Afro House
SHAB and Preston Harris Join Forces for “It’s On You”
SHAB and Preston Harris release ‘It’s On You’ on February 27, an Afro House-influenced duet that brings the two vocalists together on a club-focused single.
SHAB and Preston Harris come together on “It’s On You”, an Afro House release scheduled for February 27th. The collaboration connects two artists with very different musical paths. Over the past year, SHAB has placed singles inside the U.S. Pop Radio Top 40 and the Billboard Dance charts, building a catalogue that moves between radio-facing pop and electronic production. Preston Harris, whose songwriting work includes credits on To Pimp a Butterfly with Kendrick Lamar, has also stepped into the dance space through a global Dance Radio No. 1 alongside HUGEL. On “It’s On You”, both artists share lead space, trading lines across a steady Afro House rhythm that keeps the focus on vocal interaction. The structure avoids over-layered production, keeping the exchange clear and direct. With its February 27th release date confirmed, the single adds another electronic entry to SHAB’s recent run while extending Preston Harris’ presence within club-focused releases.
A Closer Look at the Vocal Exchange and Rhythmic Structure in ‘It’s On You’
From its opening moments, “It’s On You” establishes its Afro House foundation through steady percussion and understated synth textures that stay present without overwhelming the mix. The introduction does not rush toward a drop or chorus; it settles into a consistent groove that allows space for the duet format to take shape. Preston Harris carries the first vocal passages with a smooth, controlled presence that aligns with the song’s flirt-driven narrative. The writing revolves around attraction, accountability, and tension, and the title phrase is woven into the hook in a way that feels embedded in the conversation rather than repeated for emphasis. The rhythmic base remains constant, giving the track its identity while keeping the focus on clarity and phrasing.
As SHAB’s vocals come in, the record gains a new layer of contrast between perspectives. Instead of stacking harmonies for impact, the structure unfolds line by line, with each artist responding directly to the other. That back-and-forth mirrors the push-and-pull theme at the centre of the track, reinforcing its emotional tension without relying on exaggerated production. The chorus holds both voices in balance, strengthening the melodic core while maintaining the steady percussion underneath. By keeping the arrangement disciplined and the synth textures in the background, “It’s On You” prioritises vocal interplay over spectacle, allowing the duet itself to carry the record’s impact ahead of its February 27th release.
Where ‘It’s On You’ Fits Within SHAB’s Ongoing Evolution
For SHAB, “It’s On You” does not feel detached from her recent run of releases. Over the past year, she has moved between pop-facing records and dance-driven singles with increasing consistency, placing tracks inside the U.S. Pop Radio Top 40 and the Billboard Dance charts. Collaborations such as “VooDoo” with Fat Joe expanded her presence within rhythmic formats, while releases like “Skin & Bones” strengthened her footing in dance spaces. This new Afro House entry continues that pattern of crossing formats without abandoning vocal identity.
What distinguishes this release is not a sudden shift in genre but the way it sharpens focus. The duet format places SHAB in direct dialogue, moving her away from production-heavy arrangements and toward a more exposed vocal exchange. That dynamic aligns with the emotional directness present throughout much of her catalogue, from the personal framing of “Infinite Love” to the symbolism embedded in “One Suitcase.” Her trajectory has never rested solely on chart metrics; it has also developed through narrative and self-direction, informed by her departure from Iran, her move to New York, and her decision to leave law school in pursuit of music. Within that broader arc, “It’s On You” continues that self-directed path, situating her voice inside an Afro House structure while maintaining the lyrical tension and clarity that remain consistent across her work.
Stream this single below and on all other platforms here.
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Afro House
Afro House and Afrobeats Unite as Lohrasp Kansara and DJ Power Breathe New Life Into Afro B’s Hit ‘Joanna’
Lohrasp Kansara “Joanna” Afro House remake lands on TH3RD BRAIN alongside Afro B and DJ Power.
