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R3HAB, Jonas Blue, Ava Max, And Kylie Cantrall Team Up For ‘Sad Boy’ As Next Single From R3HAB’s Forthcoming Studio Album!

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R3HAB, Jonas Blue, Ava Max, and Kylie Cantrall collide for the newest release – “Sad Boy,” a dance-pop crossover single that is both playful and uplifting. Opening with rhythmic instrumentals, the track evolves with undulating, dynamic basslines and euphonious melodies, perfectly showcasing R3HAB‘s and Jonas Blue‘s exceptional production skills. Global pop superstar Ava Max‘s bold, powerful voice adds a sultry and emotive touch to the lyrics, while the teenage lead star of Disney‘s “Gabby Duran & The Unsittables” Kylie Cantrall is the perfect complement in her post-Disney artist debut. “Sad Boy” follows the same sonic vein as R3HAB‘s recent “Runaway” with Sigala and JP Cooper as the second single on his upcoming studio album.

“This is one of those records where the pieces fell into place quickly. Ava and I connected when I remixed ‘EveryTime I Cry‘ a few months ago. I heard the idea for ‘Sad Boy‘ and knew I had to make the record. Her voice is powerful and bold and a pleasure to work with. I’m glad for the opportunity to create with Jonas, as we’ve only remixed each others’ work but haven’t collaborated. He brings an uplifting and fresh direction to every record. It’s been great working with Kylie as well, looking forward to seeing her artistic journey take off.” – R3HAB

“Collaborating with these amazing artists on ‘Sad Boy‘ has been a highlight of my year, I’ve been talking to R3HAB about doing something together for years, and after working with Ava last year on ‘My Head & My Heart,’ this was the perfect moment for us all to come together on a song. To have an exciting new talent like Kylie jumping on that second verse and killing it was the cherry on the cake.” – Jonas Blue

“Had a blast collaborating with R3HAB, Jonas Blue and Kylie on ‘Sad Boy‘. This song is all about having a crush on that dark, mysterious person people may not expect.” – Ava Max

“The first time I heard ‘Sad Boy‘ I thought I’d heard it before. It’s such a catchy song. There are so many contagious elements about it, the melody, that drop… Yeah, pretty much the whole thing! I couldn’t get it out of my head, I was singing it literally everywhere I went. So, when they asked me to jump on the song, I was like ‘What!?… Hell Yeah!’ I really feel super fortunate to get the chance to work with such insanely talented DJs/producers R3HAB and Jonas Blue, who are the best in the game! They could have stopped there, but once you add Ava Max on top of all that, I was literally at a loss for words. She’s such an incredible singer and performer, I feel honored to be on the song with her! The fact that I get to collaborate with these stars… needless to say, it definitely feels like a pinch-me moment.” – Kylie Cantrall

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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

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Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

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The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

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Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

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Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.

‘Off-Cuts (2014–2021)’ is out now on Plexus Records.

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