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‘Like a G6’ Hits 1 Billion Spotify Streams

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‘Like a G6’ hits 1 billion Spotify streams as KSHMR, Far East Movement and Dev celebrate the milestone

Released in 2010, ‘Like a G6’ became a huge global hit for Far East Movement, The Cataracs and Dev. The track reached No. 1 on the Billboard Hot 100 and spent three non-consecutive weeks at the top. Sixteen years later, it has now passed 1 billion streams on Spotify, with KSHMR marking the milestone on Instagram with the message “We made it to 1B.”

KSHMR’s Connection To ‘Like A G6’

When ‘Like a G6’ was released in 2010, KSHMR was still producing as Niles Hollowell-Dhar, one half of The Cataracs alongside David Singer-Vine. The duo produced the record for Far East Movement, while Dev provided the vocal that became one of its most recognisable elements.

Her part originated from ‘Booty Bounce’, which The Cataracs had produced with her earlier that year. They later used part of that vocal in ‘Like a G6’, helping create the version that went on to become a worldwide hit. The record gave Niles Hollowell-Dhar one of his biggest commercial successes years before he launched KSHMR.

His reaction to the Spotify milestone now brings that earlier part of his career back into focus. Long before the KSHMR project began, ‘Like a G6’ had already connected his production work to one of the biggest crossover records of the early 2010s.

‘Like A G6’ Became A Global No. 1

Following its release, ‘Like a G6’ climbed to No. 1 on the Billboard Hot 100 and held the position for three non-consecutive weeks. The achievement also made Far East Movement the first Asian American group to top the chart.

The track came at a time when electronic production, hip-hop and pop were increasingly crossing into the mainstream. Its success introduced Far East Movement, The Cataracs and Dev to a much wider audience, while also giving each artist one of the biggest records of their careers.

That success led into very different paths afterward. Far East Movement continued releasing internationally, Dev developed her solo career, and Niles Hollowell-Dhar later left The Cataracs before launching KSHMR.

More than 16 years after its original release, ‘Like a G6’ has now passed 1 billion Spotify streams. The milestone adds another major achievement to the track’s history while bringing one of KSHMR’s earliest major records back into focus.

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With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

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Mau P Launches Baddest Behavior Records

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Mau P launches Baddest Behavior Records as his event brand expands into a new label for emerging dance music artists

Mau P has grown to become one of the most prominent names arcorss the electronic dance music scene. His rise has included major releases, international shows and his own Baddest Behavior event series. First introduced as a way for him to curate lineups and host events under his own banner, Baddest Behavior soon became part of his touring calendar. Mau P is now taking the name into recorded music with Baddest Behavior Records, his first record label. The imprint gives artists and music he already supports a direct route to release.

Why Mau P Launched Baddest Behavior Records

As more unreleased music began reaching Mau P from producers, starting a label became something he began considering publicly. He has spoken about wanting to give other artists the type of opportunities that helped him earlier in his career. That became especially relevant when he heard records he believed deserved wider support.

 

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That intention was central to the announcement. Mau P described Baddest Behavior Records as being “for the culture, for the scene.” He also directed followers to the label’s new private Instagram account through his Stories. The page began accepting followers as part of the rollout. The first artists and releases have not yet been announced, so the label’s musical direction will become clearer once its catalogue begins.

Baddest Behavior Was Already Growing Beyond Individual Shows

By the time Mau P announced the record label, Baddest Behavior already had several years of events behind it. He has hosted editions in New York, Miami, Denver and Los Angeles. A residency at Pacha Ibiza also gave the series a regular presence on the island.

Those events have allowed Mau P to choose the artists playing alongside him and place the music he supports within his own lineups. Plans for Baddest Behavior to cover more than live events appeared well before the label announcement.

In 2024, Mau P B.V. filed a trademark application covering record label services, music publishing, recording, live events and DJ services. The filing showed that recorded music already formed part of the wider plans for Baddest Behavior.

Since breaking through with ‘Drugs From Amsterdam’ in 2022, Mau P has released through Repopulate Mars, Defected, Diynamic and Insomniac Records. He has also regularly supported IDs and unreleased tracks throughout his sets. Baddest Behavior Records now gives some of that music the possibility of becoming official releases with Mau P directly supporting them, while the first records will begin to show which artists and sounds he wants the label to represent.

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New EDM Friday Oct 9: David Guetta, Armin van Buuren & More

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Marlon Hoffstadt and David Guetta on stage in front of a large crowd, featured in New EDM Friday Oct 9

New EDM Friday Oct 9 brings new music from Marlon Hoffstadt, David Guetta, Armin van Buuren, Funk Tribu, Chase & Status, Dillon Francis, and more.

