Editorial
Chrispin Interview: More About His Live Set / Film in The Himalayas, ZEPHYR 11.
Chrispin interview about his most ambitious project to date, a live set and cinematic short film captured at 15,000 feet in Nepal’s Annapurna Circuit region.
High above sea level and far away from a traditional DJ booth, Chrispin has unveiled one of the most ambitious projects of his career, a live electronic set filmed at 15,000 feet in Nepal’s Annapurna Circuit region, reimagined as a cinematic short film. Blending years of original productions and remixes with sweeping Himalayan landscapes, the project merges music, storytelling and raw natural grandeur into a single immersive experience. Nine months in the making, the film-set hybrid captures Chrispin’s desire to challenge himself creatively, fusing his signature sound with narrative depth and visual symbolism. In an exclusive chat with EDMHouseNetwork, he opens up about the inspiration behind the concept, the challenges of bringing it to life, and how this mountain-top performance marks the beginning of an even bigger artistic chapter.
Hey Chrispin, your brand new live set is out now. How excited are you for the world to see this project?
I’m really excited and kinda nervous a bit as I’ve never put myself out there like this. This is a culmination of all the foundational phases of my work. Basically, years of experimentation in terms of sound and the imagery behind it. The project is about destiny and the sacrifices we make for the things we love.
It’s a unique concept that we’ve not quite seen before. How did the idea come about and did you encounter any challenges along the way?
Before coming up with something this specific, it was about how I can use the music I’ve made those years in a meaningful way. Then the whole cinema aspect came along very naturally along with the mountains as I love doing those things even if there was no project associated with it. The easiest thing was imagining combining them and the hardest part was spending months editing and fine tuning everything, figuring it out along the way as I had no exact blueprint for it. The story was always changing with the editing and the process was highly educational. The actual shoot itself was very challenging as it was just me and my friend trekking and carrying all the gear amidst the intense weather but I have nothing but deep appreciation for the place without which it was definitely not possible.

How happy were you with the finished product, and the response it has gotten so far?
I could have always changed and added more things but I think I stopped when I was happy with the quantity of narrative layers I managed to squeeze in and when I noticed I was spending a few days on just 4 seconds of the film or a bar of music. People initially thought of it as just a regular set somewhere and completely overlooked the entire vision but are slowly discovering the cinema aspect attached to it. I am really proud of what the project is.
You mentioned that you previewed the film in an actual theater. How was that experience and what made you choose it?
This was a personal move in what it meant watching all the hard work on a big screen. Definitely left me hungry for more and re-affirmed me in all the things I am planning to do next.

As a growing artist, how important is it for you to step outside of your comfort zone and do something unprecedented?
It is definitely important to do those things and I did it to stand out of course, but that completely disappeared when I was actually making the project and it was made out of pure love for the craft. I am a curious guy and I do not know how to explain it but I lose interest very quickly if the task is not challenging. It was also about the things I’m passionate about coming together which served as glue to those prolonged experimentations.
The blending of elements, sounds, styles, and genres was a massive part of this film, how important was it for you to get that message across for your artistic vision?
I crafted the whole film aspect on top of the musical layer of the set I already had. I had to make a lot of tough decisions in terms of leaving a good musical piece when the visuals and the story aspect did not align with it and also leaving behind good plot lines and visuals when I have no exact musical moment in the set to back it up. All the genres in the set came about as I try to start every musical project on a fresh slate and is a product of years of research and combining bits and pieces from everywhere. The editing process also took that long because of the constant edits I was making to the music as well. For example, in my reinterpretation of RAM by Daft Punk, after the second progressive drop, I had to transform a whole section with a lot of tempo changes, rhythm changes, huge reverbs, crazy distortions, different gates, a bunch of automations in every imaginable aspect, etc. before the faster, more intense drop to match the plot and take you into this void where the mystic zaps the protagonist into an alternate reality to confront him. That was the only way to add to the nervousness and otherworldliness in the character’s situation.

