Marco Weber interview goes in depth about his new single ‘Dance With Me’ in collaboration with Dirty Den.

Every track has a story, and Marco Weber’s latest release, ‘Dance With Me’, is no exception. In this interview, he pulls back the curtain to reveal the creative process, inspirations, and late-night studio sessions that brought the high-energy track to life.

Hi Marco! How are you?

Amazing, thank you!

How did the initial concept for “Dance With Me” first come?

The song came together in a very organic way. While jamming on the synthesizer, I found the melodic idea that became the heart of the track. From there, I built everything around that moment and finished it with Dirty Den’s vocals.

How do you believe this song stands out compared to your previous releases?

One big difference is that, as with some of my previous productions, the vocals were recorded in the studio – but this time, the process was far more collaborative and shaped closely together with Dirty Den. On top of that, the synth line really stands out and gives the song a hook that stays with you.

What was the first layer of the track that you worked on in the studio?

As mentioned earlier, the synth hook was the very first layer I worked on. After that, the process flowed quite naturally.

Did you face any particular challenges while making this track?

There weren’t any major challenges, but working with clean recorded vocals on a House track is always a bit tricky. Even when the vocals are spoken rather than sung, it still takes a lot of processing and fine-tuning to make them sit right in the mix.

How do you define the “signature sound”?

I think my signature sound is all about catchy synth hooks, a solid groove, and a clean, striped-back production that works both emotionally and on the dance floor.

In what way do you believe “Dance With Me” pushes the boundaries of the genre?

I wouldn’t say it’s pushing boundaries – it’s not that rebellious. It just doesn’t behave particularly well when it comes to sticking to one genre.

Could you share a favorite memory from the studio sessions for this project?

One of my favorite memories was taking the almost finished track to New York to record vocals with Dirty Den at the legendary Quad Studios back in December 2024.

We originally went in to work on a completely different song, which is still in the pipeline. In the end, we had about an hour left, so we decided to quickly try something for “Dance With Me”. She just threw in a few dirty spoken lines, but they fit the track perfectly and ended up being exactly what it needed.

What was the most time-consuming part of the production process for you?

Definitely the vocals. Editing them, chopping everything up, putting it back together and processing it properly took by far the most time.

How many different versions of the track did you create before reaching the final master?

I actually kept track this time – it landed around version 19 before it finally felt right. I’ve definitely had more versions on other productions.

How has the completion of this song influenced your future production style?

It didn’t really change my sound, but it confirmed my style. What I do want to do more going forward is recording vocals with real people in the studio – it makes the process more exciting and enjoyable.

From early sketches to the final mix, ‘Dance With Me’ reflects Marco Weber’s dedication and vision. As listeners hit play, they’re not just hearing a track, they’re experiencing the journey behind it, one beat at a time.

Marco Weber Online

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With over 25 years as a DJ and producer, Swiss-based artist Nenad Jovanovic continues to evolve through his latest project, JOHANNSON. Blending Afro, Latin, Balearic, and Tech House influences, the project has quickly gained attention and strong support from key names in the scene.

Hello JOHANNSON! How are you? I hope you’ve had a great day.

For those who are just discovering your music, how would you describe your artistic identity in three words?

Versatile, open-minded, passionate.

Who were the early musical influences that shaped the way you listen to and create music today?

In my youth, I loved the synth-heavy sounds of artists like Jean-Michel Jarre, Jan Hammer, Vangelis, Giorgio Moroder etc.! I listened to their albums constantly, as well as various synthesizer greatest hits compilations. That’s why you’ll hear not only club-oriented music from me, but also softer, melodic and emotional sounds.

How has your journey as a listener evolved into your journey as a creator?

I’m still both a listener and a creator, constantly seeking new inspiration. Over the years, I’ve developed a better ear for high-quality, well-produced music, but for me, it’s more important that the music evokes emotions than that it’s perfectly produced. That’s why I’m such a big fan of lo-fi House. The music doesn’t sound as pristine as high-end productions, but it has a special, warm, and melancholic character.

What was the defining moment that made you realize you wanted to pursue a career in music?

I entered the music scene step by step, but the decisive moment was clearly when I first felt the energy of the audience and the connection with them while DJing. The vibes that arise when you play the right music for the right people are incomparable.

What is your favorite part of the creative process?

My favourite part is when something unexpected and good emerges. Often, it’s mistakes that lead to something brilliant. For example, I once mistakenly dragged a synth lead VST preset onto the bass track, and the MIDI notes meant for the bass turned into a fantastic synth melody. That’s how the bass can quickly become the main idea for a track.

