Editorial
EDM Best Moments Of 2025
As 2025 comes to a close we’re taking a look back on some of the best moments in electronic music.
Unforgettable performances, jaw-dropping comebacks, colossal collabs, this year has had it all. So let’s take a look back over some of 2025’s landmark moments and enjoy the memories.
Tomorrowland’s Miraculous Recovery

Tomorrowland’s a festival that has always been about unity and this year they had to really band together and put that unity on display. After the devastating fire that burnt down their elaborate mainstage only days before Tomorrowland was due to start it looked as though the festival wouldn’t go ahead. Despite this Tomorrowland showed great resilience and in only a matter of days constructed a new mainstage with help coming from an unlikely source. In a display of how music can unite people across genres, it was the legendary metal band Metallica who came to the rescue. The new mainstage was constructed using parts loaned from Metallica’s stage used during their WorldWired tour. The festival was able to go ahead without a hitch which was a miracle and shows why Tomorrowland is the world’s best festival.
The Prodigy Headlining Glastonbury

2025 has been another huge year for The Prodigy with them headlining festivals around the world, however it was their return to Glastonbury that really stood out. They were originally billed to play Glastonbury in 2019 but had to cancel following the untimely death of Keith Flint. As the first ever dance music act to headline Glastonbury back in 1997, The Prodigy has a great deal of history at the festival making their return a very welcome one. 28 years on from that legendary performance they once again brought the fire and reminded everyone of the power of The Prodigy.
EDC Debuting In Thailand

Electric Daisy Carnival has forever been a festival that just keeps on growing and this year they made the huge step of bringing the carnival over to Thailand. Festivalgoers got the full EDC experience with them bringing their iconic stages and rides to give everyone the time of their lives. The lineup was packed with some of the biggest names in dance music including Alesso, Fisher, Tiesto, Skrillex, and many more. The festival was a massive hit leading to the good news which soon followed. EDC will be returning to Thailand in 2026 with even bigger plans.
Tiesto Returning To Trance

It’s a moment that people have long been waiting for and this year Tiesto has had people on the edge of their seats waiting for his trance return. Throughout 2025 he’s been dropping hints and shining rays of hope with a big one coming at EDC Las Vegas with his ‘In Search of Sunrise’ set. Here he threw back to the days of the iconic trance mix compilations he used to do that started way back in 1999. Roll on a few months and Tiesto cleared his social medias and switched his profile image to his old logo which meant only one thing. Soon after he dropped ‘Bring Me To Life’ marking his return to trance and sending the dance music community into raptures. With the release of this single there was some more big news for next year as Tiesto announced a full trance album is coming.
Martin Garrix, David Guetta, Afrojack, and Amel Performing ‘Our Time’ At Ushuaia

As far as collaborations in electronic music go it doesn’t get any bigger than this. ‘Our Time’ has been one of the best tracks of 2025 and it’s no surprise when you look at the star power behind it. Martin Garrix, David Guetta, Afrojack, and Amel delivered an absolutely stunning track that got crowds bouncing around the world but none more so than at Ushuaia. To hear ‘Our Time’ performed by anyone is a joy and Ushuaia got an extra treat with seeing Garrix, Guetta, Afrojack, and Amel on stage together for it. It’s a moment that no one who was there will ever forget.
Armin Van Buuren Releasing ‘Breathe’

Armin Van Buuren has been everywhere, doing everything this year. From his 800 drone ‘Pillars of Creation’ set in Ras Al Khaimah, to releasing an acoustic album with him on the piano. His year’s been eclectic to say the least. Although there’s a lot to choose from it was his 51-track masterpiece ‘Breath’ that showed the best that Armin Van Buuren has to offer. After releasing the first part of the album ‘Breathe In’ back in early 2024, in June this year he concluded the saga with part two ‘Breathe Out.’ Featuring ventures into a myriad of genres including drum & bass, progressive house, and many more, it was a true show of the veterans undying skill.
Sub Focus’ Creamfields Mainstage Debut

Sub Focus has hit some massive milestones this year and his debut on Creamfields’ mainstage certainly shone as one of his biggest. He delivered a full throttle performance from start to finish giving the tens of thousands of festivalgoers one of the best sets in the festival’s history. Along with this he released his incredible 5th studio album ‘Contact’, made it onto the cover of DJ Mag, and released some of the biggest tracks of his career. There’s so much to choose from for Sub Focus but debuting on the mainstage of one of the worlds biggest festivals in his home country is absolutely the standout.
RUFUS DU SOL’s Record Setting Tour

