Editorial
The Best DJ B2B Sets In 2025
A breakdown of the most notable DJ back2back sets across festivals and clubs in 2025.
DJ B2B sets appeared across the electronic music circuit throughout 2025, with high-profile collaborations involving Martin Garrix, Marshmello, Anyma, Solomun, DJ Snake, Skrillex, ISOxo, Zedd, Knock2, R3HAB, KSHMR, Oliver Heldens, Armin van Buuren, and Maddix. These back-to-back and B3B sets took place at major events including Ultra Music Festival Miami, Electric Forest, Escape Psycho Circus, Niteharts Festival, and ADE, alongside club and destination appearances at UNVRS Ibiza and open-air locations across Europe. Across festivals, clubs, and special venues, the best DJ B2B sets across 2025 were tied to specific lineups and locations, bringing together artists from different touring circuits and genres within the same performance setting.
Anyma B2B Solomun
Anyma B2B Solomun appeared multiple times across 2025, with confirmed sets at Ultra Music Festival Miami and Tomorrowland, placing the pairing on two of the year’s most visible festival stages. The collaboration reflected a clear overlap between Anyma’s recent melodic techno output and Solomun’s long-standing Diynamic catalog, with selections closely aligned to records both artists regularly feature in their solo sets. Outside of festivals, their connection was visible through shared appearances at industry events and after-parties, including a widely circulated sighting at a private afters in Los Angeles, indicating an ongoing professional relationship rather than a single booking. That continuity extended into the studio with the release of “Till I Die” on Diynamic, linking their 2025 B2B performances directly to a broader creative collaboration.
Crankdat B2B Levity B2B Tape B
Crankdat B2B Levity B2B Tape B took place at Electric Forest 2025, held in Rothbury, Michigan from June 19–22. The B3B set became one of the weekend’s most circulated performances after full recordings began appearing online shortly after the festival. While the Electric Forest appearance came first, the connection between Crankdat and Levity continued later in the year with the release of “Let’s Get It Started (Levity x Crankdat Remix)” in October 2025, adding further context to their shared presence at the festival. Tape B’s involvement completed the three-artist format, tying the set closely to the bass-focused side of Electric Forest’s lineup.
DJ Snake B2B Marshmello
DJ Snake B2B Marshmello took place at Escape Psycho Circus 2025, held at the NOS Events Center in San Bernardino across the Halloween weekend. The pairing brought together two artists whose solo careers rarely intersect live, despite both operating at the top end of global festival circuits. DJ Snake’s catalog of bass-heavy and internationally influenced records sat alongside Marshmello’s widely recognized crossover material, resulting in a set built around familiar releases rather than unreleased experiments. The Escape appearance stood as one of the more unexpected collaborations on the 2025 festival calendar, driven by name recognition rather than an ongoing joint project.
HΛLØ (DubVision B2B Third Party B2B Matisse & Sadko)
HΛLØ, the collaborative project between DubVision, Third Party, and Matisse & Sadko, was officially introduced during Amsterdam Dance Event 2025, marking the first time the trio presented their long-running joint appearances under a formal name. Throughout 2025, the three artists had already performed together in multiple B3B configurations at international festivals, with recordings from those sets circulating widely online before the project name was announced. The ADE appearance clarified HΛLØ as a dedicated collaboration rather than an occasional shared set, bringing together three acts closely associated with modern progressive house through years of releases, remixes, and shared stages. The project later confirmed a large-scale live show at Ziggo Dome in Amsterdam in 2026, establishing HΛLØ as an ongoing collaboration beyond its 2025 festival run.
ISOxo B2B Skrillex
ISOxo B2B Skrillex took place at Niteharts Festival 2025 in San Diego, bringing together two artists with an established musical connection rather than a one-off pairing. The set featured recognizable material from Skrillex’s recent catalog, including tracks such as “Fine Day Anthem” and “Push,” alongside selections closely associated with ISOxo’s live performances, including records from his kidsgonemad! era like “dontstopme!” and “inhuman.” A key point of overlap between the two artists is “fuzE,” a shared Skrillex and ISOxo release, which provided a clear link between their catalogs and helped anchor the B2B around music already familiar to fans of both names.