What is the most unconventional object you have ever recorded to use as a sound effect in a song?

I once recorded the sound of the spray bottle I use for watering my flowers. Then I used that sound for the shaker effect. But in the end, it was too much work for something that’s barely noticeable in the track 🙂

What is the biggest challenge you have faced so in the industry?

The biggest challenge is staying true to yourself, because social media makes you unconsciously compare yourself to other artists. That’s why I use social media as little as possible.

We are curious: what is the best piece of advice another artist has ever given you?

I recently spoke with an artist who has a successful career and travels a lot. She told me: don’t forget to have fun, like when you first started. And she’s absolutely right. I think of her words every time I go to a gig or during stressful periods.

How do you push yourself to step outside of your comfort zone when you are in the studio?

Honestly, I never have to push myself because I’m completely obsessed with music. I always find inspiration, ideas, and motivation to work on new music, especially because I’m very open-minded musically.

What are your main goals for the coming year in terms of releases?

I want to continue releasing music with high recognition value, because that’s what matters most to me. I want to create tracks that DJs and listeners won’t get tired of even years later.

With new music on the way, JOHANNSON continues to build strong momentum in global Dance music, driven by passion, experience, and a distinctive cross-genre sound.

JOHANNSON Online 

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Every artist is shaped by the records that stay with them. For Sterling Angel those influences run deep. In this interview, he breaks down the ten tracks that left a strong imprint on his sound and how they helped shape the project into what it is today.

Orbital – Lush 3-2

Simply put, this is the first Techno song I have ever heard. I was about 16 and came across this alien sound on a local college radio station. I just instantly gravitated to it.

Bjork – Venus as a Boy

Once again, I discovered this on the radio. I did come across Bjork’s voice before via her former band The Sugarcubes, but had never found out who it was. Her voice absolutely captivated me. I still didn’t know her face, but I was so in love with her voice. Bjork would go on to be my favorite artist of all time.

Sinead O’Connor – Thank you for Hearing Me

One of the most beautiful and touching songs I ever heard. I remember blasting this song on my headphones and just getting lost in the sound. It is such a deeply emotional song. And what a voice!

Fluke – Atom Bomb

While being familiar with Fluke’s work through their remixes of Bjork, this was the first time I was exposed to their solo work. I came across it on a late-night MTV show called AMP – a program aimed at the Electronic music and rave crowd. I went on to buy their album Risotto, which is still one of my favorites. A truly underrated act that I consider to be one of the best Electronic acts periods.

Enigma – Age of Loneliness

I forgot where I heard this track for the first time. Actually, I think it was in the background on some scene of MTV’s THE REAL WORLD and I somehow tracked it down. I was familiar with Enigma of course, through their worldwide hit Sadeness, but this was an evolution. The album that this was from, The Cross of Changes, is beyond stunning. Music from God himself.

Future Sound of London – Papua New Guinea

Still their best song to date. I found this track on a Trance compilation called Logic Trance II. I believe I picked the CD up on just a whim. This track and a few others stood out. Consistent with my tastes, it is another song that does what Electronic music does best – take you to another world.

Amorphous Androgynous – Liquid Insects

This is a side project of FSOL (Future Sound of London). When I first heard this song, I knew it was special. It is one of the most alien songs I have ever come across. They were and still are ahead of our time. Complete otherworldly immersion.

Lamb – Gorecki

Yet another one discovered by chance. I was going through CDS that had arrived at my college’s radio station. It’s crazy that I would come across a track so brilliant from an unknown artist. The lyrics, the swelling ambience, the raw voice. Stunning.

Bjork – One Day (Endorphin Mix)

During the promotion of her first album, Bjork had some of the absolute best remixes. She always knew how to find the most innovative and appropriate artists to help expand on her original ideas. Remixes were quite impressive from all of these unknown acts. This remix stood out to me as the most epic soundscapes for her voice to pierce through with incredible emotional resonance. So many songs by her are incredible, her influence on me cannot be overstated.

Lustral – Everytime (Nalin & Kane Remix)

Walking in a music store in London, I heard this over the speakers. I knew I had to find out what it was. It was off of a compilation CD called EUPHORIA. It was in 1999 and during a time when I was coming across a further evolution of what Trance was at the time. The EUPHORIA series was a massive inspiration to me. The raw emotion and rumbling bassline. The minimal but uplifting ambient synth. Timeless.

Sterling Angel Online

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