Armin van Buuren News
Was The New ‘Zenless’ Stage At Creamfields A Success?
Creamfields has always had an amazing array of stages that provide a diverse experience everywhere you go, but this year they looked to step up their game even more with the introduction of the ‘Zenless Zone Zero’ stage. When ‘Zenless’ was first announced it was already grabbing people’s attention with its incredible 30,000 capacity making it the largest indoor festival superstructure in the world. The early projections of what the stage was going to look like were impressive and the names set to play in there such as Martin Garrix, Tiesto, Armin Van Buuren, and Dimitri Vegas & Like Mike only heightened the excitement to see this new stage. But did it live up to expectations after all the hype?
Without a doubt one of the biggest positives of the ‘Zenless’ stage was the insane lighting rig that was able to handle the crazy visuals you expect from the likes of Martin Garrix and surpassed expectations. From the powerful room filling lasers to the spinning beams of light coming from all over the place, there was no lack of entertainment from a visual standpoint with the lighting even improving upon what you could find at the ‘Arc’ stage in some respects. With it being an indoor stage, you wouldn’t expect anything crazy in terms of pyrotechnics but the flames being thrown from the stage and the pillars above the crowd were sensational and certainly gave you that mainstage feel.
Every act that performed on the stage was able to put on incredible sets with a sound system that filled the structure and could be felt all the way at the back. Unfortunately for a lot of people they would only get to hear some of these sets from the very back or even outside. Despite its impressive 30,000 capacity when it came to the sets of Martin Garrix and Tiesto, the stage quickly filled up with a lot of the entrances having to be shut to avoid overcrowding. It was of course the right decision to do this to keep people safe, but a lot of people were left disappointed as they arrived at the stage to see their favourite artists and were instantly turned away as there simply wasn’t enough space.
Though you could say that these acts simply should have been put on a bigger stage, this year posed some unusual problems with the likes of Hardwell and Timmy Trumpet struggling to pull big crowds at the ‘Arc’ stage. Even Alesso who closed the ‘Arc’ stage on the final day didn’t receive the type of crowd you would expect for a mainstage closing set. It’s when you look at what sets were clashing that you realise where some of the problems spawned from. As Tiesto was performing at 1am, he wasn’t clashing with many artists of the same calibre as him meaning that nearly everyone tried to get into ‘Zenless’ to see him. Martin Garrix was following on from Third Party on the ‘Zenless’ stage who had already drawn in a massive crowd and have a similar fanbase so very few people cleared out of the tent leaving it still packed out. The unpredictability of how many people are going to go to each set is something that is very hard to deal with and this year the struggle was quite apparent.
When you look at the problems at the ‘Zenless’ stage a lot of it came down to organisation of the acts but that is certainly not an easy task to take on and even the best laid plans can go wrong. This is of course only the first year that the ‘Zenless’ stage has been used so there are lots of things that can be learnt from this to carry into next year. Despite these problems its fair to say that ‘Zenless’ is an amazing addition to the roster of fantastic stages at Creamfields and that the organisers put on yet another amazing festival that everyone enjoyed. Once you got right in the thick of it with the amazing lighting filling the room, fire pumping out right above you and beautiful music pouring into your ears it was undeniably a brilliant experience that everyone will be looking forward to having more of.
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Armin van Buuren announces two-day ASOT LA festival for June 2027, marking the first two-day A State of Trance event in the U.S.
For more than 25 years, A State of Trance has grown from Armin van Buuren’s weekly radio show into a global trance platform. Its events now span Europe, Asia and the Americas. Armin van Buuren has now announced its next major chapter in Los Angeles. The city will host the first two-day A State of Trance festival in the United States on June 11 and 12, 2027. The event will bring ASOT back to California on a larger scale, with further festival details still to come.
A State Of Trance Expands In Los Angeles
Armin van Buuren shared the news on October 8 during ASOT LA Unfiltered, an intimate pop-up in Downtown Los Angeles. Organisers invited a small group of attendees to the previously unannounced event. There, Armin van Buuren played a two-hour set before revealing plans for the 2027 festival at ACE*MISSION Studios.
While A State of Trance has held events in California before, including editions in Oakland and Los Angeles, 2027 will mark a first. It will become the first two-day ASOT festival in the United States. The format follows the larger editions already established elsewhere and gives the U.S. event two full festival dates.
A State Of Trance Hotel Joins The Weekend
Alongside the shows at ACE*MISSION Studios, the Los Angeles weekend will also include an A State of Trance Hotel. Previous editions have offered activities around the main festival. These have included pool parties, pre-parties, dedicated hotel events and early access for guests.
A State of Trance has not yet confirmed the exact package or activities planned for Los Angeles. Registration for A State of Trance 2027 tickets and hotel packages is already open. Lineup and further ticket information will follow.
A State Of Trance Celebrates 25 Years
The Los Angeles festival forms part of A State of Trance’s 25th anniversary, adding another major edition to the celebrations. Armin van Buuren launched the weekly radio show in 2001. Over the following two decades, it expanded into compilations, international events and large-scale festivals while remaining closely tied to trance music.
In May 2026, Armin van Buuren released A State of Trance 2026, the 23rd annual installment in the compilation series. The album features three mixes titled Pulse, Frequency and Energy. Artists across the project include Argy, Andrew Bayer, Joris Voorn, Amy Wiles, Farius, KI/KI and Lilly Palmer. ‘Always You’ by Armin van Buuren, Richard Durand and Dicosis also became the official anthem for the 25-year celebrations.
