EDM news
ASPEN Links With Dawty And Preston Harris On Bleed
ASPEN links with Dawty and Preston Harris on Bleed, a new Maison Sonics release featuring Emmy Adelle
ASPEN links with Dawty and Preston Harris on Bleed, a new Maison Sonics single featuring Emmy Adelle. Released on May 22, 2026, the track places ASPEN’s Miami-based electronic direction alongside a vocal-led format that sits close to Afro House and melodic dance music. With Emmy Adelle leading the topline, Bleed keeps the focus on the song itself first, using its rhythm and melody to support the vocal instead of turning the release into a drawn-out instrumental cut. The single also continues ASPEN’s connection with Maison Sonics, where the collaboration with Dawty and Preston Harris gives the release a stronger label context while keeping ASPEN’s sound at the front.
The Sound And Collaboration Behind Bleed
Bleed brings ASPEN, Dawty, and Preston Harris together on a new Maison Sonics single featuring Emmy Adelle, released on May 22, 2026. The release is listed as a one-song electronic single on Apple Music, while Beatport lists the original mix at 120 BPM, in G minor, with a runtime of 2:53. Those details place Bleed in a tight single format, with the track moving quickly through its vocal hook and dance structure instead of stretching into a longer club version. Emmy Adelle’s topline gives the song its main identity, while the production keeps the focus on a steady rhythm and melodic progression that fits the Afro House and vocal dance space around ASPEN’s current sound.
The wider context around Bleed gives the collaboration more weight beyond the release title alone. ASPEN is currently positioned as a Miami-based producer connected to Afro House, deep rhythms, and melodic electronic music, while Dawty and Preston Harris are also listed through the Maison Sonics artist roster. Shazam credits Dawty, Emmy Adelle, and Aspen Gitter in the production credits, with Preston Harris, Aspen Gitter, Emilai Adelle Garcia, Katherine Pudish, and Warren Ely Zavala included in the composition credits. That credit split helps explain why Bleed reads as a full collaboration between the artists involved, with Maison Sonics giving the release a label setting that connects naturally to ASPEN, Dawty, and Preston Harris.
Where Bleed Fits In ASPEN’s Artist Direction
ASPEN’s current profile places him between Afro House, deep electronic rhythms, and melodic dance music, with his Miami base giving that sound a strong club connection without making Bleed feel limited to one scene. The single works because it does not try to overstate that direction. It keeps the structure direct, the vocal easy to follow, and the production close enough to dance music for the rhythm to remain central. That makes Bleed a more accessible entry point for listeners discovering ASPEN, especially compared with a longer club mix or a release built only around instrumental progression.
The stronger part of Bleed is how it shows ASPEN’s sound through placement and detail, not through a long artist description. The 120 BPM tempo, G minor key, and 2:53 runtime give the track a concise frame, while Emmy Adelle’s vocal keeps the emotional side of the record tied to an actual hook. Within that format, Dawty and Preston Harris help connect the release back to Maison Sonics, but the track still works as a continuation of ASPEN’s own direction: melodic, rhythm-based, and vocal-aware without turning too pop or too minimal. For ASPEN, Bleed adds a release that can speak to listeners coming from Afro House, melodic house, or vocal electronic music, which makes it a practical next step in how his sound is being introduced beyond his existing club background.
Listen To Bleed From ASPEN, Dawty, Preston Harris, And Emmy Adelle
With Bleed now out through Maison Sonics, ASPEN adds a new release to his growing catalog alongside Dawty, Preston Harris, and Emmy Adelle. The single keeps the writing easy to follow, with Emmy Adelle’s vocal leading the hook while the production stays close to Afro House and melodic dance music. It gives listeners a direct way into ASPEN’s current sound, especially for those coming from vocal electronic music, deeper rhythms, and releases connected to the Maison Sonics catalog.
For ASPEN, Bleed also works as a practical next step after the artist profile he has been building around Miami, international club experience, and melodic electronic production. The release does not need to be over-described to make its point: it is a concise vocal dance single with a clear label connection, a visible set of collaborators, and enough Afro House influence to match the direction already linked to his name. Bleed is available now through Maison Sonics.
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‘Like a G6’ Hits 1 Billion Spotify Streams
‘Like a G6’ hits 1 billion Spotify streams as KSHMR, Far East Movement and Dev celebrate the milestone
Released in 2010, ‘Like a G6’ became a huge global hit for Far East Movement, The Cataracs and Dev. The track reached No. 1 on the Billboard Hot 100 and spent three non-consecutive weeks at the top. Sixteen years later, it has now passed 1 billion streams on Spotify, with KSHMR marking the milestone on Instagram with the message “We made it to 1B.”

KSHMR’s Connection To ‘Like A G6’
When ‘Like a G6’ was released in 2010, KSHMR was still producing as Niles Hollowell-Dhar, one half of The Cataracs alongside David Singer-Vine. The duo produced the record for Far East Movement, while Dev provided the vocal that became one of its most recognisable elements.