Do you plan to work on any more projects similar to this?
I am finishing up an album that has long been due and am developing several other things on the side like visuals, plots, shows, etc. The way I work is to keep doing the things I love individually just for the sake of it and when an opportunity or a major idea reveals itself, I glue all the ideas I had from every sector to one project and as long as it is genuine, it always sticks together perfectly. My debut single titled “Zephyr” will be out soon as I am actively leveraging the set/film to link up with the right people that understand my vision and I can’t wait to present what comes as a byproduct of that. I am really excited to release more music and add more to the world-building started by ZEPHYR 11 and one thing is for sure, it will surprise everyone, the people I work with and hopefully, myself too.
Watch the full set below.
Tracklist:
- Thomas Bangaltar – Chiropetra, mixed with Human Sadness by The Voidz and Julian Casablancas
- House Of The Dragon – Fate of The Kingdoms – Ramin Djawadi (Chrispin Remix)
- Sebastian Ingrosso, Steve Angello, PARISI – Speak Up, mixed with The Nights By Avicii
- ZEDD, Bea Miller – Out of Time (Chrispin Remix)
- Swedish House Mafia, Niki & The Dove – Lioness (Chrispin Remix)
- Daft Punk – Love is the Answer (Chrispin’s RAM Reinterpretation)
- Fred Again – Places to be ft. Anderson .Paak & Chika (Chrispin Remix)
- Justice – Audio, Video, Disco (Chrispin Remix)
- Chrispin – Whispers (ID)
- Martin Garrix, Third Party ft. Declan J Donovan, Winona Oak – Carry You (Chrispin Remix)
- Steve Angello, Modern Tales – Darkness In Me (Chrispin Remix)
With debut single “Zephyr” out soon, keep up to date and follow Chrispin below.
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Editorial
Seven Stars 2026: 7 Most Anticipated Sets at GRiZ’s Cosmic Campout
As the second annual Valley of the Seven Stars approaches, bass music fans across the country are prepping their gear and locking in their set times. Taking over the Oak Ridge Estate in Arrington, Virginia from October 8–11, this gathering marks the long-awaited payoff of GRiZ’s two-year hiatus. The event has quickly earned a reputation as one of the bass community’s premier “homie” festivals, trading commercial refinement for deep curation and authentic energy. Whether you are hunting for ground-shaking low end or sunset grooves, here are the 7 most anticipated performances to highlight on your schedule:
7. Richard Finger
Set Time: Saturday, 4:50 PM – 5:50 PM
Operating entirely behind anonymous masks, Richard Finger has become one of bass music’s most intriguing underground phenomena. The mysterious duo popped onto the radar with relentless sound design and uncompromisingly heavy drops, rapidly earning a rotation in festival sets worldwide. While internet investigators continue trying to uncover their true identities, the project lets the sheer sound of low end rhythm do the talking. Catching them in the afternoon heat on Saturday is guaranteed to wake up the crowd.
6. Hedex
Set Time: Sunday, 8:30 PM – 9:30 PM
Hedex has been at the forefront of the modern drum and bass explosion. He has been taking jump-up rhythms out of underground UK clubs and pushing them onto major American festival stages. This performance serves as the official launch for his North American “Nu Era” tour. Known for quick double drops and explosive crowd control, his Sunday slot will deliver a shot of pure adrenaline just as festivalgoers enter the final night.
5. GRiZ (Chasing The Golden Hour)
Set Time: Saturday, 6:05 PM – 7:20 PM
GRiZ has always known how to curate a vibe, but his Chasing The Golden Hour (CTGH) concept holds a legendary place in the scene. It was originally conceived as a mixtape series built around vintage samples, mellow hip-hop beats, and live sax riffs. CTGH offers a soulful counterweight to his heavy dubstep headline sets. Following packed-out demand at past events, this sunset window is made for collective unwinding. It is the defining emotional anchor of the weekend, best experienced surrounded by friends on an open hill.

