Connect with us

Big Room House

This Was: Awakenings 2023

Unknown's avatar

Published

on

The summer edition of Awakenings Festival took place on July 7th and 8th in Hilvarenbeek in the Netherlands. The festival was originally scheduled for the entire weekend however Sunday was canceled because of severe weather conditions.

The Awakenings brand has been a household name in the electronic music industry when it comes to techno for over 25 years. The summer edition brought 100,000 attendees, with 15,000 visitors staying on the campsite, and more than 100 nationalities represented. What sets Awakenings apart from other weekend festivals is that it seeks to be more than just your run of the mill festival experience but rather is branded as a techno holiday. Awakenings is a vacation experience that combines relaxing and spiritual components such as yoga, cacao ceremonies, coupled with music festival essentials such as art installations, state of the art production, and of course an epic techno line up.

In this review we’ll dive deep into every aspect of the festival, however unfortunately since Sunday was canceled we were unable to capture the full magic of Awakenings and see all of the artists on our must-see-list. More reasons to attend next year!

Getting There
We arrived at the festival on Friday in the late afternoon after a two-and-a-half-hour car drive from The Hague in horrible vacation traffic with no air conditioning. It was the perfect weather for a festival but not for a long drive stuck in Friday traffic!
Getting into the festival was easy with clear signage of where to go and helpful staff leading the way. There were even stands along the route from the parking lot to the festival entrance selling cold drinks and slushies.

Venue
Awakenings took place in the beautiful town of Hilvarenbeek located in the North Brabant province of the Netherlands. The sun-drenched festival grounds really encompassed the concept of an ultimate techno holiday with stunning lakes and shady woods if you needed a break from all the fun in the sun!

The stages were connected throughout the festival grounds by bridges crossing the water. We were able at one point to take a boat from one side of the festival to the other which was something I’ve never experienced at a festival before. You could also take pedal boats and traverse the lake, a nice refreshing collaboration between Awakenings and Fuze Tea at the Fuze Tea area. Walking around the festival there were incredible art installations throughout, for example the woods lit up at night with geometric structures. Additionally, at the centerpiece of the festival grounds was a Ferris Wheel where you could get a bird’s eye view of all the action.

One note though for those who like to wear white shoes or fancy platforms, take an extra pair of shoes with you or leave them at home because it did get quite dusty!

Food & Drinks
The price for food and drinks were standard compared to other festivals in the Netherlands (around five tokens for 19 euros). There were a variety of food and drinks to choose from such as smoothies, burgers, spring rolls, kebab, cocktails, and toasties. One notable detail concerning the food was that, in line with Awakenings’ sustainability efforts, the festival was 100% vegetarian, not only for the patrons but for the crew as well.

Stages
The stages at Awakenings are differentiated by letter with Area W being the main stage. This did get a bit confusing but thankfully the map in the app made it easy to find each of the stages. On Friday four stages were open to the public: Areas V, Y, U, and L. On Friday Area V served as the main stage equipped with fireworks and some of the biggest artists in the scene. On Saturday all of the stages were open to the public, however unfortunately because the festival was canceled on Sunday we couldn’t spend as much time as we would have liked at each of the stages, but here is a basic breakdown of each one.

Area W
Area W was the main stage, this colossal structure comparable to a stack of skyscrapers which illuminated the sky on Saturday night.

Area V
The second largest stage at the festival was a large wooden architectural spectacle. At night fireworks lit the sky (and even some shot out over the crowd which I’ve never seen before!).

Area Y
Area Y was my personal favorite of each of the stages as it was the home to the harder names in the techno scene. This large tent was also equipped with large video screens and of course (even more lasers!).

Area U
Area U was unique in the fact that it was the only stage that was totally built on the water. This stage really gave you vacation vibes as you danced on top of the lake to pulsating techno.

Area L
Area L (the Lab) was located across from shady woods perfect for cooling down and enjoying some art installations. This stage hosted in collaboration with Mixmag and Red Bull was home to some of the emerging talents in the scene.

