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PAUZA Drop Afro-Cuban House Remix Of ‘Plaza de Gloria’ On FLAMENCA Records

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PAUZA takes the second release on FLAMENCA Records with a Afro-Cuban House edit of STBAN and Sandra Carrasco’s ‘Plaza de Gloria’.

As spring turns to summer and global dance floors heat up, FLAMENCA Records drops their second release, PAUZA’s scorching Afro-Cuban House edit of the STBAN and Sandra Carrasco production ‘Plaza de Gloria’.

Rooted in traditional flamenco and forming part of STBAN’s live show FLAMENCA, PAUZA reimagine ‘Plaza de Gloria’ with a remix that blends Cuban tradition with Andalusian folklore, celebrating the original’s brass, percussion and Spanish guitar, the latter provided by influential guitarist, composer and Ketama member Josemi Carmona. The haunting topline from critically acclaimed, award winning flamenco singer Sandra Carrasco weaves in and out of the composition, floating high above syncopated claps before thrusting back down deep inside reverberating house rhythms and hypnotic, undulating basslines. The combination makes it an instant, sultry addition to any DJ set and underlines why FLAMENCA Records boss STBAN invited PAUZA onto the label.

Hailing from Havana, Cuban duo PAUZA – Paula ‘Pau’ Fernandez and Zahira ‘Zahi’ Sanchez – were always going to be a natural fit for STBAN’s FLAMENCA project. Leaning into a similar ideology of sharing the traditional music and folkloric styles of their homeland through modern electronica, the pair have been critically acclaimed by the likes of Rolling Stone, LA Times, NYLON, Vice and DJ Mag LATAM. Infusing their work with Latin rhythms and Cuban sentiments the duo, Cuba’s first female DJ pairing, see their music as a natural and vibrant extension of the lifestyle they live every day on the island.

In this new version, Yoruba drums and Afro-Cuban rhythms intertwine with southern Spanish palmas, cajón, and melodies — creating a sonic dialogue between two cultures rooted in heritage, rhythm, and resistance,” the duo explained. “Deep percussion and electronic elements bridge Havana and Spain in a remix that honors spirituality, feminine strength, and the powerful folk legacy that inspired the original track.

The track is accompanied by a video shot on location in the streets of Seville, another nod to flamenco’s heritage from STBAN after his Marrakech video for previous single ‘La Palma‘. “The song ‘Plaza de Gloria’ is all about personal transformation,” the FLAMENCA boss said, “and so in the video we show a woman who throws off what no longer serves her and instead follows her heart, reconnecting with herself through culture, movement and community. The Feria – or the carnival – becomes a space of emotional release, through our rhythms and traditions. You can feel her find the joy, the freedom, the confidence to reclaim her identity on her own terms. It’s a true celebration of becoming, of dancing like nobody’s watching, of becoming her own Plaza de Gloria.

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Follow STBAN:
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Follow PAUZA:
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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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Jude & Frank Rework Latin Hit ‘Candela’ ft. Noelia

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Jude & Frank drop scorching 2025 rework of Latin hit ‘Candela’ ft. Spanish-language sensation Noelia

Latin house trailblazer Jude & Frank returns with a scorching 2025 rework of the legendary Latin hit ‘Candela’, featuring the unmistakable voice of Noelia, the global pop-dance icon and Spanish-language sensation with over 2.5 million monthly Spotify listeners.

Infused with Jude & Frank’s signature Latin house groove, booming basslines, and floor-shaking percussion, this fresh reimagining of ‘Candela’ is built for clubs, beach parties, and festival stages alike. Enhanced by Noelia’s legendary vocals, the track masterfully bridges rich Latin heritage with the electrifying pulse of modern house music.