Her part originated from ‘Booty Bounce’, which The Cataracs had produced with her earlier that year. They later used part of that vocal in ‘Like a G6’, helping create the version that went on to become a worldwide hit. The record gave Niles Hollowell-Dhar one of his biggest commercial successes years before he launched KSHMR.
His reaction to the Spotify milestone now brings that earlier part of his career back into focus. Long before the KSHMR project began, ‘Like a G6’ had already connected his production work to one of the biggest crossover records of the early 2010s.
‘Like A G6’ Became A Global No. 1
Following its release, ‘Like a G6’ climbed to No. 1 on the Billboard Hot 100 and held the position for three non-consecutive weeks. The achievement also made Far East Movement the first Asian American group to top the chart.
The track came at a time when electronic production, hip-hop and pop were increasingly crossing into the mainstream. Its success introduced Far East Movement, The Cataracs and Dev to a much wider audience, while also giving each artist one of the biggest records of their careers.
That success led into very different paths afterward. Far East Movement continued releasing internationally, Dev developed her solo career, and Niles Hollowell-Dhar later left The Cataracs before launching KSHMR.
More than 16 years after its original release, ‘Like a G6’ has now passed 1 billion Spotify streams. The milestone adds another major achievement to the track’s history while bringing one of KSHMR’s earliest major records back into focus.
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EDM Artist News
Mau P Launches Baddest Behavior Records
Mau P launches Baddest Behavior Records as his event brand expands into a new label for emerging dance music artists
Mau P has grown to become one of the most prominent names arcorss the electronic dance music scene. His rise has included major releases, international shows and his own Baddest Behavior event series. First introduced as a way for him to curate lineups and host events under his own banner, Baddest Behavior soon became part of his touring calendar. Mau P is now taking the name into recorded music with Baddest Behavior Records, his first record label. The imprint gives artists and music he already supports a direct route to release.
Why Mau P Launched Baddest Behavior Records
As more unreleased music began reaching Mau P from producers, starting a label became something he began considering publicly. He has spoken about wanting to give other artists the type of opportunities that helped him earlier in his career. That became especially relevant when he heard records he believed deserved wider support.
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That intention was central to the announcement. Mau P described Baddest Behavior Records as being “for the culture, for the scene.” He also directed followers to the label’s new private Instagram account through his Stories. The page began accepting followers as part of the rollout. The first artists and releases have not yet been announced, so the label’s musical direction will become clearer once its catalogue begins.
Baddest Behavior Was Already Growing Beyond Individual Shows
By the time Mau P announced the record label, Baddest Behavior already had several years of events behind it. He has hosted editions in New York, Miami, Denver and Los Angeles. A residency at Pacha Ibiza also gave the series a regular presence on the island.
Those events have allowed Mau P to choose the artists playing alongside him and place the music he supports within his own lineups. Plans for Baddest Behavior to cover more than live events appeared well before the label announcement.
In 2024, Mau P B.V. filed a trademark application covering record label services, music publishing, recording, live events and DJ services. The filing showed that recorded music already formed part of the wider plans for Baddest Behavior.
Since breaking through with ‘Drugs From Amsterdam’ in 2022, Mau P has released through Repopulate Mars, Defected, Diynamic and Insomniac Records. He has also regularly supported IDs and unreleased tracks throughout his sets. Baddest Behavior Records now gives some of that music the possibility of becoming official releases with Mau P directly supporting them, while the first records will begin to show which artists and sounds he wants the label to represent.
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EDM Music
New EDM Friday Oct 9: David Guetta, Armin van Buuren & More
New EDM Friday Oct 9 brings new music from Marlon Hoffstadt, David Guetta, Armin van Buuren, Funk Tribu, Chase & Status, Dillon Francis, and more.
New EDM Friday Oct 9 brings together new singles, album releases, collaborations, and remixes covering techno, trance, bass music, drum and bass, house, and electronic dance. From Marlon Hoffstadt and David Guetta with Caught Up to Armin van Buuren and Funk Tribu with Nirvana, WÓTIE with Never Let You Go, SKILAH with GOMF BUT LOUDER, Chase & Status with Generic Everything, Dillon Francis and Oaks with Fall, and Effin with Heartbeats, these are the tracks you should not miss on this week’s New EDM Friday.
Marlon Hoffstadt & David Guetta – Caught Up
Marlon Hoffstadt and David Guetta link up on Caught Up, a new collaboration through Capitol Records. Marlon Hoffstadt said he grew up listening to David Guetta and called the collaboration “absolutely mental.” He also said they made the track earlier this year, just before Ultra Miami. Meanwhile, the single connects Marlon Hoffstadt’s trance-heavy style with David Guetta’s global dance reach. With Caught Up, the pair bring one of the week’s biggest collaborations into New EDM Friday Oct 9.
Armin van Buuren & Funk Tribu – Nirvana
Armin van Buuren and Funk Tribu team up on Nirvana, a new Armada Music single. The track connects Armin van Buuren’s trance roots with Funk Tribu’s faster club style. It also follows Armin van Buuren’s recent A State of Trance Ibiza 2026 mix album. For Funk Tribu, Nirvana places him beside one of trance music’s most established names. With Nirvana, both artists bring a direct trance entry into New EDM Friday Oct 9.
