EDM Music

Mako Shares Highly Anticipated ‘Fable’ Remix LP!

Published

5 years ago

April 14, 2021

After its release in December, 2020, Mako’s highly anticipated sophomore album Fable has received a full remix package to complement the original LP. Loaded with 12 new remixes from the likes of Jan Blomqvist, Qrion, Rat City, DLMT, Helion, Feather, and more, the remix album interpolates Mako’s sublime productions into a sonically diverse array of genres and styles. Fable: The Remixes is now available to stream and purchase on all platforms via Ultra Music.

The remix LP opens with a deep house remix from Jan Blomqvist, tackling Mako’s ‘Roller Coaster.’ First released in February, Blomqvist’s take on ‘Roller Coaster’ breathes fresh melodic elements and subdued percussive switches into the sultry original. From there, the record stays in house territory but with a significant uptick in energy courtesy of DLMT. The burgeoning house talent DLMT’s ‘Again’ flip utilizes some deep influences but also draws from modern slap house to accentuate the striking side-chaining techniques of Mako’s original. Swedish producer Helion also takes on ‘Again,’ firmly planting his remix in the club space as forceful bass hits announce the chorus, a seamless blend of Mako’s emotive lyricism and Helion’s impactful production.

Elephante’s remix of ‘Chameleon‘ decidedly shifts the tone of Fable: The Remixes by offering an invigorating and uplifting instrumental. The track begins with acoustic guitar and subtle drums underscoring Mako’s vocals. As the track builds, a growing sense of euphoria does too before it erupts into a blissful future house drop. The good vibes stay flowing with Rat City’s ‘Ocelot‘ remix. The Scandinavian duo shows exactly why they’re so sought after with their jubilant production complete with irresistible synth work and deftly crafted vocal chops.

Contrasting Elephante’s remix, PRETTY YOUNG takes a calmer route to flipping ‘Chameleon.’ Opting out of the maximalist approach to production, PRETTY YOUNG’s remix utilizes slow atmospheric synths and dry percussion work to construct a low-key listening experience. As the tranquility fades, BRKLYN builds the listener back up to a high with their take on ‘Breathe,’ an exorbitantly joyful affair utilizing Mako’s effortlessly catchy falsetto and a wall of synths.

Next, Mako dives into the underground with UNRTHD’s take on ‘Roller Coaster.‘ After a lengthy build, UNRTHD’s drop draws on classic breakbeats and skittering synths to set a rave-ready mood. The album goes forward with underground tonality on one of the most unique tracks on the record, Alex Ariete’s ‘Murder‘ remix. After showcasing Mako’s powerful singing, Ariete chops up his electro-influenced drop with future bass stylized hits, manufacturing a one-of-a-kind experience that will make dance snobs swoon.

The second remix of ‘Murder,’ provided by Feather, provides a much darker experience. While Mako’s vocals float above the instrumental, an ominous bass line holds the groove tightly, keeping the feeling intense and dominating. Finally, the record closes on a pair of house offerings. First Lliam + Latroit (comprising Lliam Taylor and veteran Latroit) take on ‘Chameleon’ with core melodic elements, working classic house breaks into the instrumental. While Lliam + Latroit’s remix lies somewhere between deep and old school house styles, rising star Qrion dives all the way into progressive house waters for her ‘Peregrine‘ remix. Known best for her work with Anjuna, Qrion shows why she is developing as an authoritative progressive house producer throughout her sumptuous remix.

The new batch of Fable remixes showcases a diverse crop of electronic talent but also highlights the versatility of Mako’s production and vocalization. Ranging from downtempo soothers to mainstage groovers, even the most selective of dance fans are sure to find a track that suits them throughout this exemplary LP.

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EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

Published

8 hours ago

October 8, 2026

Amy Farina

Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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EDM Music

Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

Published

1 day ago

October 7, 2026

Mackenzie Morris

The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

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EDM Music

Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

Published

2 days ago

October 6, 2026

Dylan Smith

Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.