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Phase 2 Lineup for 808 Festival 2025 Unveiled Ahead of December

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808 Festival 2025 Phase 2 Lineup Unveiled for December 5–7 in Bangkok

808 Festival 2025 has revealed its Phase 2 lineup for the Bangkok event on December 5–7. The announcement adds artists including Netsky, Malaa’s Alter Ego, Trym, and Wuki, expanding the festival’s mix of house, techno, and drum & bass acts. These new names join Phase 1 headliners Charlotte de Witte, Dom Dolla, and Reinier Zonneveld for a three-day event.

Phase 2 Artists Announced for 808 Festival 2025

808 Festival 2025 has confirmed its Phase 2 lineup for the Bangkok edition running December 5–7, adding new names alongside the previously announced Phase 1 headliners Charlotte de Witte, Dom Dolla, and Reinier Zonneveld. The Phase 2 announcement introduces additional drum & bass, house, and techno acts, expanding the festival’s program across the three-day event while maintaining consistency with the initial lineup.

Among the Phase 2 artists, Netsky will perform his drum & bass material, recognized for its established production and live show presence. House and bass acts Di Sun, Habstrakt, and Wuki are confirmed to perform, each representing their own catalog and live style. A key highlight of Phase 2 is the b2b set between Meguru and Juliet Fox, with Juliet Fox previously announced in Phase 1. This back-to-back set is the only confirmed collaborative performance in Phase 2 and adds a distinct moment to the festival schedule.

Other Phase 2 names include Malaa’s Alter Ego and Mr Black, both presenting techno and house genre, along with Trym, performing techno tracks.

 

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Collectively, these additions expand the scope of 808 Festival 2025, complementing the Phase 1 headliners and ensuring the Bangkok event covers multiple subgenres of electronic music over its three-day program.

Stage Takeovers at 808 Festival 2025

808 Festival 2025 will feature dedicated stage takeovers, offering a focused showcase of select labels. Drumcode is confirmed for one of these stages, with artists DI SUN, HNTR, Massano, Pan-Pot, and Space 92 performing at the BITEC Convention Center in Bangkok on December 6. This stage represents Drumcode’s distinctive techno approach and its established reputation in electronic music.

Other label or collective takeovers, such as Monstercat and We Rave You, have been discussed but are not yet officially confirmed. The confirmed Drumcode stage allows the festival to highlight specific artist lineups while maintaining separation between genres across different stages.

By incorporating stage takeovers alongside the main lineup, 808 Festival 2025 ensures that each segment of the event delivers a clear artistic identity, with techno, house, and drum & bass represented across multiple stages during the December 5–7 event in Bangkok.

Tickets for 808 Festival 2025

Tickets for 808 Festival 2025 are now available. Attend the Bangkok event from December 5–7 at the BITEC Convention Center and experience the full Phase 1 and Phase 2 lineups, including the Drumcode stage. Secure your tickets and find full event details at https://808festival.net/.

With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

EDM Festival News

Les Plages Électroniques Announces First Wave of Artists for Its 20th Anniversary Edition

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A massive crowd at Les Plages Électroniques in Cannes, cheering in front of the main stage, showcasing the high-energy atmosphere of the French beach festival.

Les Plages Électroniques is France’s most iconic beach festival and now it unveils the first wave of artists set to perform at its landmark 20th anniversary edition next August in Cannes. Returning to the sands of the Côte d’Azur, the festival continues its legacy of blending world-class electronic talent with a uniquely Mediterranean atmosphere.

7 August 2026 will see Martin Garrix headline. He is one of the world’s most influential EDM superstars, known for global chart-topping hits and headline performances at the biggest festivals worldwide and will be joined by Nico Moreno,  a leading force in the new wave of industrial techno, recognised for his fast, hard-hitting sets that dominate underground stages across Europe. Mosimann is next and is the Swiss DJ, producer and vocalist celebrated for his hybrid live sets and genre-blending approach, merging house, pop and electronic performance.

8 August 2026 welcomes Multi-platinum producer and global dance icon Marshmello whose crossover hits have earned billions of streams and collaborations with the world’s biggest artists. Then comes Belgium’s Amelie Lens, one of techno’s most powerful modern figures, known for her hypnotic, high-energy sets and commanding presence on the world’s largest stages. Chart-topping French rapper PLK also brings his signature melodic flow and sharp lyricism to the Riviera while Vladimir Cauchemar is a producer and performer known for his flute-driven trap sound and visually striking aesthetic.