WÓTIE – Never Let You Go
WÓTIE turns a deeply personal story into Never Let You Go, a melodic dance and progressive house single. The song reflects his years-long separation from his daughter and the hope he held onto through that period. He wrote it in 2019 during a difficult time in Brazil, with lyrics drawn from loss, distance, and love. Musically, the track pairs warm male vocals, emotional piano, organic elements, and a euphoric drop. With Never Let You Go, WÓTIE brings one of the week’s most personal tracks into New EDM Friday Oct 9.
SKILAH – GOMF BUT LOUDER
SKILAH returns with GOMF BUT LOUDER, a tech house rework of her September single GOMF. The new version takes the original into faster and harder territory, with dark production, heavy bass, and her own vocals still at the center. It follows major festival appearances at Lost Lands, Coachella, EDC Las Vegas, Breakaway Music Festival, Foam Wonderland, and Ubbi Dubbi. At 23, the Minnesota-born, Los Angeles-based artist has also passed 3 million followers across TikTok, Instagram, and Snapchat. With GOMF BUT LOUDER, SKILAH brings a harder tech house cut into New EDM Friday Oct 9.
Chase & Status – Generic Everything (album)
Chase & Status release Generic Everything, a 10-track album through 2RUFF Records and Warner Music UK. The album pushes against algorithm-led creative sameness, while drawing from drum and bass, rave, rap, and soundsystem culture. It features J Hus, Little Simz, Skrillex, Giggs, D Double E, Blanco, IRAH, Col3trane, and more. One of its biggest moments is Essa Ta Quente, a Brazilian funk-leaning track with Skrillex. With Generic Everything, Chase & Status bring a full album into New EDM Friday Oct 9.
Dillon Francis, Oaks – Fall
Dillon Francis and Oaks release Fall, a melodic single out via Monstercat and Broke Records. The track centers on an expressive vocal topline, soaring melodies, and the feeling of finally letting go. Dillon Francis said the song was written for their significant others and came from a studio session where everyone was writing from the same place. It follows a major 2026 for Dillon Francis, including Stagecoach, the Impact Award at the EDM Awards, and the Dillstradamus co-headline tour with Flosstradamus. With Fall, Dillon Francis and Oaks add a more emotional dance release to New EDM Friday Oct 9.
Effin – Heartbeats (Album)
Effin presents Heartbeats, a 12-track album centered on love, memory, nostalgia, and detailed sampling. Across the project, the Nashville producer uses 1950s film dialogue, forgotten live recordings, jazz flutes, vocal manipulation, and vintage-inspired textures. The album follows his earlier singles What’s In Your Heart, Forever & Always, and Plus One, each giving a different part of the project’s emotional world. It also follows his biggest touring year so far, with appearances at Bonnaroo, Electric Forest, Lost Lands, Breakaway, VELD, and more. With Heartbeats, Effin brings a conceptual bass album into New EDM Friday Oct 9.
Honorable Mentions:
22Bullets – My Motto
999999999, LYNSY – TRIP ON ACID
Aluna & Jengi – Moaning
Andrew Rayel & Daijo – On Fire
Angerfist, The Obsessed – Five Day Bender
Bhaskar, Mojjo – Keep You Warm
Coone – Soldier
Dave Clarke – Wisdom To The Wise (Joris Voorn Remix)
DJ Isaac – My House
DJ Kuba & Neitan – Tokyo Drift
DJ Sammy, C-Ro, Don Bnnr – Love Me Again
EDX feat. Orem – Echoes
Eli Brown & Dimension – Frequency
Ferreck Dawn – Need
Ferry Corsten & Eddo Brandwijk – Oh How I Miss You
Genesi, Djammin & Flowdan – Red Button
Hel:sløwed, Nina De Koning – Give It To Me
Innellea – Reckless 69
ISOxo – Hardcore Diva (Album)
Joey London Style, Pheelo – Never Stop
Justė, Jaxstyle, Jon – Turn The Lights Off (Piano & Strings)
KAAZE – Feel The Beat
Katy B, Jax Jones – Last Day of Summer (Kilimanjaro Remix)
Kevin de Vries, Juan Elvadin – Feel Me
Kyle Walker, Benni Ola, Nate Katz – 10%
Linska – Movement (EP)
Marten Horger – Unf*ck Your Mind
Mind Against, Tharat, Shel·ly – Sorry Mom
Noizu – Hot Girls Party For Free
Ran-D & Brennan Heart Ft. Floor Jansen – Heart Of A Dragon
Rebuke – Mind Games
Route 94 – 4Get The Girl (GUDFELLA & Jackie Hollander Remix)
Sam Divine – Paradise
SMACK – Back Once Again
Watermat, James Mac – Rhyme Design
Stream all the new music on Spotify and Audiomack to hear the full New EDM Friday playlist.
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