There are records that simply update a song. Then there are records that fully reimagine one. Lohrasp Kansara’s new single “Joanna,” released May 29th on TH3RD BRAIN Records, belongs firmly in the second category. Built from the ground up alongside DJ Power and co-released with the original artist Afro B himself, this is not a remix of the 2018 Afrobeats global hit. Instead, it is a brand new production with a completely new identity. It is built for where Afro House and the dance floor are in 2026. For fans intrigued by the collaboration of Lohrasp Kansara, Joanna, and the surrounding contributors, this release is a must-hear.
The production centres on deep, groove-forward percussion, uplifting chord work, and a refined melodic structure.This structure takes Afro B’s beloved topline and repositions it at the crossroads of Afro House credibility and mainstream dancefloor appeal.
Breaking Down the Artist Behind the Record
To understand why this collaboration carries real weight, you need to understand where Lohrasp Kansara sits in 2026. The Swiss-born, New York-based DJ and producer has logged over 6,000 shows across 60+ countries. He has played five clubs currently ranked on the DJ Mag Top 100 and opened the year with his first headline at Marquee New York to a packed room. In addition, Pete Tong personally signed two of his singles to his imprint Places & Spaces, including “Sandstorm,” which Tong played from the Creamfields main stage. Black Coffee has ID’d eleven of his tracks across his official Spotify playlist.
“Sandstorm” peaked at number 3 and held a spot there for 209 days. His catalog has reached 175+ chart placements and 13M+ playlist reach. Moreover, it has received support from the likes of Calvin Harris, Martin Garrix, Tiësto, Dom Dolla, Adriatique, and Keinemusik, among many others. This broad global reach positions the Lohrasp Kansara and Joanna collaboration as a key moment for both artists. For fans following the rise of Lohrasp Kansara and Joanna, this collaboration marks an important milestone.
Beyond the touring and catalog, Lohrasp runs LOCO CARNAVAL, his weekly Sunday experiential party at Somewhere Nowhere NYC. He has hosted the likes of Shimza, Moojo, Awen, and Kintar there. This event is a platform that speaks to his curatorial vision as much as his artistry. It is a self-built room in one of the world’s most competitive music cities. Having a hand in unique experiences like LOCO CARNAVAL shows how Lohrasp Kansara’s creativity runs through everything he does. From Joanna to his collaborations with global artists like Afro B, his innovation is clear.
The Release and the Buzz So Far
Since its May 29th release, “Joanna” has already made early moves on Beatport. It landed on the Weekend Picks Melodic 2026: Week 22 at number 47, while currently sitting at number 67 on the overall Afro House chart. Additionally, it is at number 20 on Latest Releases: Afro House, with momentum still building. It has also picked up support from the respected editorial platform Madorasindahouse. This buzz surrounding Joanna and the rise of Lohrasp Kansara Joanna in the scene showcases a momentum that is only growing.
The live energy around the record has matched its momentum. Lohrasp ran the record across two nights at Somewhere Nowhere NYC. This included a Saturday night release party with Afro B performing live to a packed room. Furthermore, it was followed by a Sunday Cenote Project daytime rooftop session that carried the same energy across the weekend. Moreover, the excitement surrounding these events reflects Lohrasp Kansara and Joanna’s influence on fans and the Afro House community.
Why “Joanna” Matters Right Now
Lohrasp Kansara’s “Joanna” arrives at a moment when the line between Afrobeats and Afro House continues to blur. This trend is evident among both mainstream and underground audiences. What makes this release different is the full involvement of the original artist. That participation gives the track a level of cultural authenticity that a standard remix process could never achieve. It takes a song already embedded in the cultural memory of millions and gives it a new home on the dance floor. At the same time, it preserves the qualities that made the original resonate. For anyone tracking the continued rise of Afro House as a global genre, this release deserves close attention. Notably, the collaboration between Lohrasp Kansara and Joanna reinforces their influence on the direction of Afro House.
