead and cool vocal hooks. It’s something I hope will resonate on the dancefloor just as much as it did in the studio while I was making it.
How did you get involved with the FLAMENCA Records team?
I sent some music to my good friend Danny Rhys from Toolroom just for some feedback. He listened and said he thought the track would actually suit FLAMENCA really well.
Not long after he did me a massive solid and sent it over to them for me, and they ended up signing it, so I’m massively grateful to him for that.
I was honestly blown away when they signed it. When you look at the level of artists on the roster, what STBAN and the team have created, and artists I love like Jesus Fernandez being involved, it’s a huge honour to be welcomed onto the label.
Working with the team since has also been a great experience. Super professional, really friendly and just genuinely nice people, which makes the whole process even better.
You’ve got a definite Latin sound to your work but you’re from the UK – what is it about the Latin vibe that attracts you musically?
The main thing is just the vibe. Every time I play out, people react to it straight away. There’s something about the vibe and rhythms that just makes people move.
I’m a big sucker for Jazz, Latin and Blues, and generally I’m just mad for percussion. Before making house music I was actually producing drum and bass, and even earlier than that I was in bands playing blues, jazz, ska and metal, so rhythm and drums have always been the thing that grabs me first when it comes to music. Because of that my music has always been quite percussion led so when I started leaning into Latin influences, it just felt really natural.
I also wasn’t massively connecting with some of the more mainstream tech house sounds at the time, but the Latin Tech side of things really reminds me of old school tech house. Dusty drums, rolling bass, cool vocals, maybe a synth or two, and that groove that you can lock into for ages.
You’ve got some serious support from some big names in British radio – Danny Howard, Arielle Free, Annie Mac. How helpful has their support been to your career so far?
Annie Mac is honestly an idol of mine. I grew up listening to her shows and they played a huge part in shaping my musical identity in dance music, alongside Mary Anne Hobbs. I’ve had the pleasure of meeting Annie twice now and she has always been really inspiring and warm to talk to, so seeing her drop one of my tracks at Warehouse Project genuinely blew my mind. I cannot thank her enough for the support.
Arielle Free, it’s hard to put into words what she’s done for my career. She’s easily been the biggest supporter of my music over the last couple of years. I can’t thank her enough and I absolutely love her to bits. I’m so fortunate for how hard she backs my records.
I signed to her label and she booked me to play UNVRS, which are things I genuinely would not have thought possible a couple of years ago.
And of course getting the nod from Danny Howard, Jaguar and Jeremiah Asiamah as well is such a great feeling. When people at that level support your music it really does mean the world. Just Pete and Sarah left now for the full house!
You’re also being hyped by the guys over at Toolroom Academy – what kind of support have you got from them so far?
Honestly I would not be here right now if it wasn’t for the Toolroom Academy team and the people I’ve met through that network.
The first big record I released through Toolroom came from a collaboration with fellow Academy students. We organised our own writing camp before a big Toolroom night at Studio 338, and that track ended up getting signed to Trax, which really shows the power of the Academy.
Big up to my boys Harrt, Altere, Alex Lauthals and Keffi!
What started as doing the course has turned into some really important friendships. Danny Rhys, who manages the Trax label, has been a massive mentor to me and someone I’ve ended up making music with and signing to Trax!
Cal, who now runs the Academy, is also a really good friend of mine. We were actually on the same course together, so seeing him now managing the Academy is pretty incredible and something I’m massively proud of him for.
Also a big shout to Pete, Miles and the wider Toolroom team who have all been hugely supportive. The Academy has been a big part of my journey over the last few years.
Last year you played at UNVRS for Arielle Free – how was that for you?
Playing UNVRS was not even on my bingo card for this decade, let alone last year, so I can’t thank Arielle enough for that opportunity. She has been instrumental in so much of my trajectory over the last few years.
The club itself is something else, and The Wild Comet where I was playing was just incredible. Warming up and seeing people coming in and instantly vibing with the music was such a great feeling.
The sound system, the visuals and the whole spectacle of the place was pretty awe inspiring. Getting to spend the night there with friends, few bevs and watching Arielle and Edd smash their sets made it a really special night.
You’ve been supported by Fatboy Slim and played at his All Back To Minehead event. What’s it like having that kind of artist getting behind you and was he an influence of yours before the event?
Growing up in the UK, my first real introductions to dance music were Fatboy Slim, Chemical Brothers and The Prodigy, so to get the nod and the call up from Norm is something I really don’t take lightly.
All Back To Minehead was honestly a dream. To have the backing of someone as influential as Fatboy Slim is incredible. It’s such an honour to be asked to come and play at his event. Big shout to Lizzie Curious as well who booked me for her stage.
It was also the first time I’ve ever had people coming up asking for photos after a set, which was a bit surreal. I was honestly a bag of nerves beforehand but it ended up being one of the best sets I’ve ever played.
You’ve won some silverware back in the UK for your work, tell us about that.
Yes, I won Best Producer at the Northampton Music Awards, which is pretty mind-blowing and I’m super grateful to the teams and everyone that voted for me!
The funny thing is, I was actually in Thailand on holiday at the time. I didn’t even know I had been nominated until the day before, so I had no time to promote it or anything like that.
I then woke up the next day to messages saying I had won and I honestly couldn’t believe it, so a huge thank you to everyone who voted for me! I celebrated with a few daiquiris by the pool that day, of course. Standard…
You had a BBC Introducing mix on British radio – how important has that been in terms of getting your sound out to a wider audience?
I’ve done a couple of BBC Introducing mixes now and it’s always such a pleasure.
My local BBC Introducing team, Kerrie & Connor, have been massively supportive and have really helped push my music and sound out across the Midlands. That support eventually led to me headlining their BBC Introducing event last year.
Playing my music to a packed room in my hometown, where there isn’t the biggest Latin tech scene, and seeing everyone properly vibing to it was a really special moment.
What top tier artists inspire you and whose career would you love to emulate?
Marco Lys for me is the king of groove. I would honestly love to just sit and watch him build his drums in the studio. He is also someone whose career I really respect.
He has been consistently releasing quality music for years and built a really solid reputation in the scene while still staying true to his sound. That kind of longevity is something I would love to achieve.
Also Iglesias and Jesus Fernandez. Again it’s that drum programming and groove that I would love to learn from them, they are the best in the biz!
And last but certainly not least I would absolutely love to make a track with Arielle Free at some point. She has been so instrumental in helping me get to where I am today and she’s such a great producer and a bundle of energy, so I think it would be a really fun studio session.
Thanks again for having me on to chat!