KI/KI B2B Marlon Hoffstadt
KI/KI B2B Marlon Hoffstadt took place on the beach in Belgium during 2025. KI/KI is known for DJ sets built around acid techno, trance, and early rave records, and has become closely associated with European club circuits through regular appearances at events such as Intercell and similar platforms. Marlon Hoffstadt, often referred to as DJ Daddy Trance, is widely recognized for tracks including “It’s That Time” and “Call Me,” and for DJ sets that focus heavily on modern trance and club records rather than crossover material. The beach appearance brought both artists together in a setting that matched the type of music they regularly play, without shifting away from their established sound.
KSHMR B2B R3HAB
KSHMR B2B R3HAB took place at Escape Psycho Circus 2025 in San Bernardino, California. The pairing followed an existing studio connection between the two artists through the track “Karate,” which had already circulated widely across festival sets before the live appearance. At Escape, KSHMR leaned into records associated with his melodic and big-room catalog, while R3HAB contributed selections tied to his club-focused and crossover releases that regularly appear in his solo shows. The set stayed within the musical lanes both artists are known for, presenting a shared performance built around established material rather than new collaborative releases.
Martin Garrix B2B Marshmello
Martin Garrix B2B Marshmello took place at Red Rocks Amphitheatre in 2025, marking a rare shared DJ set between two artists who usually appear separately on lineups. The Red Rocks show stood out due to the venue itself, which is more commonly associated with solo headline performances than collaborative formats. During the set, both artists played material closely associated with their individual catalogs, keeping the focus on recognizable releases rather than debuting new joint material. The appearance remained a standalone B2B rather than part of a wider run of shared performances.
Oliver Heldens B3B Armin van Buuren B3B Maddix
Oliver Heldens B3B Armin van Buuren B3B Maddix took place at Ultra Music Festival Miami 2025. Oliver Heldens played records tied to his Heldeep output, including material in the lane of tracks such as “Gecko (Overdrive)” and “Koala,” which have remained staples in his festival sets. Armin van Buuren brought selections consistent with his ASOT catalog, referencing the trance side of his live shows through tracks and edits similar to those featured in recent A State of Trance broadcasts. Maddix contributed records aligned with his recent releases on Revealed and Extatic, including material connected to tracks like “Heute Nacht” and “My Gasoline,” which have appeared regularly in his 2024–2025 performances.
Zedd B2B Knock2
Zedd B2B Knock2 took place at Niteharts Festival 2025, bringing together two artists from clearly different points in the electronic music timeline. Zedd’s contribution reflected a catalog built through globally recognized releases such as “Clarity,” “Spectrum,” and “Stay,” alongside instrumental records that have remained part of his DJ sets for years. Knock2 entered the set following a rapid rise through club and festival circuits, driven by tracks including “dashstar,” “murda,”* and “gettin’ hott,” which have circulated heavily in recent live sets across North America. The Niteharts appearance placed both artists in the same performance without shifting away from the music each is already known for, making the B2B notable for contrast in catalog rather than shared release history.
Axwell B2B Steve Angello B2B Sebastian Ingrosso
Looking Back at DJ B2B Sets in 2025
Across 2025, DJ B2B and B3B sets became a regular feature across major festivals and destination events, with notable appearances from Anyma B2B Solomun, ISOxo B2B Skrillex, DJ Snake B2B Marshmello, KSHMR B2B R3HAB, KI/KI B2B Marlon Hoffstadt, Zedd B2B Knock2, and the progressive-focused HΛLØ project featuring DubVision, Third Party, and Matisse & Sadko. These pairings appeared at events such as Ultra Music Festival Miami, Electric Forest, Escape Psycho Circus, Niteharts Festival, and Amsterdam Dance Event, showing how B2Bs are now planned parts of lineups rather than rare surprises. The format reached a clear peak of attention with the world debut of Hardwell B2B W&W at Neon Countdown, reinforcing how anticipated certain pairings have become when tied to major moments. With 2026 approaching, attention is already shifting toward which collaborations could realistically follow, as fans continue to watch for studio-linked pairings and long-discussed connections finally reaching the stage.
