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The Best DJ B2B Sets In 2025

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Martin Garrix and Marshmello performing a B2B set at the Red Rocks Amphitheatre in 2025, with a digital building backdrop on the LED screens.

A breakdown of the most notable DJ back2back sets across festivals and clubs in 2025.

DJ B2B sets appeared across the electronic music circuit throughout 2025, with high-profile collaborations involving Martin Garrix, Marshmello, Anyma, Solomun, DJ Snake, Skrillex, ISOxo, Zedd, Knock2, R3HAB, KSHMR, Oliver Heldens, Armin van Buuren, and Maddix. These back-to-back and B3B sets took place at major events including Ultra Music Festival Miami, Electric Forest, Escape Psycho Circus, Niteharts Festival, and ADE, alongside club and destination appearances at UNVRS Ibiza and open-air locations across Europe. Across festivals, clubs, and special venues, the best DJ B2B sets across 2025 were tied to specific lineups and locations, bringing together artists from different touring circuits and genres within the same performance setting.

Anyma B2B Solomun

Anyma B2B Solomun appeared multiple times across 2025, with confirmed sets at Ultra Music Festival Miami and Tomorrowland, placing the pairing on two of the year’s most visible festival stages. The collaboration reflected a clear overlap between Anyma’s recent melodic techno output and Solomun’s long-standing Diynamic catalog, with selections closely aligned to records both artists regularly feature in their solo sets. Outside of festivals, their connection was visible through shared appearances at industry events and after-parties, including a widely circulated sighting at a private afters in Los Angeles, indicating an ongoing professional relationship rather than a single booking. That continuity extended into the studio with the release of “Till I Die” on Diynamic, linking their 2025 B2B performances directly to a broader creative collaboration.

Crankdat B2B Levity B2B Tape B

Crankdat B2B Levity B2B Tape B took place at Electric Forest 2025, held in Rothbury, Michigan from June 19–22. The B3B set became one of the weekend’s most circulated performances after full recordings began appearing online shortly after the festival. While the Electric Forest appearance came first, the connection between Crankdat and Levity continued later in the year with the release of “Let’s Get It Started (Levity x Crankdat Remix)” in October 2025, adding further context to their shared presence at the festival. Tape B’s involvement completed the three-artist format, tying the set closely to the bass-focused side of Electric Forest’s lineup.

DJ Snake B2B Marshmello

DJ Snake B2B Marshmello took place at Escape Psycho Circus 2025, held at the NOS Events Center in San Bernardino across the Halloween weekend. The pairing brought together two artists whose solo careers rarely intersect live, despite both operating at the top end of global festival circuits. DJ Snake’s catalog of bass-heavy and internationally influenced records sat alongside Marshmello’s widely recognized crossover material, resulting in a set built around familiar releases rather than unreleased experiments. The Escape appearance stood as one of the more unexpected collaborations on the 2025 festival calendar, driven by name recognition rather than an ongoing joint project.

HΛLØ (DubVision B2B Third Party B2B Matisse & Sadko)

HΛLØ, the collaborative project between DubVision, Third Party, and Matisse & Sadko, was officially introduced during Amsterdam Dance Event 2025, marking the first time the trio presented their long-running joint appearances under a formal name. Throughout 2025, the three artists had already performed together in multiple B3B configurations at international festivals, with recordings from those sets circulating widely online before the project name was announced. The ADE appearance clarified HΛLØ as a dedicated collaboration rather than an occasional shared set, bringing together three acts closely associated with modern progressive house through years of releases, remixes, and shared stages. The project later confirmed a large-scale live show at Ziggo Dome in Amsterdam in 2026, establishing HΛLØ as an ongoing collaboration beyond its 2025 festival run.

ISOxo B2B Skrillex

ISOxo B2B Skrillex took place at Niteharts Festival 2025 in San Diego, bringing together two artists with an established musical connection rather than a one-off pairing. The set featured recognizable material from Skrillex’s recent catalog, including tracks such as “Fine Day Anthem” and “Push,” alongside selections closely associated with ISOxo’s live performances, including records from his kidsgonemad! era like “dontstopme!” and “inhuman.” A key point of overlap between the two artists is “fuzE,” a shared Skrillex and ISOxo release, which provided a clear link between their catalogs and helped anchor the B2B around music already familiar to fans of both names.