Where to listen and connect:
Website: Lohrasp Kansara
Instagram: @lohraspkansara
YouTube: @LOHRASPKANSARA
Spotify: Lohrasp Kansara
Soundcloud: LOHRASP KANSARA
Coming off the back of their sensational collaboration ‘Umada’, Great Adamz and Manuel Riva are back with another outstanding single, ‘Shake.’
As summer starts to emerge Adamz and Riva have delivered a track that epitomises the sunny days to come. ‘Shake’ oozes the euphoric feeling of being on the beach, soaking up the rays, and enjoying life. The combination of Adamz’s mastery of Afrohouse with Riva’s deep house spark makes for an infectious track that puts a smile on your face and makes you want to go out into the world. The driving force behind ‘Shake’ is of course the percussion which is layered beautifully. While the main beat cuts down the middle of the mix, certain elements are more stereo and echoed which adds some nice texture to the percussion. ‘Shake’ delivers on all the key elements you want from an afrohouse hit with a powerful, catchy bassline and an intoxicating rhythm. Adamz’s vocals are excellently delivered and slot into the track perfectly adding to the warm, romantic tone of ‘Shake.’
Adamz and Riva’s chemistry in the studio comes as no surprise following their effortless gelling on ‘Umada’ which earnt them the #1 spot on Music Week’s Black Music Chart. Adamz had also reached the #1 spot previously with the fantastic ‘Jeje.’ His success has been ever building with 4 #1 singles on iTunes Nigeria, his international festival debut at Latitude Festival, and he was in the MOBO Unsung Class of 2022. Riva has also had a great deal of success over his career with multiple appearances in the Billboard Dance Club Chart Top 20. His music has earnt him millions of streams and an official festival anthem as ‘Miami’ was the official anthem of Neversea Festival.
This pairing of artists was always bound to make something special and ‘Shake’ lives up to the anticipation following on from ‘Umada.’ With excellent production, and the warmth of June, Adamz and Riva have given us a sure-fire summer hit.
You can follow Great Adamz on their socials below:
STBAN and Billy Ronca release ‘Yamekite’ via FLAMENCA Records / Toolroom Records, a rolling Latin electronica track built for Ibiza terraces and club dancefloors.
Fresh from the success of his Javi Torres and Alba Dreid collab ‘Habibi’, FLAMENCA Records boss STBAN continues to build the hype with latest single ‘Yamekite’, out today via distributor Toolroom Records.
This time out, the label head shares the stage with reggaeton and Latin rap star Billy Ronca. Born in Brazil, raised across Europe and now based in the heart of Puerto Rico working with reggaeton icons Baby Rasta y Gringo, Ronca has steadily built his reputation as a singer and writer to watch out for. Teaming up with STBAN in the studio, the result is another hit in the growing FLAMENCA catalogue.
“This song is about self-love and awareness,” Ronca explained. “Sometimes we’re the ones who put people on pedestals they never deserved, and when that happens, it’s up to us to bring them back down. It’s a reminder to protect your energy, choose good vibes, and not waste time on people or situations that don’t add value to your life. Life is short, everything is temporary, and we shouldn’t get stuck in negativity.
“The line “era pa’ siempre que me tuviste” reflects a contradiction that tells a deeper story — two people living the same relationship with completely different intentions. For one, it felt like forever; for the other, it was just a moment.
“Even though the lyrics are simple, the message goes deeper: it’s about self-respect, emotional clarity, and knowing when to let go.”
Ronca’s sun drenched vocals and fluid rap are a perfect foil for STBAN’s steadily building production. Gentle guitars strum across rolling percussion, Latin brass shimmering and sizzling in the background as STBAN gradually turns the energy up. It’s a gorgeous slice of hot Latin electronica perfectly timed for the opening of the European summer season.
“We’ve just been in Ibiza and the reaction to the track was amazing,” the FLAMENCA Records label boss said. “It’s the perfect track to get the terrace session going or dial the heat up on the club dance floor. Another great addition to our FLAMENCA Records discography.”
STBAN & Billy Ronca ‘Yamekite’ is released May 8th on FLAMENCA Records via Toolroom Records.
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