Subscribe to our Newsletter
Editorial
The Science Behind Why Dancing to EDM Can Feel Therapeutic
Subscribe to our Newsletter
Editorial
How The Music Industry Is Responding To The Rise Of AI
How streaming platforms, charts and music companies are responding to AI-generated music and introducing new protections for human artists
Artificial Intelligence has become an increasingly difficult subject for the music industry to ignore. AI-generated music, cloned voices and synthetic artist identities are becoming more common across streaming services and digital platforms. The industry once discussed AI mostly in terms of creative possibilities, but it now raises much bigger questions around ownership, transparency, royalties and the protection of human artists. No single industry-wide standard currently decides how platforms should treat AI-generated music.
That gap has left individual platforms and organisations to introduce their own responses. Apple Music, Spotify, Deezer, YouTube, ARIA, Billboard and Bandcamp have each taken different approaches to AI disclosure, recommendation systems, chart eligibility, artist impersonation and fraudulent streaming. These measures show how the music industry is beginning to establish clearer rules around AI, while also addressing what its rapid use could mean for the artists whose music, voices and identities sit at the centre of it.
Why AI-Generated Music Has Become an Industry-Wide Issue
AI-generated music has raised serious concerns across the electronic music industry, with producers increasingly questioning how tracks get created, credited and presented to listeners. Much of the criticism centers on platforms like Suno and Udio, particularly when tracks are released without clear disclosure or created using material connected to existing artists.
For producers who have spent years writing, producing and developing their own sound, this raises a bigger question: what happens when AI-generated releases compete for the same listeners, streams and opportunities while requiring far less human involvement in the creative process?
That question has become harder to ignore as more electronic music producers speak openly about what they are seeing. H4RRIS and Nihil Young have both called out tracks they believe were generated through Suno and presented as human-made releases, with Young also discussing how generative AI is affecting his work as a producer and engineer.
View this post on Instagram
Gareth Emery has raised a related concern, criticizing the use of existing music as training data and questioning whether artists have enough control over how their work is used to generate new tracks, vocals or artist identities. His decision to launch a label focused specifically on human-created music reflects how some producers are beginning to respond directly to that issue.
The Debate Extends Beyond the Music Itself
What makes the conversation more complicated is that the same technology is also being used in ways that go beyond the music itself. deadmau5 criticized a DJ earlier this year for using an AI-generated version of his likeness to promote music without permission, bringing artist identity and consent into the same discussion around AI-generated releases.
View this post on Instagram
Diplo, meanwhile, has taken a different approach altogether, speaking openly about using AI-generated vocals in his own productions. That contrast, between artists pushing back on unauthorized use and artists actively embracing the tools, shows that electronic music does not share one position on how AI should be used, and it sets up a broader question about where the industry goes from here.
How Different Platforms Are Responding to AI-Generated Music
As AI-generated music becomes more common across streaming and digital platforms, companies are starting to make clearer decisions around transparency, discovery, artist identity and fraudulent activity. These responses are not identical, but they show how platforms are beginning to set their own rules around what listeners should be told, how artists should be protected and how AI-generated releases should be treated once they enter the wider music ecosystem.
1. Apple Music
Before a release even reaches listeners, Apple Music is already changing how that music gets documented. Labels and distributors can now disclose when AI has generated a material portion of a recording, composition, artwork or music video, adding that information directly to the metadata supplied with the release. This gives rights holders a clearer way to document significant AI involvement from the start.
2. Spotify
For Spotify, the questions extend well beyond disclosure once music reaches the platform. AI Persona badges are being rolled out to identify profiles representing AI-generated identities, and those profiles are generally kept out of editorial and algorithmic recommendations. The platform has also strengthened protections around unauthorized voice cloning and music being falsely uploaded to existing artist profiles.
