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Backline Launches Free EDM Mental Health Toolkit

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Backline launches free EDM Mental Health Toolkit covering touring, harm reduction, and self-care for artists, crews, and ravers during Mental Health Awareness Month.

Mental health in the electronic music scene has become a more visible industry conversation as touring, nightlife, and festival culture continue to place real pressure on artists, teams, and fans. Festival weekends, late-night club sets, back-to-back shows, long travel days, afterparties, and the pressure to stay present through it all can affect artists, managers, crew members, producers, and festivalgoers in different ways. For artists and touring teams, the challenge can come from unstable sleep, constant movement, and the emotional comedown after shows. For ravers and attendees, the same cycle can mean physical exhaustion, post-event lows, substance-related risks, or the pressure to keep up socially across multiple events. As Mental Health Awareness Month brings more attention to support systems across music, Backline has launched its Free EDM Mental Health Toolkit, a practical resource created specifically for the electronic music community with guidance on touring, re-entry after tour, substance use and harm reduction, sobriety support, self-care, nutrition, and mental health check-ins.

Why Mental Health Support Matters In The EDM Scene

The conversation around mental health in the electronic dance music scene became impossible to ignore after the loss of Avicii, whose career had already raised wider questions about touring pressure, fame, physical health, and the pace expected from artists at the top of electronic music. Avicii, born Tim Bergling, retired from live performances in 2016 after years of health struggles while continuing to make music in the studio, and his death in 2018 pushed the dance music industry to look more seriously at the pressure surrounding constant touring, public expectation, and the lack of proper support around artists. His story remains one of the clearest examples of why success in dance music cannot be separated from the systems protecting the people behind it.

 

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Years later, those pressures are still part of the same industry cycle, even if they look different depending on where someone stands in the scene. DJs can move through flights, hotels, late-night sets, early call times, interviews, afterparties, and another city the next day, while managers and crew often carry the same schedule behind the scenes. For fans, the issue can show up through back-to-back club nights, festival weekends, travel, limited sleep, dehydration, substance-related risks, and post-event lows that affect how people recover after shows. None of this takes away from why people love the scene, but it does show why Backline’s Free EDM Mental Health Toolkit feels relevant during Mental Health Awareness Month, especially because the guide focuses on practical areas such as tour preparation, re-entry after touring, substance use and harm reduction, sobriety support, self-care, nutrition, and mental health check-ins.

What Backline’s Free EDM Mental Health Toolkit Includes

Backline’s Free EDM Mental Health Toolkit is a free resource guide created for the specific pressures of life in the electronic music scene, giving artists, producers, managers, crew members, industry professionals, and ravers one place to find practical support. The toolkit covers tour preparation, re-entry after touring, substance use and harm reduction, sobriety support, self-care, nutrition, and mental health check-ins, making it more specific than a general wellness page. For artists and touring teams, that means guidance that can be used before a run of shows, during demanding travel periods, and after returning home when normal routines can be difficult to regain. For ravers and festivalgoers, the same resource can help make recovery more intentional after late nights, multi-day events, or weekends where sleep, hydration, food, and emotional balance are easy to overlook.

The launch also connects to Backline’s wider support system, including B-LINE, its 24/7 mental health and crisis support line, one-on-one case management with vetted providers, and wellness resources such as mindfulness and yoga. B-LINE was created exclusively for the music industry and gives music professionals and their families access to trained counselors who understand the pressures of working in and around music, with support available by phone or text. Backline previewed the EDM Mental Health Toolkit during Miami Music Week, which ran from March 24 to 29, 2026, at the 2026 Femmy Awards, placing the resource in front of the global electronic music community during one of the industry’s busiest annual weeks. For the official launch, Backline has also partnered with electronic musician and experimental vocalist Kaleena Zanders on an artist-led testimonial initiative, beginning with a video centered on preparing for tour. That detail matters because it keeps the campaign tied to real artist routines and industry pressure points, instead of treating mental health as a detached awareness message during Mental Health Awareness Month.