Jude & Frank, born and raised in Rome, has carved a name as one of the leading forces in the international Latin and tech house scene. With hit records like ‘La Luna’, ‘La Candela Viva’ (with HUGEL), ‘Sun Is Shining’ (official Bob Marley rework), and ‘La Tarde’, Jude & Frank has released on industry giants such as Spinnin’ Records, Armada Music, Insomniac Records US, and Sony Music. His tracks have earned support from global tastemakers including Pete Tong, David Guetta, Martin Garrix, Claptone, Afrojack, and Bob Sinclar.

The success of ‘La Luna’, which reached #1 on the Beatport Overall Chart and garnered over 15 million Spotify streams, was crowned by a spin on BBC Radio 1’s Essential Selection.

Joining on ‘Candela (2025)’ is Noelia, the Puerto Rican-born, Miami-raised singer-songwriter who became a breakout star in 1999. Her self-titled debut went Gold in the U.S., leading to an illustrious career that includes 10 Billboard Latin Top 40 hits, 5 Billboard Club Dance Top 40s, 18 Gold and 9 multi-Platinum certifications globally, as well as an RIAA Gold-certified record.

Together, Jude & Frank and Noelia release ‘Candela (2025)’, a fiery summer anthem ready to set dancefloors ablaze.

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Joe T Vannelli Releases ‘Sensation’ via Dream Beat Rec

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Joe T Vannelli, the renowned international DJ and producer, has released his latest single ‘Sensation’ via his label Dream Beat Rec.

Joe T Vannelli delivers this dynamic house track in two compelling versions, Club and Melodic House, featuring the unforgettable voice of legendary American disco and soul diva Loleatta Holloway.

‘Sensation’ masterfully blends contemporary house grooves with classic influences, delivering a rhythmic intensity and vibrant vocal energy designed to captivate dancefloors worldwide. Whether powering up the peak of high-energy clubs or enriching deep, immersive sets, this single is crafted to resonate with diverse audiences.

Joe T Vannelli reflects on the project: “I had the pleasure of remixing this magical voice a few years ago for Ultra Records, and today I was once again inspired by Miss Loleatta. I wanted to add a musical power that gives you goosebumps.”

With a career spanning over four decades, Joe T Vannelli is a pivotal figure in the global House music scene. He has performed at prestigious venues such as Ibiza’s Pacha and Amnesia, Mykonos’ Cavo Paradiso, New York’s Marquee, and Berlin’s Love Parade, among others. His production credits include platinum hits like Robert Miles‘Children’, Pink Floyd’s ‘Another Brick in the Wall’ remix, and Spiller’s ‘Groovejet’. Joe has collaborated with iconic artists like Giorgio Moroder, Eartha Kitt, and Thelma Houston.

Joe’s innovative spirit continues with his Milan-based creative hub SoundFaktory, supporting new talent and live music production. His recent streaming project during the pandemic amassed over 15 million views, showcasing his commitment to music and connection.

With a social following exceeding 500,000 fans, Joe T Vannelli remains a trusted and influential figure in the dance music industry, continually delivering sounds that define the moment.

‘Sensation’ is available on all major streaming platforms.

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STBAN Talks FLAMENCA Records, New Music, Toolroom & More

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STBAN fuses flamenco and electronic music on his new single ‘LA PALMA’, out now via FLAMENCA Records. Rooted in tradition and driven by rhythm, the track brings timeless passion to the dancefloor.

STBAN channels centuries of flamenco tradition into the electronic age with his new single ‘LA PALMA’, out now on FLAMENCA Records. Steeped in culture, the track carries the raw heat, passion, and rhythm of this timeless art form.

Distributed via iconic imprint Toolroom Records, ‘LA PALMA’ homes in on the traditional hand clapping indicative of flamenco. The most ancient form of human percussion, ‘la palma’ sets the rhythm of the dance and drives the intensity of the performance. The rising passion and swirling emotion of flamenco dancing quite literally follows the dancer’s hand inside the physical space.