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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

Afro House

STBAN teams up with Billy Ronca for hot Latin number ‘YAMEKITE’

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STBAN and Billy Ronca release ‘Yamekite’ via FLAMENCA Records / Toolroom Records, a rolling Latin electronica track built for Ibiza terraces and club dancefloors.

Fresh from the success of his Javi Torres and Alba Dreid collab ‘Habibi’, FLAMENCA Records boss STBAN continues to build the hype with latest single ‘Yamekite’, out today via distributor Toolroom Records.

This time out, the label head shares the stage with reggaeton and Latin rap star Billy Ronca. Born in Brazil, raised across Europe and now based in the heart of Puerto Rico working with reggaeton icons Baby Rasta y Gringo, Ronca has steadily built his reputation as a singer and writer to watch out for. Teaming up with STBAN in the studio, the result is another hit in the growing FLAMENCA catalogue.

“This song is about self-love and awareness,” Ronca explained. “Sometimes we’re the ones who put people on pedestals they never deserved, and when that happens, it’s up to us to bring them back down. It’s a reminder to protect your energy, choose good vibes, and not waste time on people or situations that don’t add value to your life. Life is short, everything is temporary, and we shouldn’t get stuck in negativity.

“The line “era pa’ siempre que me tuviste” reflects a contradiction that tells a deeper story — two people living the same relationship with completely different intentions. For one, it felt like forever; for the other, it was just a moment.

“Even though the lyrics are simple, the message goes deeper: it’s about self-respect, emotional clarity, and knowing when to let go.”

Ronca’s sun drenched vocals and fluid rap are a perfect foil for STBAN’s steadily building production. Gentle guitars strum across rolling percussion, Latin brass shimmering and sizzling in the background as STBAN gradually turns the energy up. It’s a gorgeous slice of hot Latin electronica perfectly timed for the opening of the European summer season.

We’ve just been in Ibiza and the reaction to the track was amazing,” the FLAMENCA Records label boss said. “It’s the perfect track to get the terrace session going or dial the heat up on the club dance floor. Another great addition to our FLAMENCA Records discography.”

STBAN & Billy Ronca ‘Yamekite’ is released May 8th on FLAMENCA Records via Toolroom Records.

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EDM Music

DHALI & dagi Release ‘Ibiza, Circoloco’ on 23 Hours

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DHALI and dagi release ‘Ibiza, Circoloco’ via 23 Hours, a groove-heavy club track born from a TikTok that went viral and sparked over 50 unofficial remixes.

German DJ/Producer DHALI today releases ‘Ibiza, Circoloco’ with dagivia independent German music label 23 HOURS. The record captures the golden-hour energy of one of Ibiza’s most storied dancefloors.

