EDM Music
Narayan And John Dakolias Return With Intricate New Gem, “Lonely”
Over the past year, Narayan has gone from being an unknown producer from India, to taking over global markets one step at a time with his well-produced singles and irresistible covers. Though his catalog is still relatively small in comparison to some of his contemporaries, the young artist has achieved a large number of impressive accomplishments, among them signing his music to labels such as Simplify and MOST WANTED, as well as being enlisted to produce sample packs for companies like CR2 Records and Audentity Records.
Rising together in the industry with your friends always feels amazing, and one of those close collaborators to Narayan is Greek talent John Dakolias, who has now just lent his voice to Narayan’s new single “Lonely.” Marking their third collaboration, “Lonely” once again displays their unmatched chemistry in full. While John Dakolias’ falsetto vocals and intimate lyrics are in the forefront, Narayan slowly builds up a summery instrumental, before allowing the arrangement to explode into a catchy and memorable drop.
You just shared your new single “Lonely” featuring John Dakolias. Talk to us a bit about the meaning behind the song and how it came about.
Lonely is a really personal song to me actually. I originally did a remix for one of Lauv’s track which couldn’t get released officially so I decided to turn it into an original. I sent the instrumental to John and he made a really catchy vocal melody for it. He’s a magician when it comes to vocal melodies. Actually, this is my first song where I co-wrote the lyrics as well. I sent the lyrical draft to John and he finalized them. The song revolves around the feeling of when someone gets away from you and you just want to have a talk with them. You start to feel lonely for that person and start to remember all the memories. Credits to Bonfire Records as well for working with me on the release.
Throughout your releases you are definitely showcasing a lot of diversity. What is pushing you to explore all these different sounds in each song instead of sticking to one particular genre?
I’m all moody. Somedays I feel like I need more energy, I write a Housy, Dancy tune which will make my feet tap or some days I feel “Lonely” so I write something like my recent release. I don’t want to bind myself to a specific genre. I remember doing Dubstep and Progressive house in the past as well.
You recently released a cover of Ed Sheeran’s “Bad Habits” with theajsound. Why do you think dance covers are so popular and beloved by fans right now?
I think since the clubbing days are coming back as Covid is slowing down people are really looking forward to getting their bodies moving. Dance covers are really taking over the music market at the moment. But for me the reason for doing “Bad Habits” was to make the original track (which is such a banger) more of a club tune so that people can feel it in the clubs.
What part of India are you based in? What’s the EDM scene like there, and throughout India in general?
I’m currently based in Jalandhar, Punjab which is in North India. There is not much EDM culture here in Punjab; very few people are into electronic music here. Regional Rap is the main trend. but in terms of EDM Culture in India, it is really booming as many new artists are emerging and people are really consuming dance music as their daily music. It is still yet to develop more though. I really hope to see more of dance music scene here in Punjab as well!
How did you start producing, and decide to start working towards achieving a career in music?
I started back in 2015, when I saw an advert of Skrillex touring India. Me and my older brother got so inspired we decided to form a Duo, our dad gifted us a DJ Mixer so we could start off. We started approaching people for shows to see if anyone would tell us how the industry works but almost all people gave negative responses. But back in 2017, I started producing music as a solo artist as my elder brother decided to move his career into I.T. I am still not a full time musician but I really hope to be one in future!
We know you’ve worked on sample packs for companies like CR2 Records and Audentity Records. Talk to us a bit about how that opportunity came about?
I still can’t believe I worked with such major companies with almost no experience with sample packs! I did my first pack for Audentity, as one of my friends was a middleman. It was my first income from music actually, so I got so inspired I started reaching out to companies who might need some sample packs but it was all in vain. But almost after a year I found CR2 records, mailed them my works and they really liked them and commissioned me to make packs for them.
You’ve also performed a mix for Taz Network which went live on a YouTube Charity show by SuicideSheep and nonprofit organization TWLOHA. How did you end up becoming a part of this massive online event?
A major credit to my friends at Taz. The owner of Taz is such a nice person actually, I remember sending him my songs back in 2019 via facebook messages, he’d still check all my messages and reply to me even though it was a ‘no’. I sent him my mixes that I did for some other channels like YUYU1162 and DeepTropicalHouse and he asked me for this opportunity and I didn’t even think twice and said an instant yes. Kudos to Taz Network team for involving me in such a good cause!
We know you’ve worked with a lot of vocalists so far. What has been your favourite collaboration to date, and what makes a good collaborator to you?
A good collaborator for me is one who can understand your vision for a song and can help you to make a better version of the song. Almost all of the vocalists that I’ve worked with have their own specialties like John Dakolias with amazing vocal melodies that will catch your attention right away or theajsound with really great vocal execution, it’s really hard to name one.
What can fans expect from you in the immediate future?
All I can say is I won’t disappoint you and since it’s the holiday season coming up, keep an eye out as well!
Where do you see yourself in 10 years?
I see myself representing India on the global stage, doing live shows and touring with bigger names whilst releasing tons of new music! I would never stop making music as it holds a very special place in my heart.
Afro House
Afro House and Afrobeats Unite as Lohrasp Kansara and DJ Power Breathe New Life Into Afro B’s Hit ‘Joanna’
Lohrasp Kansara “Joanna” Afro House remake lands on TH3RD BRAIN alongside Afro B and DJ Power.
There are records that simply update a song. Then there are records that fully reimagine one. Lohrasp Kansara’s new single “Joanna,” released May 29th on TH3RD BRAIN Records, belongs firmly in the second category. Built from the ground up alongside DJ Power and co-released with the original artist Afro B himself, this is not a remix of the 2018 Afrobeats global hit. Instead, it is a brand new production with a completely new identity. It is built for where Afro House and the dance floor are in 2026. For fans intrigued by the collaboration of Lohrasp Kansara, Joanna, and the surrounding contributors, this release is a must-hear.