Why Backline’s Support Goes Beyond A Toolkit

The reason Backline’s Free EDM Mental Health Toolkit carries weight is that it comes from an organization already working directly with mental health needs across the music industry. Since 2019, Backline says it has invested $3.5 million into mental health and wellness in music and served 84,000 people, showing that the toolkit is part of a wider support structure, not a standalone awareness post. The organization also notes that its team has handled urgent calls and cases where immediate support was needed, which makes the EDM resource feel more connected to real industry conditions. That context matters because touring, nightlife, and festival culture often place people in situations where normal routines are disrupted, but support still needs to be reachable, practical, and specific to how the music world actually works.

Backline Co-founder and Executive Director Hilary Gleason frames the need clearly, pointing to the reality of live electronic music as a space of late nights, early mornings, sunrise sets, and flights to the next city. That detail gives the toolkit a sharper purpose because it speaks directly to the pace of the EDM scene, where artists and teams may be working through exhaustion while fans are also moving through multi-day events, afterparties, and recovery periods. B-LINE, which Backline launched in January, expands that support further as a 24/7 mental health and crisis support line created exclusively for the music industry, with music professionals and their families able to reach trained counselors by phone or text. The larger message behind the toolkit is also important: it is not designed to tell people how to live inside the scene, but to give them options, information, and support so they can take care of themselves and the people around them. That makes the launch more useful than a general reminder to “prioritize mental health,” because it connects awareness to actual access, especially during Mental Health Awareness Month.

What This Means For The EDM Scene During Mental Health Awareness Month

The launch of Backline’s Free EDM Mental Health Toolkit points to a wider shift in how the EDM scene can approach wellbeing beyond awareness posts, tribute messages, or conversations that only happen after someone is already struggling. During Mental Health Awareness Month, the resource gives the electronic music community something more practical to work with: a free guide that can sit alongside tour planning, festival preparation, artist care, crew support, and post-event recovery. For artists and teams, that could mean treating mental health check-ins, sleep planning, re-entry after tour, and substance-related risk as part of the same preparation process as flights, production schedules, and show logistics.

For ravers and festivalgoers, the implication is just as important because mental health in the EDM scene is not only about the people on stage. A healthier culture also depends on attendees being able to recognize when a weekend has taken a toll, when a friend needs support, or when recovery requires more than waiting for the next event. Backline’s toolkit does not position itself as a final answer to every pressure in dance music, but it gives the community a clearer place to start. If Mental Health Awareness Month is meant to push the conversation forward, this launch shows what that can look like when awareness is paired with practical access, music-specific resources, and support designed around the way the scene actually operates.

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With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

EDM Music

New EDM Friday Oct 2: Martin Garrix, Dom Dolla & More

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Martin Garrix performing on stage, featured in New EDM Friday Oct 2

New EDM Friday Oct 2 brings new music from Martin Garrix, Dom Dolla, Solomun, Skepta, David Guetta, Tiësto, Tape B, and more.

New EDM Friday Oct 2 brings together new singles, album releases, collaborations, and remixes covering progressive house, techno, house, bass music, dubstep, and electronic dance. From Martin Garrix with This Dream of You to Dom Dolla, Solomun, and Skepta with DANGER DANGER, David Guetta and Jast with Mariô, Tiësto with Cleopard2000 and CH4YN on Hard To Be Around, and Tape B with Ghost in the Static, these are the tracks you should not miss on this week’s New EDM Friday.

Martin Garrix – This Dream of You

Martin Garrix releases This Dream of You, a new single featuring his own vocals. He first played the track at Tomorrowland, where it became one of his most requested IDs this year. The song keeps his melodic progressive sound, while placing his voice at the center. As a result, Martin Garrix opens New EDM Friday Oct 2 with a personal release led by his own vocals.

