EDM Music
New EDM Friday: David Guetta, Dimitri Vegas, Marshmello, Timmy Trumpet & More!
Dennis Ferrero – Hey Hey (David Guetta presents: Jack Back Remix)
After being crowned as the #1 DJ in the world, David Guetta celebrated with an epic house set from his Ibiza villa that was opened with this remix. A luscious remix that encapsulated the vibe that comes from being on the party isle, this remix is another magnificent addition to the Jack Back catalog.
Dimitri Vegas x Chapter & Verse x Goodboys – Good For You
A trio of top talents combine on this fresh new single from the House of House label as Dimitri Vegas x Chapter & Verse x Goodboys all bring their class to ‘Good For You’. This single is a catchy and radio friendly house single with hooky melodies and feel good vocals. The grooves are smooth and the chords bring warmth and soul to what is sure to be a summer smash hit that will be heard all over the world.
Phatwell – Time You Got For Love
Opening up his catalog for 2024, Phatwell presents us with the emotional single ‘Time You Got For Love’. While the single brings that energetic mainstage sound that we’ve come to love from Phatwell, the meaning behind it is an emotional one for him. A single that is about his dear friend Kamal who sadly decided to end his own life, Phatwell brings out his sentimental side with lyrics that purvey exactly how he feels when he thinks about him. The uplifting melodies and high energy that this one possesses just adds more layers to the emotional and truly makes your hairs stand on your back stand up while listening.
Marc Benjamin & Rory Hope – One In A Million
Having last appeared on the Future House Music record label in 2023 with ‘Part Of Me’, Marc Benjamin is back and this time he links up with Rory Hope on ‘One In A Million’. This track is a super catchy one, with both artists bringing their infectious and addictive vibe, creating a memorable and dancey single in the process.
Marshmello & SVDDEN DEATH – Ceremony
Fresh from announcing their upcoming MELLODEATH tour which takes place in a couple weeks, Marshmello and SVDDEN DEATH present us with ‘Ceremony’. Their first collab since ‘Crusade’ in 2020, this single holds everything you’d expect from these mainstage monsters with thumping kicks, roaring synths, and powerful basses.
Honorable mentions:
Adam Beyer – Let’s Begin EP
ATB – Take A Moment
AXMO – Make it Boom!
Bleu Clair – Shake What Yo Mama
Cheyenne Giles – Let’s Rock
Chocolate Puma – Another Dimension
Ferry Corsten & Marsh – Fulfillment
Gabry Ponte – Crusade
Grooveyard – Mary Go Round (Firebeatz Remix)
Maddix ft. Leila K – Open Sesame (Abracadabra)
Mark Knight & Armand Van Helden – Don’t Abuse It
Markus Schulz – Forgotten Element
MORTEN – Control
TV Noise, Lalo Ebratt, Cobuz & Bustta – Toki
Two Friends & Subtronics – Big Booty Riddim
SICK INDIVIDUALS – Atmosphere
The Blessed Madonna, Clementine Douglas – Happier
ZERB & Sofiya Nzau – Mwaki (Timmy Trumpet Remix)
Stream all these tracks and more in our New EDM Friday playlist – follow here.
Afro House
Afro House and Afrobeats Unite as Lohrasp Kansara and DJ Power Breathe New Life Into Afro B’s Hit ‘Joanna’
Lohrasp Kansara “Joanna” Afro House remake lands on TH3RD BRAIN alongside Afro B and DJ Power.
There are records that simply update a song. Then there are records that fully reimagine one. Lohrasp Kansara’s new single “Joanna,” released May 29th on TH3RD BRAIN Records, belongs firmly in the second category. Built from the ground up alongside DJ Power and co-released with the original artist Afro B himself, this is not a remix of the 2018 Afrobeats global hit. Instead, it is a brand new production with a completely new identity. It is built for where Afro House and the dance floor are in 2026. For fans intrigued by the collaboration of Lohrasp Kansara, Joanna, and the surrounding contributors, this release is a must-hear.
The production centres on deep, groove-forward percussion, uplifting chord work, and a refined melodic structure.This structure takes Afro B’s beloved topline and repositions it at the crossroads of Afro House credibility and mainstream dancefloor appeal.
Breaking Down the Artist Behind the Record
To understand why this collaboration carries real weight, you need to understand where Lohrasp Kansara sits in 2026. The Swiss-born, New York-based DJ and producer has logged over 6,000 shows across 60+ countries. He has played five clubs currently ranked on the DJ Mag Top 100 and opened the year with his first headline at Marquee New York to a packed room. In addition, Pete Tong personally signed two of his singles to his imprint Places & Spaces, including “Sandstorm,” which Tong played from the Creamfields main stage. Black Coffee has ID’d eleven of his tracks across his official Spotify playlist.
