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TATE SEDAR Talks About His New EP, Staying Inspired, Storytelling In Music & More

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TATE SEDAR is no stranger to reinvention, but with his debut EP ‘THIS IS POST-EDM’, the San Francisco native brings it all full circle. A year after announcing his rebrand into the genre he coined “post-EDM,” TATE SEDAR delivers a body of work that not only traces his artistic evolution, but also pushes the boundaries of what electronic music can sound and feel like. With over half a million streams, a string of high-profile shows—including direct support for R3HAB at Avalon Hollywood—and a reawakened connection to his hometown through a headlining return at DNA Lounge, 2024 marked a pivotal chapter. Now, as the EP closes with the long-awaited release of ‘Dream’ featuring Otto Palmborg, TATE SEDAR sits down with EDMHouseNetwork to reflect on the tracks that tested him, the genres that still call to him, and what it really means to make music in a post-EDM world.

If you had to pick one track from the EP that stretched you the most as an artist, which one would it be and why?

    Hey, EDM House Network. Great to be back after a couple of years! I was originally going to say “Our Goodbye,” because it went through two versions and it is one of the oldest tracks BUT I’d probably have to go with “Coming Home (I.M.U).” It stretched me because I had to incorporate my post-EDM sound in a way that the track didn’t just play as a typical progressive house track. It also took a year to find the right vocal, cost a good amount of time in the studio managing the low end, and was a learning experience in collaborating with people.

    You’ve drawn from everything, Motown, rock, progressive house. Is there a sound or genre you haven’t tapped into yet but really want to experiment with?

      I’ve sort of dug into bass house already with my remix of “Acrobatic” by SIDEPIECE on SoundCloud, but would like to do that more. I want to combine more harmonic and melodic elements into it, especially from the “color” genres of color bass or color house. I also am always intrigued by hyperpop and trying to invest that into productions as well.

      “Coming Home (I.M.U)” was born in a hectic period of shows and touring. Do you find that live performances fuel your creativity, or do you need quiet studio time to really lock in?

        I’d say, for me now, shows 7 times out of 10 show the results of your productions and how people respond to them – rather than bringing about any production-based inspiration. It’s rare shows ever inspire production. However, I think playing OTHER people’s music and seeing how people respond to it is, on a side note, one of the unique values in the craft of DJing – but also a way to see what makes people move and feel in the market as it comes time to return to the studio for the ideation process.

        I think the traditional album cycle of record companies exists for a reason, not just for there to be time to create – but to also tour, promote music and let that music marinade with audiences. A show every once and a while does get my spirits up, motivates me and most importantly – allows me to connect with people and fans. However, I do think some organized and isolated studio time is key…at least for me.

        You put out 13 releases in a single year. How do you stay inspired and avoid creative burnout?

          I avoid writer’s block in a way that some people would consider to be both advantageous and crippling, and that is: if I’m not inspired, I go back to something unfinished or old. Iit is both a realistic and still productive approach on how to maximize creativity without losing an artistic spark. We’re not going to magically be inspired every second of the day – we need life to kick in and let it (inspiration) happen. But I think when things aren’t flowing, go back to something old. Now, there is going way too deep and working on so many aged projects that sound nostalgic, may not resonate with audiences, etc. That is counterproductive both to time management and creativity – the act of always making something fresh or new. When I’m not inspired, I just work on a couple of contemporary projects or older ones that are strong ideas. This allows me to maintain productivity AND can also help source new inspiration, as working on dated projects can bring up new ideas. 

          Your remix of “Hero” had a clear social message. Do you think electronic music has enough space for storytelling with real meaning?

            The answer is yes. I think that there is a huge gap or void of storytelling in the larger genres of electronic and dance music. And when you think of the histories & origins of the two forms of music and how they can resonate with the world we currently live in – culturally, socially and politically – there is so much that can be done.

            You’ve been featured on some of the biggest dance music platforms. Was there a moment that made you step back and realize, “Okay, this is real now”?