KI/KI B2B Marlon Hoffstadt

KI/KI B2B Marlon Hoffstadt took place on the beach in Belgium during 2025. KI/KI is known for DJ sets built around acid techno, trance, and early rave records, and has become closely associated with European club circuits through regular appearances at events such as Intercell and similar platforms. Marlon Hoffstadt, often referred to as DJ Daddy Trance, is widely recognized for tracks including “It’s That Time” and “Call Me,” and for DJ sets that focus heavily on modern trance and club records rather than crossover material. The beach appearance brought both artists together in a setting that matched the type of music they regularly play, without shifting away from their established sound.

KSHMR B2B R3HAB

KSHMR B2B R3HAB took place at Escape Psycho Circus 2025 in San Bernardino, California. The pairing followed an existing studio connection between the two artists through the track “Karate,” which had already circulated widely across festival sets before the live appearance. At Escape, KSHMR leaned into records associated with his melodic and big-room catalog, while R3HAB contributed selections tied to his club-focused and crossover releases that regularly appear in his solo shows. The set stayed within the musical lanes both artists are known for, presenting a shared performance built around established material rather than new collaborative releases.

Martin Garrix B2B Marshmello

Martin Garrix B2B Marshmello took place at Red Rocks Amphitheatre in 2025, marking a rare shared DJ set between two artists who usually appear separately on lineups. The Red Rocks show stood out due to the venue itself, which is more commonly associated with solo headline performances than collaborative formats. During the set, both artists played material closely associated with their individual catalogs, keeping the focus on recognizable releases rather than debuting new joint material. The appearance remained a standalone B2B rather than part of a wider run of shared performances.

Oliver Heldens B3B Armin van Buuren B3B Maddix

Oliver Heldens B3B Armin van Buuren B3B Maddix took place at Ultra Music Festival Miami 2025. Oliver Heldens played records tied to his Heldeep output, including material in the lane of tracks such as “Gecko (Overdrive)” and “Koala,” which have remained staples in his festival sets. Armin van Buuren brought selections consistent with his ASOT catalog, referencing the trance side of his live shows through tracks and edits similar to those featured in recent A State of Trance broadcasts. Maddix contributed records aligned with his recent releases on Revealed and Extatic, including material connected to tracks like “Heute Nacht” and “My Gasoline,” which have appeared regularly in his 2024–2025 performances.

Zedd B2B Knock2

Zedd B2B Knock2 took place at Niteharts Festival 2025, bringing together two artists from clearly different points in the electronic music timeline. Zedd’s contribution reflected a catalog built through globally recognized releases such as “Clarity,” “Spectrum,” and “Stay,” alongside instrumental records that have remained part of his DJ sets for years. Knock2 entered the set following a rapid rise through club and festival circuits, driven by tracks including “dashstar,” “murda,”* and “gettin’ hott,” which have circulated heavily in recent live sets across North America. The Niteharts appearance placed both artists in the same performance without shifting away from the music each is already known for, making the B2B notable for contrast in catalog rather than shared release history.

Axwell B2B Steve Angello B2B Sebastian Ingrosso

Axwell B2B Steve Angello B2B Sebastian Ingrosso took place at Tomorrowland 2025, reuniting the three Swedish House Mafia members in a rare B3B DJ format rather than a branded group performance. Framed explicitly as a back-to-back-to-back set, the appearance emphasized live DJing and individual track selection, blending solo material from Axwell, Steve Angello, and Sebastian Ingrosso alongside familiar Swedish House Mafia records and edits. Positioned on the Crystal Garden, the set stood out as a legacy-driven, one-off booking rooted in history and recognition rather than new releases or an ongoing run of B3B performances.

Looking Back at DJ B2B Sets in 2025

Across 2025, DJ B2B and B3B sets became a regular feature across major festivals and destination events, with notable appearances from Anyma B2B Solomun, ISOxo B2B Skrillex, DJ Snake B2B Marshmello, KSHMR B2B R3HAB, KI/KI B2B Marlon Hoffstadt, Zedd B2B Knock2, and the progressive-focused HΛLØ project featuring DubVision, Third Party, and Matisse & Sadko. These pairings appeared at events such as Ultra Music Festival Miami, Electric Forest, Escape Psycho Circus, Niteharts Festival, and Amsterdam Dance Event, showing how B2Bs are now planned parts of lineups rather than rare surprises. The format reached a clear peak of attention with the world debut of Hardwell B2B W&W at Neon Countdown, reinforcing how anticipated certain pairings have become when tied to major moments. With 2026 approaching, attention is already shifting toward which collaborations could realistically follow, as fans continue to watch for studio-linked pairings and long-discussed connections finally reaching the stage.