Area X
Situated behind the Main Stage was Area X where legends like Nina Kraviz took the stage. If lasers are your thing then this area was for you!

Area C
Area C was home to some of our favorite artists like Seth Troxler and Patrick Topping.

Area D
Area D was the Gashouder stage nestled in the woods paying homage to the iconic Amsterdam venue. Awakenings recreated an outdoor Gashouder, copying the iconic framework of the Temple of Techno.

Area H
Area H, an intimate area with illegal rave vibes located in the woods, was where you could find some of the hottest names in the local techno scene.

Visuals & Sound
Awakenings had a state-of-the-art sound system, we did not hear of any issues concerning the sound at any of the stages. Each stage had its own set of unique visuals between lasers, pyrotechnics, and decorations. On Saturday evening fireworks lit up the sky in Area W.

Atmosphere & Organization
One major takeaway throughout the weekend is Awakenings’ dedication to the underground vibe. This is a notion that is sometimes overlooked or forgotten as electronic music becomes more and more commercial (especially in the Netherlands). Despite the fact that Awakenings is one of the most well-known techno festivals in the world the vibe of the festival remains to be intimate and gives visitors that true underground feeling.
One example of this was Stage L that Awakenings hosted together with Mixmag. Stage L was set up like Boiler Room parties. For those who do not know, Boiler Room events are infamous for their intimate settings where guests are encouraged not only to dance in the crowd but to dance in the DJ booth around the DJ, sometimes in extremely close proximity! Boiler Room sets are known for being underground and intimate, and you really felt this at Area L.

Music
ANNA
One of the most anticipated sets of the weekend for me was ANNA. Despite the fact it was early on a Friday afternoon she threw down! Her energy on stage was contagious and it set the tone for the rest of the evening in Area Y. I tried to use the “Shazam” app to look up some of the incredible tracks she was playing but was unsuccessful in finding them. If anyone has track names from this set send them our way because it was fire!
Ben Böhmer
One of the main reasons I survived the COVID-19 pandemic was because of Ben Böhmer’s live-streams. To be able to see him live on stage for the first time (and not just on my TV) was a real treat! As the sun set on Friday evening, he dropped some of our favorite tracks like Beyond Beliefs, Weightless, and Maelstorm.
Kölsch
A new addition to my must-see list this festival season is Kölsch. After stumbling upon his set in the forest at World Club Dome in Germany last month I knew I couldn’t miss him at Awakenings! He had us grooving to Deep Inside and Environ. His set was a pure mix of deep melodic elements paired with euphoric rhythm. I’m eager to see what he has in store for us in the future!
Deborah De Luca
Italian DJ and Producer Debroah de Luca is most known for her energetic stage presence and dark pulsating music and her Awakenings set was no exception. She dropped a few of my favorites such as Free Yourself and Outer Halo. Her sets are known to take listeners on a journey, and looking out into the packed crowd everyone was captivated by her sound.

Sustainability & Accessibility
Awakenings continues to be a leader in the scene when it comes to accessibility and sustainability. Everything they do, for instance the Social Safety hub and the Low Stimulus Sapce, are initiatives they hope other festivals will be incorporating soon as well.

The Social Safety Hub is a concept implemented by Sexmatters and is accessible for visitors who at any point throughout the festival feel unsafe or need guidance or advice regarding a difficult situation that they or their friends are experiencing. But also visitors that just have questions or are interested in the topic are more than welcome to come over for a chat.

The low stimulus space is a partnership with HandicapNL and Philips TV & Sound, and is an area of the festival where guests can go to relax in a quiet and safe space or access the care that they might need throughout the weekend. The low stimulus space consisted of small lounges with TV screens showing calming images with noise canceling headphones featuring ambient playlists that DJs made specifically for these rooms. Moreover, there was also an option to listen to white noise or to have total silence.

