EDM Music

Riot Ten And Stoutty Revealed As Artists Behind Pushing Daizies With New Single ‘I Miss You’ With Lucii Out Now!

Published

5 years ago

July 26, 2021

Pushing Daizies return to Dim Mak with one of their most meaningful releases yet – and a big announcement that reveals the artist duo behind the mysterious project. “I Miss You” features singer/songwriter/producer Lucii, with earlier releases on Subsidia and WAKAAN under her belt, whose velvety vocals croon out lyrics about missing all of someone – the good and the bad parts. Pushing Daizies lends their signature style to the track with future bass beats complemented by lush melodies, making “I Miss You” a relatable song that will tug at the heartstrings of any listener who has ever felt the nostalgic pang of missing someone, whether a lover or a lost friendship. The track also reveals more about the making of Pushing Daizies – it’s Riot Ten and Stoutty, who began the project during quarantine with the goal of making music that was outside their norms as individual artists.

“‘I Miss You‘ is that one song for someone we always miss. We hope this song brings back great memories of whoever that is, as it did for us during the creation of it.” – Pushing Daizies

“I wrote this song when I was reflecting on the memories of a past relationship. It dawned on me that everything that I used to get really annoyed with ended up being the things that I was actually missing. Missing someone, whether it be a lost friendship or a failed relationship, is hard. The trips, the fights, the hanging out, the going out, it leaves a certain void that isn’t just replaceable overnight. To me, that’s what I wrote this song about, the absence of the presence of the person.” – Lucii

“Pushing Daizies is a project that really began during the pandemic. With no shows happening, my livelihood all but taken away, stuck in quarantine with no end in sight, life became a little depressing. However, with the new found time, I began talking to my good friend Stoutty about exploring new genres together. Initially, we weren’t even thinking about making an entire project out of it. We just wanted to make powerful and emotional music that would be relatable during such crazy times. Something completely opposite of the music that we currently make, and we wasted little time before going full steam ahead. We worked so much on the sound that in just a few months we ended up with 2 albums worth of music, literally. At that point, we knew this had the potential to be something special. And thus, Pushing Daizies was born. This project means so much to us because it allows us to take listeners on a completely different journey. And it allows us to express our art and push boundaries further than we ever thought possible. We are pushing daizies.” – Riot Ten

Pushing Daizies is the pseudonym of US-based producers Riot Ten and Stoutty joining forces. The enigmatic duo makes groovy, bass-heavy, electronic dance music that creates an emotional roller coaster, pulling at the heartstrings of its listeners. The project, which initially began as multiple collaborations between the two artists, transpired as their synergy saw no end in sight. “Once we found our rhythm, we knew we had something special. It was bigger than just a few singles. I guess you could say that the project was an accident in the greatest way possible,” said one of the producers. The term “pushing daisies” refers to the flowers that grow over a burial plot when someone dies, which is symbolic of the cycles of life and death, light and dark. Said differently, when someone dies, life is created.

Lucii – the Orlando hailing producer and DJ is making waves. The music is captivating and is drizzled with swirling melodies searching lyrics and drifting vocals. Lucii is able to show off her otherworldly production style, as well as songwriting prowess all in one.

Stream all the biggest future bass tracks in the playlist below – follow here.

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EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

Published

8 hours ago

October 8, 2026

Amy Farina

Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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EDM Music

Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

Published

1 day ago

October 7, 2026

Mackenzie Morris

The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

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EDM Music

Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

Published

2 days ago

October 6, 2026

Dylan Smith

Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.