Dom Dolla, Solomun, Skepta – DANGER DANGER

Dom Dolla, Solomun, and Skepta come together on DANGER DANGER. The track pairs Skepta’s vocals with two major names in electronic music. It was tested across their Ibiza residencies this summer, including Dom Dolla at Hï Ibiza, Solomun +1 at Pacha, and Skepta’s Más Tiempo at Hï Ibiza. Later, Dom Dolla opened his sold-out Marvel Stadium show with the track. With DANGER DANGER, the three artists bring one of the week’s biggest collaborations into New EDM Friday Oct 2.

David Guetta & Jast – Mariô

David Guetta and Jast team up on Mariô. The track adds another major name pairing to this week’s releases. It follows David Guetta’s recent 2026 run, including You and I, Me and You with Hypaton. It also follows Somebody That I Used To Know with ARTBAT and Gotye. For Jast, the release places his name beside one of dance music’s biggest artists. With Mariô, David Guetta and Jast bring a direct dance release into New EDM Friday Oct 2.

Tiesto ft. Cleopard2000 & CH4YN – Hard To Be Around

Tiesto teams up with Cleopard2000 and CH4YN on Hard To Be Around. The track had already been heard in his recent live and radio sets. First, it appeared in Tiësto’s Prismatic 028 episode in July. Later, it appeared in setlists from Silverworks Island, Breakaway Festival, and Portola Music Festival. With Hard To Be Around, Tiesto, Cleopard2000, and CH4YN bring a live-tested dance release into New EDM Friday Oct 2.

Tape B – Ghost in the Static (Album)

Tape B releases Ghost in the Static, his debut album and a 12-track project inspired by classic dubstep and the UKF era. The album features Zaytoven on Signature Sound, Effin on I’ll Never Know, and Dani King on Underneath Your Skin. Across the project, he covers heavy low-end, melodic writing, hip-hop influence, and nostalgic bass textures. The release also follows sold-out headline shows at Red Rocks Amphitheatre, The Salt Shed, Shrine Expo Hall, Echostage, and The Armory. With Ghost in the Static, Tape B brings his first full album into New EDM Friday Oct 2.

Honorable Mentions:

Alison Wonderland & WINK – RESCUE U
BLR — Move It On ft. Lou
CHARMUR – Touch Me
Chris Lorenzo & Chromeo – Fancy Footwork
D.O.D & Armand van Helden feat. Sam Harper — Twice as Nice
ERAN (Eran Hersh), GrooveGeneration, Terri B! – Say My Name
Ewan McVicar x DART – Rollercoaster
Franky Rizardo – Marido Dansa
Hardwell & Maddix – AI CARALHO
John Summit & Absolutely – Don’t Believe It (GRiZ Remix)
Justus — Open Wide (feat. DJ Hyperactive)
KSHMR — Bonfire
L¥O & Dead Prez – Bigger Than
Lilly Palmer & Caroline Roxy – Unite The Universe
Linds – Destiny
Mojave Grey – Rendezvous
MORTEN & KREAM – Serotonin
Nil Martorell & John White — Find My Light
Nitro Fun & dnvn & Nito-Onna — if you wanna love me
Obskür – Speechless
Oliver Heldens & Will Clarke — Lost In Music
R3HAB, ARTBAT – Dramma
Raphi – Club Phi EP
Scorz — Stay Close / This Is Where It Starts
Tungevaag — RARE
Uberjak’d & The Rocketman — Disclaimer
Who Else & Zagitar – Voltage

Stream all the new music on Spotify and Audiomack to hear the full New EDM Friday playlist.

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Editorial

MiNT XL: Leeds’ Newest Nightclub Opens With A Bang

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Credit: @elliotyoungphoto

MiNT XL opens its doors in Leeds with a sold-out party for 2,500 ravers, as Craig Richards, Enzo Siragusa and Sonja Moonear launch the new nightclub

MiNT XL officially opened its doors on Friday, 25 September, with a sold-out opening party featuring names like Craig Richards, Enzo Siragusa and Sonja Moonear. 2,500 ravers gathered in the heart of Leeds city centre to experience the latest addition to the city’s rich rave culture, marking a memorable beginning for MiNT XL.