Next to the low stimulus space was a care room with a bed and medical caretakers from HandicapNL available to those who need it. These important aspects of the festival demonstrate Awakenings’ dedication to making the festival accessible for everyone and making all ravers feel welcome and comfortable, especially people with a disability who would maybe choose to stay at home if such services weren’t available for them on the festival grounds..

Concerning sustainability, it was clear to me from the very beginning that sustainability is crucial to the festival and the brand overall. Awakenings implemented the recycle token system where upon entering the festival you’re given a recycle token, then with every drink purchased you either need to provide a recycle token or bring your cup, bottle, or can back to the bar (otherwise you pay a fee on your next drink). This system ensures that the grounds are clean as it encourages visitors to hold on to their cup rather than throwing them on the floor.

In addition to this, Awakenings reuses the same wood from the stages each year and repurposes it in different ways. Furthermore, even the wristbands for entrance were made from recycled material! And of course, as previously mentioned, Awakenings is a 100% vegetarian festival, which also adds to its sustainability efforts.

General Impressions
Awakenings is one of those festivals that encompasses so much more than just music. It’s a brand that is committed to not only major causes such as sustainability and accessibility but also representation and diversity within its line ups. The Awakenings line up this year had artists from all over the world many of whom were female. In a male dominated scene, it’s amazing to see so many talented female artists taking the stage and we hope that other festivals follow suit.

Unfortunately, the festival was cut short due to inclement weather. On Sunday morning, the organizers made the tough call to cancel the final day of the festival. Visitors were notified before the start of the festival and those camping were evacuated, for the international visitors that couldn’t go home yet shelter was provided on-site. I luckily was home (about to leave actually) when I received the news. However, I did see that instructions were given via email regarding refunds, finding safe accommodations, and other important information for those camping. It is always a tough call to make when it comes to canceling a festival, but safety should always be at the forefront and we will definitely be coming back next year! 

Luckily for us Awakenings will also host a total of 9 events during Amsterdam Dance Event coming October. Full line ups will be released Wednesday July 19th and tickets will go on sale on Thursday July 20th at 20:00 CEST via Awakenings.

Continue Reading

Big Room House

Mazro Begins His Bigroom Techno Era With New Track ‘Alive’

Unknown's avatar

Published

on

Mazro reveals his new bigroom techno direction with his latest track, ‘Alive’, showcasing a fresh, energetic sound that highlights his evolution as an artist.

Mazro signals a clear next step in his sound with Alive, a track that introduces his move toward Bigroom Techno. The release highlights the heavier drums, sharper synth work, and driving structure he has been known for, now pushed further into a style he plans to carry into 2026. With new music already in motion, Mazro sets Alive as the starting point for this updated direction.

How Alive Introduces Mazro’s Updated Sound

Alive continues the traits listeners associate with Mazro, built around firm percussion, direct lead lines, and a structure aimed at large-room settings. The track moves toward the Bigroom Techno style he is now focusing on while still keeping a link to the approach he used in earlier releases. This gives the transition a natural feel and keeps the emphasis on clarity and impact.

Within the broader landscape of Bigroom Techno’s rise, Alive serves as a fitting entry point for his updated direction. Mazro presents the track in a straightforward format, highlighting rhythm and drive without pulling away from what has worked for him so far. It functions as a clean introduction to where he intends to take his sound next, supported by the material he has prepared for release.

Where Alive Fits Within Mazro’s Recent Releases

Alive arrives after a run of tracks where Mazro leaned into polished builds, direct melodic phrases, and a festival-ready layout, as seen in earlier releases like Wild Frequencies and Hold Me Tight. Those tracks placed him within a lane of straightforward, big-room focused production, supported by labels and artists who have kept him on the radar across Spotify and Beatport. Alive continues in that line but applies a heavier, more driving structure that aligns with the Bigroom Techno direction he is now pursuing.

Across his catalog, Mazro has maintained an emphasis on rhythm, clarity, and accessible arrangement. Alive keeps those elements intact while pushing the percussion and synth work into a more forceful framework. This makes the track feel connected to what listeners already know from him, yet still marks a step that points to how his upcoming IDs might expand on this foundation.