Evolving organically through the momentum of online communities, DHALI and dagi bring one of the most exciting viral-to-club moments of the moment into its final form. It started with a TikTok filmed on a jog – dagi singing an unproduced topline over no beat, just a melody and the now trending vocal. The clip amassed millions of views, over 50 unofficial remixes followed, hundreds of creations, and the demand for an official release became impossible to ignore.

DHALI, who counts over 40 million cumulative streams, is known for his unique blend of Afro-house, Latin house, and melodic house. DHALI translates the energy of the original moment into a full, club-ready production. Deep, groove-heavy, and anchored by a bassline destined for the summer festival season ahead. dagi’s vocals brings warmth and melody to the top end, giving the track a sun-drenched quality with major dancefloor weight.

The momentum also caught the attention of the international club scene. Jamie Jones, one of the most influential House DJs in the world and a longtime resident of the legendary Circoloco parties in Ibiza, became aware of the track and engaged with the growing hype surrounding it.

Despite being one of Germany’s biggest creators, nothing in dagi’s world has moved quite like this. With both her and DHALI sharing a genuine love for Ibiza and the culture of the island, ‘Ibiza, Circoloco’ feels less like a community celebration of the White Isle and the music and lifestyle that defines it.

Ibiza, Circoloco represents a new form of music creation. Not strategically manufactured, but born from a spontaneous moment, picked up by the community, continuously evolved, and ultimately transformed into an official release.

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EDM Music

New EDM Friday May 8: Calvin Harris, The Chainsmokers, Armin van Buuren & More

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Calvin Harris performing live for New EDM Friday May 8 featuring Calvin Harris, The Chainsmokers, Armin van Buuren, and more.

New EDM Friday May 8 brings new music from Calvin Harris, The Chainsmokers, Armin van Buuren, and more.

New EDM Friday May 8 brings a strong mix of major releases, new records, and artist projects spanning house, trance, bass, and crossover electronic music. From Calvin Harris and Jazzy to The Chainsmokers, Armin van Buuren and Andrew Bayer to and Wax Motif, these are the tracks you should not miss on this week’s New EDM Friday.

Calvin Harris, Jazzy – Satisfy

Calvin Harris is back with Satisfy, teaming up with Irish vocalist Jazzy for a piano house release that fits naturally into his summer run. The track had already been teased through Calvin Harris’ channels before its May 8 release, giving fans an early listen to its repeated vocal hook and bright piano lead. For Jazzy, the collaboration follows her rise through UK and Irish dance music, where her voice has become linked with records such as Giving Me and Somedays. With Calvin Harris leading the production and Jazzy carrying the vocal, Satisfy adds a major-name house release to this week’s list.

The Chainsmokers – Love Is Kind

The Chainsmokers return with Love Is Kind, a five-track collaborative EP with Oaks, the artist project of Swedish singer-songwriter Winona Oak. The release includes Echo, Already Know, Five Past Three, Love Is Kind, and Wild, bringing the duo back together after their 2018 collaboration Hope. The Chainsmokers shared that Echo led into more sessions with Oaks, eventually turning one song into a full project after a period where they felt creatively stuck in the studio. Across the EP, Oaks’ voice carries the more vulnerable parts of the writing, while The Chainsmokers keep the production close to the emotional dance-pop sound that has defined some of their biggest releases.

Armin van Buuren & Andrew Bayer – Serendipity

Armin van Buuren and Andrew Bayer collaborated on Serendipity, released through Armind as part of a two-track single with Need You By My Side. The release brings together two names with long histories in progressive trance, with Armin van Buuren continuing his A State of Trance run and Andrew Bayer adding the polished melodic detail he is known for through years of work with Anjunabeats. Serendipity also appears around the release window of A State of Trance 2026, giving the track a clear place within Armin van Buuren’s wider trance rollout this week.

Wax Motif – House of Wax II

Wax Motif releases House of Wax II, his sophomore album, with a tracklist that brings in Ty Dolla $ign, ZHU, Jozzy, Maeta, MC Lan, DJ Jazzy Jeff, Camden Cox, Sarah De Warren, 24hrs, Juos, GTA, and Colorsick. The album includes records such as You Forget, Bad & U Know It, Sync Button, Bota, Run It Up, What U Want, and Sun Goes Down, giving the project a wider collaborator list than his 2022 debut House of Wax. The release also arrives alongside the House of Wax II North American headline tour, which starts May 15 in Las Vegas and includes stops at EDC Las Vegas, Beyond Wonderland Chicago, Brooklyn, Toronto, Houston, Dallas, Orlando, and more. After building the first House of Wax past 33 million streams, Wax Motif uses the follow-up to connect his house production with hip-hop, R&B, Brazilian funk, and Latin influences through a full album format instead of a single-release run.