4. Mersiv
Set Time: Saturday, 8:30 PM – 9:30 PM
DJ & producer Anderson Gallegos, known professionally as Mersiv, has carved out a dedicated subculture with his trademark “Pretty Dark Loud” sound design. Mersiv crafts sets that feel simultaneously meditative and heavy by combining hypnotic downtempo atmospheres with distortion-heavy basslines. Dropping into Saturday prime time, his set will steer the valley into its deepest, most psychedelic sonic territory.
3. Seth David (R&Bass)
Set Time: Friday, 1:00 AM – 2:00 AM (After Hours)
Returning to the Seven Stars lineup for a second run, Seth David brings his signature R&Bass sound to the Satellite Stage. The project fuses classic 90s and 2000s R&B vocals with sub-bass frequencies. This set gives night owls a refreshing alternative to the standard festival sound anding directly in the after-hours slot,
2. Distinct Motive
Set Time: Sunday, 6:50 PM – 7:50 PM
Hailing from Ontario, Distinct Motive has spearheaded the revival of pure 140 BPM sound system culture in North America. His productions emphasize sub-bass, surgical mixing, and deep roots in old-school UK dubstep. Since his anthem “Wait A Minute” dominated stages everywhere, his profile has skyrocketed. Sunday evening marks his debut on the mainstage, bringing chest-rattling low frequencies to the festival’s largest sound system.
1. Kaleena Zanders
Set Time: Thursday, 8:00 PM – 9:00 PM
Revered as one of modern dance music’s most captivating vocal powerhouses, Kaleena Zanders channels gospel roots through classic house grooves. With major collaborative releases alongside fellow headliners, her live sets go far beyond ordinary DJ performances. Slotted into Thursday evening, she will set an uplifting, soulful tone for the entire cosmic campout before the heavier bass takes over.
With four days of music spread across The Valley, pacing is going to be everything. Set conflicts are inevitable when a lineup has this much variety. Be sure to leave room in your schedule to wander between stages and stumble onto artists outside your radar.
Grab the official festival app to stay updated on any last-minute schedule shifts and look out for your crew.
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Editorial
MiNT XL: Leeds’ Newest Nightclub Opens With A Bang
MiNT XL opens its doors in Leeds with a sold-out party for 2,500 ravers, as Craig Richards, Enzo Siragusa and Sonja Moonear launch the new nightclub
MiNT XL officially opened its doors on Friday, 25 September, with a sold-out opening party featuring names like Craig Richards, Enzo Siragusa and Sonja Moonear. 2,500 ravers gathered in the heart of Leeds city centre to experience the latest addition to the city’s rich rave culture, marking a memorable beginning for MiNT XL.
Taking over the former nightclub, PRYZM Leeds, MiNT set themselves the challenge of giving the venue a new identity through their own production and iconic signature. In an interview with EDM House Network earlier this year, MiNT marketing manager, Mikey McMahon said they wanted people to walk into MiNT XL and feel like they were part of something forward-thinking. There is no doubt they have achieved this, with the opening night already setting MiNT XL apart from other venues in Leeds.

Credit: David Dumitru
Exploring The Venue’s Layout
Arriving at the venue, you could feel the excitement in the air as people made their way into the club. Music was bumping through the walls and the night was just getting started. Walking inside, the dark environment immediately made it feel like a rave and not a regular nightclub.
Heading up the stairs from the entrance, we reached the main hall of the venue, which houses two of the three rooms at MiNT XL, as well as an open-air terrace. The ‘Clubroom’ was the first room people encountered on the floor, while the main room, also known as the ‘Ballroom’, sits to the left of the hall.
The second floor is a great extension of what the main floor has to offer, hosting the venue’s third room, ‘Cage’, as well as an additional bar with sofas and seating for those wanting a quick break from the dancefloor. The VIP area is also located on this floor, providing a comfortable chill-out space with its own bar and seating area.

Credit: David Dumitru
The Rooms at MiNT XL
1. Ballroom
The largest of the three rooms, the ‘Ballroom’ is a warehouse type of space hosting the headlining names on MiNT XL’s line-ups. Some of the lighting features that stood out as soon as we walked into the room included the large ring structure above the dancefloor, as well as the linear rigs placed horizontally across the ceiling, which rotate to create a wave-like effect through light.
Another standout piece of the room is the newly installed Funktion-One Vero sound system, delivering bass that pumps through your body and an overall premium sound quality. The same system can also be found in the other two rooms, where its impact is even greater due to their smaller capacities.

Credit: @elliotyoungphoto
2. Cage
Probably the most interesting room of the three, and our personal favourite, ‘Cage’ delivers an experience like no other. Its design feels unique and fresh out of the box, while still maintaining a lush feel. Throughout the opening night, the room was lit up with orange lighting, creating a somewhat comfortable atmosphere amid all the chaos going on.

Credit: David Dumitru
‘Cage’ also has a few sofas placed around the room, helping complete its luxurious feel. The cherry on top, however, is the fact that the space will often welcome DJs playing on vinyl. We had the chance to witness this live, and let me tell you, seeing the artists flip and swap records behind the decks totally elevates the experience.

Credit: David Dumitru
3. Clubroom
With a large light panel on the ceiling covering the centre of the dancefloor, ‘Clubroom’ is an ode to MiNT Warehouse, the brand’s second ever venue. Sharing similar characteristics, the room brings the MiNT Warehouse spirit to MiNT XL, carrying over the energetic vibes that have become a trademark of the brand.
While the room has a great design from a production perspective, the air conditioning isn’t felt as well in some corners, often making it a very hot space.