 

With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

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Daijo Brings Emotion and Energy to Melodic Techno’s Next Wave

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Canadian-Persian producer Daijo sitting on a wooden stool, wearing a black leather jacket and sunglasses, representing his sophisticated melodic techno style.

Canadian-Persian producer Daijo is quickly becoming one of the most exciting names in melodic techno right now, thanks to a sound that feels emotional, powerful, and built for real moments on the dance floor.

Now based in Vancouver, Daijo’s story is as global as his music. Born to an Iranian refugee mother and raised in Hamburg, Germany, he brings a unique perspective to everything he creates. His tracks blend melodic techno and house with deep feeling, mixing big atmospheres with driving rhythms that grab your attention instantly. There’s always a story in music, and that’s what makes his sound stand out.

Daijo has also built a strong reputation as a live performer, selling out headline shows across North America and bringing the same energy to both intimate clubs and festival stages. His sets are smooth, emotional, and full of purpose, making it easy to get completely lost in the journey he creates.

On the release side, Daijo has landed music on some of the scene’s most respected labels, proving he’s not only part of the global electronic movement, but helping shape where it goes next, all while staying true to his own identity and style. With more music on the way and a full album in his sights, it’s clear Daijo is just getting started.

One of his biggest recent moments came with ‘Goodbye’, released on Hardwell’s Revealed Recordings, a track that shows a more personal side of his artistry.

“Goodbye is a story about love and loss, about that moment you realize that letting go is the only way forward,” Daijo explains. “Anyone who’s ever cared deeply for someone will feel that.”

With its emotional melodies and rich production, ‘Goodbye’ hits hard while still keeping that uplifting, melodic energy Daijo is known for, a perfect example of why his name is rising so fast.

Connect with Daijo:

Instagram | Facebook | X | SoundCloud | Spotify

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Starlight PR Strengthens Its Role as a Development Partner for Independent Artists Navigating a Crowded Market

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The independent music sector continues to experience unprecedented growth, with thousands of new releases entering DSPs daily. But as access expands, competition intensifies, making structure, strategy, and professional visibility essential for artists hoping to rise above the digital noise. 

Starlight PR, a long-standing player in independent artist development, has increasingly become a go-to partner for emerging acts in hip-hop, R&B, and pop who need more than just distribution they need direction. 

“Our role isn’t to inflate numbers,” a company representative tells Billboard. “It’s to help artists build momentum rooted in real interest and real story.” Starlight’s model blends targeted media outreach, narrative framing, and coordinated rollout planning. The firm’s longstanding editorial relationships also help open doors that most independent artists struggle to access: credible coverage in outlets capable of driving both discovery and perception.

Several recent campaigns have demonstrated the firm’s effectiveness. Artists with local or regional followings were able to transition into national visibility following structured press arcs, while others benefited from story-driven positioning that helped translate their message beyond social media. 

With DSP editorial teams increasingly selective and social algorithms less predictable than ever, structured press has regained its value as a core growth driver. For independent artists trying to navigate that environment without label support, firms like Starlight PR offer something few others do: a professional development framework that is both strategic and sustainable. 

As the independent market continues maturing, companies that combine industry insight with editorial discipline are poised to play a larger role. Starlight PR appears to be doing exactly that, and the rising demand for structured artist development suggests their impact is only beginning.

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EDC Thailand 2026: The Artists Making Their Thailand Debut

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A closer look at all of the artists playing in Thailand for the very first time at EDC Thailand 2026.

With EDC Thailand 2026 taking place on January 16–18 at Rhythm Park, Phuket, this year’s lineup includes a group of artists who will be playing in Thailand for the first time. The list brings together names from different parts of electronic music, from bass-focused sets to melodic and harder club sounds, and includes artists that have been part of international festival and club lineups for years but have not appeared in Thailand until now. GRiZ, Loud Luxury, BUNT., Cassian with a sunset set, KI/KI, NOVAH, Mathame with a sunset set, Suae, YDG, Vertile, and VTSS are all scheduled to make their Thailand debut at EDC Thailand 2026, creating a rare chance for people in Thailand to see these acts live locally for the first time instead of only through recordings, livestreams, or overseas events.