It’s been a year where RUFUS DU SOL have been able to celebrate their past, present, and future. They celebrated the past this year with the 10th anniversary of their historic anthem ‘Innerbloom’, and the future with the announcement of their biggest-ever European tour in 2026. But it’s in the present where they’ve hit a new high as their Inhale/Exhale world tour became the biggest selling electronic tour of all time. Across nearly 50 headline shows they sold 750,000 tickets and performed to 1.5 million fans worldwide amidst festivals and their own shows. This included performances at iconic festivals and venues such as Lollapalooza, Los Angeles’ Rose Bowl, Coachella, Rock Werchter, and many more.
Martin Garrix Making His Red Rocks Debut

Red Rocks is one of the worlds most unique and historic venues. Pair it with the legend that is Martin Garrix and you’ve got a recipe for one hell of a time. In October Garrix took up a 3-day residency at the beautiful amphitheatre and blasted it with the wonderful sounds of electronic music. He brought along plenty of treats for the fans attending with amazing support acts including Afrojack and Mesto who kicked of the Wednesday night. Not only were there excellent individual acts, but there were also a couple of monumental back 2 backs with Garrix being joined on stage by Alesso and Marshmello. Every set was completely electrifying ensuring that Garrix left his mark on Red Rocks forever.
To read more about the highs of 2025, click the links below:
10 DJ’s And Artists Who Dominated 2025
Editorial
Daijo Brings Emotion and Energy to Melodic Techno’s Next Wave
Canadian-Persian producer Daijo is quickly becoming one of the most exciting names in melodic techno right now, thanks to a sound that feels emotional, powerful, and built for real moments on the dance floor.
Now based in Vancouver, Daijo’s story is as global as his music. Born to an Iranian refugee mother and raised in Hamburg, Germany, he brings a unique perspective to everything he creates. His tracks blend melodic techno and house with deep feeling, mixing big atmospheres with driving rhythms that grab your attention instantly. There’s always a story in music, and that’s what makes his sound stand out.
Daijo has also built a strong reputation as a live performer, selling out headline shows across North America and bringing the same energy to both intimate clubs and festival stages. His sets are smooth, emotional, and full of purpose, making it easy to get completely lost in the journey he creates.
On the release side, Daijo has landed music on some of the scene’s most respected labels, proving he’s not only part of the global electronic movement, but helping shape where it goes next, all while staying true to his own identity and style. With more music on the way and a full album in his sights, it’s clear Daijo is just getting started.
One of his biggest recent moments came with ‘Goodbye’, released on Hardwell’s Revealed Recordings, a track that shows a more personal side of his artistry.
“Goodbye is a story about love and loss, about that moment you realize that letting go is the only way forward,” Daijo explains. “Anyone who’s ever cared deeply for someone will feel that.”
With its emotional melodies and rich production, ‘Goodbye’ hits hard while still keeping that uplifting, melodic energy Daijo is known for, a perfect example of why his name is rising so fast.
Connect with Daijo:
Instagram | Facebook | X | SoundCloud | Spotify
Editorial
Starlight PR Strengthens Its Role as a Development Partner for Independent Artists Navigating a Crowded Market
The independent music sector continues to experience unprecedented growth, with thousands of new releases entering DSPs daily. But as access expands, competition intensifies, making structure, strategy, and professional visibility essential for artists hoping to rise above the digital noise.
Starlight PR, a long-standing player in independent artist development, has increasingly become a go-to partner for emerging acts in hip-hop, R&B, and pop who need more than just distribution they need direction.
“Our role isn’t to inflate numbers,” a company representative tells Billboard. “It’s to help artists build momentum rooted in real interest and real story.” Starlight’s model blends targeted media outreach, narrative framing, and coordinated rollout planning. The firm’s longstanding editorial relationships also help open doors that most independent artists struggle to access: credible coverage in outlets capable of driving both discovery and perception.
Several recent campaigns have demonstrated the firm’s effectiveness. Artists with local or regional followings were able to transition into national visibility following structured press arcs, while others benefited from story-driven positioning that helped translate their message beyond social media.
With DSP editorial teams increasingly selective and social algorithms less predictable than ever, structured press has regained its value as a core growth driver. For independent artists trying to navigate that environment without label support, firms like Starlight PR offer something few others do: a professional development framework that is both strategic and sustainable.
As the independent market continues maturing, companies that combine industry insight with editorial discipline are poised to play a larger role. Starlight PR appears to be doing exactly that, and the rising demand for structured artist development suggests their impact is only beginning.
Editorial
EDC Thailand 2026: The Artists Making Their Thailand Debut
A closer look at all of the artists playing in Thailand for the very first time at EDC Thailand 2026.