Credit: David Dumitru
4. Terrace
An open-air space with a nice view of some of Leeds city centre’s tallest buildings, the terrace is a well-arranged spot for those who want to unwind a little and take a breath of fresh air. Located close to the ‘Ballroom’, the path to the terrace can, however, become very busy at times.

Credit: David Dumitru
The Music at MiNT XL
The venue opened with the brand’s own event series, ‘system.’, taking over the decks. Across the three rooms, a well-curated line-up delivered the soundtrack to MiNT’s new beginning.
From the perspective of EDM House Network, our highlights were Foehn & Jerome at the ‘Cage’, Craig Richards B2B Francesco Del Garda at the ‘Ballroom’, and then back to the ‘Cage’ for a vinyl session with Fumiya Tanaka.

Credit: @elliotyoungphoto
Beyond the opening night, a wide range of renowned DJs are set to follow at MiNT XL, with the likes of Ewan McVicar, Riordan, Morgan Seatree and a Worried About Henry (WAH) takeover among those already announced. While so far only electronic music events make up the calendar, organisers have said they are excited to expand into new genres and live music.
Atmosphere Inside The Venue
MiNT XL operates a no-phones policy at all events, meaning attendees can fully immerse themselves into the music. Having experienced an event with such policy for the first time, it was impressive to see how big of a change it makes.
Seeing people living in the moment and having fun truly gave everyone a taste of what some mean when they say ‘raving was better in the 90s’. The no-phones policy genuinely made the night feel like a time machine that teleported us back to a time when people used to socialise and not chase Instagram clout at raves.

Credit: @elliotyoungphoto
With three state-of-the-art rooms, a 2,500-capacity venue, a sound system that blows the roof off and a no-phones policy, MiNT XL has real potential to become one of the best nightclubs in the entire UK. The opening party was not just the green light for a new venue in Leeds, but felt more like a statement that MiNT XL is here, and for good.
The club season is only just getting started, with a packed list of upcoming events already lined up at MiNT XL.
Friday 9 October – Marsolo Invites: Marsolo + more TBA
Saturday 10 October – Airspace: Notion, Kyle Starkey, Camille Doe + more
Saturday 17 October – Mint XL Presents: Cam Stockman b2b Tommy Phillips
Friday 30 October – Airspace: Riordan, Stef Davidse + more
Saturday 31 October – Ewan McVicar Presents: Halloween – Ewan McVicar, Special Request, Olive F
Saturday 7 November – Mint XL Presents: ALISHA, Robbie Doherty + more
Saturday 14 November – Mint XL Presents: Morgan Seatree + more TBA
Friday 20 November – Framework Presents: Ben UFO, Papa Nugs + more
Saturday 21 November – Jampacked Would Tour Leeds Edition: Jamback, Anil Aras, A For Alpha
Saturday 19 December – Framework x Mugpie Presents: Christian AB, Unai Trotti + more
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Amsterdam Music Festival News
EDM Festivals October 2026: Festivals We Can’t Miss
EDM Festivals October 2026: Festivals We Can’t Miss worldwide as major events fill the month across North America, Asia, Europe, and South America
October 2026 brings another busy month for the EDM festival calendar, with events taking place across North America, Asia, Europe, Africa, and South America. In the US, 808 Festival, Breakaway Utah, We Belong Here Central Park, Experts Only at the Gorge, Niteharts, Head Trip, III Points Miami, Escape Psycho Circus, BOO! Seattle, BOO! Arizona, and Hocus Pocus Miami fill the month. Meanwhile, EDC Korea and Chill O’posite Festival add major dates in Asia and Africa. No Art Lisbon and AMF represent Europe, while EDC Colombia and Ritvales bring two large weekends to South America. Here’s a full look at the EDM festivals taking place throughout October 2026.
808 Festival
Dates: October 2–3, 2026
Location: BITEC, Bangkok, Thailand
808 Festival returns to BITEC in Bangkok from October 2–3, 2026 for two days across two stages. The Phase Two lineup includes ILLENIUM, SLANDER B2B NGHTMRE, W&W, Argy, Ben Nicky, 999999999, Mesto, and KAAZE. Meanwhile, JUSTUS, RIVO, Dorian, Ian Asher, and Mary Droppinz are also confirmed. Several special performances are scheduled, including Adam Beyer B2B Chris Avantgarde and Nifra B2B Will Atkinson. Giorgia Angiuli will also perform live. More artists are still due to be announced before the festival returns to Bangkok in October.

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