GRiZ

GRiZ is the stage name of American producer and performer Grant Kwiecinski. He is known for bringing live saxophone into electronic sets and for releases that sit between funk influences and bass-forward festival production. His albums include End of the World Party (2011), Rebel Era (2013), Good Will Prevail (2016), Ride Waves (2019), and Face the Music (2021). Key tracks that defined his catalog include “Good Times Roll,” “Another World,” “Vibe Check,” “Burn Up The Floor,” and “Other Side of Jupiter.”

GRiZ became a fixture in the North American festival world across the 2010s, with regular appearances at major events such as Electric Forest, Lollapalooza, Shambhala Music Festival, Hangout Music Festival, and Counterpoint. He also created Grizfest, a multi-city festival event in the United States that connects electronic music with funk and hip-hop bookings, and he has built a touring identity around performance elements rather than studio-only DJ presentations. That combination is why his live show is often treated as its own booking category inside large festival lineups.

Loud Luxury

Loud Luxury is a Canadian house duo made up of Andrew Fedyk and Joe De Pace. They broke through globally with “Body” in 2017, which became a major radio and club record and charted on the Billboard Hot 100. Their catalog leans toward melodic, vocal-forward house and crossover dance releases, with tracks such as “Love No More,” “Aftertaste,” “Like Gold,” “Cold Feet,” and “Young & Foolish” forming their best-known run of releases after the breakout.

Their festival footprint has been built around mainstream EDM programming, including appearances at EDC Las Vegas, Ultra Music Festival, Tomorrowland, Coachella, and Lollapalooza. They also have a long touring history in North America and Europe tied to both club bookings and large outdoor festival stages, which is where their higher-profile singles translate best in set form. For Thailand, this booking matters because it brings a duo with established international festival rotation into a market where they have not previously appeared live.

BUNT.

BUNT. is a German electronic project led by producer Levi Wijk. The project is known for melodic house and crossover dance releases built around pop structure, vocal hooks, and festival-friendly arrangements. Tracks that are most commonly associated with BUNT.’s catalog include “Clouds,” “Young Hearts,” “Unbreakable,” “Take Me Home,” and “Nights Like That,” which established the project’s lane between club releases and broader streaming-friendly dance music.

BUNT. has developed a touring profile through European festival and club infrastructure, with documented appearances at festivals such as Parookaville and Lollapalooza Berlin, alongside international dance events including EDC Las Vegas and Ultra Europe. The project’s momentum has also been tied to consistent touring rather than one-off viral moments, which is why it shows up repeatedly across multi-city lineups. In the context of EDC Thailand, BUNT. is positioned as a melodic, crossover booking rather than a genre-niche act, which broadens the range of the debut list beyond bass, techno, and hard dance.

Cassian (Sunset Set)

Cassian is an Australian producer associated with melodic techno and progressive electronic music. He is widely recognized for his work with Anyma and RÜFÜS DU SOL, including contributions and collaborations tied to tracks such as “The Sign,” “Together,” “On My Knees,” and “Alive.” His solo releases, including “Landa,” “Magenta,” and “Running,” sit in the same melodic lane and have supported his presence on international lineups that prioritize longer, building sets.

His booking profile is closely linked to the Afterlife ecosystem, which has become one of the most visible touring brands in melodic techno over the last few years. Cassian has appeared at major global events including Tomorrowland, Coachella, and Burning Man, and at Afterlife shows in destinations such as Ibiza and Tulum. A sunset set billing fits how his music is typically programmed, since the sound is designed for longer transitions and atmosphere rather than short peak-time punch-ins.

KI/KI

KI/KI is a DJ and producer originally from the Netherlands and now based in Berlin. She is known for trance-influenced techno and acid-leaning rave music, with a modern approach that references classic trance structure and faster club tempos. She gained broad attention through a 2021 Boiler Room set and followed it with releases including “Blue Steel,” “5 Mins of Acid,” “Feelin’,” and “Leave It To The Future,” which helped define her sound in recorded form beyond live sets.

Her touring and bookings have been anchored in Europe’s major techno and festival circuit, including appearances at Dekmantel, Awakenings, Time Warp, and Creamfields, plus high-profile club bookings that place her within the main European touring lane. Her rise has been tied to both platform visibility (recorded sets) and repeat bookings at major events, which is why she is now a recognizable name beyond niche trance spaces. For EDC Thailand, she is one of the clearest “new-to-Thailand” names for fans of faster techno and trance-adjacent programming.