Looking Ahead

Alive gives a straightforward view of where Mazro is heading as he moves into his Bigroom Techno focus. The track keeps the core elements that have defined his releases so far while pointing toward a clearer direction for the music he plans to share in 2026. With several IDs ready, Alive functions as the starting point for this next phase and offers listeners a sense of what they can expect from his upcoming work.

Pre-save the single here.

Continue Reading

Big Room House

RENESIS Explores Rebirth And Power In Her Futuristic Single ‘SAKURA’

Unknown's avatar

Published

on

GENESIS SAKURA

RENESIS releases “SAKURA,” a cinematic cyberpunk anthem inspired by rebirth and transformation, out now on Spotify and Beatport.

Los Angeles–based producer, singer, and DJ RENESIS continues to redefine the sound of futuristic electronic music with her standout single “SAKURA.” Fusing powerful basslines, glitched percussion, and soaring vocal textures, SAKURA embodies the beauty of transformation: the moment when fragility becomes strength, and chaos becomes creation.

Inspired by the Japanese cherry blossom that blooms for only a short time each year, SAKURA captures the idea of rebirth through impermanence. The track opens with delicate melodies that slowly give way to thunderous drops and metallic energy, reflecting the duality at the heart of the RENESIS sound – elegance meeting raw intensity in a neon-lit storm.

Supported by prominent names across the scene, including Extra Terra, Max Brhon, Rogue VHS, and Lazerpunk, RENESIS has quickly become one of the most compelling artists shaping the cyberpunk electronic movement. Her catalog has accumulated over one million streams worldwide, and her performances across the U.S., Canada, and Japan have showcased her ability to transform a stage into a full-blown cybernetic experience.

With SAKURA, RENESIS continues to blur the line between music and cinematic storytelling, delivering an anthem that feels both intimate and otherworldly.

Stream “SAKURA” now on all major platforms and step into the neon world of RENESIS.

Follow her journey on Instagram, Spotify, and YouTube for the next chapter of her expanding cyberpunk universe.

Stream and Download ‘Sakura’ Now:

https://www.beatport.com/release/sakura/5120021

RENESIS Online

Spotify | Instagram | Beatport

Continue Reading

Big Room House

For Labels and Artists: WARM radio data is driving innovation, networking and growth in the Dance Music Scene

Unknown's avatar

Published

on

As we move into the last quarter of 2025, it’s clear that radio continues to play a pivotal—yet often underestimated—role in shaping the global music landscape.

WARM is redefining how radio airplay data powers the dance music industry—turning plays into insights that fuel growth for labels, artists, and promoters. 

WARM (We Are Radio Monitoring) is a global platform that provides real-time tracking and analysis of radio airplay across thousands of stations worldwide. Designed for artists, labels, publishers, booking agencies, and other music professionals, the tool delivers detailed data on where and when a song is played, offering insights into geographic reach, frequency, and market response. 

By collecting and organising this information into personalised reports, WARM enables users to identify patterns that might otherwise go unnoticed, such as unexpected spikes in catalogue plays, regional trends, or the impact of viral moments on traditional media.

Trusted by Ninja Tune, Defected, Good Intent and other companies in the market, WARMM trackS global radio spins across more than 22.000 stations worldwide. WARM provides professionals with the tools to spot trends, measure impact, and expand their reach. In 2025, the company paired this data with new charts, a global radio show, and industry events, cementing radio’s role as a driver of visibility and connection in electronic music. 

The Global Dance Radio Chart became a weekly radio show broadcasted by more than 40 radio stations worldwide

WARM has partnered up with Syndicast to produce a weekly dance radio show based on the top20 global dance radio chart, hosted by Rudy Cassago and Lele Zambe.