SkyDisc ft. RIENK – Coming Down

SkyDisc releases Coming Down with Dutch vocalist and producer RIENK on RIOT Records, with the track also set for the label’s Uprising: Vol. 10 compilation. The record was written in memory of SkyDisc’s duo partner, mentor, and best friend, who passed away in 2022, giving the release a personal story behind its drum & bass production. SkyDisc, a Bosnia-born, Texas-based producer and DJ, brings more than 14 years behind the decks and over six years in production, while RIENK adds the vocal side after releases and collaborations connected to Monstercat, UKF, Liquicity, and Deadbeats. With its emotional writing and bass-driven production, Coming Down gives this week’s list one of its most personal drum & bass releases.

VAVO & Thomas Edwards – Don’t Leave

VAVO follows his recent viral moment in Japan with Don’t Leave, a new single with Thomas Edwards released through KESS Records. The track arrives after VAVO’s Lose You Tonight with Dan Caplen built a fully organic TikTok dance trend in Japan, leading to thousands of creations, millions of views, and a climb to No. 51 on the Japan Top 200 Shazam chart. Don’t Leave continues the emotional direction VAVO has been bringing into his recent originals, with early teasers already getting a strong reaction online before release. For VAVO, the single gives that growing audience a direct follow-up while keeping the focus on vocal-led dance music with clear replay value.

ero808 & Coka Cobra – Don’t Look Down

ero808 and Coka Cobra make their Deadbeats debut with Don’t Look Down, a late-night release built around minimal percussion, hypnotic basslines, and chopped vocals. The collaboration pairs ero808’s house, bass, hip-hop, and Latin influences with Coka Cobra’s darker club production, giving the record a stripped-back feel that focuses on tension instead of obvious drop moments. For ero808, the single follows a catalog that has reached hundreds of millions of streams and includes collaborations with Kyle Watson, Solardo, Pitbull, AYYBO, and NXSTY. For Coka Cobra, it continues the path he has been building since signing with Tchami’s Confession in 2020, with past performances alongside Valentino Khan, Malaa, and Whipped Cream, plus festival appearances including Shambhala.

GROSSOMODDO & Montaigne – WAQI

GROSSOMODDO continue their run on HUGEL’s Make The Girls Dance Records with WAQI, a new release alongside Montaigne. The track follows the duo’s earlier activity on the label, including Andalucía with HUGEL and Hadid with HUGEL and Sphynx, keeping GROSSOMODDO closely tied to the Afro house output coming from Make The Girls Dance Records. Beatport lists WAQI (Extended Mix) under Afro House / Afro Latin, with a 123 BPM tempo and a May 8, 2026 release date, giving the record a clear placement within this week’s house releases. For GROSSOMODDO, the collaboration adds another label release to a catalog that has been growing through streaming traction, social media support, and repeated ties to HUGEL’s label.

Honorable mentions:

AFROJACK – Take Over Control (feat. Eva Simons) [Nitefreak Remix]
Agents Of Time, FORS – Oblivion
Arcando, Andromedik – Hold Me In Heaven
Autograf, SLVR, WYNNE – Nobody Knows
B Jones, MIDI Kittyy – Universe [Trust The Plan]
Chuckie, Juany Bravo, KYDUAN – DAMN GIRL
Claptone – Wanderer (Album)
Curbi – Shake That
Felicia – My System (Blasterjaxx Remix)
Ferreck Dawn – Say What You Mean
GATTÜSO, Grace Kinstler – OZONE
Gryffin, AVELLO, Sasha Alex Sloan – Without You
KAAZE & Roland Clark – WTF
Kaskade & Layton Giordani & Natalie Jane – Meet Again
KILIMANJARO, The Joy, Bloody Civilian – I Don’t Want To Go
Lee Foss, BUJA (BR), Franksy – Cult Of Bass
Mike Candys – Ay Papi
MOGUAI x Stupid Goldfish – Shimmy Shake
Monki – Drum Beats Go Like
Nico Morano, MeWhy – Onana
Phuture Noize – Recover Me
PNAU, EARTHGANG, sadMONTH – Nirvana
Prospa, Murda Beatz – Baby
Purple Disco Machine – Disco Cherry
R3HAB – More than enough…
Steve Aoki, Farruko & Greeicy – YAPAQUE
Sultan + Shepard, Shallou – Twilight
Tchami, Poobear – Cry For Me
Timmy Trumpet & Frank Walker ft. John Martin – All My Life
Tungevaag, Alida – Love Will Never Die
W&W, AXMO – Jump To The Stars
Zeds Dead, ARDN & Boi-1da – We Came To Bleed

Stream all the new music on Spotify and Audiomack to hear the full New EDM Friday May 1 playlist.
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