3. Deezer
As the issue shifts from transparency to how fully AI-generated music is distributed and monetized, Deezer has taken a stricter stance. The platform labels those tracks and removes them from editorial playlists and recommendation systems, while excluding fraudulent streams linked to AI-generated music from royalty calculations. The scale of the issue is significant too: Deezer reported that fully AI-generated tracks accounted for more than half of daily uploads at their June 2026 peak.
4. Bandcamp
Rather than working within a disclosure framework, Bandcamp has drawn a much firmer line than most platforms. It does not allow music generated wholly or substantially by AI and also prohibits AI being used to impersonate another artist or imitate their style. Its policy stands apart from the disclosure-focused approaches used elsewhere, since certain forms of AI-generated music are not permitted on the platform at all.
5. YouTube
When an artist’s image or identity gets reproduced without permission, the debate moves beyond the music itself entirely. YouTube has expanded likeness detection tools that allow eligible artists and entertainers to identify AI-generated videos using their face and request removal. This gives creators another layer of protection as generative AI becomes increasingly capable of copying the people behind the music as well as the music itself.
What Comes Next for AI and the Music Industry
The differences between Apple Music, Spotify, Deezer, Bandcamp and YouTube suggest the industry is still some way from a shared standard, with each platform setting its own rules around disclosure, discovery and artist protection in the meantime. That patchwork is likely to keep shifting as AI tools grow more capable and more artists, labels and listeners push for clearer answers.
Disclosure, consent, royalties and identity remain the core pressure points, and none of them are likely to be resolved by any single platform acting alone. As more of the industry weighs in, the direction these policies take could determine how much control artists retain over their music, their voices and their likenesses in an increasingly AI-driven landscape.
Subscribe to our Newsletter
Editorial
UNTOLD ONE 2026: Our Top 5 Acts From an Unforgettable Weekend
UNTOLD ONE 2026 welcomed more than 500,000 festivalgoers to Cluj-Napoca, and narrowing the lineup down to five sets was no easy task.
There are festivals that put together a great lineup, festivals that build impressive stages, and festivals that become destinations in themselves. UNTOLD ONE 2026 managed to be all three. Earlier this August, our team went to Cluj-Napoca from August 6–9 for UNTOLD festival. More than 200 artists performed across the festival, with the event ultimately welcoming more than 500,000 festivalgoers over four days and four nights. But attendance figures only tell part of the story.
What made UNTOLD ONE particularly interesting was the way it continued to push beyond the conventional definition of an EDM festival. The Mainstage delivered the global superstars and enormous singalong moments expected from a festival of this scale, while Galaxy and the other stages offered everything from underground techno to melodic house, urban music and drum & bass. The tram stage provided up and coming artists to showcase their talent while the alchemy stage had some of the biggest hip hop acts of Romania and the world performing there. The result was a festival that could feel completely different depending on where you stood.
With so many incredible performances across the weekend, narrowing the lineup down to just five was an extremely difficult task. When names like Carl Cox, Solomun, Sara Landry and Swae Lee don’t even make the final cut, you know UNTOLD ONE delivered a weekend packed with exceptional music and unforgettable memories.
After four days of music, these are our top five acts from UNTOLD ONE 2026.
5.Flo Rida
Sometimes a festival set doesn’t need to be complicated, It just needs to be fun and Flo Rida delivered exactly that. Performing at the Mainstage with a catalogue packed with instantly recognizable and nostalgic hits, Flo Rida turned UNTOLD into one enormous party. Tracks like “Low,” “Whistle” and “GDFR” provided the kind of universal crowd reaction that few artists can replicate. In my personal opinion, the crowd was the loudest during his set
His performance also brought a completely different energy to the closing night. After four days of EDM, techno, house and live performances, Flo Rida’s combination of hip-hop, pop and dancefloor anthems felt like the perfect way to celebrate the end of the festival.
It was nostalgic, energetic and incredibly entertaining.

