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Fred again.. Shares His Thoughts on AI in Music
Fred again.. speaks out on AI in music as he argues that “the process is the magic” amid the technology’s growing role in music creation
Fred again.. on Why the Process Matters
The note Fred again.. shared was something he had written almost a year earlier before finding it again and deciding to post it. In it, he questions the way people talk about AI music and offers a different way of looking at the debate. “The opposite of AI music maybe isn’t human music. It’s making music,” he wrote, shifting the focus away from the finished result and back toward the act of creating.
He goes on to describe making music as part of his identity, his meditation and his “daily compass.” The repeated attempts, mistakes and small decisions that come with turning an idea into something real are exactly what he values, which is why he sees little appeal in using AI to bypass them. As he puts it, “the process is the magic,” and the work itself is “the thing we are most lucky to get to do.”
A Different View in the AI Music Debate
As AI becomes more common across music, the conversation has started to split between artists who see creative possibilities in the technology and those who question what may be lost along the way. Some have focused on copyright, ownership and the use of artists’ voices or work without permission, while others have experimented openly with AI as another production tool. Fred again.. is coming at the subject from somewhere else. His concern is less about whether AI can produce convincing results and more about what happens when technology begins replacing parts of the creative process people once had to work through themselves.
That distinction is important to what he shared. Fred again.. is not arguing that every new tool should be rejected, nor is he trying to decide what counts as “real” music. Instead, he keeps returning to the experience of making something, including the uncertainty and repeated attempts that happen before an idea finally works. At a time when AI can shorten parts of that process considerably, his argument is that efficiency is not always the point.
Why the Message Fits Fred again..’s Music
Much of Fred again..’s own work has come from material gathered from everyday life, particularly across the Actual Life albums. Voice notes, conversations, recordings from his phone and fragments of other people’s lives became part of songs that often feel closely tied to the moments they came from. The process of finding those pieces, returning to them and turning them into music has therefore been part of his work for years.
Seen in that context, “the process is the magic” feels less like a reaction to the latest AI debate and more like an extension of how Fred again.. already approaches music. As AI continues to develop and more artists decide where it belongs in their work, his position leaves a different question hanging over the conversation: not simply what technology can make, but what musicians may lose when they no longer need to make every part themselves.
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deadmau5 takes over Red Rocks for Halloween on October 30 and 31 with two special shows and the return of mau5hop
For more than 15 years, deadmau5 has returned to Red Rocks Amphitheatre each fall, with the Colorado venue becoming a regular part of his seasonal live shows. This year, that tradition reaches a new point as he performs at Red Rocks on Halloween itself for the first time, with DEADMAU5 HALLOWEEN taking place on October 30 and 31. The two-night event will feature VOWWS, joined by Josh Freese and Danny Lohner, alongside special visuals, selections from deadmau5’s catalogue and new music. The weekend will also include the return of the mau5hop pop-up in Denver, with exclusive merchandise, collectibles and meet-and-greet sessions across both days.
VOWWS Joins deadmau5 For The Halloween Shows
VOWWS will join deadmau5 across the two nights, with Josh Freese and Danny Lohner also part of the performance. The Australian-born, Los Angeles-based duo of Matt James and Rizz have long worked across darker alternative and electronic sounds, with previous collaborations involving Gary Numan, Chino Moreno and Chelsea Wolfe.
Josh Freese, whose credits include A Perfect Circle, Foo Fighters, Nine Inch Nails and The Vandals, also appears on VOWWS’ latest album I’ll Fill Your House With An Army. Danny Lohner, known for his work with Nine Inch Nails and The Black Queen, will join the duo at Red Rocks as part of the expanded live lineup.
What deadmau5 Has Planned For Halloween
The October 30 and 31 shows will feature special Halloween visuals alongside selections from deadmau5’s catalogue and new music. Attendees are also being encouraged to come in costume across both nights.
The shows add a new chapter to deadmau5’s long history at Red Rocks, where his fall appearances have become a regular fixture over more than 15 years. He was back at the venue in 2025 for Day of the Dead, where he debuted new music and parts of a new touring production.
That period has continued into 2026 with ‘Science’ featuring Stevie Appleton, his first vocal single since ‘My Heart Has Teeth’. The track later reached No. 1 on US Dance Radio and also entered Billboard Dance/Mixshow Airplay and Canada CHR/Top 40.
mau5hop Returns For Halloween Weekend
The Halloween weekend will also include the return of mau5hop in Denver, opening on October 30 and 31 at 95 S Cherokee Street. The pop-up will run from 11:00 AM–6:00 PM each day with specialty merchandise, limited-edition apparel, pins and collectibles not available online or at the shows.
deadmau5 and friends are also due to appear for meet-and-greets and signings from 12:00 PM–3:00 PM on both days.
With the Red Rocks shows and mau5hop both returning across Halloween weekend, this year’s edition adds more around a tradition that has already become closely tied to deadmau5 and the venue. The biggest difference in 2026 is simple: for the first time, one of those shows will actually fall on Halloween night.
With VOWWS, Josh Freese and Danny Lohner joining the shows, new music expected and mau5hop returning to Denver, DEADMAU5 HALLOWEEN has plenty planned across the weekend. Limited tickets remain for both nights at Red Rocks Amphitheatre, with more from deadmau5 also expected in the months ahead.
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Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.
In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.
Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.
“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.
Listen to “Wait” here: https://thecrossrecords.lnk.to/wait
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2026 marks the 20th anniversary of The Warehouse Project and to celebrate they’ve got a stacked lineup heading to the Warehouse in December.
On October 5th it was 20 years to the day since the very first WHP event which was held at the old Boddingtons Brewery. In the 20 years since Public Enemy kicked off The Warehouse Projects history they’ve grown exponentially and now call the legendary Depot Mayfield home. The Warehouse Project is not only one of Manchester’s most iconic venues, it’s one of the most iconic venues in the world. They’ve already been marking this huge anniversary with incredible events selling out and now they’ve added another to the calendar.
On December 19th they’ll be holding they’re official 20 years of The Warehouse Project event with a litany of legends on the bill. The lineup includes icons such as Carl Cox, Chris Stassy, Ewan McVicar, Seth Troxler, and many more. All 4 of The Warehouse Projects stages will be in play with over 20 DJs spread across the Depot, Concourse, Archive, and Vault stages. 10 hours of heavenly electronic music are on the table for all ravers to get stuck into and enjoy experiencing a part of history. On their social media Warehouse Project said, “WHP has always been about much more than just a lineup… but we are particularly proud of this one.”
With 2027 being a quiet year for The Warehouse Project as they have stated they’ll be taking a breather, they’re looking to close out 2026 strong. They’ve made a lot of history over the last 20 years and WHP is looking poised to create even more before the years out. Tickets go on sale on October 9th 2026.
To sign up for pre-sale tickets click the link below:
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