              I think the moment things started to kick in was when I got my first track “Heaven” on radio on My95.9 in Hawaii. It really felt, like, an organic audition moment for the world to hear me; it was always a personal dream for me to be on there and I thought it was gonna happen even later. So to have that was a groundbreaking moment. And what made it special was a friend from elementary school living in Oahu got to video-record and share that moment with me. An honorable mention also is getting broadcasted globally on the Discovery Project channel of the EDC Virtual Rave-a-thon in 2020.

              A year from now, what’s the dream? Whether it’s a new sound, a festival stage, or something completely unexpected. What’s next?

                A dream of mine – and I know this sounds a little more practical – is to cultivate an audience that would allow me to connect with fans outside of California. I have played outside of the state and internationally, but I want to learn how to better navigate the industry and forge my career in a way that I can connect more with people outside of social media into the real world and create moments & experiences for them – which would then allow me to take everything else to the next level.

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                Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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                Laidback Luke Remixes A.S.H.A.’s ‘JJ Tribute’

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                Laidback Luke wearing a denim jacket with arms crossed against a red and teal abstract background

                Laidback Luke has released his new take on A.S.H.A.’s ‘JJ Tribute’ via Fankee, following a chart-topping 2K26 remix pack.

                Global dance music heavyweight Laidback Luke has just released his new take on A.S.H.A.‘s ‘JJ Tribute’ via Fankee, the revolutionary community-driven imprint redefining the relationship between artists and their audiences.

                “JJ Tribute” has just achieved a major double No. 1 on the Music Week Upfront Club Chart and Commercial Pop Chart with the 2K26 Remix pack, further underlining the enduring impact of the iconic tune and its continued relevance across today’s dance music landscape.

                Originally released in 1990 on Beat Club Records, A.S.H.A.’s “JJ Tribute” was created by three young Italian producers, aged just 18-20, in their Milan-based recording studio. The tune quickly gained massive popularity in the UK, becoming a club staple and an iconic anthem of the rave movement. In 1995, a series of remixes released through Ffrreedom, a subsidiary of FFRR Records, pushed the tune to No. 38 on the Official UK Singles Chart, further cementing its place in dance music history. Over the years, “JJ Tribute” has received unwavering support from top international DJs and remains one of the defining tunes of ’90s rave culture, with DJ Mag ranking it No. 48 in “The Hot 100, The Best Club Tunes Ever!”

                Now, more than three decades after its original release, Laidback Luke brings his own contemporary vision to the iconic record. Known for his instinctive approach to house and electronic music, technical precision and ability to connect generations of dance music, Laidback Luke is a natural fit for a tune with such deep roots in club culture. The Dutch DJ and producer has been a major force in electronic music for more than two decades, performing at some of the world’s biggest clubs and festivals while building an influential catalogue of original productions and remixes.

                Throughout his career, Laidback Luke has collaborated with and remixed some of the biggest names in music, including Daft Punk, Madonna, Rihanna, Kanye West, Jay-Z, Pharrell, Maroon 5, Tiësto, Depeche Mode, Moby and Calvin Harris. He has also played an important role in supporting and mentoring the next generation of electronic artists, while establishing himself as an influential educator and advocate for DJ and production culture. His new interpretation of “JJ Tribute” pays homage to the spirit and energy of the original while bringing it firmly into the modern dancefloor.

                The release arrives via Fankee, a new kind of music imprint built around a simple idea: fans should have a meaningful role in the music they believe in. In an industry increasingly shaped by algorithms, fleeting virality and platform gatekeepers, Fankee flips the traditional label model by turning audiences from passive consumers into active participants. Fans discover artists early, promote releases, activate their networks and contribute directly to an artist’s growth. Meaningful contributions are tracked and translated into reputation and co-ownership, creating a model where participation is earned rather than bought, and where fandom can evolve into influence and influence into ownership.