The show has been running now for 5 weeks, and already has +2 mio listeners via 40+ radio shows. The show is broadcasted on radios like: Moove Ibiza radio, Pulse, Beat and Primal Fm, as well as multiple podcasts. Radios can join the network here.

Using the charts as foundation for a radio show opens up much more value for the artists and labels, as they not only get the recognition through being on the charts, they also get additional radio plays on the radios that have added the weekly show, as well as actual mentions by the radio hosts. 

The global dance radio chart is curated through 160 dance-focused radios, based on 24/7 monitoring across 30 countries, and continues to serve as the ultimate barometer of what’s truly resonating in global dance music. The chart is based on radios such as: 538 dance department, Rinse, Dublab, Ibiza Sonica, Loca FM and BBC1.

African Radio Chart: Spotlight on Continental Gems

Launched as part of our global genre-based series, the African Chart reflects the most played radio tracks across the continent, combining real-time airplay data from major broadcasters and key 650 stations. It serves as a vital link between Africa’s dynamic music scenes and the wider international market—enabling artists, labels, and tastemakers to spot emerging hits and regional movements early. The chart offers timely insights into the sounds shaping the future.

“The first 6 months of the year have been hectic to say the least. We began the year with launching both 3 new radio airplay charts, a radio show, a new dance music conference in Lisbon, our annual IMS pre-mixer at IMS as well as a new subscription model and an API for bigger customers. I can’t wait to release what we have for H2, which includes various product updates, conferences and events. A big thanks goes out to all our customers and partners who value accurate radio data. Let’s keep pushing for transparency and clarity around radio”, says Jesper Skibsby (picture) CEO and Founder of WARM.

Events play a key role on WARM’s initiatives:

get WARM conference: Lisbon

WARM presented its first conference and it was a successful debut in Lisbon that has established the event as a key meeting point for global and local professionals in the electronic music industry. 

Held on April 5th, the event brought together artists, label executives, promoters, and rights organizations for a full day of panels, workshops, and networking. With discussions ranging from music rights and artist development to mental health and international promotion, WARM offered a unique platform for meaningful dialogue and practical insights.

Leading industry players such as Beatport, Labelworx, Unison and Groover contributed to the program, reinforcing the event’s relevance on both local and international levels. The strong turnout and positive feedback underscore the growing importance of collaborative spaces that bridge regional talent with the global music ecosystem. The second edition will be announced for April 2026.

WARM Villa @ IMS x Beatport, Ibiza

The first half of 2025 was highlighted by an electrifying pre‑IMS (International Music Summit) gathering: WARM Villa @ IMS Ibiza, organized in partnership with Beatport. As a flagship event in April, it united artists, industry visionaries, and media influencers to discuss the evolution of dance radio, the path to global hits, and the power of real‑time airplay data.

This gathering not only fostered meaningful connections but also reinforced WARM’s identity as a data-driven thought leader in dance music. 

New subscription model and API is now available

WARM launched a new subscription model for all new users, which offers more features, more historical data, better pricing and a better user experience. The trial has been upgraded to 30 days, where you can select any songs in the world, and keep track of the radio airplay. 

At the same time, we have released an enterprise API for customers with bigger catalogs or integrations.

In the Press

WARM’s insights and charts have gained international visibility, with recent features in DJ Mag, EDM House Network, Mixmag and several other respected media outlets across Europe, the Americas, and Africa. These spotlights reflect the growing relevance of radio airplay data in today’s music ecosystem and reinforce WARM’s position as a trusted resource for tracking and understanding global music trends.

What’s next?

  • Global Dance & African Charts every Friday—delivered straight to your inbox for free.
  • Stay tuned for the upcoming H1 2025 Global Dance Insights Report, which breaks down the top100 most played dance tracks.
  • You can meet the WARM team at various industry events in H2
    We will be at ADE (NL), SHIP (CRO), Reeperbahn (GER) so reach out if you want to meet us

Subscribe now to get weekly access to both charts and ensure you’re the first to know what’s trending on radio globally.

Continue Reading

Trending