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CID Debuts On Insomniac Records With Ear-Hooking Tech House Slammer ‘La La La’!

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The internationally renowned producer CID gears up for his highly anticipated label debut on Insomniac Records with an ear-hooking tech house slammer by the name of ‘La La La’.

Arriving on the shadow of the summer solstice, the latest creation from the New York native rolls out the red carpet for the endless late-night shenanigans that the season is destined to bring about. Lifting a vocal sample from one of the fast-selling singles of all time, ‘La La La’ matches the infectious nature of its iconic hook with a buoyant, brain-burrowing groove. 

Robust and unequivocally bouncy, the track propels itself across a potent dancefloor-focused formula, drawing its peak-time appeal from thick basslines, shuffling drums, subtle chirping textures, crisp hats, and the perfect amount of cowbell flourishes. The playful vocal chops maintain a tenacious cadence, without running the risk of outliving its welcome. Between the chart-topping vox and the feverish production bubbling beneath it, CID’s new single is poised to become one of the most heard dance records for the foreseeable future. 

Those with enough wits to swing by Insomniac Records-hosted stereoBLOOM stage to catch CID’s set at this year’s EDC Las Vegas were blessed with a sneak peak of ‘La La La’ ahead of its release. It was, by all measures, a standout moment from his performance, and it will only become more of a crowd-stunner as he continues to trek across North American on a run of shows that includes stops at Nocturnal Wonderland, Academy LA, and Echostage in D.C. 

The electrifying presence CID displays on both the club and festival circuit is by no means not isolated to the global stage. He’s a Grammy-winning producer—née Carlos Cid—who continues to put his name on timeless tracks such as ‘Where I Want 2 Be’, ‘Carnaval de Paris’, and ‘Duro’. In addition to his incredible track record on the solo front, the NYC phenom has also found tremendous success in collaboration with like-minded artists, as evidenced by his co-credits on ‘R.E.A.L’ with Dombresky, ‘How We Do’ alongside Joshwa, and ‘Jumpin’ with Westend. 

His unrivaled tech house sensibilities have led him to become one of the highest-grossing artists on Beatport, a bragging right that is inevitably carrying over to his own Night Service Only, the label he launched to provide a springboard for the next generation of tastemakers like himself. Since getting off the ground in 2019, the imprint has opened its doors to a slew of exciting talent from the likes of Black V Neck, Cloverdale, BYOR, Chapter & Verse, MUUS, Curtiba, and the list continues to grow. 

Constantly finding himself at the forefront of house music, ‘La La La’ is another blinding example of CID’s ability to cook up anthems on cue.

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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

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Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

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The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

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Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

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Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.

‘Off-Cuts (2014–2021)’ is out now on Plexus Records.

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