4.Lost Frequencies
Lost Frequencies delivered one of the weekend’s most versatile sets, combining his melodic house sound with the kind of accessible festival energy that has made him a global name.
His performance was filled with familiar records, emotional melodies and moments designed perfectly for a crowd of tens of thousands.
One of the highlights came when Loredana Groza joined him on stage for their collaboration, bringing an unmistakably Romanian element to an otherwise international festival programme.
That moment summed up what UNTOLD does particularly well: bringing global electronic music together with the local culture and identity of Romania.
Lost Frequencies also demonstrated that you don’t necessarily need the hardest drops or most aggressive production to command a festival crowd.
Melodic, emotional and perfectly suited to the UNTOLD atmosphere.

3.Sebastian Ingrosso
Few artists understand the DNA of a festival quite like Sebastian Ingrosso.
With decades of experience performing on some of the world’s biggest stages, Ingrosso knows exactly how to build anticipation, when to release the energy and, most importantly, which records can turn a massive crowd into one voice.
His UNTOLD set delivered that familiar combination of progressive melodies, huge festival moments and Swedish House Mafia nostalgia, while still feeling relevant to a modern festival audience.
There is something particularly satisfying about listening to whole crowd singing along to “Dont you worry child”, It is one of those festival moments that words cannot really describe. You simply have to be there.

2.The Chainsmokers
It feels unfair to pick top five when there were so many artists pouring their heart out in their performances, one of them was the returning duo of the Chainsmokers, who played their ever green hits such as Dont let me down, Closer and Something just like this but also sharing a tribute to their late friend Juice wrld with “Sugarfish” and their emotional performance of the unreleased ID “Used to call”.
The Chainsmokers have always had a special relationship with festival crowds, and their UNTOLD return showed exactly why. Their set managed to balance nostalgia with the energy of a modern festival performance, taking the audience through some of the biggest records of their career while still keeping the show feeling fresh.

- MEDUZA³ LIVE
MEDUZA have become synonymous with some of the biggest house records of the past several years, but MEDUZA³ LIVE took the Italian trio’s sound into a different dimension.
Rather than simply delivering another DJ set, the live concept gave their music a larger, more immersive presentation. Their biggest records such as “Bad memories”, “Piece of your heart” and “Paradise” sounded particularly powerful in the UNTOLD environment, with the combination of live elements, vocals and festival-scale production creating a show that felt closer to a concert than a conventional club set.
It was also one of the weekend’s strongest examples of how electronic music continues to evolve, A polished, energetic and genuinely impressive live electronic performance.

UNTOLD ONE 2026 was a reminder of why the festival has become one of Europe’s most important electronic-music destinations.
It wasn’t simply about having the biggest names on the poster. It was about creating a festival where Lewis Capaldi could deliver an emotional singalong, MEDUZA³ could transform a DJ show into a hybrid live spectacle, Kygo could bring his tropical house vibes to a stadium crowd and R3JACK (Afrojack & R3HAB) could turn the mainstage in a dance floor.
And somewhere else on the festival grounds, Carl Cox, Solomun, Sara Landry, Denzel Curry and hundreds of other artists were creating their own unforgettable moments.
Subscribe to our Newsletter
-
EDM news3 weeks agoChris Stussy Changes His Name To Chris Stassy
-
Uncategorized1 week agoSwedish House Mafia Cancel Ullevi Homecoming Show Due to Severe Weather
-
EDM Artist News3 weeks agoJohn Summit Cancels Remaining August Tour Dates
-
Editorial1 day agoThe Science Behind Why Dancing to EDM Can Feel Therapeutic
-
Editorial1 week agoEDM Festivals September 2026: Festivals We Can’t Miss
-
Editorial1 week agoWhy 2015-2017 EDM Songs Are Making a Comeback
-
EDM Music3 weeks agoNew EDM Friday August 14: Skrillex, Anyma & More
-
EDM Music2 weeks agoNew EDM Friday Aug 21: Alesso, Hardwell & W&W, and More


