MR.BLACK teams up with Steve Aoki and MARNIK for a genre-blending banger that reimagines a trance classic for today’s mainstage generation.

With collaborations common in the electronic dance scene, it’s always exciting when a new track arrives from not one, but three trailblazing acts. Steve Aoki, MARNIK, and MR.BLACK have joined forces to deliver ‘Instant Moments’, a hard-hitting production that blends each artist’s signature sound into one explosive anthem. Every musical element lands with precision, creating a result that’s impossible to ignore.

Old-school trance fans will immediately recognize the infectious melody, as the track reimagines R.O.O.S.’s iconic late-90s hit ‘Instant Moments’. While the updated version stays true to the original’s addictive hook, the trio injects it with a faster BPM, renewed energy, and cutting-edge modern sound design built for today’s mainstages.

Throughout the track, they blend elements of psy-trance, hard techno, and high-energy festival sounds, crafting a hybrid built for peak-time impact. Already igniting dancefloors as a sought-after ID at major events, ‘Instant Moments’ lives up to the hype with relentless energy and modern intensity. This release marks a bold statement from three powerhouses operating at full throttle.

Stream this single below and on all other platforms here.

Released on LVLD Music, ‘Take It,’ is Petersky’s latest record, delivering a deep tech-house sound to nightclub dancefloors. Its rolling groove has the power of keeping crowds on the move, providing a hot atmosphere to ravers.

The bassline is probably this song’s most important aspect, giving life to the production in a fun way, while maintaining the underground vibe of ‘Take It.’ Think of the famous sound of Chris Stussy tracks, but reimagined in Petersky’s own fashion.

Simplistic but catchy, the song can be the highlight of a set. Its punchy bass adds to the funky bassline, while hypnotic stabs join during the breakdowns, tingling the eardrums of listeners.

Petersky (PL) – Take It (Cover)

Petersky And What’s To Come

Following the release of ‘Take It,’ Petersky plans a series of fresh tech-house records, focusing on percussive energy, analog textures, and a club-ready bounce.

Additionally, a collaboration with fellow Polish artist, Lina Rash is in the works. Together, they are building Groove Garden, a project that will include deep tech and tech house productions, DJ performances, and live events that will allow their music to expand over multiple crowds.

Stream ‘Take It’ right now, available worldwide.

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DJ Madam Filth Returns With Drum and Bass Track ‘Got That Blow’

Las Vegas-based DJ Madam Filth has released her second track on the Dancefloor Mafia label, titled Got That Blow. Known for her presence in the U.S. drum and bass scene, she brings another fast-paced offering that reflects her commitment to building both her sound and her label’s direction.

The track runs for just under four minutes and wastes no time setting its pace. It opens with a rhythmic pattern that leans into familiar DnB territory like quick tempo, tight percussion, and minimal melodic distractions. There’s a focus on keeping the structure clean and the transitions purposeful. Instead of throwing in multiple breaks or sound detours, the song keeps the listener on a straight course with steady layering and repetition.

There’s a vocal sample running through the main progression, acting as both a hook and a rhythmic anchor. Rather than relying on dramatic builds, the track maintains a linear intensity. That choice gives DJs room to use it mid-set to either maintain drive or transition without losing pace.

More Than Just a Single

Got That Blow is not just another release. For DJ Madam Filth, this marks another step in solidifying her platform. As a resident on Vibe 99.7FM’s Bass Nation and co-founder of the Konkrete Jungle event series, she’s not new to the genre or its surrounding community.

The Dancefloor Mafia label, which she launched independently, serves as a space for her to release her own music and to experiment with tracks built directly for the kind of dancefloors she plays regularly. Her style often leans toward straightforward arrangements that favor flow over theatrics. Got That Blow fits into that catalogue clearly.

For Listeners and DJs Alike

This track isn’t trying to reinvent the genre. It’s meant for settings where speed, precision, and familiarity matter. The production is tight, with all elements serving the rhythm rather than competing for attention. For fans of minimal, high-speed DnB, it’s a track that can slot comfortably into playlists or live sets without dominating them.

DJ Madam Filth continues to approach her releases with intention. Got That Blow may not be overly complex, but it’s well-built for the purpose it serves. If you follow her work—or just want a no-frills DnB addition to your library as it’s worth a listen.#