NOVAH

NOVAH is a Belgian DJ and producer associated with hard techno and faster rave-oriented club music. Her catalog includes tracks such as “Rave From The Grave,” “No Control,” “Aggression,” and “Valkyrie,” and she has appeared on labels tied to modern hard techno movement in Europe. The sound is characterized by higher BPM ranges and a club-focused approach that aligns with the current European hard techno wave.

She has performed at major European-facing events including Tomorrowland, Awakenings, Extrema Outdoor, Time Warp, and I Love Techno, building visibility through both festival and club infrastructure in Belgium and neighboring markets. NOVAH’s rise has also been connected to the broader interest in harder techno programming across large mainstream festivals, not only underground bookings. For Thailand, her presence is notable because it brings a harder European techno booking into a lineup where Thai ravers have mostly experienced her sets through recorded platforms and international clips.

Suae

Suae is a harder-styles DJ and producer whose public artist identity is directly positioned around hardstyle and high-tempo hard dance. He has branded himself as part of the harder-styles lane rather than mainstream EDM, and his catalog is built around hardstyle sets, edits, and mixes shared through his official channels. That positioning matters because it places him closer to hard dance programming rather than techno or bass stages.

In terms of footprint, Suae’s visibility is strongest through online performance content and harder-styles community channels rather than a long list of globally indexed festival credits. What can be stated safely and clearly is that he is a hardstyle-focused act, and his inclusion at EDC Thailand supports the festival’s harder styles representation alongside other hard dance names on the lineup. For your debut article, the clean angle is the genre: he represents the hardstyle side of the debut list, not the melodic or bass side.

YDG

YDG is a South Korean DJ and producer associated with bass, trap, and club-focused electronic music. He has built recognition through releases and remixes, including tracks such as “Diamond,” “Go Dumb (YDG Remix),” and “2 Step,” and through consistent release activity that connects him to modern bass-oriented festival programming. His recorded output is oriented toward high-impact drops and set-friendly structures that translate clearly into festival performances.

He has appeared at major events in East Asia such as Ultra Korea and has been part of EDC-branded lineups in the region, including EDC China, which places him within a recognizable international touring pathway for Asian electronic artists. His profile is also supported by platform distribution through established dance music networks, which is how many Thai fans will already know his sound before seeing him live. In Thailand, this booking broadens the debut list into bass and trap territory rather than only techno and hard dance.

Vertile

Vertile is a Dutch hardstyle producer, DJ, and vocalist known for combining hardstyle production with live vocal performance. He became widely recognized in the hard dance world through releases such as “Change This Place,” “Together We Grow,” and “Complex Aftermath,” and through collaborations that placed him alongside top-tier hardstyle names such as Headhunterz. His music is structured around dramatic builds, vocal hooks, and high-tempo hardstyle climaxes.

He has played at major hard dance festivals including Defqon.1, Qlimax, and Decibel Outdoor, which are core reference points for modern hardstyle touring credibility. Vertile’s presence is especially significant because he is not only a producer but also a live vocal identity within hardstyle, which is still a rarer format compared with standard DJ sets in the genre. For EDC Thailand, he anchors the debut list on the European hardstyle side, bringing a name that is firmly tied to the Netherlands hard dance ecosystem.

VTSS

VTSS is a Polish DJ and producer known for fast, modern techno programming and rave-oriented sets. She built international visibility through widely circulated platform sets and a touring profile that connects her to contemporary European techno, including releases associated with labels such as Intrepid Skin and Steel City Dance Discs. Her output and DJ identity are tied to higher BPM ranges and techno programming that often crosses into trance, electro, or hard-edged club music depending on the set context.

She has played major festivals including Dekmantel, Awakenings, Primavera Sound, and Sonar, along with a wide range of European club bookings that have reinforced her as a high-demand touring DJ. VTSS is also a name that many people first encountered through recorded sets and clips before seeing her on festival posters, which is common for modern techno artists. For Thailand, her booking gives the debut list a major European techno representative with a clear global touring resume.

With EDC Thailand 2026 just days away, this is our short list of artists making their Thailand debut this year, from GRiZ and Loud Luxury to KI/KI, NOVAH, Suae, Vertile, and VTSS. It is a lineup that brings together first-time appearances across house, melodic techno, bass, hard techno, and hardstyle in one place over the January 16–18 weekend at Rhythm Park, Phuket. If you are going to EDC Thailand this year, which of these debut sets are you most looking forward to seeing?

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