“Sandstorm” peaked at number 3 and held a spot there for 209 days. His catalog has reached 175+ chart placements and 13M+ playlist reach. Moreover, it has received support from the likes of Calvin Harris, Martin Garrix, Tiësto, Dom Dolla, Adriatique, and Keinemusik, among many others. This broad global reach positions the Lohrasp Kansara and Joanna collaboration as a key moment for both artists. For fans following the rise of Lohrasp Kansara and Joanna, this collaboration marks an important milestone.
Beyond the touring and catalog, Lohrasp runs LOCO CARNAVAL, his weekly Sunday experiential party at Somewhere Nowhere NYC. He has hosted the likes of Shimza, Moojo, Awen, and Kintar there. This event is a platform that speaks to his curatorial vision as much as his artistry. It is a self-built room in one of the world’s most competitive music cities. Having a hand in unique experiences like LOCO CARNAVAL shows how Lohrasp Kansara’s creativity runs through everything he does. From Joanna to his collaborations with global artists like Afro B, his innovation is clear.
The Release and the Buzz So Far
Since its May 29th release, “Joanna” has already made early moves on Beatport. It landed on the Weekend Picks Melodic 2026: Week 22 at number 47, while currently sitting at number 67 on the overall Afro House chart. Additionally, it is at number 20 on Latest Releases: Afro House, with momentum still building. It has also picked up support from the respected editorial platform Madorasindahouse. This buzz surrounding Joanna and the rise of Lohrasp Kansara Joanna in the scene showcases a momentum that is only growing.
The live energy around the record has matched its momentum. Lohrasp ran the record across two nights at Somewhere Nowhere NYC. This included a Saturday night release party with Afro B performing live to a packed room. Furthermore, it was followed by a Sunday Cenote Project daytime rooftop session that carried the same energy across the weekend. Moreover, the excitement surrounding these events reflects Lohrasp Kansara and Joanna’s influence on fans and the Afro House community.
Why “Joanna” Matters Right Now
Lohrasp Kansara’s “Joanna” arrives at a moment when the line between Afrobeats and Afro House continues to blur. This trend is evident among both mainstream and underground audiences. What makes this release different is the full involvement of the original artist. That participation gives the track a level of cultural authenticity that a standard remix process could never achieve. It takes a song already embedded in the cultural memory of millions and gives it a new home on the dance floor. At the same time, it preserves the qualities that made the original resonate. For anyone tracking the continued rise of Afro House as a global genre, this release deserves close attention. Notably, the collaboration between Lohrasp Kansara and Joanna reinforces their influence on the direction of Afro House.
Where to listen and connect:

Website: Lohrasp Kansara
Instagram: @lohraspkansara
YouTube: @LOHRASPKANSARA
Spotify: Lohrasp Kansara
Soundcloud: LOHRASP KANSARA
EDM Music
B Jones Ignites Summer 2026 with a Festival-Ready Anthem: ‘You Get What You Give (Remix)’ Set to Dominate Worldwide
B Jones remixes You Get What You Give by Van Snyder, Serena Bleu and Alexander Popov into a high-voltage peak-time summer anthem built for festival stages.”
Some tracks land softly into the dance music landscape, others arrive like a tidal wave. ‘You Get What You Give (B Jones Remix)’ by Van Snyder, Serena Bleu, and Alexander Popov is firmly the latter, surging into summer with unstoppable momentum and all the markings of a future number one.
At the heart of this explosive release is B Jones, whose remix doesn’t just rework the original—it completely redefines it. Known for her electrifying presence behind the decks and her instinctive understanding of what moves a crowd, B Jones delivers a version that feels tailor-made for the biggest stages in the world. This is not just a remix; it’s a masterclass in energy control, tension, and release.
B Jones has spent years carving out her place in the global dance scene, and it shows in every second of this track. Her production style is sharp, confident, and unmistakably her own—blending driving basslines with euphoric builds that explode into peak-time perfection. There’s a fearlessness in her approach, a willingness to push boundaries while still delivering something instantly accessible. That balance is rare, and it’s exactly what makes her such a commanding force.
With “You Get What You Give,” she taps into something bigger than just a club hit. The remix amplifies the emotional core of Serena Bleu’s vocals while injecting a high-voltage pulse that keeps listeners locked from the first beat to the final drop. The result is a track that feels alive—dynamic, uplifting, and impossible to stand still to.
Van Snyder and Alexander Popov provide a strong foundation while B Jones’ vision propels this version into anthem territory. Every transition is intentional, every build meticulously crafted, and every drop hits with maximum impact. It’s the kind of production that doesn’t just fill a dancefloor—it ignites it.
As the summer unfolds, expect “You Get What You Give (B Jones Remix)” to dominate playlists, festival sets, and airwaves alike. And at the center of that rise is B Jones—an artist operating at full throttle, proving once again that she isn’t just part of the scene.
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