With EDC Thailand 2026 taking place on January 16–18 at Rhythm Park, Phuket, this year’s lineup includes a group of artists who will be playing in Thailand for the first time. The list brings together names from different parts of electronic music, from bass-focused sets to melodic and harder club sounds, and includes artists that have been part of international festival and club lineups for years but have not appeared in Thailand until now. GRiZ, Loud Luxury, BUNT., Cassian with a sunset set, KI/KI, NOVAH, Mathame with a sunset set, Suae, YDG, Vertile, and VTSS are all scheduled to make their Thailand debut at EDC Thailand 2026, creating a rare chance for people in Thailand to see these acts live locally for the first time instead of only through recordings, livestreams, or overseas events.
GRiZ
GRiZ is the stage name of American producer and performer Grant Kwiecinski. He is known for bringing live saxophone into electronic sets and for releases that sit between funk influences and bass-forward festival production. His albums include End of the World Party (2011), Rebel Era (2013), Good Will Prevail (2016), Ride Waves (2019), and Face the Music (2021). Key tracks that defined his catalog include “Good Times Roll,” “Another World,” “Vibe Check,” “Burn Up The Floor,” and “Other Side of Jupiter.”
GRiZ became a fixture in the North American festival world across the 2010s, with regular appearances at major events such as Electric Forest, Lollapalooza, Shambhala Music Festival, Hangout Music Festival, and Counterpoint. He also created Grizfest, a multi-city festival event in the United States that connects electronic music with funk and hip-hop bookings, and he has built a touring identity around performance elements rather than studio-only DJ presentations. That combination is why his live show is often treated as its own booking category inside large festival lineups.
Loud Luxury
Loud Luxury is a Canadian house duo made up of Andrew Fedyk and Joe De Pace. They broke through globally with “Body” in 2017, which became a major radio and club record and charted on the Billboard Hot 100. Their catalog leans toward melodic, vocal-forward house and crossover dance releases, with tracks such as “Love No More,” “Aftertaste,” “Like Gold,” “Cold Feet,” and “Young & Foolish” forming their best-known run of releases after the breakout.
Their festival footprint has been built around mainstream EDM programming, including appearances at EDC Las Vegas, Ultra Music Festival, Tomorrowland, Coachella, and Lollapalooza. They also have a long touring history in North America and Europe tied to both club bookings and large outdoor festival stages, which is where their higher-profile singles translate best in set form. For Thailand, this booking matters because it brings a duo with established international festival rotation into a market where they have not previously appeared live.
BUNT.
BUNT. is a German electronic project led by producer Levi Wijk. The project is known for melodic house and crossover dance releases built around pop structure, vocal hooks, and festival-friendly arrangements. Tracks that are most commonly associated with BUNT.’s catalog include “Clouds,” “Young Hearts,” “Unbreakable,” “Take Me Home,” and “Nights Like That,” which established the project’s lane between club releases and broader streaming-friendly dance music.
BUNT. has developed a touring profile through European festival and club infrastructure, with documented appearances at festivals such as Parookaville and Lollapalooza Berlin, alongside international dance events including EDC Las Vegas and Ultra Europe. The project’s momentum has also been tied to consistent touring rather than one-off viral moments, which is why it shows up repeatedly across multi-city lineups. In the context of EDC Thailand, BUNT. is positioned as a melodic, crossover booking rather than a genre-niche act, which broadens the range of the debut list beyond bass, techno, and hard dance.
Cassian (Sunset Set)
Cassian is an Australian producer associated with melodic techno and progressive electronic music. He is widely recognized for his work with Anyma and RÜFÜS DU SOL, including contributions and collaborations tied to tracks such as “The Sign,” “Together,” “On My Knees,” and “Alive.” His solo releases, including “Landa,” “Magenta,” and “Running,” sit in the same melodic lane and have supported his presence on international lineups that prioritize longer, building sets.
His booking profile is closely linked to the Afterlife ecosystem, which has become one of the most visible touring brands in melodic techno over the last few years. Cassian has appeared at major global events including Tomorrowland, Coachella, and Burning Man, and at Afterlife shows in destinations such as Ibiza and Tulum. A sunset set billing fits how his music is typically programmed, since the sound is designed for longer transitions and atmosphere rather than short peak-time punch-ins.
KI/KI
KI/KI is a DJ and producer originally from the Netherlands and now based in Berlin. She is known for trance-influenced techno and acid-leaning rave music, with a modern approach that references classic trance structure and faster club tempos. She gained broad attention through a 2021 Boiler Room set and followed it with releases including “Blue Steel,” “5 Mins of Acid,” “Feelin’,” and “Leave It To The Future,” which helped define her sound in recorded form beyond live sets.
Her touring and bookings have been anchored in Europe’s major techno and festival circuit, including appearances at Dekmantel, Awakenings, Time Warp, and Creamfields, plus high-profile club bookings that place her within the main European touring lane. Her rise has been tied to both platform visibility (recorded sets) and repeat bookings at major events, which is why she is now a recognizable name beyond niche trance spaces. For EDC Thailand, she is one of the clearest “new-to-Thailand” names for fans of faster techno and trance-adjacent programming.