9 August 2026 sees DJ Snake present Pardon My French as the global superstar returns to the Croisette with his famed PMF collective, bringing high-energy bass, trap and dance music to close the festival.

This summer marks two decades since Les Plages Électroniques began as a small local gathering in 2006. Today, the festival welcomes more than 60,000 attendees from around the world and presents over 90 artists annually across six stages spanning the beach, rooftops, the Palais des Festivals and the open sea.

Set between the Bay of Cannes and the Croisette, the festival has become a defining symbol of summer in the South of France with an immersive experience from beach sunsets to late-night afterparties inside the Palais.

The 20th anniversary edition will celebrate the festival’s heritage while pushing forward with enhanced production, new stage concepts, special collaborations and commemorative moments honouring two decades of creativity and connection.

In August 2026, the Croisette will once again transform into one of Europe’s biggest dancefloors as the countdown begins for the festival’s most anticipated edition yet.

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Inside EDC Thailand: What It Really Feels Like Under the Electric Sky

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The massive Kinetic Field stage at EDC Thailand 2025 at night, illuminated with purple lights, confetti, and fireworks, with a huge crowd celebrating under the Electric Sky.

Inside EDC Thailand: How the Sounds, Lights, and People Create the Feeling of Being Under the Electric Sky

EDC Thailand 2025 unfolded across a wide network of stages, rides, and themed areas, with music carrying steadily across the venue from afternoon into the early hours. Movement between sets felt continuous, while spaces outside the main stages, from kandi exchanges to the wedding chapel, offered moments that stayed with people longer than any single performance. Fireworks brought the field to a standstill more than once, with people pausing together as each sequence filled the sky. As EDC Thailand prepares for a larger venue in 2026, these details remain central to what being under the electric sky in Thailand is actually like.

Under the Electric Sky, Thailand Edition

EDC Thailand unfolded in Phuket in January 2025, with the entrances already active before people fully stepped inside. Performers danced near the gates as groups filtered through, some holding flags from their home countries, others stopping briefly to watch before moving on. The Ferris wheel and merry-go-round were already turning, lit clearly against the night and visible from across the grounds. Music was playing from different directions, overlapping as people moved further in.

Inside, the space revealed itself gradually. Kinetic Field dominated the view with its scale, while CircuitGround, StereoBloom, Bionic Jungle, and the Boombox Art Car pulled attention in different directions depending on where you stood. People moved freely between stages, sometimes circling back to a set they recognised, sometimes stopping simply because something caught their eye. The rides stayed busy, walkways stayed full, and the night moved forward without a clear start or pause. Under the electric sky, EDC Thailand felt lived in from the first hours rather than staged.

The Wedding Chapel: Love and Chaos Combined

The wedding chapel became one of the busiest spots inside EDC Thailand 2025. People lined up in colorful outfits, some carrying inflatable bouquets, others wearing plastic crowns picked up along the way. Couples stepped in one after another, with some clearly together for years and others laughing about having just met that night. The line moved steadily, with people watching, filming, and reacting as each ceremony played out.

Music continued through the vows without stopping. Confetti fell during photos, strangers hugged, and groups shouted from the sides before drifting away. A few couples exchanged kandi rings, while others posed quickly and headed back toward the stages. The chapel stayed active throughout the night, serving as a brief stop between dancing, where people came in, shared a moment, and moved on.

The Rides and the Rhythm

The Ferris wheel rose above the center of EDC Thailand 2025 and stayed visible from most parts of the venue. From the top, stages appeared spread out below, with light patterns moving across the grounds and fireworks breaking above the site. As the wheel turned, the volume shifted slightly, growing quieter at the peak before returning on the way down. People pointed out Kinetic Field, CircuitGround, and other landmarks to friends while the city lights and festival lighting blended into one view.

Nearby, the merry-go-round drew a different pace. People sat quietly as it rotated, phones in hand or resting at their sides, watching the lights circle overhead. Some stayed on for more than one round before stepping off and rejoining the flow toward the stages. Both rides remained active throughout the night, offering a change in perspective without pulling people fully away from the music playing across the grounds.