The anniversary celebrations have also extended to Ibiza. A State of Trance began a five-date residency at [UNVRS] in September 2026, running every Monday from September 7 to October 5. Armin van Buuren plays a five-hour extended set on each date alongside invited artists and collaborators. The accompanying A State of Trance, Ibiza 2026 compilation features Andrew Bayer, Giuseppe Ottaviani, Matt Fax, Solarstone, MaRLo, BLR and Richard Durand.
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ASOT Continues Into 2027
Before attention turns to Los Angeles, A State of Trance will return to Rotterdam on February 26 and 27, 2027. The event continues the two-day format already established in the Netherlands. Registration for the next Rotterdam edition is already underway as the anniversary celebrations continue into another year.
Four months later, Los Angeles will become the next major stop on the ASOT calendar. Several important details, including the lineup and individual day schedules, have yet to be announced. More information about the A State of Trance Hotel will also follow. Those reveals will complete the picture before the first two-day U.S. ASOT festival begins at ACE*MISSION Studios on June 11 and 12, 2027.
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A State of Trance reveals first artists for Rotterdam 2027 with Armin van Buuren five-hour set, exclusive vinyl show and new b2b performances
A State of Trance has announced the first artists for its Rotterdam 2027 edition at Rotterdam Ahoy on February 26 and 27. Armin van Buuren will play a five-hour set on Friday. He will then appear twice on Saturday with a solo set and an exclusive vinyl performance. The announcement also includes Aly & Fila b2b John O’Callaghan, Key4050, Giuseppe Ottaviani & Hypaton and Vini Vici b2b Space 92. More artists will follow.
First Artists Announced for Rotterdam 2027
At the centre of Friday’s four-stage program is Armin van Buuren’s five-hour set.
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Aly & Fila b2b John O’Callaghan also brings three established trance names together for one of the biggest collaborations announced so far. Friday’s lineup includes Alex M.O.R.P.H., Ben Gold, Billy Gillies, Ciaran McAuley, Dash Berlin, David Forbes and Farius. Modeā, Ørjan Nilsen, Push and Richard Durand will also perform on February 26.
The following night expands to five areas and introduces several more combinations across Rotterdam Ahoy. Giuseppe Ottaviani & Hypaton, Key4050, NRG2000 b2b SUPERSTRINGS and Vini Vici b2b Space 92 are among Saturday’s first names. The lineup also includes BLR, Driftmoon, Enigma State, Factor B, Mark Sixma, Olly James, onTune and Ruben de Ronde. Sarah de Warren, Talla 2XLC, The Rocketman, XiJaro & Pitch and Youna complete the names announced so far. Ferry Corsten will also play a b2b set, with his partner still to be announced.
Before the main Saturday program begins, Armin van Buuren will play an exclusive vinyl set. Guests with official hotel packages and Early Access tickets will have access to the performance. He will then appear again later for his solo set. This separates the vinyl performance from the main five-area program and gives Saturday two different Armin van Buuren sets.
A State of Trance Marks 25 Years
The Rotterdam 2027 announcement follows the 25th anniversary of A State of Trance, which began as a radio show in 2001. The weekly broadcast now reaches millions of listeners across 84 countries. Over the years, A State of Trance has also hosted more than 100 events across five continents. Rotterdam remains the flagship destination for its large-scale event and brings its international trance community together over two nights.
The first artists announced for 2027 reflect that history while introducing several combinations created specifically for the weekend. Long-established names include Aly & Fila, John O’Callaghan, Ferry Corsten, Ørjan Nilsen and Richard Durand. Pairings such as Vini Vici b2b Space 92 and NRG2000 b2b SUPERSTRINGS add less familiar combinations to the two-day event.
More artists and program details are still to come, while day and weekend tickets are now available for A State of Trance Rotterdam 2027.
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Armin van Buuren releases new [UNVRS] documentary exploring dancefloor psychology, human connection and the impact of his five-hour A State of Trance sets
For 25 years, A State of Trance has brought people together through radio, events and dancefloors. That shared experience is now the focus of Armin van Buuren’s new 10-minute documentary, The Psychology of the Dancefloor. He created the film with psychotherapist Rachel Giddings during his debut residency at [UNVRS] in Ibiza. It asks why music can make strangers feel connected and why a crowd can create a sense of belonging. The documentary also looks at why some moments stay with people long after the night ends.
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Inside The Psychology of the Dancefloor
Filmed during Armin van Buuren’s five-hour sets at [UNVRS], The Psychology of the Dancefloor follows the crowd as each night develops. Psychotherapist Rachel Giddings joins him in examining how people react when thousands hear the same breakdown, build or climax together. Their conversations explore the emotional response behind those moments and how a room full of strangers can begin to feel connected through music.
Each Monday gives that experience several hours to develop, with Armin van Buuren playing five consecutive dates from September 7 to October 5. The extended sets allow him to guide the room through different parts of his sound while the documentary pays close attention to how the crowd responds along the way. Those reactions become part of the story as the night changes from one moment to the next.
Speaking about the film, Armin van Buuren says the people in front of him are where “the real magic happens.” He also questions why music can affect people so deeply and why strangers can suddenly feel part of something together. That perspective keeps the documentary grounded in the people experiencing the night and the emotions they take home with them.
25 Years of A State of Trance
The five-week residency also marks 25 years of A State of Trance, which first began as a radio show in 2001. It now reaches around 44 million listeners across more than 80 countries, while more than 100 A State of Trance events have taken place across five continents. What started through weekly broadcasts has grown into a global community that regularly comes together in person.
Celebrating that anniversary through five-hour sets in Ibiza gives Armin van Buuren time to revisit what A State of Trance has meant to people over the years. The Psychology of the Dancefloor adds a more personal layer to that anniversary by asking what people actually carry away from those nights. After 25 years of bringing listeners together, the film looks beyond the music itself and into the memories, emotions and connections that keep people coming back.
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