NOVAH
NOVAH is a Belgian DJ and producer associated with hard techno and faster rave-oriented club music. Her catalog includes tracks such as “Rave From The Grave,” “No Control,” “Aggression,” and “Valkyrie,” and she has appeared on labels tied to modern hard techno movement in Europe. The sound is characterized by higher BPM ranges and a club-focused approach that aligns with the current European hard techno wave.
She has performed at major European-facing events including Tomorrowland, Awakenings, Extrema Outdoor, Time Warp, and I Love Techno, building visibility through both festival and club infrastructure in Belgium and neighboring markets. NOVAH’s rise has also been connected to the broader interest in harder techno programming across large mainstream festivals, not only underground bookings. For Thailand, her presence is notable because it brings a harder European techno booking into a lineup where Thai ravers have mostly experienced her sets through recorded platforms and international clips.
Suae
Suae is a harder-styles DJ and producer whose public artist identity is directly positioned around hardstyle and high-tempo hard dance. He has branded himself as part of the harder-styles lane rather than mainstream EDM, and his catalog is built around hardstyle sets, edits, and mixes shared through his official channels. That positioning matters because it places him closer to hard dance programming rather than techno or bass stages.
In terms of footprint, Suae’s visibility is strongest through online performance content and harder-styles community channels rather than a long list of globally indexed festival credits. What can be stated safely and clearly is that he is a hardstyle-focused act, and his inclusion at EDC Thailand supports the festival’s harder styles representation alongside other hard dance names on the lineup. For your debut article, the clean angle is the genre: he represents the hardstyle side of the debut list, not the melodic or bass side.
YDG
YDG is a South Korean DJ and producer associated with bass, trap, and club-focused electronic music. He has built recognition through releases and remixes, including tracks such as “Diamond,” “Go Dumb (YDG Remix),” and “2 Step,” and through consistent release activity that connects him to modern bass-oriented festival programming. His recorded output is oriented toward high-impact drops and set-friendly structures that translate clearly into festival performances.
He has appeared at major events in East Asia such as Ultra Korea and has been part of EDC-branded lineups in the region, including EDC China, which places him within a recognizable international touring pathway for Asian electronic artists. His profile is also supported by platform distribution through established dance music networks, which is how many Thai fans will already know his sound before seeing him live. In Thailand, this booking broadens the debut list into bass and trap territory rather than only techno and hard dance.
Vertile
Vertile is a Dutch hardstyle producer, DJ, and vocalist known for combining hardstyle production with live vocal performance. He became widely recognized in the hard dance world through releases such as “Change This Place,” “Together We Grow,” and “Complex Aftermath,” and through collaborations that placed him alongside top-tier hardstyle names such as Headhunterz. His music is structured around dramatic builds, vocal hooks, and high-tempo hardstyle climaxes.
He has played at major hard dance festivals including Defqon.1, Qlimax, and Decibel Outdoor, which are core reference points for modern hardstyle touring credibility. Vertile’s presence is especially significant because he is not only a producer but also a live vocal identity within hardstyle, which is still a rarer format compared with standard DJ sets in the genre. For EDC Thailand, he anchors the debut list on the European hardstyle side, bringing a name that is firmly tied to the Netherlands hard dance ecosystem.
VTSS
VTSS is a Polish DJ and producer known for fast, modern techno programming and rave-oriented sets. She built international visibility through widely circulated platform sets and a touring profile that connects her to contemporary European techno, including releases associated with labels such as Intrepid Skin and Steel City Dance Discs. Her output and DJ identity are tied to higher BPM ranges and techno programming that often crosses into trance, electro, or hard-edged club music depending on the set context.
She has played major festivals including Dekmantel, Awakenings, Primavera Sound, and Sonar, along with a wide range of European club bookings that have reinforced her as a high-demand touring DJ. VTSS is also a name that many people first encountered through recorded sets and clips before seeing her on festival posters, which is common for modern techno artists. For Thailand, her booking gives the debut list a major European techno representative with a clear global touring resume.
With EDC Thailand 2026 just days away, this is our short list of artists making their Thailand debut this year, from GRiZ and Loud Luxury to KI/KI, NOVAH, Suae, Vertile, and VTSS. It is a lineup that brings together first-time appearances across house, melodic techno, bass, hard techno, and hardstyle in one place over the January 16–18 weekend at Rhythm Park, Phuket. If you are going to EDC Thailand this year, which of these debut sets are you most looking forward to seeing?
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