Co-produced with Bryan Colleta (Sparrow & Barbossa) and featuring Spanish singer G.Zamora on vocals, ‘LA PALMA’ simmers with Latin heat, sultry electric guitars taking over from acoustic guitars that gently undulate as the track rises. Brass trumpets bristle in from the lower ends like shimmering Mediterranean sunsets, percussion and syncopated hand claps nestling up against muted bass and synth lines. Weaving everything together is G.Zamora’s Balearic tone, STBAN and Coletta using his vocal as a thread to draw the entire production together.

Released alongside the single’s audio is a beautiful video shot on location across the vibrant North African city of Marrakech, a subtle nod to the Arabic roots of the dance form. Celebrating the instinctive human desire to move to music, the video sees Moroccans of all ages and demographics invited onto a simple rug placed on sidewalks, open parks, plazas, rooftops, then given a pair of headphones. With ‘LA PALMA’ in their ears, citizens young and old let the world around them fall away as they immerse themselves in the momentary freedom music allows. It’s a beautiful reminder that the joy of music connects us, no matter where we are in the world.

With a run of singles set to drop over the coming months, sets confirmed at major festivals this summer – including Montreux Jazz Festival and AirBeat One – and a special residency at iconic MAD Club in Lausanne, STBAN added further momentum to the FLAMENCA project by partnering with Toolroom at this year’s IMS in Ibiza. The deal sees Toolroom powering FLAMENCA Records through distribution and label services, bringing industry expertise and infrastructure to the next phase of the brand’s evolution.

With much more to come from STBAN and FLAMENCA, ‘LA PALMA’ serves as an early indication of what fans of house music – and flamenco – can expect. With that in mind, we thought it was about time to sit down with STBAN to find out more…

Tell us about LA PALMA, how did the track come together?

I’d had the track in my mind for some time, and then a couple of years ago I met Bryan Coletta. For me it was a perfect collaboration; we’re both living in Lausanne, in Switzerland, but Bryan was also living in Madrid and had a close connection to flamenco music. It meant he understood the genre and what we wanted, what our vision was. He came to our studios in Lausanne for two days and the energy was really good, it was really nice to work together with him on LA PALMA.

The title refers to the clapping that you get in traditional flamenco – how did you translate that into the song?

Clapping is one of the most important drums in flamenco music, along with the “tacones”, the heels of the feet, and also the cajon, the drum. They are the three essential rhythms of flamenco music, the primitive roots of the percussion, and for LA PALMA we wanted to really concentrate on and celebrate the clapping.

You have your own label, FLAMENCA Records. We’re guessing from the name that you’re heavily influenced by flamenco music – is that the only genre that we’ll hear from the label?

Of course the first thing for us is fusion of flamenco with electronic music but because of the nature of flamenco, which has always been influenced by different cultures and sounds, we’re open to other genres within the family, just always keeping in mind the Spanish or Latin influences. So it could be, for example, Latin House or Tech House, or even Afro or Tribal.

What music do you have coming next?

We have many tracks coming next, already cooked in the studio oven, from some very incredible artists. We have work from Jesus Fernandez, with also Qubiko, we also have some incredible remixes lined up from artists like PAUZA and Cruzy. We’re very happy to work with these kind of high level artists, DJs and producers.

We heard you struck a deal with none other than Toolroom Records at this year’s IMS – how crucial is it for you to have the support of the Toolroom team?

=Yes! I had the chance to meet Mark Knight at IMS and we spoke at length about the FLAMENCA project. He was very open minded about including us in his organisation, even though we’re relatively new. I think he liked the idea of the flamenco style fused with electronic music. We’re also along the same line of house music, the same beats, even if it’s more of a Latin style or Spanish style. For some of the tracks we’ve produced dub edits, or extended club edits, it gives a real depth to what is a pretty new genre.

Also personally, I really appreciate the values of Mark Knight. He really runs the business as a family and I feel this a lot, it really aligns with our values at FLAMENCA Records. So for me, I think it’s not only the music but the values that are putting everything together to work with a very nice energy. We’ve been working with them for one month now and I really appreciate the professionalism of all his team. It’s a great collaboration for us and one that we value.

Stream this single on all platforms here.

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