EDM Music

1001Tracklists Presents the “Future of Dance”!

Published

4 years ago

October 19, 2022

1001Tracklists are hoping to make steps towards changing the electronic music industry with the ‘Future of Dance.’ Released alongside their annual Top 101 Producers rankings, the platform has also published a list of the 101 Female and POC artists that have played a huge part in the dance music scene over the past year.

Having earned global recognition for their online platform and Top 101 Producers list, the people behind 1001Tracklists became increasingly concerned with the lack of representation in the rankings. The Top 101 Producers was created to show which producers received the most support in mixes, clubs, festivals, radio, and live streams, purely based on the DJ support data that the website collects, and cannot be influenced or manipulated in any way. Unfortunately, year after year, they continued to see a significantly small amount of female and POC artists featured on the list – indicative of the lack of support and empowerment from labels, radio, and agencies in dance music. As a result, 1001Tracklists have become determined to influence greater change by publishing their own list of Female and POC artists that have shaped the electronic music scene over the course of the last twelve months.

First conceived last year as a selection of 60 artists, for its second year, 1001Tracklists has ensured that the list is given equal weight as their Top 101 Producers by matching the amount of featured artists, as well as publishing both at exactly the same time.

“The Top 101 Producers were created to showcase the artists whose productions have been supported the most by DJs around the world. It’s a 100% data-driven ranking, and something that is very unique in the music industry. In many cases, the artists in the Top 101 Producers receive recognition beyond what they can get from other rankings or beyond their current perceived standing as an artist, and we take great pride in providing exposure for these artists. Unfortunately, these rankings have also illuminated an issue that persists across the music industry – there is a lack of support for women and people of color in music. This is true in terms of booking opportunities, fees, label opportunities and also in terms of the support that they receive from other DJs, and thus reflected in the Top 101 Producers. To shed light on this issue, foster discussion, and spotlight talented artists, we created the Future Of Dance concept last year. Through the Future Of Dance, we’re showcasing 101 women and POC artists who have also been important in defining the sounds of electronic music over the past year and will pave the road ahead.”– Jacob Merlin – CMO of 1001Tracklists

1001Tracklists and Corite are also teaming up to start ‘The Future of Dance Fund,’ a charitable collaboration project which will support and showcase 12 artists from November 2022 to October 2023. The fund will deliver financing, marketing, and other support to underrepresented dance music artists each month.

The Future of Dance Fund will come from the charity raffle for the Top 101 Producers & Future of Dance NFT trophies held at www.corite.com/1001. Individual funds raised from each NFT raffle will go directly into an aggregate pool, which will be split evenly between the 12 monthly selections receiving support over the upcoming year.

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EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

Published

8 hours ago

October 8, 2026

Amy Farina

Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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EDM Music

Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

Published

1 day ago

October 7, 2026

Mackenzie Morris

The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

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EDM Music

Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

Published

2 days ago

October 6, 2026

Dylan Smith

Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.