New EDM Friday Oct 9 brings together new singles, album releases, collaborations, and remixes covering techno, trance, bass music, drum and bass, house, and electronic dance. From Marlon Hoffstadt and David Guetta with Caught Up to Armin van Buuren and Funk Tribu with Nirvana, WÓTIE with Never Let You Go, SKILAH with GOMF BUT LOUDER, Chase & Status with Generic Everything, Dillon Francis and Oaks with Fall, and Effin with Heartbeats, these are the tracks you should not miss on this week’s New EDM Friday.

Marlon Hoffstadt & David Guetta – Caught Up

Marlon Hoffstadt and David Guetta link up on Caught Up, a new collaboration through Capitol Records. Marlon Hoffstadt said he grew up listening to David Guetta and called the collaboration “absolutely mental.” He also said they made the track earlier this year, just before Ultra Miami. Meanwhile, the single connects Marlon Hoffstadt’s trance-heavy style with David Guetta’s global dance reach. With Caught Up, the pair bring one of the week’s biggest collaborations into New EDM Friday Oct 9.

Armin van Buuren & Funk Tribu – Nirvana

Armin van Buuren and Funk Tribu team up on Nirvana, a new Armada Music single. The track connects Armin van Buuren’s trance roots with Funk Tribu’s faster club style. It also follows Armin van Buuren’s recent A State of Trance Ibiza 2026 mix album. For Funk Tribu, Nirvana places him beside one of trance music’s most established names. With Nirvana, both artists bring a direct trance entry into New EDM Friday Oct 9.

WÓTIE – Never Let You Go

WÓTIE turns a deeply personal story into Never Let You Go, a melodic dance and progressive house single. The song reflects his years-long separation from his daughter and the hope he held onto through that period. He wrote it in 2019 during a difficult time in Brazil, with lyrics drawn from loss, distance, and love. Musically, the track pairs warm male vocals, emotional piano, organic elements, and a euphoric drop. With Never Let You Go, WÓTIE brings one of the week’s most personal tracks into New EDM Friday Oct 9.

SKILAH – GOMF BUT LOUDER

SKILAH returns with GOMF BUT LOUDER, a tech house rework of her September single GOMF. The new version takes the original into faster and harder territory, with dark production, heavy bass, and her own vocals still at the center. It follows major festival appearances at Lost Lands, Coachella, EDC Las Vegas, Breakaway Music Festival, Foam Wonderland, and Ubbi Dubbi. At 23, the Minnesota-born, Los Angeles-based artist has also passed 3 million followers across TikTok, Instagram, and Snapchat. With GOMF BUT LOUDER, SKILAH brings a harder tech house cut into New EDM Friday Oct 9.

Chase & Status – Generic Everything (album)

Chase & Status release Generic Everything, a 10-track album through 2RUFF Records and Warner Music UK. The album pushes against algorithm-led creative sameness, while drawing from drum and bass, rave, rap, and soundsystem culture. It features J Hus, Little Simz, Skrillex, Giggs, D Double E, Blanco, IRAH, Col3trane, and more. One of its biggest moments is Essa Ta Quente, a Brazilian funk-leaning track with Skrillex. With Generic Everything, Chase & Status bring a full album into New EDM Friday Oct 9.

Dillon Francis, Oaks – Fall

Dillon Francis and Oaks release Fall, a melodic single out via Monstercat and Broke Records. The track centers on an expressive vocal topline, soaring melodies, and the feeling of finally letting go. Dillon Francis said the song was written for their significant others and came from a studio session where everyone was writing from the same place. It follows a major 2026 for Dillon Francis, including Stagecoach, the Impact Award at the EDM Awards, and the Dillstradamus co-headline tour with Flosstradamus. With Fall, Dillon Francis and Oaks add a more emotional dance release to New EDM Friday Oct 9.

Effin – Heartbeats (Album)

Effin presents Heartbeats, a 12-track album centered on love, memory, nostalgia, and detailed sampling. Across the project, the Nashville producer uses 1950s film dialogue, forgotten live recordings, jazz flutes, vocal manipulation, and vintage-inspired textures. The album follows his earlier singles What’s In Your Heart, Forever & Always, and Plus One, each giving a different part of the project’s emotional world. It also follows his biggest touring year so far, with appearances at Bonnaroo, Electric Forest, Lost Lands, Breakaway, VELD, and more. With Heartbeats, Effin brings a conceptual bass album into New EDM Friday Oct 9.