Taking over the former nightclub, PRYZM Leeds, MiNT set themselves the challenge of giving the venue a new identity through their own production and iconic signature. In an interview with EDM House Network earlier this year, MiNT marketing manager, Mikey McMahon said they wanted people to walk into MiNT XL and feel like they were part of something forward-thinking. There is no doubt they have achieved this, with the opening night already setting MiNT XL apart from other venues in Leeds.

Credit: David Dumitru

Credit: David Dumitru

Exploring The Venue’s Layout

Arriving at the venue, you could feel the excitement in the air as people made their way into the club. Music was bumping through the walls and the night was just getting started. Walking inside, the dark environment immediately made it feel like a rave and not a regular nightclub.

Heading up the stairs from the entrance, we reached the main hall of the venue, which houses two of the three rooms at MiNT XL, as well as an open-air terrace. The ‘Clubroom’ was the first room people encountered on the floor, while the main room, also known as the ‘Ballroom’, sits to the left of the hall.

The second floor is a great extension of what the main floor has to offer, hosting the venue’s third room, ‘Cage’, as well as an additional bar with sofas and seating for those wanting a quick break from the dancefloor. The VIP area is also located on this floor, providing a comfortable chill-out space with its own bar and seating area.

Credit: David Dumitru

Credit: David Dumitru

The Rooms at MiNT XL

1. Ballroom

The largest of the three rooms, the ‘Ballroom’ is a warehouse type of space hosting the headlining names on MiNT XL’s line-ups. Some of the lighting features that stood out as soon as we walked into the room included the large ring structure above the dancefloor, as well as the linear rigs placed horizontally across the ceiling, which rotate to create a wave-like effect through light.

Another standout piece of the room is the newly installed Funktion-One Vero sound system, delivering bass that pumps through your body and an overall premium sound quality. The same system can also be found in the other two rooms, where its impact is even greater due to their smaller capacities.

Credit: @elliotyoungphoto

Credit: @elliotyoungphoto

2. Cage

Probably the most interesting room of the three, and our personal favourite, ‘Cage’ delivers an experience like no other. Its design feels unique and fresh out of the box, while still maintaining a lush feel. Throughout the opening night, the room was lit up with orange lighting, creating a somewhat comfortable atmosphere amid all the chaos going on.

Credit: David Dumitru

Credit: David Dumitru

‘Cage’ also has a few sofas placed around the room, helping complete its luxurious feel. The cherry on top, however, is the fact that the space will often welcome DJs playing on vinyl. We had the chance to witness this live, and let me tell you, seeing the artists flip and swap records behind the decks totally elevates the experience.

Credit: David Dumitru

Credit: David Dumitru

3. Clubroom

With a large light panel on the ceiling covering the centre of the dancefloor, ‘Clubroom’ is an ode to MiNT Warehouse, the brand’s second ever venue. Sharing similar characteristics, the room brings the MiNT Warehouse spirit to MiNT XL, carrying over the energetic vibes that have become a trademark of the brand.

While the room has a great design from a production perspective, the air conditioning isn’t felt as well in some corners, often making it a very hot space.

Credit: David Dumitru

Credit: David Dumitru

4. Terrace

An open-air space with a nice view of some of Leeds city centre’s tallest buildings, the terrace is a well-arranged spot for those who want to unwind a little and take a breath of fresh air. Located close to the ‘Ballroom’, the path to the terrace can, however, become very busy at times.

Credit: David Dumitru

Credit: David Dumitru

The Music at MiNT XL

The venue opened with the brand’s own event series, ‘system.’, taking over the decks. Across the three rooms, a well-curated line-up delivered the soundtrack to MiNT’s new beginning.