Kandi Culture and Connection

Kandi trading at EDC Thailand 2025 followed the full PLUR exchange rather than a quick handoff. People stopped, faced each other, and went through the hand movements together before swapping bracelets. It happened in walkways, near stages, and sometimes in the middle of conversations that started with a simple question or nod. The exchange was deliberate, even in busy areas.

Many bracelets carried words like “PLUR,” “Sawasdee,” or “Stay Kind.” After the exchange, people often stayed for a moment, said a few words, or danced together before moving on. Nearby, totems were raised above the crowd, helping groups reconnect after splitting up and serving as clear markers in packed areas. Kandi trading remained part of how people interacted throughout the night, not as a performance, but as a shared habit that required attention and presence.

The Fireworks and Finale Moments

Fireworks were something people actively waited for across all three days at EDC Thailand 2025. Each night ended with a fireworks show, and by the second day, people were already checking the sky as the sets came close to closing time. Groups stopped walking, some turned their backs to the stages to see better, and others climbed onto barriers or shoulders. When the first fireworks went up, the movement across the venue slowed almost immediately.

The last night was different. Before The Chainsmokers came on, a special fireworks sequence ran for around six minutes, longer than the previous nights and clearly set apart. People stayed put instead of drifting between stages, watching the entire thing play out without rushing anywhere else. When it ended, there was a brief pause before the stage lights shifted and the set began. It felt like the final breath before the weekend pushed forward again, something everyone seemed to take in at the same time.

Photo by Skyler Greene skygreene.com

What Stayed With People

Looking back at EDC Thailand 2025, what stayed with people were not headline moments but repeated, familiar scenes. The Ferris wheel turning above the site late into the night, the wedding chapel line circling back on itself, kandi exchanges happening in walkways between Kinetic Field and CircuitGround, and the pause that spread across the grounds when the fireworks began. These were the moments people talked about while leaving, not tied to any single set or stage.

As EDC Thailand moves into a larger venue in 2026, those details set the standard. The first edition showed how the festival worked when music, rides, rituals, and shared pauses existed side by side. From the PLUR exchanges to the final fireworks, the experience came together through how people used the space rather than what was scheduled on it.

That is what being under the electric sky in Thailand actually meant.

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Insomniac & OFF2 Announce Lost In Dreams Festival Canada Debut

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A view of the Lost In Dreams festival main stage at night, featuring intense blue laser lights and colorful fireworks over a massive crowd of fans.

Insomniac has confirmed its first Canadian event, bringing the acclaimed Lost In Dreams brand to the Greater Vancouver area on February 15, 2026, during the Family Day long weekend. The debut comes in partnership with OFF2, one of Canada’s premier electronic music promoters, marking a significant milestone as both teams introduce a new era of melodic and vocal-driven experiences to Canadian audiences.

The festival will make its national debut at Tradex in Abbotsford, BC, anchored by a standout lineup led by ILLENIUM, whose phoenix emblem was quietly slipped into the announcement video before fans quickly uncovered the hint. He’ll be joined by Dabin and Sabai, alongside Elephante, TELYKAST, Koji Aiken, and OBLVYN, forming a bill that reflects both the emotional depth and global flavor that reflect the Lost In Dreams vision.

Since launching, Lost In Dreams has grown into one of Insomniac’s most recognizable festival concepts, championing the melodic, vocal-led corner of electronic music. What began as a flagship event in Los Angeles has evolved into a full ecosystem, spanning a record label under the Insomniac Music Group umbrella and stage takeovers at major festivals including EDC Las Vegas and Nocturnal Wonderland. The Vancouver edition now becomes the brand’s second flagship festival and the first to take place outside the United States.

For OFF2, the partnership marks a major step in elevating Canada’s presence on the global dance music map. The collaboration blends OFF2’s established legacy of Canadian events with Insomniac’s internationally renowned creative direction, promising a world-class production built around immersive staging, cinematic visuals, and artists who embody the emotional pull of melodic electronic music.

Lost In Dreams Vancouver is set to become a landmark moment for the Canadian dance community, a new West Coast destination event that brings fans together for a night of powerful performances, soaring vocals, and the unmistakable Insomniac experience.

Fans can sign up for exclusive updates, presale details, and more at lostindreams.co/vancouver.

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