Honorable Mentions:

22Bullets – My Motto
999999999, LYNSY – TRIP ON ACID
Aluna & Jengi – Moaning
Andrew Rayel & Daijo – On Fire
Angerfist, The Obsessed – Five Day Bender
Bhaskar, Mojjo – Keep You Warm
Coone – Soldier
Dave Clarke – Wisdom To The Wise (Joris Voorn Remix)
DJ Isaac – My House
DJ Kuba & Neitan – Tokyo Drift
DJ Sammy, C-Ro, Don Bnnr – Love Me Again
EDX feat. Orem – Echoes
Eli Brown & Dimension – Frequency
Ferreck Dawn – Need
Ferry Corsten & Eddo Brandwijk – Oh How I Miss You
Genesi, Djammin & Flowdan – Red Button
Hel:sløwed, Nina De Koning – Give It To Me
Innellea – Reckless 69
ISOxo – Hardcore Diva (Album)
Joey London Style, Pheelo – Never Stop
Justė, Jaxstyle, Jon – Turn The Lights Off (Piano & Strings)
KAAZE – Feel The Beat
Katy B, Jax Jones – Last Day of Summer (Kilimanjaro Remix)
Kevin de Vries, Juan Elvadin – Feel Me
Kyle Walker, Benni Ola, Nate Katz – 10%
Linska – Movement (EP)
Marten Horger – Unf*ck Your Mind
Mind Against, Tharat, Shel·ly – Sorry Mom
Noizu – Hot Girls Party For Free
Ran-D & Brennan Heart Ft. Floor Jansen – Heart Of A Dragon
Rebuke – Mind Games
Route 94 – 4Get The Girl (GUDFELLA & Jackie Hollander Remix)
Sam Divine – Paradise
SMACK – Back Once Again
Watermat, James Mac – Rhyme Design

Stream all the new music on Spotify and Audiomack to hear the full New EDM Friday playlist.

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Sara Landry’s Company Sues Former Management

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Sara Landry posing against a black background in a promotional portrait

Sara Landry’s company sues former management in U.S. trademark case involving her name and Hekate Records

After working with The Night Department since 2023, Sara Landry ended the relationship last year. The split later developed into legal disputes on both sides of the Atlantic. Landry IP LLC has now filed a new lawsuit in the United States against The Night Department and affiliated company Prepare to Flash. The case centers on alleged trademark use involving Sara Landry’s name and Hekate Records.

What Sara Landry’s Company Is Alleging

Landry IP LLC filed the lawsuit on October 6 in the U.S. District Court for the Southern District of New York. The case names Night Night Ltd, which operates as The Night Department, and Prepare to Flash as defendants. According to the filing, Landry IP LLC owns the trademarks connected to Sara Landry and Hekate Records.

The complaint says the management relationship had ended by late October 2025. It alleges that the defendants continued using the trademarks in music distribution and their management business afterward. Landry IP LLC argues that this could have suggested The Night Department still represented Sara Landry and Hekate Records. The conflict also extended to Hekate Records’ distribution account with Believe, which Prepare to Flash allegedly refused to transfer when Sara Landry’s representatives sought control.

The Dispute Goes Back To Music And Label Ownership

Tensions around ownership had already developed before the U.S. trademark case. According to the complaint, the former management team sought 50% ownership of Sara Landry’s music and 50% ownership of Hekate Records. Her side argues that those interests were sought without appropriate payment and conflicted with her intention to retain control of both.

The Night Department disputes the wider account of the split and says the relevant ownership provisions appeared in the management agreement. Sara Landry’s side has also alleged problems involving communication, touring support and management of Hekate Records. The Night Department has denied doing anything that justified ending the agreement.

The Legal Fight Is Also Playing Out In The UK

Before Landry IP LLC filed the U.S. lawsuit, The Night Department had already taken Sara Landry to court in the UK. Filed in July 2026, that case accuses her of breaching the management agreement by ending the relationship without sufficient grounds. Sara Landry later responded with counterclaims of her own.

The two cases cover different parts of the same dispute. The UK proceedings focus on whether Sara Landry had the right to terminate the management agreement. The U.S. case focuses on alleged trademark use after that relationship ended. Neither court has reached a final judgment.

Sara Landry Puts Artist Ownership At The Center

As the legal fight has developed, Sara Landry has framed the wider issue around an artist’s control over their name, music and career. In a statement reported by Billboard, she said ownership and artists’ rights remain deeply important to her. She also said she intends to continue advocating for artists to control their work.

Through the U.S. lawsuit, Landry IP LLC is seeking to stop the alleged unauthorized trademark use and recover profits or damages connected to it. No specific dollar amount has been disclosed publicly. The dispute is unfolding shortly before Sara Landry releases her second studio album, Divine Intervention, on October 16, placing the legal battle alongside another major period in her career.

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