From the perspective of EDM House Network, our highlights were Foehn & Jerome at the ‘Cage’, Craig Richards B2B Francesco Del Garda at the ‘Ballroom’, and then back to the ‘Cage’ for a vinyl session with Fumiya Tanaka.

Credit: @elliotyoungphoto

Credit: @elliotyoungphoto

Beyond the opening night, a wide range of renowned DJs are set to follow at MiNT XL, with the likes of Ewan McVicar, Riordan, Morgan Seatree and a Worried About Henry (WAH) takeover among those already announced. While so far only electronic music events make up the calendar, organisers have said they are excited to expand into new genres and live music.

Atmosphere Inside The Venue

MiNT XL operates a no-phones policy at all events, meaning attendees can fully immerse themselves into the music. Having experienced an event with such policy for the first time, it was impressive to see how big of a change it makes.

Seeing people living in the moment and having fun truly gave everyone a taste of what some mean when they say ‘raving was better in the 90s’. The no-phones policy genuinely made the night feel like a time machine that teleported us back to a time when people used to socialise and not chase Instagram clout at raves.

Credit: @elliotyoungphoto

Credit: @elliotyoungphoto

With three state-of-the-art rooms, a 2,500-capacity venue, a sound system that blows the roof off and a no-phones policy, MiNT XL has real potential to become one of the best nightclubs in the entire UK. The opening party was not just the green light for a new venue in Leeds, but felt more like a statement that MiNT XL is here, and for good.

The club season is only just getting started, with a packed list of upcoming events already lined up at MiNT XL.

Friday 9 October – Marsolo Invites: Marsolo + more TBA

Saturday 10 October – Airspace: Notion, Kyle Starkey, Camille Doe + more

Saturday 17 October – Mint XL Presents: Cam Stockman b2b Tommy Phillips

Friday 30 October – Airspace: Riordan, Stef Davidse + more

Saturday 31 October – Ewan McVicar Presents: Halloween – Ewan McVicar, Special Request, Olive F

Saturday 7 November – Mint XL Presents: ALISHA, Robbie Doherty + more

Saturday 14 November – Mint XL Presents: Morgan Seatree + more TBA

Friday 20 November – Framework Presents: Ben UFO, Papa Nugs + more

Saturday 21 November – Jampacked Would Tour Leeds Edition: Jamback, Anil Aras, A For Alpha

Saturday 19 December – Framework x Mugpie Presents: Christian AB, Unai Trotti + more

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Interview

MEETCH Interview: Reflections, Robots and What’s Next

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MEETCH wearing his LED-lit robot helmet and a red and black shirt against a purple backdrop

MEETCH interview about his new single ‘Reflections’ with Lacey, his Ørjan Nilsen collaborations and what’s next for the robot-headed producer