                “JJ Tribute” is a natural fit for this philosophy: a record born from the underground, spread organically through club culture and championed by DJs and fans is now entering a new chapter through an imprint built around community. With Laidback Luke bringing a fresh perspective to A.S.H.A.’s enduring rave classic, “JJ Tribute” connects the pioneering Italian producers who created it, the ’90s rave generation that turned it into an anthem, and a new era of music fans who are helping shape what comes next.

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                Dizzee Rascal Releases Ninth Studio Album ‘We Want Bass’

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                Dizzee Rascal standing on a road at night carrying a large cross-shaped speaker sculpture over his shoulder

                Dizzee Rascal has released his ninth studio album, ”We Want Bass’, a 15-track project spanning House, R&B, Rap, Dubstep and Bassline.

                Dizzee Rascal has released his ninth studio album, ‘We Want Bass’. A 15-track project that spans House, RnB, Rap, Dubstep, Speed Garage and Bassline, and it is exactly what the title promises, a celebration of all things bass, built around purpose-driven dancefloor tracks that pay homage to the UK’s underground scene while putting Dizzee‘s lyricism front and centre.

                The Album

                ‘We Want Bass’ opens with ‘Foxtrot Oscar’, which sets the tone immediately, pairing Dizzee‘s quickfire one-liners with a high-tempo bassline beat that makes it clear what the next 14 tracks are going to feel like. From there the album moves through 15 tracks that weave together the full range of bass-driven sounds Dizzee has always drawn from, tying them into one cohesive project that feels focused rather than scattered.

                Among the highlights are the two singles released ahead of the album. ‘C U Dance’ was the first taste of the project, followed by ‘All Night’, which dropped on June 17 to coincide with England’s opening match of the FIFA World Cup. Dizzee marked the release with a live performance at Boxpark Wembley, bringing his energy to one of the summer’s biggest sporting moments. Both tracks tap into the pulse of contemporary club culture while keeping the lyrical sharpness and charisma that have defined his career across more than two decades.

                The Full Tracklist

                1. Foxtrot Oscar
                2. VIP
                3. Hit The Spot
                4. So Hot
                5. On Rpt
                6. C U Dance
                7. Don’t Say A Word
                8. Muy Bien
                9. All Night
                10. What U Need
                11. The Baddest
                12. Oh Why
                13. Look Twice
                14. Riding Round Slow
                15. Tell Me Why

                What’s Next

                The album follows a prolific run of collaborations with some of the biggest names in drum and bass and bassline, including Bou, Bad Boy Chiller Crew, and Denon Reed, partnerships that underline both his versatility and his continued pull across the UK scene. With festival appearances at Y Not Festival, Boardmasters, and Victorious Festival already behind him this summer, Dizzee will now take We Want Bass around the world with headline tours across the UK, Europe, Australia, and New Zealand.

                Follow Dizzee Rascal: IG | TikTok | YouTube | Spotify

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                GIXBLEX and Jack Smash Unite on ‘Turn The Lights Off’ via Magic Music

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                GIXBLEX and Jack Smash have unveiled their brand new collaboration “Turn The Lights Off,” out now through Magic Music.

                GIXBLEX and Jack Smash have unveiled their brand new collaboration ‘Turn The Lights Off’, out now through Magic Music. The track brings two producers with a shared passion for high-energy electronic music together for a release that leans into the darker, more aggressive side of the current Hypertechno movement.

                Built around the idea of maximum energy, ‘Turn The Lights Off’ draws from the high intensity of Techno and Hard Dance while pushing into the harder territory that has come to define modern Hypertechno. The title captures that atmosphere well too, as there’s something instinctive about the moment the lights go down and the music takes over completely, and that is exactly the feeling GIXBLEX and Jack Smash are going for here.

                For GIXBLEX, the release marks another step forward in his progression as a producer and another moment in building his identity within the harder dance space. Magic Music‘s international reach and electronic-focused catalog gives the track a solid platform to find its audience beyond their existing fanbase.

                ‘Turn The Lights Off’ is available to stream below.

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