The production centres on deep, groove-forward percussion, uplifting chord work, and a refined melodic structure.This structure takes Afro B’s beloved topline and repositions it at the crossroads of Afro House credibility and mainstream dancefloor appeal.
Breaking Down the Artist Behind the Record
To understand why this collaboration carries real weight, you need to understand where Lohrasp Kansara sits in 2026. The Swiss-born, New York-based DJ and producer has logged over 6,000 shows across 60+ countries. He has played five clubs currently ranked on the DJ Mag Top 100 and opened the year with his first headline at Marquee New York to a packed room. In addition, Pete Tong personally signed two of his singles to his imprint Places & Spaces, including “Sandstorm,” which Tong played from the Creamfields main stage. Black Coffee has ID’d eleven of his tracks across his official Spotify playlist.
“Sandstorm” peaked at number 3 and held a spot there for 209 days. His catalog has reached 175+ chart placements and 13M+ playlist reach. Moreover, it has received support from the likes of Calvin Harris, Martin Garrix, Tiësto, Dom Dolla, Adriatique, and Keinemusik, among many others. This broad global reach positions the Lohrasp Kansara and Joanna collaboration as a key moment for both artists. For fans following the rise of Lohrasp Kansara and Joanna, this collaboration marks an important milestone.
Beyond the touring and catalog, Lohrasp runs LOCO CARNAVAL, his weekly Sunday experiential party at Somewhere Nowhere NYC. He has hosted the likes of Shimza, Moojo, Awen, and Kintar there. This event is a platform that speaks to his curatorial vision as much as his artistry. It is a self-built room in one of the world’s most competitive music cities. Having a hand in unique experiences like LOCO CARNAVAL shows how Lohrasp Kansara’s creativity runs through everything he does. From Joanna to his collaborations with global artists like Afro B, his innovation is clear.
The Release and the Buzz So Far
Since its May 29th release, “Joanna” has already made early moves on Beatport. It landed on the Weekend Picks Melodic 2026: Week 22 at number 47, while currently sitting at number 67 on the overall Afro House chart. Additionally, it is at number 20 on Latest Releases: Afro House, with momentum still building. It has also picked up support from the respected editorial platform Madorasindahouse. This buzz surrounding Joanna and the rise of Lohrasp Kansara Joanna in the scene showcases a momentum that is only growing.
The live energy around the record has matched its momentum. Lohrasp ran the record across two nights at Somewhere Nowhere NYC. This included a Saturday night release party with Afro B performing live to a packed room. Furthermore, it was followed by a Sunday Cenote Project daytime rooftop session that carried the same energy across the weekend. Moreover, the excitement surrounding these events reflects Lohrasp Kansara and Joanna’s influence on fans and the Afro House community.
Why “Joanna” Matters Right Now
Lohrasp Kansara’s “Joanna” arrives at a moment when the line between Afrobeats and Afro House continues to blur. This trend is evident among both mainstream and underground audiences. What makes this release different is the full involvement of the original artist. That participation gives the track a level of cultural authenticity that a standard remix process could never achieve. It takes a song already embedded in the cultural memory of millions and gives it a new home on the dance floor. At the same time, it preserves the qualities that made the original resonate. For anyone tracking the continued rise of Afro House as a global genre, this release deserves close attention. Notably, the collaboration between Lohrasp Kansara and Joanna reinforces their influence on the direction of Afro House.
Where to listen and connect:

Website: Lohrasp Kansara
Instagram: @lohraspkansara
YouTube: @LOHRASPKANSARA
Spotify: Lohrasp Kansara
Soundcloud: LOHRASP KANSARA
EDM Music
B Jones Ignites Summer 2026 with a Festival-Ready Anthem: ‘You Get What You Give (Remix)’ Set to Dominate Worldwide
B Jones remixes You Get What You Give by Van Snyder, Serena Bleu and Alexander Popov into a high-voltage peak-time summer anthem built for festival stages.”
Some tracks land softly into the dance music landscape, others arrive like a tidal wave. ‘You Get What You Give (B Jones Remix)’ by Van Snyder, Serena Bleu, and Alexander Popov is firmly the latter, surging into summer with unstoppable momentum and all the markings of a future number one.
At the heart of this explosive release is B Jones, whose remix doesn’t just rework the original—it completely redefines it. Known for her electrifying presence behind the decks and her instinctive understanding of what moves a crowd, B Jones delivers a version that feels tailor-made for the biggest stages in the world. This is not just a remix; it’s a masterclass in energy control, tension, and release.
B Jones has spent years carving out her place in the global dance scene, and it shows in every second of this track. Her production style is sharp, confident, and unmistakably her own—blending driving basslines with euphoric builds that explode into peak-time perfection. There’s a fearlessness in her approach, a willingness to push boundaries while still delivering something instantly accessible. That balance is rare, and it’s exactly what makes her such a commanding force.
With “You Get What You Give,” she taps into something bigger than just a club hit. The remix amplifies the emotional core of Serena Bleu’s vocals while injecting a high-voltage pulse that keeps listeners locked from the first beat to the final drop. The result is a track that feels alive—dynamic, uplifting, and impossible to stand still to.
Van Snyder and Alexander Popov provide a strong foundation while B Jones’ vision propels this version into anthem territory. Every transition is intentional, every build meticulously crafted, and every drop hits with maximum impact. It’s the kind of production that doesn’t just fill a dancefloor—it ignites it.
As the summer unfolds, expect “You Get What You Give (B Jones Remix)” to dominate playlists, festival sets, and airwaves alike. And at the center of that rise is B Jones—an artist operating at full throttle, proving once again that she isn’t just part of the scene.
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