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Justin Jay’s Fantastic Voyage Releases Disc 2 Compilation!

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For the last five years, Justin Jay’s Fantastic Voyage has fostered a platform where artistry can flourish, boundaries can be broken, and musical communities bridged. Defined by feeling not genre, the label’s first half a decade around the sun has been marked by cosmic odysseys, technicolor sunsets, and friendships between a wide-reaching cast of musical characters. In commemoration of this milestone, the imprint offers ‘Fantastic Voyage: 5 Year Compilation’, an eclectic and diverse three-disc, 100 track journey into sonics bound together by a yearning for creative freedom at all costs. This past Friday, November 19th, listeners are treated to Disc 2 featuring longtime labelmates and newcomers alike. 

Disc 2 outlines the wide-reaching styles of house, UK garage, and disco, which stand as key pillars in the Fantastic Voyage universe. The disc offers a coming together of long-time label favorites and newcomers alike, a true representation of the anything-goes nature through which Justin A&R’d the project. In fact, the release is dotted with feel-good success stories like a collaboration between Justin and his middle-school friend jahjaylee, who had never produced music before the session. About half the disc is made up of Justin’s music production students, many of whom had never finished a song a year ago. The courses have become stuff of legend for rising producers, with Justin pouring his knowledge over three terms spanning from a free one-weekend free class over Thanksgiving weekend 2020 followed by 5-week and 6-month editions. Aimed to free young producers from the plights of being over-critical of their work, the courses will continue in 2021 – watch this space. 

‘Fantastic Voyage: 5 Year Compilation’ Disc 1, which dropped November 5th, represents the singer-songwriter capabilities of the outfit, seamlessly fusing rap, punk, R&B, indie, and singer-songwriter stylings. This first taste of ​​the compilation features label-mainstay Henry Was, lo-fi duo PVLMS, new-age R&B upstart Boylife, and Lord Pusswhip. The project was led by the symbolic single, ‘Colors’, which features pop/R&B vocalist Oli-J. The track highlights the anniversary’s core theme of “showing your true colors,” while touching on gay pride and self-doubt. The single challenges the label’s peak creativity, combing through its eclectic style to create a sound greater than the sum of its parts.

Disc 3 explores Justin Jay’s more recent interests in left-of-center club music and rave revival anthems, described by him as ‘Nu Rave’. These fast-paced productions combine modern sensibilities with old-school rave nostalgia, a melting pot of styles and influences that span footwork, breaks, happy hardcore, and more. Those who have seen Jay play out as of late will recognize his ability to break these tracks out in unsuspecting environs, always with a smile on his face and a feeling of open-mindedness in tow. The disc features notable names such as Nikki Nair, AK Sports, Anna Morgan, DJ Earl, Black Loops, and Stones Taro.

Launching his music career from his freshman dorm room, the Los Angeles-based Producer/DJ, Justin Jay, has already seen success that extends well beyond his years. As one of the youngest early members of the Dirtybird family, Justin has seen support by the likes of Claude VonStroke, Jamie Jones, Disclosure, and George Fitzgerald, while also being recognized as a “Future Star” by trusted tastemakers such as Pete Tong. Evolving from the house world that helped kick start his career, Justin Jay has gone on to release with Patrick Topping’s Trick label and Nicole Moudaber’s techno-savvy Mood Records, while finding a place with more avant-garde purveyors of rave revival sonics like Shall Not Fade and Childsplay. 

Fantastic Voyage’s 5 year anniversary has a simple mission – get out of the artists’ way and let them create what feels most authentic to them. The result is something that feels fun yet progressive, forward-thinking yet inclusive. It’s a something for everyone journey into the heart and mind of Justin and his constantly expanding and perpetually evolving platform for creative freedom. Come and get it. 

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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

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Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

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The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

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Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

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Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.

‘Off-Cuts (2014–2021)’ is out now on Plexus Records.

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