After lighting up dance floors the world over with August’s Ørjan Nilsen collaboration ‘Body On Me’, US producer MEETCH keeps the home fires raging as he drops his next release ‘Reflections’ – this time taking full control on production duties.
‘Reflections’ is a timely reminder of why MEETCH is increasingly considered one of the hottest names on the Stateside circuit. His playful energy and trademark robot branding has hit all the right notes on some of the country’s most legendary dance floors, including Pacha, Webster Hall and Avalon Hollywood.
In the studio, his production levels are equally sublime. On ‘Reflections’ flawless synth runs break into industrial saw fx, melting in and out of one another. It’s a gradual, controlled, masterful build-up of energy levels that mirror each other back and forth as the track progresses, Italian vocalist Lacey’s topline sewing a seamless line throughout the entire composition.
MEETCH is clearly an artist firing on all cylinders sonically, displaying a huge run of inspiration that shows no sign of stopping. With more collaborations scheduled with the likes of Hel:sløwed, a second outing with Nilsen and a hotly anticipated Robotic Rumble x Pulse Theory pop-up event at ADE on October 23rd with upcoming track collaborator TLUXX, 2026 is shaping up to be a pivotal year for the American talent. We managed to track the robot-headed producer down for a catch up on where he’s been, what he’s been up to, and what we can expect from him as 2026 rolls into 2027…
Hey MEETCH – it’s been a while! Where’ve you been? 
Hello! Been cracking down on content and new music. Playing shows here and there, but mainly creating new things for peoples eyes. My actual location is Los Angeles, still here grinding hard every day.
You’re back in the studio making fresh music for us – what inspired this latest run of creativity? 
I wanted to try and blend the music that started my journey with styles that are making noise on the big stages. I’m working on getting more creative with vocals and voices that mean something. Give people something they can remember and blast every day. Not just for the sound but for the meaning too.
Your latest solo track, Reflections, is out now. What’s it all about?
Reflections makes me think of the moments and memories I’ve had with everyone over the years. But also makes me think of all of the versions of myself as an artist and a performer. I’ve developed the robot brand starting in 2012 and it’s been an evolution ever since. This song can have many meanings for people, but for me it is the path I’ve taken and the constant do-overs and changes to my brand and image over the years.
You worked with Italian vocalist Lacey – how did the connection come about and what did he deliver to the overall feel and production of the single? 
I’m always searching for someone new to work with and I came across the topline for this and fell in love immediately. I knew that this was the vocal for this song. I felt the meaning and felt the mood immediately without even knowing how the instrumental would pair. But now, I am going as big as I can with this track. Going to really work on blasting it out and getting all ears on it.
Lacey’s not the only artist you’ve been working with – you recently dropped a collab with the legend that is Ørjan Nilsen and rumour has it you’ve got another single coming up with him and also with Hel:sløwed? Can you share any news about those tracks with us?
Working with Ørjan Nilsen is amazing. I played a show in Webster Hall NYC with him in like 2013. I was just some random opener on a side stage at that point. So it’s been amazing to come full circle and be able to work with him now like this. The track with Hel:sløwed has been in progress for a long time. We had to go back and fourth on vocals for a few months but finally landed on a track that combines both the Trance and Tech-House styles we do. It’s very exciting and also we have my friend Salvo on the vocals! So it’s been great to finally have an genre-bending track coming out soon.
What do you love most about working with other producers? 
I think this is a great way to open  up your sound with new fans and people. It also kind of answers those questions for people, “Oh I wonder what these sounds combined could sound like.” So it’s a cool way to not only meet new people, but have new experiences with fellow artiest. And then in the hopes of eventually performing the songs together.
If you could get in the studio with any other producer, who would it be and why? 
I think Dillion Francis is probably the top person I’d want to make music with. His humor really lines up with things I enjoy or find funny. Most people want to right away jump in the studio with Tiesto or Zedd or something, which would be incredible, but I think I have the most possible chance to do something with Dillion. That would be probably my next best goal for a big collaboration. I love making content and recording videos, so I think with my robot brand we could make something pretty ultimate.
How’s the bass and electro scene looking in LA? Are there any movements or parties bubbling under that you’d recommend we get the drop on? 
I don’t go to many bass shows, though we did just go to Dillstradamous which was INCREDIBLE, but the parties in LA have been really geared towards afterhours. I been performing a lot and going to HOLYSH#T. It’s mainly House Music at the afters but sometimes they switch is up and do other genres. But my buddy owns it and it has truly built up and it’s pretty huge now. Always a great time going to the HOLSH#T after hours!
You obviously like to work with other artists from other genres – is there a particular genre of music that you think you couldn’t get behind, and if there is, why? 
I think I am open to all genres. I really want to do a Trap collab. Trap was the first genre I started making along with Dubstep, so I am definitely down for a collab in those genres. It would really have to make sense though. Overall, I’m open to make lots of genres.
Tell us one thing we don’t know about MEETCH…
I take showers with my robot helmet on and shampoo the top to make it smell nice before shows.

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