Mazay and HIGH’S COOL release ‘Weekend’ via Fankee, a euphoric house and french touch single channelling the carefree energy of early 2000s club culture.

Community-driven label Fankee is proud to announce the release of “Weekend”, the new collaborative single by Mazay and HIGH’S COOL.

Born spontaneously during a phone call between Mazay and Federico “Fede” Secondomè of HIGH’S COOL, “Weekend” captures the chemistry of two artistic worlds reconnecting after years of shared creative evolution. The result is a track that channels the carefree instinct and euphoric energy of the early 2000s while sounding unmistakably contemporary.

Built around infectious house grooves, french touch textures and retro-inspired brit-pop vocal melodies, “Weekend” is designed as a soundtrack for collective escape, a song that transforms every weekend into a ritual of freedom, movement and connection.

Mazay, DJ and producer with a strong electronic identity, first emerged internationally as one half of the iconic duo Pink Is Punk, a project that helped define a generation of EDM and electro club culture. Throughout his career, he has collaborated with influential artists and producers including Drillionaire and Benny Benassi, contributing to multiple platinum-certified productions.

Alongside his studio work, Mazay has performed special DJ sets for AC Milan at San Siro, shared stages with Jovanotti during the Jova Beach Party and continues to tour Italy’s leading clubs with a sound that blends house, tech house and high-energy club sensibility. At the same time, he maintains deep roots in the underground electronic scene, with productions regularly supported by internationally respected DJs across the global club circuit.

HIGH’S COOL is an Italian electronic duo formed by Federico Secondomè and Keith Rich, combining early-2000s french touch energy with psychedelic pop influences reminiscent of Tame Impala, the glossy electronic aesthetic of Empire Of The Sun and the brit-pop attitude of Pulp. In a short time, the project has evolved into a wider creative movement spanning music, fashion and nightlife culture.

As producers, Secondomè and Keith Rich have also contributed to major international releases, including VULTURES 1 and VULTURES 2 by Kanye West and Ty Dolla $ign. Their artistic identity merges playful irreverence, refined sound design and a vivid visual language, positioning HIGH’S COOL among the most compelling emerging acts within Italy’s independent music landscape.

The release also reflects the vision behind Fankee, the revolutionary community-driven label redefining the relationship between artists and audiences. In an era dominated by algorithms, fleeting virality and platform gatekeepers, Fankee gives power back to fans, transforming them from passive listeners into active collaborators in an artist’s growth.

Through its innovative model, fans become instrumental in discovering artists, promoting releases, activating communities and helping shape cultural momentum. Meanwhile, artists retain their independence while gaining access to a collaborative ecosystem built around community participation, shared growth and direct engagement.

With “Weekend”, Mazay, HIGH’S COOL and Fankee come together to deliver more than just a single: they introduce a shared experience rooted in nostalgia, dancefloor culture and the collective energy of modern independent music.

SEB C and INDICA release “One Night” Following Cross-Border Collaboration

SEB C and INDICA come together on “One Night,” a house record that builds around a steady 4×4 rhythm while keeping the vocal at the centre of the track. The release, now available across platforms including Spotify and Apple Music, was developed during the COVID-19 lockdown period, with both artists working remotely and exchanging ideas across different locations. Set for release on March 6, 2026, the track introduces a collaboration that did not begin in a shared studio, but through direct contact online, which shaped how the record was written and arranged.

SEB C’s Development Leading Into This Release

Describing SEB C as an emerging producer only covers part of the picture, as his catalogue already stretches back several years with releases such as “Run It Back” (2020) and “Weekend Hurricane” (2021). A more concrete reference point came in 2021, when his track “Guala” was played by Tiësto on Club Life Radio, placing his work within a wider audience beyond independent platforms. That moment sits as a clear marker of external support, rather than relying on general descriptions of early-stage artists.

His activity has not been limited to releases. Recorded sets and live footage from events such as CONTACT Festival and FVDED In The Park show that his work is already being carried into festival environments, which adds context to how his productions are structured. When placed alongside his earlier catalogue, “One Night” reads as a continuation of that direction, now moving into a collaborative format where the vocal takes a more central role.

How the Collaboration With INDICA Worked Out

The collaboration between SEB C and INDICA began during a period when in-person sessions were not possible, with the first exchange happening through Instagram. From there, the track developed through a consistent back-and-forth process, with vocals, drafts, and arrangement ideas being shared remotely until the final version was completed. This method of working did not interrupt the creative process, but instead shaped how the record was put together.

That process is reflected in how the track is structured. INDICA’s vocal is not placed onto a finished instrumental, but develops alongside the production itself, which is why the phrasing and progression feel connected across the full track. The collaboration holds a single direction from start to finish, rather than switching between contrasting sections, which gives the record a more consistent identity.

Where “One Night” Stays as a Record

“One Night” is structured in a way that allows it to function across different listening environments without being tied to a single context. The rhythm remains steady, which makes it usable within a DJ set without requiring major adjustments, while the vocal provides a clear point of recognition that carries through outside of a club setting. This balance between function and identity gives the track flexibility across both live and streaming use.

The arrangement stays controlled throughout, without introducing sudden changes that would interrupt the flow of the track. The focus remains on the groove and vocal phrasing, allowing both elements to carry the record without relying on additional layers or shifts in direction. This keeps the track consistent from start to finish, aligning with SEB C’s previous work while expanding it through INDICA’s contribution.

With “One Night” now released, the track sits as a clear step forward for SEB C, bringing together elements that have appeared across his earlier releases into a more complete record. At the same time, it introduces INDICA within a house setting that keeps his vocal at the forefront while still fitting within a DJ-oriented structure. The release reflects a collaboration that started under restrictions and carried through into a finished track without relying on a traditional studio setup. When placed alongside SEB C’s existing catalogue and performance activity, “One Night” adds another layer to his output, while opening space for further collaborations to follow.

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